and furniture-making in Pampanga, it is Macabebe town which is known as the home of santeros. A santero is a craftsman who uses wood, ivory, cement or fiberglass to produce an ecclesiastical art piece known as santo, usually an image of Christ, the Blessed Virgin Mary or a saint.
Pablo “Ambo” Bautista, a local businessman, is credited with
promoting santo-making in the town by gathering local artists and putting them to work in a talyer he opened just for them. Sons Antonio (a painter) and Gener (a carver) further grew the business and improved the craft of santo making. This inspired other carvers to put up shops that soon proliferated along the whole stretch of the town’s main road.
Others found their way in the other towns of Pampanga. U.P.
Fine Arts graduate Maximiano Jingco also set up a pre-war religious statuary shop in Guagua. Second and third generation carvers continued the santo tradition like Rolando and Boyet Flores (from the Flores family of Sta.Ursula), while a new breed of highly trained carvers came to fore—Nick Lugue (Apalit).Wilfredo Layug (Betis), Joseph Magcalas (Apalit) , Joed Miclat (San Luis) and the Viray brothers (Bacolor).
THE PHILIPPINE SANTO TRADITION
The devotion of Filipinos to their Catholic religion does not only revolve around the church and its rituals but also on images of veneration known as "santos". Introduced during the Spanish colonial times, santos, often of wood or precious ivory, are sacred to most Filipinos, lavishly processioned during Lent, fiestas and other holidays. Whether they be products of unschooled hands or of trained master carvers, santos have come to be cherished as part of every Filipino family's home. These treasured images of faith and celebrates the exuberant art of the Filipino santero that still lives on today.