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Script Hossein Amanat
Script Hossein Amanat
Hossein Amanat
of Tehran, a young architect won a nationwide competition in 1966 to design the Shahyad Tower
in Tehran (renamed Azadi Tower after the revolution in 1979), which has become a symbol of
Iran. Mr. Amanat had to flee Iran in 1979 because he was a member of prosecuted Baha' i Faith.
He moved to Vancouver, where he opened his architecture firm Amanat Architect, where his
practice has expanded and diversified. "In his designs, Hossein demonstrates his particular skill
for the application and combination of diverse cultural themes in the creation of distinctive
A design competition in 1966 was a part of 2500 years of the Iranian Kingdom celebration, a
celebration of the history of Iran. Inspired by his childhood memories of Iranian historical places,
Hossein participated in the competition and won. Hossein Amanat selected traditions and
precedents from Iranian Architecture to represent the connection between the culture, history,
and people. In the design development for Azadi tower, shown here on the right, he looked at the
precedents from Sassanid dynasty architecture and Islamic Architecture of Iran after the 11th
century. He incorporated two main symbolic elements in his design of the Azadi tower- a round
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V. Kalugina Hossein Amanat
arch and a pointed arch, that are highlighted on this picture on the right. Where a round arch
comes from a precedent of Taq Kasra, a structure from the Sassanid empire era, shown on the
left. It is considered a symbol of the history and civilization of ancient Persia, that is now lost. At
the time built in the 3rd century AD, it was the second-largest single-span brickwork vault. The
arched Iwan hall was a part of the imperial palace complex in Ctesiphon, modern Iraq, a capital
of the Persian Empire for centuries. Many assume that an emperor's throne room was located
The pointed arch was an inspiration by the Vakil mosque in Shiraz, shown here in the center. It
was built during the Iranian Qajar dynasty's rule in 1773. Being a recognizable design element
from the Islamic architecture of Iran after the 11th century, a pointed arch serves a symbolic
In his projects, Mr. Amanat values the beauty of geometry and uses it as a powerful tool in his
designs. The ornamental grid shape with turquoise mosaics takes its concept from the Vakil
mosque ornament as shown here on the left image. The geometric ornament creates a sense of
unity and timelessness and serves as a connection between symbolic arches, which can be
The geometric ornament of the landscape directly talks to the ornament on the tower, where they
all point to the monument, as shown on the left image here. The raised platform underneath the
tower represents the significance and value of the history and culture of the nation.
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V. Kalugina Hossein Amanat
Water has always been an important element of Iranian architecture and its gardens, which
symbolizes life and a reflection of divine light. Hossein Amanat took a great approach to the
incorporation of water feature in his design and made the water be the pathway to the tower as
Another great project of Hossein Amanat is the Shrine of Abdu'l-Baha in Haifa, Israel. The
project started in 2019 and remains under construction. The monument will honor Abdu'l-Baha
and will reflect his teachings, unity of God, and humility. The design development of the Shrine
was inspired by the Iranian heritage, culture, architecture, and the Baha's faith itself to reflect
The ornamental geometry of the landscape refers to the symbol of unity of nine religions in
Baha'i Faith- a nine-point star, shown here in the center. The geometric pattern refers to the
traditional design ornaments of Iran as well, shown on this left image of Vakil mosque in Shiraz.
The dynamic design of the monument is simple and complex at the same time, which has a direct
reference to the Architecture of Iran after the 11th century. Also, it has a direct connection to the
Azadi tower landscape design as well, where a complex geometric ornament unfolds. The
entrance to the Shrine is marked with a round arch and a pathway, leading to the entrance
underneath the arch. Similar to the Azadi tower, the round arches symbolize the history of
Persian culture and people before Islam. The sacred shrine is located under the ornamental
landscape design. Intentionally, it can only be seen if a person walks through the path.
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V. Kalugina Hossein Amanat
Natural stone is incorporated in a unique way, where the stone panels intersect and interact with
each other, creating a mesmerizing, complex geometric structure, shown on the image on the
right. Hossein Amanat drawn this concept from complex muqarnas ornaments, shown here on
the center image from the Vakil Mosque in Shiraz, which symbolizes unity and order. The
construction serves as a skylight and provides plenty of natural light to the shrine area
underneath the ground. Hossein Amanat also used pointed arch vaults in his design as shown on
the image on the right. Another design element inspired by Iranian architecture after the 11th
century is a vault openings with stained glass mosaic. Like the Azadi tower, Mr. Amanat
incorporated water features in his design of the Shrine. A water pool in a shape of a star sits right
on top of the shrine and serves as a center point for the landscape ornament.
Conclusion
Hossein Amanat selected Traditions and Precedents from Iranian Architecture after the 11th
century and ancient Persia to represent the connection between the culture, history, and people.
In these two projects, Hossein Amanat brought multiple design elements together to create a
symbol of Iranian civilization and culture in his modern design. In these two projects, the
architect kept the main concept of overall simple and complex geometry elements, also
incorporated some traditional Iranian architectural elements that were developed and adapted in
Iran thought history, such as arches, vaults, muqarnas, water, and glass and tile mosaics.
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V. Kalugina Hossein Amanat
Bibliography
1. David Douglass-Jaimes. "AD Classics: Azadi Tower / Hossein Amanat" 30 Sep 2018.
ArchDaily.
https://www.youtube.com/watch?v=irGjgBzTjII
5. Rayyan Sabet. September 20, 2019. “Design concept for the Shrine of ‘Abdu’l-Baha
6. Tavasoli, Ehsan, Matlabi, Qasem, AND Tatari, Solmaz. August 30, 2014. "Art of
Architecture and Design for Urban Art Spaces: Case Study of Tehran" European
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V. Kalugina Hossein Amanat
Image References
https://en.wikipedia.org/wiki/Hossein_Amanat
https://en.wikipedia.org/wiki/Taq_Kasra
https://asianitinerary.com/the-vakil-mosque/
https://acei-global.blog/2012/03/02/from-iran-to-irangeles-a-tribute-to-iranian-
americans/
https://asianitinerary.com/the-vakil-mosque/
https://photostockeditor.com/image-rf/azadi-tower-in-azadi-square-in-the-iranian-
capital-tehran-1321729376
https://www.pinterest.com/pin/389561436487227729/
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V. Kalugina Hossein Amanat
https://commons.wikimedia.org/wiki/File:Azadi_tower,_Tehran,_Iran_(April_2016).jpg
https://asianitinerary.com/the-vakil-mosque/
10. “Baha’i start of nine religions”. Learn Religions. March 30, 2019
https://www.learnreligions.com/bahai-faith-symbol-gallery-4122677
https://news.bahai.org/story/1353/slideshow/3/
https://www.itto.org/iran/attraction/Vakil-Mosque/
https://news.bahai.org/story/1353/slideshow/3/
https://www.itto.org/iran/attraction/Vakil-Mosque