Elephant

Tame Impala Kevin Parker

4
 4                  
P.M.
 = 118
Lonerism

     
                    
Guitar

4        
4


Vocals

 44             
Well he feels like an

                     
Bass

4
 4    
Drums         

4   
Lead Synth 4

4   
Synth Pad 4

          
P.M.

              
4

                      
              
   

             
el- e- phant shak- ing his big gray trunk for the hell of it He

                      
        
     
  


  

                
P.M.

       
7

                     
 
             

           
knows that you're dream- ing a- bout be- ing o- ver hi- m

 
                      
            

   

   


                         

P.M.

           
10 3


3

             
 
         
3 3

          

      
Too bad your chanc- es are slim

 
3 3

               
              

   


   


2
           
P.M.

             
14

                    
          
 

             
And it's not like mis- ter shook to get

                     
              

   

   

                 
P.M.

      
17

                    

                 

           
shy when they ask him who is un- der There must be some- thing deep

  
                      
              

  


  


3
                         
P.M.
20

                       
 
         

            
down 3
in the mid- dle down there

 
3

                       
            

   

   


                 
  
P.M.

                  
23 3


3

            
 
         
3 3

      
     
      
He's not too eas- i- ly scared

 
3 3

              
               

   


   


4
  
P.M.

                     
27

                     
               
   

            
He's got friends but they have fear Who don't care too much if he just

                      
            

   

   

                        
P.M.
30

                    

                  

       
  
dis- a- ppeared Oh look see there he is now com- ing down the sta- irs

    
3

                     
              

  


  


5
 
                
P.M.

    
33

                    
   
  

              
  
                    
     


   
     

     

     


 
P.M.


38

            
        


              
Here it comes

         

            

            

  
    

3 3 3

6
 
P.M.


42

              
   


     
          
           
        
       
  
               
3 3



     
       
3 3

  
P.M.
46

              
   


              
  
          
                
            
   
    
   
  
3 3 3
3

7
 
P.M.

   
50

               
   


          
  
    
   
          
 
      
3


     

      
3


P.M.
54

                   
   


              

          

            


             
   
   

3 3 3 3

8
 
P.M.


58

              
   


     
          
           
               
      
 
                    
3 3 3
3 3 3 3



     
       
3 3 3

  
P.M.
62

              
   


              
  
        
               
       
    
   
3

    
   
  
3 3 3
3

9
 
P.M.

     
66

       
    


                  
 
          
  
         
      
 

         



 
3


P.M.
71

                   
    


                
   
    
                    
                  
 
    
   
   

10
 
P.M.
76

               
   


    
           
   
              
   3 3 3   
  
 
3 3 3

      
     
 


3


P.M.

   
80

               
    


                 
  
          
                    
             


    
   

11
                   
P.M.

     
85

                    
         


             
He pulled the mir- rors off his

                     
              

   

   

          
P.M.

              
88

                      

   

               

             
Cad- ill- ac yeah cause he does- 'nt like it look- ing like he looks back He

                      
             

  


  


12
                
P.M.

       
91

                     

             

           
talks like his op- in- ion is a sim- ple fa- ct

 
                      
            

   

   

         
P.M.

             
94

                     
        


            
Some- bo- dy grabbed his col- lar

                      
              

  

3

  


13
                  
P.M.

       
97

                    
      
        

            
he cried the whole way home He won't re- mem- ber a

 
                     
             

   

   

        
P.M.

               
100

                       
   
     

            
thing till they start a- ga- in

                       
            

  


  


14
              
P.M.


103

   
3

 
3

        
3 3

 
   
That's how it is till the end

  
3 3

                 
 

  
I'm not tab out this fill.
bing

  


    
 
  
P.M.

          
105

          
    
  

             
Yeah


             
                  

   

3

   


15