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I AM MY NIKKOR

www.mynikkor.com
See Through Different Eyes
Every photographer is unique. Whatever your ideas, experience or creative vision,
there is a NIKKOR lens to draw out your potential. Each product in the lineup represents
the pride and craftsmanship that only an optical manufacturer can understand,
delivering a level of clarity and reliability that every passionate photographer can appreciate.
How will you see the world? Let NIKKOR show you.
Wide-angle zoom

Ultra-wide-angle zoom lens for dynamic perspectives

AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED


© Jon Dickson
AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED

PHOTOGRAPHER: JON DICKSON


I’m always on the watch for unique atmospheric conditions and weather to turn my next photo into a classic, whether
it’s lightning, the Northern Lights, or an epic sunset gracing the background. At the heart of my photography is natural
beauty. I want others to see that and the beauty we currently have in this world, and to strive to protect what natural
spaces we have remaining.

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Explore the extremes of photography with the ultra-wide-angle coverage of this practical zoom lens. With the widest end of 10mm covering
a 109° angle of view, this lens delivers dramatic perspectives to give your photography a creative edge. Close-up shooting capability and
minimized distortion also add to its appeal.

DX

Lens construction: 14 elements in 9 groups


Minimum focus distance: 0.24 m/0.8 ft (AF)
0.22 m/0.7 ft (MF)
Maximum reproduction ratio: 0.20×
Filter-attachment size: 77 mm
Accessories: Hood HB-23 / Case CL-1118

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Wide-angle zoom

An optical masterpiece: widest at 14mm with fixed f/2.8

AF-S NIKKOR 14-24mm f/2.8G ED


© Preecha Sakhonphantharak
AF-S NIKKOR 14-24mm f/2.8G ED

PHOTOGRAPHER: PREECHA
I believe that photography is meant to evoke emotion. I aim to create a sense of wonder and amazement about the
natural world through my work. I am constantly on the lookout for new, amazing places that will encourage people to
venture out, to travel and discover new sights through their lens.

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With a fixed maximum aperture of f/2.8, this award-winning professional lens delivers edge-to-edge sharpness across the frame. Nano Crystal
Coat and ED glass ensure outstanding contrast, even in backlit conditions. With its quality and reliability, this is an essential glass for professional
photographers-everywhere.

Lens construction: 14 elements in 11 groups


Minimum focus distance: 0.28 m/0.90 ft
(with focal length 18-24mm)
Maximum reproduction ratio: 0.14×
Filter-attachment size: Filter cannot be attached
Accessories: Built-in hood / Case CL-M3

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Wide-angle zoom

Sharp, ultra-wide-angle zoom with VR

AF-S NIKKOR 16-35mm f/4G ED VR


© Ading Attamimi
AF-S NIKKOR 16-35mm f/4G ED VR

PHOTOGRAPHER: ADING ATTAMIMI


As a travel photographer dabbling in both landscape and street photography, I always try to inspire people to travel the
world through my work. I wish that the world, with its abundance of sights to behold, could be captured in a single
frame. To me, most of the work in creating an image comes as part of the necessary preparations before releasing the
shutter. This preparation work is just as important to me as the final outcome of the image.

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This versatile ultra-wide-angle zoom covers a broad range, with Vibration Reduction (VR) that provides an effect equivalent to a shutter speed
2.5 stops* faster to enable stable handheld images at slower shutter speeds in places such as interiors and night scenes. Ideal for travel and
documentary work.

Lens construction: 17 elements in 12 groups


Minimum focus distance:0.29 m / 1.0 ft
(at a focal length of 16mm or 35mm)
0.28 m/0.9 ft
(at a focal length between 20mm and 28mm)
Maximum reproduction ratio: 0.25×
* Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set Filter-attachment size: 77 mm
at the maximum telephoto position. Accessories: Hood HB-23 / Case CL-1120

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Normal zoom lens with superior depiction and high mobility

AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR


Normal zoom
© Raymond Kam
AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR

PHOTOGRAPHER: RAYMOND KAM


In my 25 years of photography, the art has provided me with a lot of happiness and fulfilment, and has given me a
chance to communicate with people. Capturing Hong Kong is just like photographing a person – it is both dynamic and
beautiful. I can capture these elements in one shot and showcase the beauty of a city that is fondly known as “The
Pearl of the Orient”.

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Remarkably lightweight 5× normal zoom lens with a maximum aperture of f/2.8 at the maximum wide-angle position. This high-performance
lens adopts the latest technologies such as Nano Crystal Coat, fluorine coat and electromagnetic diaphragm – all are firsts for DX-format lenses.
Vibration Reduction (VR) provides an effect equivalent to a shutter speed 4.0 stops* faster in Normal mode. Utilizing its excellent rendering and
superior mobility, enjoy capturing amazing photos during travels.

DX

Lens construction: 17 elements in 13 groups


Minimum focus distance: 0.35 m/1.15 ft
Maximum reproduction ratio: 0.22×
Filter-attachment size: 72 mm
* Based on CIPA Standard. This value is achieved when attached to a DX-format digital SLR camera, with zoom set Accessories: Hood HB-75 / Case CL-1218 (optional)
at the maximum telephoto position.

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DX-format, ultra-high-power 16.7× zoom lens with VR

AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR


Normal zoom
© Mohsin Abrar
AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR

PHOTOGRAPHER: MOHSIN ABRAR


My passion for photography started five years ago, when I had to relocate due to my job. I love to travel and unravel
the untold stories behind faces and places, so naturally, storytelling through pictures about people and places is my
dominant style. My style is fairly simple, to present nature and people in their purest forms. I am constantly striving to
create pieces of art, which inspire people to discover.

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Despite having an unprecedented approx. 16.7× zoom capability, this lens offers consistent image quality throughout its broad range. You can
even shoot handheld at 300 mm super-telephoto, thanks to built-in Vibration Reduction (VR) which provides an effect equivalent to a shutter
speed 3.5 stops* faster. Experience a truly all-round performance lens that is ideal for travel and events.

DX

Lens construction: 19 elements in 14 groups


Minimum focus distance: 0.45 m/1.48 ft (at 300mm focal length)
Maximum reproduction ratio: 0.31×
Filter-attachment size: 77 mm
* Based on CIPA Standard. This value is achieved when attached to a DX-format digital SLR camera, with zoom set Accessories: Hood HB-58 / Case CL-1120
at the maximum telephoto position.

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Fast normal zoom lens with an aspherical ED glass element

AF-S NIKKOR 24-70mm f/2.8E ED VR


Normal zoom
© Dany Eid
AF-S NIKKOR 24-70mm f/2.8E ED VR

PHOTOGRAPHER: DANY EID


Each image I shoot is not considered a subject, but a story that I capture with my lens. My spark of passion for
photography was set off when I left my hometown to explore the Middle East. Fuelled by the huge diversity the
region had to offer, along with my melancholy for my hometown, I was inspired to document my personal experiences
through photography.

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An aspherical ED glass element – a first for NIKKOR lenses, ED glass and HRI lens elements plus Nano Crystal Coat are employed to achieve
remarkably high optical performance. Evolved Vibration Reduction (VR) provides an effect equivalent to a shutter speed 4.0 stops* faster in
NORMAL mode. Other notable features include an electromagnetic diaphragm mechanism, fluorine coat, and highly durable body.

Lens construction: 20 elements in 16 groups


Minimum focus distance: 0.38 m/1.25 ft
(at 35-50mm focal length),
0.41 m /1.35 ft
(at 24, 28, 70 mm focal lengths)
Maximum reproduction ratio: 0.28×
* Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set Filter-attachment size: 82 mm
at the maximum telephoto position. Accessories: Hood HB-74 / Case CL-M3

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Practical standard zoom lens with VR and Nano Crystal Coat

AF-S NIKKOR 24-120mm f/4G ED VR


Normal zoom
© Elliot Lee
AF-S NIKKOR 24-120mm f/4G ED VR

PHOTOGRAPHER: ELLIOT LEE


Every picture has a story to tell, a story in which I try to immerse my audience – taking people into a scene and allowing
them to feel as if they are right there in that very moment. My photography journey began with shooting landscapes
and wide spaces, which still remain my favourite subjects till this day, born out of a love for sharing my travels with
others.

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This versatile 5× zoom lens delivers stunning image quality at any aperture or focal length, while the Nano Crystal Coat reduces ghosting
and flare effects. Built-in Vibration Reduction (VR) provides an effect equivalent to a shutter speed 3.5 stops* faster. A standard zoom lens of
exceptional utility and value for FX-format users.

Lens construction: 17 elements in 13 groups


Minimum focus distance: 0.45 m/1.5 ft
Maximum reproduction ratio: 0.24×
Filter-attachment size: 77 mm
* Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set Accessories: Hood HB-53 / Case CL-1218
at the maximum telephoto position.

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Versatile, high-powered 10.7× zoom with VR

AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR


Normal zoom
© Shanof Mohammed
AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR

PHOTOGRAPHER: SHANOF MOHAMMED


Being a Travel and Landscape photographer, the AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR has been my lens of
choice for quite a long time. The beauty of this lens is that it can be used for any genre of photography be it landscapes,
portraits, architecture etc. due to its varying focal lengths from wide angle to telephoto. It’s a beautiful glass that is
really fast and produces high quality sharp images.

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A powerful zoom lens optimized for FX-format cameras. This lens offers outstanding sharpness for a broad focal length range while maintaining
an f/5.6 aperture at the telephoto end. Built-in Vibration Reduction (VR) provides an effect equivalent to a shutter speed 3.5 stops* faster. A
remarkably versatile zoom lens best suited for travel and many outdoor applications.

Lens construction: 19 elements in 14 groups


Minimum focus distance: 0.5 m/1.6 ft
Maximum reproduction ratio: 0.31×
Filter-attachment size: 77 mm
* Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set Accessories: Hood HB-50 / Case CL-1120
at the maximum telephoto position.

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Agile and reliable, fast telephoto zoom lens for professionals

AF-S NIKKOR 70-200mm f/2.8E FL ED VR


Telephoto zoom
AF-S NIKKOR 70-200mm f/2.8E FL ED VR © Joseph Anthony

PHOTOGRAPHER: JOSEPH ANTHONY


I like to push beyond the limits – the most interesting things in photography happen when I’m testing the boundaries.
That was the mindset I took with me on my assignment to Sri Lanka, which allowed me to discover new things I could
do with my NIKKOR lens and opened up a whole new world of creative possibilities.

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This fast f/2.8 telephoto zoom with reduced weight enables highly agile shooting in diverse situations. Movable parts and other sections are
sealed to maximize dust- and drip-resistant performance. Further enhanced optical performance is realized with a newly developed optical
system and the adoption of fluorite, ED glass, HRI lens elements and Nano Crystal Coat. The VR system that provides an effect equivalent to
a shutter speed 4.0 stops* faster in NORMAL mode also features SPORT mode. AF drive and AF tracking performance have been enhanced,
while stable AE control is obtained with the adoption of an electromagnetic diaphragm mechanism.

Lens construction: 22 elements in 18 groups


Minimum focus distance: 1.1 m/3.61 ft
Maximum reproduction ratio: 0.21×
Filter-attachment size: 77 mm
* Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set Accessories: Hood HB-78 / Case CL-M2
at the maximum telephoto position.

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Significantly refined: an essential telephoto zoom lens

AF-S NIKKOR 70-200mm f/2.8G ED VR II


Telephoto zoom
© Subodh Shetty
AF-S NIKKOR 70-200mm f/2.8G ED VR II

PHOTOGRAPHER: SUBODH SHETTY


Having first started with a curiosity for long exposure photography, I've focused on travel & portrait photography, which
has been quite a ride ever since. Though gears change as years pass, the passion and burning desire for image creation
remains the same. Recently, I have dedicated my recent travels to India. It is hard to explain in words how much India
has to offer for photographers, the essence of which I try to accurately showcase through my work.

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Optimized for FX-format cameras, the resulting images deliver stunning detail and contrast across the entire frame when taken at any focal
length or aperture. What's more, the lens comes equipped with enhanced AF performance, Vibration Reduction (VR) which provides an effect
equivalent to a shutter speed 3.5 stops* faster and Nano Crystal Coat to reduce ghosting and flare effects, broadening your shooting potential
and giving photographers added confidence when shooting in challenging situations.

Lens construction: 21 elements in 16 groups


Minimum focus distance: 1.4 m/4.6 ft
Maximum reproduction ratio: 0.12×
* Based on CIPA Standard. The value is achieved when: DX-format lenses are attached to a DX-format digital SLR Filter-attachment size: 77 mm
camera, FX-format compatible lenses are attached to an FX-format digital SLR camera, and zoom lenses are set at Accessories: Hood HB-48 / Case CL-M2
the maximum telephoto position.

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Portable telephoto zoom with a powerful 300 mm reach

AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED


Telephoto zoom
© Catalin Marin
AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED

PHOTOGRAPHER: CATALIN MARIN


As a wildlife photographer, I dedicate a lot of my time to observing my subjects from a distance and thinking of ways to
properly photograph their beauty in their natural habitat. The world and all its fantastic creatures that I see through my
lens is a rare and precious sight to behold, and a perspective I like to convey to my audience.

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Whether you shoot in DX format or FX format, this portable zoom lens offers impressive versatility with the maximum focal length of 300mm.
Its approx. 4.3× zoom range and Vibration Reduction (VR) providing an effect equivalent to a shutter speed 2.5 stops* faster add to its utility for
most telephoto shooting opportunities. This lens produces beautiful, clear, high-contrast images.

Lens construction: 17 elements in 12 groups


Minimum focus distance: 1.5 m/4.9 ft
Maximum reproduction ratio: 0.25×
* Based on CIPA Standard. The value is achieved when: DX-format lenses are attached to a DX-format digital SLR Filter-attachment size: 67 mm
camera, FX-format compatible lenses are attached to an FX-format digital SLR camera, and zoom lenses are set at Accessories: Hood HB-36 / Case CL-1022
the maximum telephoto position.

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Long-range, 400mm zoom lens with VR

AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR


Telephoto zoom
© Waran Suwanno
AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR

PHOTOGRAPHER: WARAN SUWANNO


To me, life is best enjoyed on two wheels. Whether on land or underwater, the beauty of nature is timeless, and
waiting to be shared with the world. Even though I'm constantly on the move, I always take my time with my
photographs, waiting from ten minutes to five hours just for that perfect shot. I am often intrigued by the physics of
light and how it can be reflected and scattered, changing the way colours appear in nature at different times of the day.

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This 5× telephoto zoom is ideal for shooting sports, birds, aircraft and landscapes. Its superior optical performance is due in part to its one Super
ED and four ED glass elements, as well as its Nano Crystal Coat. Vibration Reduction (VR) is integrated to offer an effect equivalent to a shutter
speed 4.0 stops* faster.

Lens construction: 20 elements in 12 groups


Minimum focus distance: 1.75 m/5.74 ft (AF) ; 1.5 m/4.92 ft (MF)
Maximum reproduction ratio: 0.17× (AF) ; 0.19× (MF)
Filter-attachment size: 77 mm
* Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set Accessories: Hood HB-65 / Case CL-M2
at the maximum telephoto position.

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Super-telephoto zoom lens with superb optical performance and VR

AF-S NIKKOR 200-500mm f/5.6E ED VR


Telephoto zoom
AF-S NIKKOR 200-500mm f/5.6E ED VR © Shaun Ho

PHOTOGRAPHER: SHAUN HO
As a former national athlete, nothing gives me greater joy than capturing the essence of sportsmanship through
images. With the AF-S NIKKOR 200-500mm f/5.6E ED VR, I am able to get up close and personal with the athletes
that I am tasked to photograph and create an image that spectators would not be able to otherwise witness from the
stands.

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Adoption of ED glass elements achieves superior optical performance with minimal chromatic aberration throughout the entire zoom range. The
Vibration Reduction (VR) system providing an effect equivalent to a shutter speed 4.5 stops* faster in NORMAL mode employs SPORT mode
as a VR mode option to cope with capturing quick moving subjects. Stable AE control is ensured even during high-speed continuous shooting via
the adoption of an electromagnetic diaphragm mechanism, enabling the capture of decisive moments.

Lens construction: 19 elements in 12 groups


Minimum focus distance: 2.2 m/7.22 ft
Maximum reproduction ratio: 0.22×
Filter-attachment size: 95 mm
* Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set Accessories: Hood HB-71 / Case CL-1434
at the maximum telephoto position.

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Strikingly crisp, f/1.8 prime for DX users

AF-S DX NIKKOR 35mm f/1.8G


Fixed focal length
© Fiona Sng
AF-S DX NIKKOR 35mm f/1.8G

PHOTOGRAPHER: FIONA SNG


Photographs speak volumes about people and lets us re-live all the precious moments and raw emotions for years
to come. I like to keep things real, natural, and allow my subjects to be themselves during the session with minimal
disruptions and instructions on posing. By embracing the differences in all individuals, we endeavour to tell their stories
and personalities through the form of storytelling. Sometimes, the best images happen in the least expected situation.

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Optimized for DX-format DSLR cameras, this lens delivers both the superb sharpness and smooth bokeh you expect from a prime lens, making
it particularly suited for portraits. The fast aperture ensures more photo opportunities in low light.

DX

Lens construction: 8 elements in 6 groups


Minimum focus distance: 0.3 m/0.98 ft
Maximum reproduction ratio: 0.16×
Filter-attachment size: 52 mm
Accessories: Hood HB-46 / Case CL-0913

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Compact, ultra-wide-angle lens for elaborate expression

AF-S NIKKOR 20mm f/1.8G ED


Fixed focal length
© Martha Suherman
AF-S NIKKOR 20mm f/1.8G ED

PHOTOGRAPHER: MARTHA SUHERMAN


Photography has been my passion since the year 2000. I love storytelling with my work, and I’m constantly challenging
myself to reach new levels of creativity. Photography enables me to share what I envision in my mind and translate it
into visual feats with the help of my camera and my lens. I particularly love landscape and fashion photography, and
sometimes a mix of both to create a unique image.

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This 20 mm lens enables photographic expression utilizing the shallow depth of field achieved at the maximum aperture of f/1.8. The
latest optical design technology delivers high resolution and superb point-image reproduction while minimizing chromatic aberration. ED
glass elements and Nano Crystal Coat ensure superior image quality.

Lens construction: 13 elements in 11 groups


Minimum focus distance: 0.2 m/0.66 ft
Maximum reproduction ratio: 0.23×
Filter-attachment size: 77 mm
Accessories: Hood HB-72 / Case CL-1015

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Superb optics with fast f/1.4 maximum aperture for amazing bokeh

AF-S NIKKOR 24mm f/1.4G ED


Fixed focal length
© Bhuminan P.
AF-S NIKKOR 24mm f/1.4G ED

PHOTOGRAPHER: BHUMINAN P.
Having the right photographic equipment with me while travelling fulfilled my childhood dream to recreate stunning views
of the night sky. The AF-S NIKKOR 24mm f/1.4G ED is a well-balanced wide angle lens that captures both the sprawling
landscapes as well as dreamy details of the nightscape. Handheld photography is not an issue with the lens, and produces
stellar quality even in low-light situations. This prime lens offers me opportunities to capture new perspectives, even with
out-of-focus areas.

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The greatest advantage of this versatile wide-angle lens is its amazingly beautiful bokeh at f/1.4 while covering an 84° angle of view with FX format
DSLR cameras. Its optical design reveals refined detail with minimal aberration. In addition, Nano Crystal Coat effectively reduces ghost and flare
effects in harsh lighting conditions.

Lens construction: 12 elements in 10 groups


Minimum focus distance: 0.25 m/0.82 ft
Maximum reproduction ratio: 0.18×
Filter-attachment size: 77 mm
Accessories: Hood HB-51 / Case CL-1118

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Wide-angle f/1.4 prime with stunning clarity

AF-S NIKKOR 35mm f/1.4G


Fixed focal length
© Javan Ng
AF-S NIKKOR 35mm f/1.4G

PHOTOGRAPHER: JAVAN NG
My penchant for traveling blends wonderfully with my passion for photography. Traveling offers me different
perspectives at every corner. I constantly look for light, colours, contrast, and interesting points of view when roaming
the city. I get my inspiration from exploring both foreign and familiar lands, taking in the culture and the beauty, and
replicating all that in stills for everyone to experience.

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The legendary manual-focus NIKKOR 35mm f/1.4 has now been upgraded to an AF-S lens with the latest digital technology. This lens achieves
a remarkable level of coma aberration correction in order to deliver stunning images, even at a wide-open aperture. Nano Crystal Coat drastically
reduces ghost and flare effects when shooting wide-angle, where the possibility of these effects can increase. A great choice for nature,
landscape, night scenes and astrophotography.

Lens construction: 10 elements in 7 groups


Minimum focus distance: 0.3 m/0.98 ft
Maximum reproduction ratio: 0.20×
Filter-attachment size: 67 mm
Accessories: Hood HB-59 / Case CL-1118

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Ultra-fast maximum aperture for exquisite sharpness and bokeh

AF-S NIKKOR 50mm f/1.4G


Fixed focal length
AF-S NIKKOR 50mm f/1.4G © Inecke De Kock

PHOTOGRAPHER: INECKE DE KOCK


I relate photography to telling a story of love and passion for life, a style which I have made my own through my work.
I believe that each person has a natural beauty about them, and my vision is to highlight that beauty and draw it out in
my pictures. Having studied Event Management specialising in Wedding Coordination, I appreciate the need for finer
details in special occasions to complete a picture.

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Expect outstanding image quality, great sharpness and high contrast at any aperture or focus distance. An ultrafast f/1.4 maximum aperture not
only creates attractive bokeh with its rounded 9-blade diaphragm, but also offers great low-light performance. Ideal for portraits, landscapes,
travel and more.

Lens construction: 8 elements in 7 groups


Minimum focus distance: 0.45 m/1.5 ft
Maximum reproduction ratio: 0.15×
Filter-attachment size: 58 mm
Accessories: Hood HB-47 / Case CL-1013

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Strikingly crisp, compact and approachable prime

AF-S NIKKOR 50mm f/1.8G


Fixed focal length
AF-S NIKKOR 50mm f/1.8G © Nelson Ng

PHOTOGRAPHER: NELSON NG
Photographing people has always been a passion of mine. From portraiture to sports and events, taking pictures of the
people around me is my way of seeing the world from various unique perspectives. Documenting culture in the region
is an important means of preserving and sharing the rich heritage and traditional arts of Asia for future generations to
enjoy.

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Remarkably light and compact body considering the fast f/1.8 maximum aperture and built-in SWM that enables smooth AF. This lens features a
newly designed optical system including an aspherical lens element, offering stunning sharpness and quality bokeh. A great choice for portraits,
still-life shots, low-light scenes and more.

Lens construction: 7 elements in 6 groups


Minimum focus distance: 0.45 m/1.48 ft
Maximum reproduction ratio: 0.15×
Filter-attachment size: 58 mm
Accessories: Hood HB-47 / Case CL-1013

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Fast lens with overwhelming rendering performance

AF-S NIKKOR 58mm f/1.4G


Fixed focal length
© Chonpiti Santivanitch
AF-S NIKKOR 58mm f/1.4G

PHOTOGRAPHER: CHONPITI SANTIVANITCH


Since I started to use this lens, I can see myself in a different angle. In the past, I only used wide angle lens because
of my love for landscape photography but now I narrow my focus to people around me, the society I live in, and just
the everyday life. I gradually accumulate experiences and seriously learn to take Street Candid photography until I have
found my real passion which makes me feel very happy.

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This prime lens achieves impressive scene description with high resolution and smooth, beautiful bokeh. Despite the fast aperture, sharp,
high-contrast images of distant subjects can be captured even at the maximum aperture. In addition, elaborately designed bokeh characteristics
depict subjects attractively, resulting in images with natural depth.

Lens construction: 9 elements in 6 groups


Minimum focus distance: 0.58 m/1.9 ft
Maximum reproduction ratio: 0.13×
Filter-attachment size: 72 mm
Accessories: Hood HB-68 / Case CL-1015

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Medium-range telephoto lens optimal for portraits

AF-S NIKKOR 85mm f/1.4G


Fixed focal length
AF-S NIKKOR 85mm f/1.4G © Kelvin Chan

PHOTOGRAPHER: KELVIN CHAN


Photography is all about sharing. As the world has so much more to offer than what most of us have seen or
experienced, I like to capture these images and share them for everyone to appreciate. Raising awareness through
photography helps to preserve these unique cultures and places before they are lost forever.

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Employing a re-designed optical system incorporating Nano Crystal Coat, this lens inherits an ultra-fast f/1.4 maximum aperture and a rounded
9-blade diaphragm for stunning bokeh. In addition, the refined MF driving mechanism reduces focus time lag and enables smoother operation in
M/A mode. Expect incredibly crisp yet natural image rendering for portraits, whether for studio work or other commercial shoots outdoors.

Lens construction: 10 elements in 9 groups


Minimum focus distance: 0.85 m/2.79 ft
Maximum reproduction ratio: 0.12×
Filter-attachment size: 77 mm
Accessories: Hood HB-55 / Case CL-1118

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Fast aperture, medium telephoto portrait lens for beautiful HD video

AF-S NIKKOR 85mm f/1.8G


Fixed focal length
AF-S NIKKOR 85mm f/1.8G © Ashraful Arefin

PHOTOGRAPHER: ASHRAFUL AREFIN


The AF-S NIKKOR 85mm f/1.8G has become my lens of choice for quite a time for it’s stellar optical quality and hardly
ever leaves my camera body. I got this lens to try some street and travel shots, but never thought it will be such a great
lens for my personal still life works. The best thing I love about this lens is the amazing wide aperture which helps me
get some beautiful dreamy backgrounds while maintaining crisp sharp focus on my subject.

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A medium telephoto portrait lens, the AF-S NIKKOR 85mm f/1.8G is suited to a wide range of shooting situations from stunning head and
shoulder portraits, to weddings, concerts and more. The fast maximum aperture of f/1.8 performs brilliantly under challenging lighting conditions
and delivers beautiful, natural background blur that brings out the best in any subject.

Lens construction: 9 elements in 9 groups


Minimum focus distance: 0.8 m / 2.62 ft
Maximum reproduction ratio: 0.124x
Filter-attachment size: 67 mm (P= 0.75 mm)
Accessories: Hood HB-62 / Case CL-1015

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Fast, prime medium-telephoto lens delivers amazing bokeh

AF-S NIKKOR 105mm f/1.4E ED


Fixed focal length
© Supawat Denamporn
AF-S NIKKOR 105mm f/1.4E ED

PHOTOGRAPHER: SUPAWAT DENAMPORN


I am particularly fond of shooting backlit photos – there is something about the dreamy lighting that exudes romance
yet mystery. I like to get creative with lighting and often opt for less-than-ideal light situations where I can use an
external flash. Memories from special moments such as weddings are worth more than anything. These are the little
things I look and live to capture.

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This fast, medium-telephoto lens provides a large and beautiful bokeh effect with smooth alteration from the focus plane, ensuring natural depth
of subjects, via the embodiment of NIKKOR’s unique design concept of “three-dimensional high fidelity”. Superior optical performance provides
high resolution even in the peripheral areas, sharp rendering of distant subjects even at the maximum aperture, and high reproduction capability
of point light sources.

Lens construction: 14 elements in 9 groups


Minimum focus distance: 1.0 m/3.3 ft
Maximum reproduction ratio: 0.13×
Filter-attachment size: 82 mm
Accessories: Hood HB-79 / Case CL-1218

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Prime telephoto lens employing a PF (Phase Fresnel) lens

AF-S NIKKOR 300mm f/4E PF ED VR


© House of Dancing Water
Fixed focal length
© Emil Tse
AF-S NIKKOR 300mm f/4E PF ED VR

PHOTOGRAPHER: EMIL TSE


I regard photography as both a powerful tool and medium to convey the interdependence of shared experiences that
bond us all as global villagers. With my accurate and reliable Nikon equipment, I am able to craft images that present
these remarkable moments while communicating my message through my work.

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This telephoto lens employs a PF (Phase Fresnel) lens element, a first in the NIKKOR lineup, to realize an outstandingly compact and light body
while effectively minimizing chromatic aberration. High optical performance is also ensured with an ED glass element and Nano Crystal Coat.
Vibration Reduction (VR) function provides an effect equivalent to a shutter speed 4.5 stops* faster in NORMAL mode. Ideal for capturing a
wide range of scenes such as sports, wildlife and portraits.

Lens construction: 16 elements in 10 groups


Minimum focus distance: 1.4 m/4.6 ft
Maximum reproduction ratio: 0.24×
Filter-attachment size: 77 mm
Accessories: Hood HB-73 / Case CL-M3 /
Tripod Collar Ring RT-1 (optional)
* Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera.

51
Remarkably high-performance super-telephoto lens

AF-S NIKKOR 400mm f/2.8E FL ED VR


Fixed focal length
AF-S NIKKOR 400mm f/2.8E FL ED VR © Daryl Balfour

PHOTOGRAPHER: DARYL BALFOUR


I have been a professional wildlife photographer for almost 30 years. I bought my first Nikon camera in 1973, and from
the Nikon F to the F5, along with many of the side-shoot bodies of those eras, I’ve used and paired my cameras with
most of the NIKKOR telephoto lenses.

52
This new-generation super-telephoto lens provides outstanding optical performance with minimized chromatic aberration. The weight of
approx. 3800 g is realized through the employment of fluorite lens elements for superior mobility. Vibration Reduction (VR) which provides an
effect equivalent to a shutter speed 4.0 stops* faster adopts a new “SPORT” mode that is particularly effective when shooting sports. Other
noticeable features include an electromagnetic diaphragm for stable exposure control even during continuous shooting, a highly reliable fluorine
coat applied to the lens front, and a tripod mount ring incorporating bearings for smooth operation.

Lens construction: 16 elements in 12 groups


Minimum focus distance: 2.6 m/8.5 ft
Maximum reproduction ratio: 0.17×
Filter-attachment size: 40.5 mm
Accessories: Hood HK-38 / Case CT-405
* Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera.

53
Super-telephoto lens with outstanding optical performance

AF-S NIKKOR 600mm f/4E FL ED VR


Fixed focal length
AF-S NIKKOR 600mm f/4E FL ED VR © Ray Chua

PHOTOGRAPHER: RAY CHUA


When I was introduced to nocturnal macro photography in the 1980s, it opened up a new world for me. Photography
allows me to express my thoughts and encouraged me to learn about my subjects in order to appreciate their unique
nuances. I am currently working on a new book on the preservation of Singapore’s natural heritage, in hopes that my
work will open up people’s eyes and inspire them to protect our environment.

54
Employing two fluorite lens elements, this fast 600 mm super-telephoto lens realizes superior optical performance in a approx. 3,810 g body.
ED glass elements and Nano Crystal Coat also contribute to high-quality images with minimal chromatic aberration, ghosting and flare effect.
The Vibration Reduction (VR) system which provides an effect equivalent to a shutter speed 4.0 stops* faster in NORMAL mode also offers
SPORT mode. Other notable features include an electromagnetic diaphragm mechanism, fluorine coat applied to a meniscus protective glass at
the lens front, and a tripod collar ring utilizing bearings for smooth operation.

Lens construction: 16 elements in 12 groups


(plus one meniscus protective glass element with fluorine coat)
Minimum focus distance: 4.4 m/14.4 ft
Maximum reproduction ratio: 0.14×
Filter-attachment size: 40.5 mm
Accessories: Hood HK-40 / Case CT-608
* Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera.

55
Compact and approachable DX Micro with amazing clarity

AF-S DX Micro NIKKOR 40mm f/2.8G


© Matt Smith
AF-S DX Micro NIKKOR 40mm f/2.8G
Special purpose

PHOTOGRAPHER: MATT SMITH


My passion lies with the treasures undiscovered in our oceans. I always aim to visually communicate to my audience
the experience of being underwater, and the incredible interactions between myself and rarely seen creatures of our
oceans in their natural habitat. People will protect what they know, and only know what they have been shown. I want
to generate compassion in people of how wonderful our seas are, and how important it is to treat them with respect.

56
This remarkably light, compact and agile micro lens serves as an exceptional complement to DX format DSLR cameras. In addition to life-size
(1×) close-up capability, the 40 mm focal length can make a wide variety of subject matter approachable, including portraits. An excellent Micro
NIKKOR for any DX format photographer.

Lens construction: 9 elements in 7 groups


Minimum focus distance: 0.163 m/0.53 ft
Maximum reproduction ratio: 1.00×
Filter-attachment size: 52 mm
Accessories: Hood HB-61 / Case CL-0915

57
Sharp, full-frame fisheye lens creating dramatic perspectives

AF Fisheye-Nikkor 16mm f/2.8D


© Daniel Cheong
AF Fisheye-Nikkor 16mm f/2.8D
Special purpose

PHOTOGRAPHER: DANIEL CHEONG


Amidst the skyscrapers and in the concrete jungle that is where I would be, I am always looking out for an opportunity
to frame my next image. I take pride in depicting cityscapes and landscapes without sparing any details. I often find
myself awed by the view below me from the edge of a building, as I study the way the light reflects against the
shimmery walls.

58
NIKKOR’s supreme optical performance provides continuous sharpness from infinity to the closest subject, offering the uniquely altered reality
of ultra-wide-angle photography for beautiful and dramatic images. Four bayonet type filters attached to the rear of the lens give more creative
options in filter effects.

Lens construction: 8 elements in 5 groups


Minimum focus distance : 0.25 m/0.85 ft
Maximum reproduction ratio: 0.10×
Accessories: Built-in hood / Case CL-0715 (optional)

59
Excellently balanced micro lens with VR

AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED


© Aaron Wong
AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED
Special purpose

PHOTOGRAPHER: AARON WONG


It can be hard to prepare for a photography dive, apart from picking the right lens. I never know what I will stumble
upon, hence I like to have a good idea of how I plan to photograph different fishes before the dive, so that I am
immediately ready to capture the image when the chance arises. Through my work, I hope to share with the world the
beauty of life that exists beneath the waves and help others to understand the importance of protecting our oceans.

60
This medium telephoto micro lens has Vibration Reduction (VR) providing an effect equivalent to a shutter speed 3.0 stops* faster for
comfortable handheld macro shooting. The lens delivers crisp yet natural images in any genre of photography. The longer focal length gives it a
great working distance when shooting close-ups of flowers, insects and other small wildlife. It also takes fantastic portraits. Nano Crystal Coat
effectively reduces ghosting and flare effects.

Lens construction: 14 elements in 12 groups


Minimum focus distance: 0.314 m/1.0 ft
Maximum reproduction ratio: 1.00×
Filter-attachment size: 62 mm
* Based on CIPA Standard. The value is achieved when: DX-format lenses are attached to a DX-format digital SLR Accessories: Hood HB-38 / Case CL-1020
camera, FX-format compatible lenses are attached to an FX-format digital SLR camera.

61
Other Lenses
I AM YOUR EYES. I bring what you see to life. I am the bridge between your creative vision and
reality. Every photographer has a story to tell. Enter a world shaped by the creative vision and
expression of renowned Nikon photographers. Be inspired by the passion and adventures and let
NIKKOR connect you with the culture of photography. What will you create?

62
63
Ultra-Wide Angle Zoom Lens

AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR


© Tim Andrew
AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED

Expand your horizons with this DX-format ultra-wide-angle AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR zoom lens. Created with a compact and
portable frame, this lens comes with a suite of innovative NIKKOR technologies, such as the Vibration Reduction system and a quieter autofocus
drive for an enhanced performance. Experience true optical brilliance shot after shot.

64
DX

Lens construction: 14 elements in 11 groups


Minimum focus distance: 0.22 m/0.8 ft
Maximum reproduction ratio: 0.17x
Filter-attachment size: 72 mm (P = 0.75 mm)

65
FX format wide angle lens perfect for portrait

AF-S NIKKOR 28mm f/1.4E ED


© Tim Andrew
AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED

With a maximum aperture of f/1.4, this lens delivers outstanding performance, even in low-light conditions. Containing two Extra-Low
Dispersion glass elements and three aspherical lens elements, reduce chromatic aberrations and distortions in the AF-S NIKKOR 28mm f/1.4E
ED, giving you edge-to-edge sharpness and clarity in every shot.

66
Lens construction: 14 elements in 11 groups
Minimum focus distance: 0.28 m/0.92 ft
Maximum reproduction ratio: 0.17x
Filter-attachment size: 77 mm (P = 0.75 mm)

67
Remarkably compact and light, DX-format standard zoom lens

AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II


(When retracted)
© Koichi Isomura
AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR II

DX
The employment of a retractable-lens mechanism enables a compact and light body. The Lens construction: 11 elements in 8 groups
high-performance optical design incorporating an aspherical lens element delivers high-definition Minimum focus distance: 0.28 m/0.92 ft (AF) ;
0.25 m/0.82 ft (MF)
images throughout the entire zoom range. Built-in Vibration Reduction (VR) provides an effect Maximum reproduction ratio: 0.30× (AF) ; 0.36× (MF)
equivalent to a shutter speed 4.0 stops* faster. With 0.25 m/0.82 ft minimum focus distance in Filter-attachment size: 52 mm
Accessories: Hood HB-69 (optional) / Case CL-0815 (optional)
manual focus mode, you can get much closer to the subject.

68
AF-P normal zoom lens employing a stepping motor and VR

AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR


(When retracted)
© Sonoe
AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR

DX
This compact and lightweight zoom lens incorporates a stepping motor for fast and Lens construction: 12 elements in 9 groups
quiet AF operation. The Vibration Reduction (VR) system provides an effect equivalent to a Minimum focus distance: 0.25 m/0.9 ft
Maximum reproduction ratio: 0.38×
shutter speed 4.0 stops*1 faster. Some lens settings can be adjusted through the camera*2. Filter-attachment size: 55 mm
*1 Based on CIPA Standard. This value is achieved when attached to a DX-format digital SLR camera, Accessories: Hood HB-N106 (optional) /
with zoom set at the maximum telephoto position. Case CL-0815 (optional)
*2 Because focus mode (AF/MF) and VR ON/OFF are set using the camera menus, the number of compatible cameras is limited.
[NOTE] Because AF-P lenses incorporate a stepping motor, the number of compatible cameras is limited. Even for compatible
cameras, some models require firmware update.
69
Approachable zoom for sharp super-telephoto shooting

AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR

DX
This practical zoom lens allows DX format users to reach 300 mm super-telephoto and make
Lens construction: 17 elements in 11 groups
sharper shots with ease, thanks to built-in Vibration Reduction (VR) that provides an Minimum focus distance: 1.4 m/4.59 ft
effect equivalent to a shutter speed 3.0 stops* faster. In addition, the HRI (High Maximum reproduction ratio: 0.28×
Filter-attachment size: 58 mm
Refractive Index) lens achieves clear, high contrast images. Accessories: Hood HB-57 / Case CL-1020

70
Incredibly light weight DX format telephoto zoom lens

AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II


(When retracted)

DX
The AF-S DX NIKKOR 55-200mm f/4-5.6G ED VR II comes with an Extra-Low Dispersion
Lens construction: 13 elements in 9 groups
(ED) glass element, which reduces chromatic aberration to produce stunning Minimum focus distance: 1.1 m/3.7 ft
image quality in every picture. Its Silent Wave Motor (SWM) drives the lens elements for Maximum reproduction ratio: 0.23×
Filter-attachment size: 52 mm
superior quiet autofocusing, so you can shoot without disturbing your subject. Accessories: Hood HB-37 (optional) / Case CL-0915 (optional)

71
Telephoto DX format zoom lens

AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR


© Kenta Aminaka
AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR

DX
Featuring a stepping motor for the autofocus drive, you’ll be able to get up close to your subjects, Lens construction: 14 elements in 10 groups
quicker and quieter. To reduce the effects of camera shake, a Vibration Reduction system is built Minimum focus distance: 1.1 m/3.7 ft
Maximum reproduction ratio: 0.22×
in to stabilise any situation by providing an effect equivalent to a shutter speed of 4.0 stops faster*1. Filter-attachment size: 58 mm
An Extra-low Dispersion glass element is also incorporated to provide outstanding shooting Accessories: Hood HB-77 (optional) / Case CL-1020
(optional)
possibilities that advance your creative vision.
*1 Based on CIPA Standard. When attached to a DX-format digital SLR camera, with zoom set at the maximum telephoto position.
72
Telephoto zoom lens with Nano Crystal Coat and VR

AF-S NIKKOR 70-200mm f/4G ED VR

This carry-anywhere telephoto zoom lens is useful across a wide general range of shooting Lens construction: 20 elements in 14 groups
scenarios such as sports and snapshots. Its Nano Crystal Coat effectively reduces ghost Minimum focus distance: 1.0 m/3.28 ft
Maximum reproduction ratio: 0.27×
and flare while its high-performance Vibration Reduction (VR) minimizes the effects of camera Filter-attachment size: 67 mm
shake, providing an effect equivalent to a shutter speed 4.0 stops* faster. Accessories: Hood HB-60 / Case CL-1225 / Tripod Collar
Ring RT-1 (optional)
* Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set at the
maximum telephoto position.
73
Revolutionary telephoto lens

AF-P NIKKOR 70-300mm f/4.5-5.6E ED VR

Swiftly record crystal-clear images by making full use of its upgraded features such as a quiet,
high-speed and highly accurate autofocus (AF) drive; effective Vibration Reduction (VR) function that Lens construction: 18 elements in 14 groups
Minimum focus distance: 1.2 m/3.94 ft
delivers an effect equivalent to a shutter speed 4.5 stops faster1 in NORMAL mode; and Maximum reproduction ratio: 0.25x
chromatic aberration that is effectively corrected with an Extra-Low Dispersion (ED) glass element. Filter-attachment size: 67 mm (P = 0.75 mm)
*1 Based on CIPA standards. This value is achieved when attached to an FX-format digital SLR camera, with zoom set at the
maximum telephoto position (300mm)

74
Perfect for super-telephoto shots

AF-S NIKKOR 500mm f/4E FL ED VR

The AF-S NIKKOR 500mm f/4E FL ED VR incorporates the latest NIKKOR technology
Lens construction: 16 elements in 12 groups
such as two fluorite lens, three Extra-Low Dispersion (ED) glass elements and Nano Crystal Minimum focus distance: 3.6m/ 11.9ft
Coat. It also features an electromagnetic aperture mechanism that allows for stable Maximum reproduction ratio: 0.15x
Filter-attachment size: 40.5 mm
exposure control, and a fluorine coat that effectively repels dust, water, grease and dirt. Accessories: Hood HK-34 / Case CT-505

75
Compact and light, fast wide-angle lens with high image quality

AF-S NIKKOR 24mm f/1.8G ED


© Alex Soh
AF-S NIKKOR 24mm f/1.8G ED

A fast, compact, lightweight, wide-angle prime lens that can create natural blur utilizing
Lens construction: 12 elements in 9 groups
the maximum aperture of f/1.8. Employing Nano Crystal Coat, ED glass elements, Minimum focus distance: 0.23 m/0.75 ft.
and aspherical lens elements delivers superior optical performance with minimal ghost and flare Maximum reproduction ratio: 0.20×
Filter-attachment size: 72 mm
effect and chromatic aberration. The latest optical design technologies achieve superior Accessories: Hood HB-76 / Case CL-1015
resolution to the edges of the frame. Ideal for shooting wide landscapes.

76
Overwhelming super-telephoto with fluorite lens elements

AF-S NIKKOR 800mm f/5.6E FL ED VR


AF-S TELECONVERTER TC800-1.25E ED
© Sergey Gorshkov
AF-S NIKKOR 800mm f/5.6E FL ED VR

Super-telephoto shooting is reliably supported by an electromagnetic


diaphragm mechanism and Vibration Reduction (VR) which provides an Lens construction: 20 elements in 13 groups
effect equivalent to a shutter speed 4.5 stops*faster (4.0 stops* with the Minimum focus distance: 5.9 m/19.36 ft (AF) ; 5.8 m/19.03 ft (MF)
Maximum reproduction ratio: 0.15× (AF) ; 0.15× (MF)
AF-S TELECONVERTER TC800-1.25E ED). Thanks to the use of fluorite lens Filter-attachment size: 52 mm
elements and magnesium alloy for its body, a light yet durable lens is realized. Accessories: Hood HK-38 / Case CT-801 / AF-S TELECONVERTER TC800-1.25E ED

* Compatible AF teleconverters: [AF is possible when attached to f/8-compatible AF-S TELECONVERTER TC800-1.25E ED*1
cameras] AF-S TELECONVERTER TC800-1.25E ED/AF-S TELECONVERTER TC-14E Lens construction: 5 elements in 3 groups Weight: 135 g/4.8 oz
III, [MF only] AF-S TELECONVERTER TC-20E III/AF-S TELECONVERTER TC-17E II Diameter × length*2 : 62.5 × 16 mm/2.5 × 0.6 in.
*1 Focal length is extended by 1.25×.
[Note] Supplied AF-S TELECONVERTER TC800-1.25E ED is a dedicated teleconverter to the AF-S NIKKOR *2 Distance from camera’s lens-mount flange.
800mm f/5.6E FL ED VR and cannot be attached to other lenses. It is not sold separately.

77
High-performance, ultra-wide-angle lens with perspective control

PC NIKKOR 19mm f/4E ED


© Adrien Barakat
PC NIKKOR 19mm f/4E ED

The 19 mm focal length of this lens provides an angle of view that is familiar to photographers of
architecture and interiors. The mechanical structure of the shift mechanism allows smooth and Lens construction: 17 elements in 13 groups
Minimum focus distance: 0.25 m/0.9 ft
precise adjustment of the shift position and eliminates the need for lock operation to fix the shift Maximum reproduction ratio: 0.18×
position, ensuring comfortable shift operation. Accessories: Case CL-1120
Compatible cameras: The D5, D4 series, D3 series, Df, D810 series and D500 can be used without any restriction. With the D800
series, D750, D700, D610, D600, D300 series, D7200, D7100, D7000, D5600, D5500, D5300, D5200, D5100, D5000, D3400,
D3300, D3200 and D3100, some combinations of shift and rotation may not be available due to the lens contacting the camera body.
78
Wide Fisheye lens for all photographers

AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED


© Albert Yap
AF-S Micro NIKKOR 60mm f/2.8G ED

Create dramatic shots with the two unique fisheye effects – the circular fisheye effect, that gives
you maximum 180° wide-angle position vertically and horizontally with FX-format*1 DSLRs, and the Lens construction: 15 elements in 13 groups
full-frame fisheye effect, that provides you with an 180° of view from the telephoto end of the lens Minimum focus distance: 0.16m/0.5 ft
Maximum reproduction ratio: 0.34x
with FX-format DSLRs and from the DX mark on the focal length scale*2 with DX-format*3 DSLRs.
*1 Full-frame fisheye effect is available at telephoto end, but the angle of view is slightly smaller, at 175°.
*2 The mark on the focal length scale that enables diagonal fisheye shooting in DX format.
*3 Angle of view is 180° from wide-angle end to around DX mark (approx. 11 mm on focal length scale), but it gradually becomes
smaller as the focal length gets longer. 79
Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer. October 2017 2016 Nikon Corporation

TO ENSURE CORRECT USAGE, READ MANUALS CAREFULLY BEFORE USING YOUR EQUIPMENT.
WARNING
SOME DOCUMENTS CAN BE DOWNLOADED FROM downloadcenter.nikonimglib.com.

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