Professional Documents
Culture Documents
Final 1
Final 1
Material Culture
Professor McCleary
13 April 2022
Pads, tampons, period packages: the sound of these words and the sight of these objects
makes most Americans look down, change the subject, and feel the need to flee (either with the
objects hidden from the public eye or away from the individual holding them). Since these
products are used by half the population around the globe, one would think there would be a
sense of normalcy and comfortabilty surrounding menstruation material culture. However, in this
discomfort “that is especially apparent in our continued reliance on the euphemism “femimine
hygiene,” a term which we often use to discuss products associated with menstruation, genital
cleanliness, and contraception. Use of this euphemism allows us to avoid any direct reference to
female anatomy.”1 Within America, female anatomy and menstruation is often talked around or
growing up in the United States. For the first time in my life, I am a primary source. However,
before beginning this menstruation research, I was told by my mother that I should change this
topic, as she felt that it was “inappropriate.” She, and many others in our society, would prefer I
not discuss such a topic or material culture, and instead continue to go on as I was taught to; this
means not discussing my period, hiding my tampons in my sleeve or a small bag as I carry them
1
Smithsonian Institution, “Feminine Hygiene Products,” SI.edu, accessed March 2022,
https://www.si.edu/spotlight/health-hygiene-and-beauty/feminine-hygiene-products#:~:text=Tampons%20were%20u
sed%20in%20medical%20practice%20before%20they%20were%20introduced%20for%20menstruation.&text=Sev
eral%20patents%20for%20menstrual%20tampons,Haas
1
to the restroom, and constantly checking my backside in the mirror to ensure nothing has leaked
modern pads and tampons, objects that have changed over the years to become more discreet
themselves. Due to their value, you would think these material culture luxuries–which weren’t
available to women in the past–would be embraced and highlighted within various research
topics in the U.S. However, this is not the case, as evidenced by the limited research surrounding
this topic.
Most of the sources surrounding tampons, pads, and menstruation in general are from the
late 20th century, and are far and few between. After accumulating the available magazines,
newspapers, advertisements, and books together, I still found myself with scarce sources that
continued to use the language listed above (“feminine hygiene”), demonstrating how even after
gaining the courage to discuss the topic, these sources had to do so discreetly. Despite source
limitations, it is clear through this research that the material culture of menstruation, and the
evolution of the technology and advertisement surrounding pads and tampons, demonstrates how
America’s discomfort with menstruation has persisted despite modern attempts to normalize such
a topic.
Before we touch upon the material culture of menstruation though, we must first address
what menstruation is as a process and within society. According to the baseline Google
definition, menstruation is “the process in a woman of discharging blood and other materials
from the lining of the uterus at intervals of about one lunar month from puberty until menopause,
2
My personal experience was echoed through my research, especially by Elizabeth Kissling. When
discussing the way in which women manage their menstrual cycle in public, she states “Women must find easy to
take breaks away…locate or carry menstrual supplies without drawing undue attention to themselves…It was like a
whole procedure, to make sure nobody saw, that none of the guys saw,” Elizabeth Kissling, Capitalizing on the
Curse: The Business of Menstruation, (Boulder, Colorado: Lynne Rienner Publishers, 2006), 19.
2
except during pregnancy.”3 Despite its description as a natural and necessary process, the
keywords in menstruation’s definition that American society focuses on is: woman and blood.
Menstruation is a unique process because it is one of the few things that is experienced by
all women (and women alone). While not every woman will choose to get pregnant or follow the
same life plan, scholar Lauren Rosewarne notes how “menstruation traverses class and race,
sexual preference, politics, religion, and personal choice…that of the deluge of things that make
endure having negative perceptions–or taboos–thrust upon them due to their periods.
In their book The Curse: A Cultural History of Menstruation, historians Janice Delaney,
Mary Jane Lupton, and Emily Toth highlight some of these historic taboos–or concerns–with
menstruation from around the world, some of which include menstruating women being harmful
to the hunt or considered capable of contaminating growing plants.5 Despite these ludicrous ideas
taking form, one would assume that developments in scientific study and medical knowledge
would dissipate them. However, persistent concern surrounding a woman on her period
continued:
“When we move from myth to medicine, we see that even the scientific explanations for
menstruation have been colored by the same fear and explanations…We can hardly be
surprised that menstruation remained a medical mystery for so long. Those studying
3
Google, “menstruation” accessed April 2022,
https://www.google.com/search?q=menstruation&oq=menstruation&aqs=chrome..69i57j0i433i512l3j0i131i433i512
j0i512j0i433i512j0i512l3.4211j0j7&sourceid=chrome&ie=UTF-8
4
Lauren Rosewarne, Periods in Pop Culture: Menstruation in Film and Television (Lanham, Maryland:
Lexington Books, 2012), 13.
5
Janice Delaney, Mary Jane Lupton, and Emily Toth, The Curse: A Cultural History of Menstruation (New
York: Dutton, 1976), 10-11.
3
it–men–didn’t menstruate, and as these men of science pursued their objective
explorations into the female reproductive system, few (if any) thought to ask a woman for
basic facts and figures about the monthly cycle. The weird theories put forth in the
advancement of menstruation knowledge reveal at least as much about the men as they do
Despite the larger leaps in advancement regarding science and medicine–and the perceived leaps
in women’s rights and feminists movements–taboos perservere in society and American culture.
They hinder not only women’s activities but also their ability to talk openly about menstruation.
“It is acceptable to discuss menstruation only in highly limited and circumscribed ways, such as
through the construction of modern menstrual material culture objects, which have a long, often
disregarded, history.
Starting with the pad, or “sanitary napkin” as they are often referred to in public spaces,
before the 20th century, women used a plethora of items–predominantly scraps of cloth or fabric,
but also plants and anything viewed as absorbent–to manage their period bleeding. These items
needed to be pinned up or held with special belts, and they were often reused. According to
Alejandra Borunda at National Geographic, “the [menstrual] tools left much to be desired. They
were often bulky and unwieldy, and they had to be washed and dried–which meant they would
6
Delaney, Lupton, and Toth, The Curse, 45.
7
Kissling, Capitalizing on the Curse, 1-2.
4
be displayed publicly.”8 To stray away from the bulk of external period protection, tampons
became another option, yet they had struggles of their own. According to Ashley Fetters from
The Atlantic, women in ancient cultures would fashion tampons out of wool, plants, and more.
Before the 20th century, sponges and other clothes were common, and “some of the earliest
tampons recognizable as we know them today–intra-vaginal devices made from a string and a
wad of something absorbent–were documented in the 18th/19th century Europe, but for purposes
other than menstrual management.”9 Some of those purposes included the treatment of
non-menstrual absorption, such as battle and war wounds, but it wasn’t until they were
commercialized in the 20th century that pads and tampons came into the mainstream of
menstruation use.
For pads, it would be Kotex who would bring the object to the center stage. Though
Johnson & Johnson marketed a disposable pad in the late 19th century, they were met with
limited acceptance, but the use of surgical dressings and cellucotton (an absorbent material made
of wood pulp) during the first World War to help with soldiers’ wounds spurred the creation of
Kotex pads, which used the same materials.10 The first ever brand of disposable “sanitary
napkins” to hit the U.S. mainstream, Kotex’s first box was sold in a Chicago department store in
the 1920s.11
8
Alejandra Borunda, “How tampons and pads became so unsustainable,” National Geographic, last
modified September 6, 2019,
https://www.nationalgeographic.com/environment/article/how-tampons-pads-became-unsustainable-story-of-plastic
9
Ashley Fetters, “The Tampon, A History: The cultural, political, and technological roots of a fraught piece
of cotton,” The Atlantic, last modified June 1, 2015,
https://www.theatlantic.com/health/archive/2015/06/history-of-the-tampon/394334/
10
Kat Eschner, “The Surprising Origins of Kotex Pads,” Smithsonian Magazine, last modified November 9,
2018, https://www.smithsonianmag.com/innovation/surprising-origins-kotex-pads-180964466/
11
Eschner, “The Surprising Origins of Kotex Pads,” Smithsonian Magazine.
5
For tampons, it was Tampax who led the way into the mainstream. Started by Earle
Cleveland Haas, he created the first commercial applicator tampon as a way to help his friend
and wife, both of whom were active women struggling with bulky pads and intra-vaginal
alternatives, such as the ones mentioned above. Haas created a tampon made of a variation of
cotton. He then added an applicator to cover it and assist in insertion for two reason: 1) so
women did not have to touch the tampon and 2) so the women did not have to touch themselves12
Explained further by Alejandra Borunda, “members of the public were squeamish about the idea
that women–especially young women–might come into contact with their genitals during tampon
insertion.”13 Tampax– a name derived from the combination of “tampon” and “vaginal
packs–fixed this problem with their applicator, which made it possible to insert a tampon without
The aversion towards genitalia and material contact is why most tampons sold in the U.S.
have an applicator, whereas in Europe personally inserted–or digital–tampons are much more
common. This is predominantly because digital tampons are more environmentally friendly, as
they contain less plastic, which is a serious concern abroad.15 Unfortunately, the concerns of
global warming do not outweigh the desire to avoid coming into contact with menstruation (as a
12
Fetters, “The Tampon, A History,” The Atlantic.
13
Borunda, “How tampons and pads became so unsustainable,” National Geographic.
14
Fetters, “The Tampon, A History,” The Atlantic.
15
Louisa Wright, “Period products: How menstruation is managed around the world,” DW.com, accessed
April 10, 2022,
https://www.dw.com/en/period-products-how-menstruation-is-managed-around-the-world/a-60776504
6
The Mainstream Menstrual Material
clear why Tampax and Kotex hit the mainstream unlike their predecessors: disposability. Women
survived for thousands of years on reusable, bulky menstruation objects which were often
uncomfortable to wear and address in public. However, this state of discomfort fostered
continual adaptations, or upgrades, to the objects; in the 20th century, those upgrades became
disposable. Unlike the products used previously to deal with menstruation, these new pads and
tampons would be brand new, used once, and then disposed of, highlighting their “sanitary”
nature. This was emphasized by Kotex first, as they “gave women a medically sanctioned
“hygienic” product to buy, rather than a made-at-home solution, [and] established a precedent of
how menstruation products were marketed.”16 Part of this marketing was to advertise the name of
the company instead of the product themselves. By making their name synonymous with the
material object, they “saved women from having to publicly discuss menstruation–especially
This aversion to public discussion could be seen with a Kotex newspaper advertisement
from 1924. When offering free samples of the newest Kotex product, the company states in the
ad “Don't let Introduction Week slip by without stopping in one of the stores listed below. There
you will find the KOTEX Sample Table. Each sample wrapped in plain paper. Pick up one and
put it in your bag. No embarrassing questions to ask or answer.”18 Here it is clear that “In these
16
Eschner, “The Surprising Origins of Kotex Pads,” Smithsonian Magazine.
17
Eschner, “The Surprising Origins of Kotex Pads,” Smithsonian Magazine.
18
“Free Sample of Kotex,” The Augusta Herald (Augusta, Ga.), November 19, 1924,
https://gahistoricnewspapers.galileo.usg.edu/lccn/sn89053972/1924-11-19/ed-1/seq-4/#date1=01%2F01%2F1763&n
ottext=&date2=12%2F31%2F2021&words=KOTEX+Kotex+sample+Sample+SAMPLE+table+Table+Tables&sear
chType=advanced&sequence=0&index=0&proxdistance=5&rows=12&ortext=&proxtext=&andtext=KOTEX+Sam
ple+Table&page=1
7
ads, menstruation is always a problem. It is a hygiene crisis that one must clean up, in secret, so
that one’s public projection of ideal femininity is not damaged or polluted.”19 It is not portrayed
as the natural process that it is, but instead an issue to hide, and these ads reinforce that in
society, further encouraging the shameful and embarrassing nature of menstruation as well.
This “don't ask, don’t tell” policy became even more commonplace after the installation
of menstrual product dispensers in bathrooms in the 20th century.20 There, a woman could
acquire all the menstrual material objects she needs away from the uncomfortable stare of men
and sometimes even that of other women. The bathroom period product storage containers–just
like the disposable pads and tampons–were additional technological tools used to aid in the
Advancements in technology didn’t stop with disposable nature and bathroom storage
though. For example, as the development of absorbent materials, better designs, and anatomical
understanding progressed, the bulky nature of the first disposable pads began to disappear.
Thinner, more comfortable menstrual material objects began to emerge, including adhesive
undersides in the 1970’s and 80’s. This technological advancement eliminated the need to pin or
use special belts to hold the pads/sanitary napkins in place.21 In addition, to help adjust with a
woman’s body and her movements, ‘wings’ for the sides of the pad were invented to keep the
pad in place in one’s underwear, ensuring that the pad does not shift or bulk up and that blood
does not go anywhere it shouldn’t (or god-forbid be seen).22 Furthermore, scents became an
19
Kissling, Capitalizing on the Curse, 12.
20
Kissling, 10.
21
Kissling, 17.
22
Kissling, 17.
8
addition, were added as well, a technological advancement that actually dates as far back as
fastidious woman.”23
society’s discomfort surrounding menstruation (such as the possible scent that could arise) and
how a respectable woman would do something to hide such a thing. This technology is also
continually popular, as seen by the pad in Images 5-7. Here, not only are the adhesive undersides
present, but so are the wings that contain their own adhesives.24 This proves not only the
effectabily of such technology, but the persistent concerns surrounding menstruation that
menstruation grew, menstrual companies made a critical discovery: vaginas were not fully
cylindrical like the tampons they were producing. According to Ashley Fetters, “Radical
re-engineering ensued. Today, while digital tampons like O.B. are cylindrical when they expand,
some applicator tampons expand into blossom or upside-down umbrellas shapes, while others,
like Tampax, expand into shapes reminiscent of stingrays or kites.”25 Companies also improved
upon the withdrawal cord, sewing it into the tampon for security and comfort upon removal.
These advancements are still present today with modern constructions of tampons. Still
23
“Free This Week Only, A Sample of KOTEX,” The True Citizen (Waynesboro, GA), May 16, 1925,
https://gahistoricnewspapers.galileo.usg.edu/lccn/sn89053289/1925-05-16/ed-1/seq-7/#date1=01%2F01%2F1763&n
ottext=&date2=12%2F31%2F2021&words=deodorized+Kotex+KOTEX%E2%80%94deodorized&searchType=adv
anced&sequence=0&index=0&proxdistance=5&rows=12&ortext=&proxtext=&andtext=Kotex%E2%80%93deodor
ized&page=1
24
Images 8-10, taken April 12, 2022.
25
Fetters, “The Tampon, A History,” The Atlantic.
9
following Haas original format, most tampons are continually distributed in a plastic applicator
(cardboard applicators are available for environmental concerns, but they are much less popular),
and have a woven cord, expandable nature, and are packaged in their own individual wrapping
with an easy tear side. The easy tear allows women to put the applicator back in its package after
use to hide it, and any blood bodily fluids on it, from others as they discreetly dispose of it.26
Despite the fact that these technological advancements are portrayed as helping women feel
more comfortable, they still serve the purpose of dealing with the unpleasant idea society holds
As a woman living in the current world, I don’t know if there will ever come a time that I
don’t automatically attempt to hide my menstrual products when in a public space. It has become
so ingrained in me, by my family and society, that now it is an unconscious action, one that I take
without even considering the alternative. However, there are those in my generation who are not
the same. Some women today are breaking the stigma of menstruation and pushing the
boundaries by proudly showing their pads and tampons as they go to the bathroom, refusing to
get embarrassed if they fall out of one’s bag, and openly talking about their period as if it is not
an issue. There is always pushback to progress though, and menstruation material culture is not
different.
Modern advertisements, which have moved from newspaper to screen, are a good
example of such, as they demonstrate that despite the active campaign to fight against period
stigmatization, there is continued discomfort surrounding menstruation and its material culture.
In 2015, the period product company Thinx (who created a brand of period underwear) put out
ads in the NYC subway system regarding periods and menstruation using imagery of grapefruit
26
Images 4-7, taken on April 12, 2022.
10
and runny eggs to allude to female anatomy. Despite using common foodstuff as a metaphor,
Thinx was told by commuters and transportation officials that their ads were “offensive and too
suggestive.”27 Fighting back, Thinx officials argued that they were well within the subway ad
guidelines, and that they even used imagery previously utilized by other advertisements.
According to Miki Agrawal, the founder of Thinx, there were breast augmentation ads seen all
over the subway that used the same fruit–a grapefruit–to indicate that a woman with boobs the
size of that fruit were happier than women with boobs the size of clementines, for example. This
ad, which was seen in various places throughout the subway system, received no complaints: “If
[the breast augmentation ad is] not offensive to women, that’s oppressive to women…we are
using the same fruit, a grapefruit, to represent a natural time for a woman, and that’s considered
In addition to being a double standard, this modern ad also indicates the hypocrisy or
irony that can be found in the world of marketing when it comes to menstruation material
culture. One only has to look at the packaging of period products in the store isles today to see
such a thing. Observing the same product that started it all, Kotex has a new product line now
called “U by Kotex”.29 This new line “includes tampons, pads and liners available in brightly
colored and eye-catching designs, and serves as the Kotex brand's first step in redefining the
category by encouraging women to change the conversation surrounding feminine care from one
of shame and embarrassment to one of open, honest dialogue.”30 The boxes for these products, as
27
Imogen Watson, “From gory to glory: the evolution of period advertising,” The Drum. Last modified
March, 1, 2021. https://www.thedrum.com/news/2020/10/12/gory-glory-the-evolution-period-advertising
28
Watson, “From gory to glory” The Drum.
29
Image 1, taken on February 20, 2022.
30
“Press Release: Kimberly-Clark Introduces U by Kotex Product Line,” Kimerbly-Clark, accessed April
2022
11
seen in the image below, also state on the back “Join us to end Period Poverty…Everyone
deserves access to period products. As the founding sponsor of the Alliance for Period Supplies,
U by Kotex makes millions of donations to ensure every person has the products they need to
live fully and freely.”31 This message is wonderful, and something I was impressed with when I
found the box. However, if you look at the pricing of these objects, they are still averaging
between $4 to $10 per box, depending on the amount of products held within.32 If a woman
needs to purchase one box for each menstrual cycle–which is not an uncommon circumstance for
some people–that can add up to over $100 per year. For women with an irregular cycle, it could
Furthermore, most women will purchase more than one product, having to pay for
tampons, panty liners, cleansing wipes, etc. in addition to the pads, which increases the cost even
more per year. Understanding the costs, one can see that the amount of money Kotex charges
women to even afford their products does not match their message of ending period poverty.
Also, the reason that women continue to buy the amount of products they do–in addition to
continual societal pressures–is because modern advertisements still use the same language as
those in the early 20th century. The same Kotex box that changed its name to “encourage women
to change the conversation” is still found in the “feminine hygiene” section and says “Clean
wear” and “100% leak free.” Though these messages may seem normal or harmless, they still
denote that a woman on her period is dirty and must hide such a thing from the public.
It is clear then that menstrual material culture–which includes the pads, tampons and
https://investor.kimberly-clark.com/news-releases/news-release-details/kimberly-clark-introduces-u-kotex-product-li
ne
31
Image 2, taken on February 20, 2022.
32
Image 3, taken on February 20, 2022.
12
aesthetically, and publicly by means of advertisements through the years because of America’s
continual discomfort with menstruation. This discomfort has persisted despite modern attempts
to normalize such a topic, and it doesn’t seem to be going away anytime soon. However, in the
world that I dream of for my future daughters, I hope that there will come a time when menstrual
13
Bibliography
Borunda, Alejandra. “How tampons and pads became so unsustainable.” National Geographic.
https://www.nationalgeographic.com/environment/article/how-tampons-pads-became-uns
ustainable-story-of-plastic
Delaney, Janice, Mary Jane Lupton, and Emily Toth. The Curse: A Cultural History of
Eschner, Kat. “The Surprising Origins of Kotex Pads.” Smithsonian Magazine. Last
https://www.smithsonianmag.com/innovation/surprising-origins-kotex-pads-180964466/
Fetters, Ashley, “The Tampon, A History: The cultural, political, and technological roots of a
https://www.theatlantic.com/health/archive/2015/06/history-of-the-tampon/394334/
“Free This Week Only, A Sample of KOTEX,” The True Citizen (Waynesboro, GA), May 16,
1925,
https://gahistoricnewspapers.galileo.usg.edu/lccn/sn89053289/1925-05-16/ed-1/seq-7/#da
te1=01%2F01%2F1763¬text=&date2=12%2F31%2F2021&words=deodorized+Kote
x+KOTEX%E2%80%94deodorized&searchType=advanced&sequence=0&index=0&pro
xdistance=5&rows=12&ortext=&proxtext=&andtext=Kotex%E2%80%93deodorized&pa
ge=1
“Free Sample of Kotex,” The Augusta Herald (Augusta, Ga.), November 19, 1924,
https://gahistoricnewspapers.galileo.usg.edu/lccn/sn89053972/1924-11-19/ed-1/seq-4/#da
te1=01%2F01%2F1763¬text=&date2=12%2F31%2F2021&words=KOTEX+Kotex+
14
sample+Sample+SAMPLE+table+Table+Tables&searchType=advanced&sequence=0&i
ndex=0&proxdistance=5&rows=12&ortext=&proxtext=&andtext=KOTEX+Sample+Tab
le&page=1
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0i433i512l3j0i131i433i512j0i512j0i433i512j0i512l3.4211j0j7&sourceid=chrome&ie=U
TF-8
Kissling, Elizabeth Arveda. Capitalizing on the Curse: The Business of Menstruation. Boulder,
Rosewarne, Lauren. Periods in Pop Culture: Menstruation in Film and Television. Lanham,
https://www.si.edu/spotlight/health-hygiene-and-beauty/feminine-hygiene-products#:~:te
xt=Tampons%20were%20used%20in%20medical%20practice%20before%20they%20we
re%20introduced%20for%20menstruation.&text=Several%20patents%20for%20menstru
al%20tampons,Haas
Watson, Imogen. “From gory to glory: the evolution of period advertising” The Drum. Last
https://www.thedrum.com/news/2020/10/12/gory-glory-the-evolution-period-advertising
Wright, Louisa. “Period products: How menstruation is managed around the world.” DW.com.
https://www.dw.com/en/period-products-how-menstruation-is-managed-around-the-world
/a-60776504
15
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