eee MASS ‘ enone ree iia for Mixed Chorus and Double Wind Quintet r / big bic, ts IGQR STRAVINSKY wXYRIE iL cok smumcia H tomdioas TL dm OMORITMIA ® » DISCANTT SER FEMI Kyfripe Ky—ri-e e—le—i-son. ALTI Q TENORI = SER, HASUIE Kyrie e—le—i-son. BASSI por 1.1t CORNO INGLESE FAGOTTI LIL ‘TROMBBIAIE 1a sib Tasspostoe. oro ‘TROMBONT ig oasso) imate Ger re ‘Feantle etl a ts 2 == ep. J] Fegato m my ane ts Coline lonlnsde's voloes abouts te employed. ov aunty ae ome ‘AIL rights of reproduction in any form reserved > Copyright 1948 by Hawkes & Son (London) Lid. “a 2 ay re H 18501aml icaale satel = be pa 5% maoyono cormptil’ com “eau asteroid YocaLith® (Tutto x! conepita con gorba ed pul), 2 gen ——— ee Chri—ste, outa * Fag. P stace~mare. SEMPUCE Mma VAR\O Tr. ins Lis OATTANENTO (MUTATIVOT 1 Te PaktecentalE DELLNVycAQ OME CON | @acm cleueva ut Christe ste, Chri obra Trt insy mb " FIGUEAZLONE Ri Co DEGY OTIOW's ¢ x r6501 Rolf ScaQNKe——Iei—soa, _e-lei-son,e-1ei—son e—tei—son. T da it KYNE = viene uP? ) atop ide. Kees, yA Ky-ri-e, Ky} —ri-e, Ky-rive, Ky ——ri- “Uk seuttuna ste ttenitade — BH. s8501 Ryne me divunte * couse. wz Spit con i pa tHeSang vi 4 aN OKORTHIA ‘i ® Ky-ri-e, Ry—ri ov. on ee a Ky—ri— 0 Ky-zi—e, Ky-ti—e, Ky—ri— TEWENTO ch ni Seater —— Tb nam = — po eel e B.& A. 16501,TPATAMENTO ViRTUOSSTi4 i = fee: es Sou ELERENTO oi NOTIN ESENRA GLORIA PRouteparione HELODiA Ke DUALe bo te dod a tnombe-] preferably a Soto Voice INTERVEN @.i.n =e Fousti. E sunt. Qui pro-pler nbs ho-mi—nes ot pro-pter » t ont, Qui pro-pter nos ho-mi—nes et pro-pter no-stram sa—tu-tem d¢s—oen cere 2 bout cx set Lu te B.&H. 10501de Spi-ri-tu Sanc-to Tadit de coe-tis, Et in——-car-na-tus est Vis—gi—ne: 00,1 Peg. m1 ins te. u B&H. 18501bat on. Pon-ti—o Pi— 0b. tein u 1, wan Ceu—ei—fi—xus pas—sus se—pul——tus est. se—pul—tus est. B&H. 16501 ©16 see-ua—dum Serip—tu ter-tia die, sec-un—dumt_Sorip—tu——ras. Bt as-cen—dit in coe——lum: um ad dex-te-ram Pa—tris. Et i—te—rum vei est cum gloria, ju—di—ea—re_vi—vos Pa—tris. Et i-te——rum ven-tu-ru ost cum gloria, ju-di—ea-re vi—vos ® Fag.Lit Teast u Tr, ur B&H. 16501eu-jus re-gni con @ (poco crore. Do-mi—aum.. ab.t.it on, fag 1 Tet a 8 Tre. um B.& H. 1650418 proee—dit, Qui cum Pa———tre et Sicmul a———do—ra——tur et con— pro-ce—dit, Qui cum Pa——tre_ et a ob. o Fag.LIL mit tn Sib 1a eu—tus est per Pro—phe—tas,— glo—ri—ti—ca—tur: qui lo——eu—tus est per Pro—phe—tas _—J— ob. cu. Fag. L.tt te. ia 8 te. ur 7 B.& H. 18501aco pit a—pes—to—li—eam — Ee—ele— nam. sane-tam ca— tho—li—eam séne-tam oa—tho—li—cam poco Piaf D. or u-num bap-tis—ma in re—mis—si—o—nem pec—ca——to- A {poco pif n Con—fi—te—or u-aum bap-tis—ma in re—mis— nem pec—ca—to B - P “poco pia @ bau mf mare. eu. ag. Lt ies 1 1. aur Peart B&H. 18501 wf20 poco Piaf, @ Sepeo—to re—sur-—reo-ti—o—nem mor—tu-—— 0——Fam- poco pit Spec-to re—sur—reo-ti—o—nem mor—tu———9—Fum- op. or, gL Tren sb 1 . nm aan a 2 i STRUMUAA A cAPRELA PRA di ACOMPA GNANENTO | STRUMENTALE er @roco meno mosso- vt D. ScRi Tua; e SpTereA. TTA, @® Poco meno mosso. op. ox, Fag. Tet 19 Si Te. uu B&H 16501= Figu PARONE mELSHRATE: Ni RTVOSISTIN > RiTORHANG LE PAR ae A soust! ~=SANCTUS HPA HNTO see x COMTIMEMPO 256 INGQESSO d2 CORO La __menf DISCANTE Saas aut itti meno, a er tus, Sano-tus.. set = - “ TRATANEME" A Cate, BASSE a ‘Sane-tus.... opor 1.11 TROMBA 1 tm Do F ‘TROMBONI mat eS a FR Bad @ ‘eee ment >. DX FEM mene, : z 6 Sanc-tus.... ss piuttl meno, ————tus, Sane-tus.. menos B. Sane a = 1. j = = not ass B&H. 18501wblers dese dbta Stibbuna. © Serve SUARA SIMUCLNEA ent De—us SA—BA—OTH. Do—mi—aus solo a ei. mf ov. ox. Fag. telat {8 Do mit S10. amp legato posstite = qs si ape um dulye Ho il basso of TEN ORE ple——ni-—— sunt... B&H, 18501yiehessa cANeNu® ® CenentP uTisric® 23 Sele sof Ses cant. Db. Ay sunt. ple-ni, ple *. sunt ple—ni, B. reed Do ape = = cbt Save { temie GAVEL (lnm ox Basie) << TEN (s sidentiow of Mesto) nuove ides Tomokco ) A i @r mosso 4-98 2 2>\ zo ‘Tattl >. Ho—san-na,. ho—san——-na, ho—san fre a ttt . slo-ri-a Ho—san-na,.... ho—San—na, ho—san see fut 2 B @Pib mosso 4: 98 ok ex fag. tia fa Do Lm Tr. m B.& H 16501‘ho—san—aain_ex—cel—sis, ho—san-na in ex—oel—si To—san-na im ex—cel—si TATAMENTO SincoPAtO ei > AINOSFERA CONTENPLATINR, Be——ne—die—tus, Be——ne—dio— tus, Be——ne—dio—tus, Be—ne—die—tus, @Tompol 4-56 ov. P t ee Fag. tel 4s Do 1 Te. nr B&H, 16501 ho-san—naA copa e 25 qui. ve-nit ia ao—mi—ne Do-mi—ai. Be—ne—dio—tus qui. qui. ve-ait in no-mi—ne Do-mi—ni. ait in ne—mi-ne Do-mi—x x. Cogn fa. stessa ides Tonokce) @ris mosso Jos > ane banal Cae, be ‘ jeans Do —micni. a BL = aren @hizmore, F AML Zz = vat ent or | @ gyre gas ss sping ie uve tsnt Basra ghbrttowia outta.26 ob. —— ho—san—na ho—san-na in ex—eel—sis. a in excel Bis ange im @Poco meno mosso, J no—san-na ho—san—na PrlomowTAR con timc) Ho-san——na, ho-san- 2 Ho-san———na, ho-san——na @Poco meno mosso, J:44 set wsn STATIUTA dagk AccoRD! in ex—cel—sis, in ex—cel—sis,AGNUS DEI fen eapeeller, a! DISCANTI —geus De. ALTE ef ‘TENORI BASSI @s.r0 opor 1.1 CORNO INGLESE FAGOTTT 1.1 r TROMBE in Do 0 1 ‘TROMBONI um. — racomgauen dhe vu qui tol-tis pee—ea B&H, 18501PLOCEDIMENTO ol, DAwuZione 28 A—gaus Desi, af opt on Fag It teLt in Do 1. nm qui tol-lis peo—ca B&B, 10501Li LD Lat ibe do—na on. m ag. Lt impo Te. oom nobis corks RAMA De-i, B.& H. 10501 qui tol-lis qui tol—tis pec-ca-ta—