§ Proper [alignment] has three major benefits: 1. Breathing is easier 2. Tension is reduced Benefits of Alignment 3. Singing is less tiring
Meribeth Bunch Dayme - The Performer’s Voice
§ Head § Arms “…When there is metaphor, we want to find the anatomical basis for the metaphor and secure the movement Areas of § Thorax that inspires the metaphor.” –Barbara Conable, The Stuctures and Alignment § Legs Movement of Breathing
§ Knees § Feet Head, Neck & Shoulders
What Every Musician Needs to Know about the
Body: The Practical Application of Body Mapping to Music Making by Barbara Conable “...freedom in singing depends first, last, and always on freedom in neck muscles.” Conable, Structures of Singing p. 45
Head, Neck &
Shoulders
What Every Musician Needs to Know about the
Body: The Practical Application of Body Mapping to Music Making by Barbara Conable Watch out for girtles and turaffes!
*TONGUE & JAW*
Torso & Hips
What Every Musician Needs to Know about the
Body: The Practical Application of Body Mapping to Music Making by Barbara Conable § Balance Legs & § Freedom Feet § Awareness
What Every Musician Needs to Know about the
Body: The Practical Application of Body Mapping to Music Making by Barbara Conable 1. Rounded or hunched shoulders (particularly when sitting) 2. Collapsed chest
§ Hips forward about proper alignment, and keep § Unequal distribution of weight between legs/feet reminders around the room. § …..What do you notice about your alignment? Model the alignment you want to see in your singers. § Remember your weight-baring spine, at your core. § Are you balanced at your hip joints? § Are your knees released and flexible? § Are your feet feeling the floor? § Are you feeling the tripod of your feet’s arches? Suggested § Are your heads dynamically poised?
Alignment § Are your backs free? Long and wide?
Reminders § Remember to organize around your spine like an apple
around a core. § When you look down at your music, just tilt your head. Don’t drag your neck forward. § “It has been my experience that no single factor more affects the quality of choral sound than alignment.” – Barbara Conable