Professional Documents
Culture Documents
Dr. Cassel
English 1201
3 April 2022
Hurt
In 1995, Nine Inch Nails penned "Hurt", a ballad that implored listeners to save
themselves as the subject slowly self-destructs. In 2002, Johnny Cash recorded his own
version of the song as his health waned, apologizing for the sacrifices his loved ones made in
his quest for fame and fortune. Both versions of the melancholy ballad told the painful story
of years of regret as isolation descended upon their subjects, ultimately leaving them alone in
a world full of people. The neutral tones and painful images of both videos leave the listeners
feeling downcast as the music videos work to incite physical and emotional feelings of pain
and sadness.
The original video, filmed in black and white aside from a few clips of the lead singer
during a live show, uses graphics of sick and dying animals, war, solemn faces and destitute
areas to convey his own feelings of pain. “Hurt” tells the story of someone who is virtually
self-destructing and in doing so, is taking the people who care about him down with him. The
lyrics, sung softly at first but building in speed and volume as the song progresses, chronicle
the journey of a young man whose pain overcomes him, leaving him feeling isolated which is
clear in the line “What have I become? My sweetest friend, everyone I know, goes away in
the end” (Hurt, 1995). The chorus also makes it apparent that the main character views
himself as a disappointment, and that he will be responsible for hurting and letting others
Johnny Cash’s rendition of “Hurt”, although using slightly more colorful imagery, was
filmed in a similarly somber-toned neutral color scheme. While the original video was a journey
through the pain of a young man, Cash’s version documented the pain of a man who was nearing
the end of his life and this was his way of apologizing for the sacrifices his loved ones made to
help him rise to the top. The feelings elicited by this music video were less painful, but sadder
overall; almost allowing the listener to empathize with a broken old man. The original was
played in front of a live audience and you could see the adoration from the onlookers as the
camera flashed out to the crowd, but this remade version was recorded with Johnny Cash alone,
which was incredibly important in helping the listener feel the isolation that Cash felt as his
health deteriorated. He had all of the material things that he had prioritized his entire life—
symbolized in the music video by the feast and throne fit for a king—but none of it mattered
because he had to enjoy them alone. Several times, Cash flashed to an image of the crucifixion of
Jesus Christ and to images of the “Museum of Cash” as it became more and more broken down;
Both songs appealed to Pathos and were meant to incite an emotional reaction from the
listener. Although there were no scientific statistics or evidence to back up the claims that the
main characters were isolated and depressed, the delivery in each case stood out as someone who
was not proud of how their life had turned out or what they had become. The color scheme in
both was intentionally somber, to keep the overall mood solemn and depressing. The audience
for both was a mature teen and adult audience, as the content was potentially too dark and too
deep for a younger group. It is also possible that both versions of the song were meant as an
apology to those they had wronged in the process, but this was more evident in Cash’s later
The songs both made the same claim; that each main character was held hostage by a life
they chose to live. Nine Inch Nails’ version almost begged the listener to free themselves of the
main character, as if he was an anchor holding us down from having a better life. The version
done by Johnny Cash highlighted his isolation as he took advantage of the people who cared
about him the most and appears to ask for their forgiveness. The videos are done in different
stages of life, one about the pain of a young man desperate for a better life, the other about a
dying man desperate for those who came after him to understand his actions before it is too late.
Works Cited
v=8AHCfZTRGiI.
v=PbHz9p7Z4OU.