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Dramatic Monologue Robert Browning
Dramatic Monologue Robert Browning
In many poems by Browning, there is a single speaker. For instance, in " My Last Duchess"
the speaker is a Duke of Ferrara who speak to the envoy of a Count whose daughter he
intends to marry. As well as, In "Andrea del Sarto" Andrea is the speaker while his wife is
the listener. Again "Fra Lippo Lippi", Friar Lippo speaks to several watchmen. In all these
poems, we find a single speaker who speaks in a dramatic situation. These speakers are
not to be identified as Browning himself.
In all these poems, there are some signposts by which we understand the presence of the
listener or listeners. In " my Last Duchess" the silent listener is the envoy of a Count whose
daughter he intends to marry. In "Andrea del Sarto" Andrea directly addresses his wife and
seeks a compromise. "Fra Lippo Lippi", on the other hand, directly threatens a watchman
saying that he will be hanged for his rude behaviour.
In Browning's poems, the speaker is placed in a critical situation of his life. Fra Lippo Lippi is
caught by the watchmen in a street visited by loose women. Andrea del Sarto reaches a
point in his life when he reviews his past, present and future. In " My Last Duchess" the
Duke went to marry again and so to describe the portrait of his last wife deals with a
dilemma.
Browning composes "The Last Ride Together" as a dramatic one. Here the speaker does
not speak directly but makes an imaginary character speak. The character in the poem is a
rejected lover and he speaker in the form of a monologue.
One interesting fact about Browning's dramatic monologues is that in these poems
Browning portray a wide variety of characters. There are the virtuous as well as the vicious,
the brave as well as well as the coward. The subjects Browning deals with are also varied.
They are love, art, philosophy, religion and crime. But they are not treated from any
particular point of view. They are presented from every conceivable point of view. What
makes Browning's dramatic monologues more interesting is the view of life that emerges
from them. Browning was a lover of humanity. He valued earthly life with all its aspects. In
this respect his approach to life is realistic.
From the above discussion we find that Browning is very successful in handling the from of
dramatic monologues in his poems. Almost all the elements of a successful dramatic
monologue are present in his poems. When we read them we can mark his mastery. Both in
from and matter they have uniqueness. Technically and thematically there is hardly any
poet with whom we can compare him.