Hamlet: Act 4

By: Vanessa Fajardo, Berzelai Ponce, Diego Hernandez, Daniel Tsai,

Nathalie Ramirez
Scene 1
Scene 2
Scene 3
Scene 4
Scene 5
Scene 7
 What does the symbolism of flowers in Act IV suggest about the
defeating nature of grief on Ophelia compared to Queen Gertrude?
How does the symbolism of the flowers connect to other key ideas?
Ophelia’s Fit Of Madness (Scene V)
“There's rosemary, that's for remembrance; pray, love, remember: and there is pansies.
that's for thoughts.”
“There's fennel for you, and columbines: there's rue for you; and here's some for me:
we may call it herb-grace o' Sundays: O you must wear your rue with a difference.
There's a daisy: I would give you some violets, but they withered all when my father
died: they say he made a good end,--”
- Fennel – Flattery
- Columbine – Faithlessness
- Rue – Regret and Bitterness
- Violet – Truth, loyalty, modesty
Ophelia’s Death (scene VII)
“There is a willow grows aslant a brook, That shows his hoar leaves in the glassy stream; There with
fantastic garlands did she come Of crow-flowers, nettles, daisies, and long purples That liberal
shepherds give a grosser name, But our cold maids do dead men's fingers call them: There, on the
pendent boughs her coronet weeds Clambering to hang, an envious sliver broke; When down her
weedy trophies and herself Fell in the weeping brook. Her clothes spread wide; And, mermaid-like,
awhile they bore her up: Which time she chanted snatches of old tunes; As one incapable of her own
distress, Or like a creature native and indued Unto that element: but long it could not be Till that her
garments, heavy with their drink, Pull'd the poor wretch from her melodious lay To muddy death.”

- Embracing grief
- A willow tree — forsaken love
- Crows flowers — ingratitude and naivety
- Daisies — innocence.
What does the difference in planning and actions between Hamlet, Claudius
and Laertes, on their quest for revenge suggest about their values and
principles? How do their characterizations contribute to the idea of how
loyalty intensifies the need for revenge?
Characterization of Hamlet (Scene II)
“Ay, sir, that soaks up the king’s countenance, his rewards, his
authorities. But such officers do the king best service in the end: he keeps
them, like an ape, in the corner of his jaw; first mouthed, to be last
swallowed: when he needs what you have gleaned, it is but squeezing you,
and, sponge, you shall be dry again” (Act 4, Scene II)

● Value - friendship
● Principle - loyalty → drive for revenge
Characterization Claudius
“No place, indeed, should
murder sanctuarize;
Revenge should have no
bounds. But, good Laertes,
Will you do this, keep close
within your chamber.
Hamlet return'd shall know you
are come home:
We'll put on those shall praise
your excellence
And set a double varnish on the
fame
The Frenchman gave you, bring
you in fine together
And wager on your heads: he,
being remiss,
Most generous and free from all
contriving,
Will not peruse the foils; so
that, with ease,
Or with a little shuffling, you
may choose
A sword unbated, and in a pass
of practise
Requite him for your father.” -
Scene VII
Characterization Laertes
“How came he dead? I'll not be juggled with:
To hell, allegiance! vows, to the blackest devil!
Conscience and grace, to the profoundest pit!
I dare damnation. To this point I stand,
That both the worlds I give to negligence,
Let come what comes; only I'll be revenged
Most thoroughly for my father.” - Scene V
How does deception in characters such as Rosencrantz,
Guildenstern, Ophelia and Hamlet lead to the
destruction of relationships and further blurs the line
between truth and lies?
Scene II
“HAMLET: Do not believe it.
ROSENCRANTZ: Believe what?
HAMLET: That I can keep your counsel and not mine own. Besides, to be demanded
of a sponge! What replication should be made by the son of a king?
ROSENCRANTZ: Take you me for a sponge, my lord?
HAMLET: Ay, sir, that soaks up the king's countenance, his rewards, his
authorities. But such officers do the king best service in the end: he keeps them,
like an ape, in the corner of his jaw; first mouthed, to be last swallowed: when he
needs what you have gleaned, it is but squeezing you, and, sponge, you shall be dry
again.”
Scene V
“[Sings] How should I your true love know From another one? By his cockle hat and

staff, And his sandal shoon.

By Gis and by Saint Charity, Alack, and fie for shame! Young men will do't, if they come

to't; By cock, they are to blame. Quoth she, before you tumbled me, You promised me to

wed. So would I ha' done, by yonder sun, An thou hadst not come to my bed.

To-morrow is Saint Valentine's day,All in the morning betime, And I a maid at your

window, To be your Valentine. Then up he rose, and donn'd his clothes, And dupp'd the

chamber-door; Let in the maid, that out a maid Never departed more.”