WILSHIRE

FINAL MAJOR PRODUCTION

PLANNING BOOKLET

BEN “BADGER” MARTIN

984234

PRODUCTION DEADLINE - 6TH

MAY 2022
FINAL DEADLINE - 9TH JUNE
2022
CONTENTS
SHOOTING SCRIPT
STORYBOARDS
CREW LIST
LOCATION RECCES
PROPS LIST
EQUIPMENT LIST
COST SHEET
CONTIGENCY PLAN
CLEARANCES
 SHOOTING SCRIPT
SHOT SONG SHOT “WILSHIRE – AUDIO/LYRICS/NARRATION/
LIST TIME TYPE TYLER, THE MUSIC/FX
CREATOR” MUSIC
VIDEO SCRIPT
(VIDEO)
1 0:00- WIDE SHOT (EXT)ESTABLISHING “FUCK, YEAH”
0:05 (EYE LEVEL) SHOT OF MUSIC STARTS INSTANTLY
*STATIC RESTAURANT / BELL RINGS AS HE ENTERS
SHOT* PLACE WHERE TYLER
AND REIGN MEET
2 0:06- MEDIUM – (INT)TABLE / “MET YOU ON A SATURDAY”
0:08 WIDE SHOT PLACE THEY MEET “KNEW IT WAS SOMETHING
(EYE LEVEL) WITH ATLEAST 3-4 SOON AS YOU SPOKE IT”
*STATIC OTHER PEOPLE
SHOT* (WILSHIRE TITLE
SCREEN ON FIRST
BEAT DROP)
3 0:08- EXTREME (INT)TYLERS EYES “EYE FUCKING ACROSS THE
0:10 CLOSE UP LOOKING UP AND TABLE DON’T THINK
(EYE LEVEL) DOWN AT REIGN ANYBODY NOTICED”
4 0:10- EXTREME (INT)REIGN … “YOU ASKED ME IF I WAS
0:14 CLOSE UP LOOKING BACK AT COMING THE CITY YOU
(EYE LEVEL) TYLER AND PAN TO FROM”
*PAN DOWN* LIPS AS SHE TALKS ‘ARE YOU COMING TO THE
CITY’
5 0:12- CLOSE UP (INT)REIGN AS SHE “MAYBE WE SHOULD KICK
0:17 (EYE LEVEL) CONTINUES TO TALK IT, I WAS INTERESTED.
THAT WOULD BE DUMB”
‘CAUSE WE COULD KICK IT
IF YOUR DOWN’
6 0:17 MONTAGE, (INT, REIGNS BED) “IF I DENIED, LONG LEGS,
-0:23 CLOSE UPS, MONATGE OF REIGNS GOOD EARS, GREAT TASTE,
VARYING LEGS, EARS, MUSIC SMELL GOOD, SENSE OF
LEVELS TASTE, PERFUME, HUMOR AND OBVIOUS A GOOD
LAUGHING AND FACE FACE”
7 0:23- OTS SHOT, (INT, RESTAURANT) “AND WE CLICKED, WE WAS
0:29 EYE LEVEL SMILING BACK AT AT EACHOTHER’S HIPS. I
CLOSE UP EACHOTHER, TYLER AIN’T EVEN WANNA FUCK
ASKS HER TO COME CAUSE YOUR PRESENCE WAS
BACK TO HIS PLACE ENOUGH. YOU AND I MAKE
SENSE”
‘YOU WANNA STAY AT MY
MINE?’
8 0:29- CLOSE UP, (HOTEL, INT) “YOU STAYED BACK AT MY
0:31 GROUND LEVEL TYLER DROPS BAGS TELLY”
ON THE FLOOR
9 0:31 OVERHEAD (HOTEL, INT) “WE WAS CHATTIN’ ‘TIL
– SHOT, STATIC TYLER AND REIGN MORNING, THE VIBRATIONS
0:35 AS THEY TALK ON WAS HEAVY. I WASN’T
DOUBLE BED DROWNING OR YAWNING”
10 0:35 CLOSE UP, (HOTEL, INT) “THAT’S WHEN I TOLD YOU
– EYE LEVEL, TYLER CONFESSING MY FEELINS”
0:37 HANDHELD HIS FEELINS TO ‘IVE GOT FEELINGS FOR
MOVEMENT REIGN YOU’
11 0:37 CLOSE UP, (HOTEL, INT)REIGN “YOU TOLD ME YOU FELT
– EYE LEVEL, ADMITS THAT SHE THE SAME BUT YOU GOT
0:40 HANDHELD LIKED TYLER BACK HOMIE YOU DEALIN’ WITH”
MOVEMENT BUT SHE HAS A
BOYFRIEND
12 0:40 MEDIUM CLOSE (HOTEL, INT)TYLER “DAMN, I DIDN’T KNOW,
– UP, STATIC SITS UP FROM THAT’S A BIT UNEXPECTED
0:46 LYING DOWN WITH BUT I GET IT, ITS
HIS LEGS HANGING WHATEVER, LEAST I CAN DO
FROM THE BED AS IT RESPECT IT”
HE CONTIMPLATES
THE RELATIONSHIP
13 0:46 (1) MEDIUM (HOTEL,EXT)REIGN “WE STILL GON’ KICK IT
– CLOSE UP, AS SHE LEAVES THE AND CHECK IN LIKE
0:49 HANDHELD LOW HOTEL AND HER AND NOTHIN’ COULD EVER STOP
ANGLE TYLER SAY THEIR IT”
GOODBYES
13 0:46 (2) MEDIUM (FIELD, EXT) “WE STILL GON’ KICK IT
– SHOT, PUSH TYLER AND REIGN AND CHECK IN LIKE
0:49 IN (EYE ON A PICNIC NOTHIN’ COULD EVER STOP
LEVEL FW) TOGETHER(FLASH- IT”
FOWARD)
14 0:49 MEDIUM CLOSE (REIGNS HOUSE, “THE PROBLEM IS HE MY
– UP (SINGLE INT) REIGN GOES FRIEND, BUT IF IM HONEST
0:53 SHOTS OTS) BACK TO SEE HER IM REALLY HOPING YOU
BOYFRIEND KNOWING DROP HIM”
HER FEELINGS FOR ‘EVERYTHING OKAY?’
TYLER
15 0:53 MEDIUM CLOSE (REIGNS HOUSE, “ITS MORALS I REALLY
– UP (SINGLE INT) SHOT OF HAVE, ITS LINES I COULD
0:57 SHOTS OTS) REIGN TALKING NEVER CROSS, BUT YOU GOT
BACK TO HER SOMETHING THAT MAKE ALL
BOYFRIEND THEM GOOD INTENTIONS GET
LOST”
‘YEAH, EVERYTHINGS
FINE.’
16 0:57- EXTREME (REIGNS HOUSE, “I TRIED TO KEEP IT
1:02 CLOSE UP INT) REIGN PLACES TOGETHER, NEVER FELT
(STATIC) HER HAND ON HER THIS WAY”
BOYFRIENDS
CONFORTING HIM
17 1:02- (WIDE SHOT) (EXT, FIELD) “WE SPENT ‘BOUT TWO
1:07 STATIC OR REIGN AND TYLER WEEKS TOGETHER, ONLY
PAN CYCLING THROUGH SKIPPED ONE DAY AND THEY
THE FIELDS WITH SAY BROS OVER HOES, IM
EACHOTHER LIKE, HMM, NAH, HEY”
18 1:07 MEDIUM CLOSE (EXT, FIELD) “I WOULD RATHER HOLD
-1:12 UP, PUSH IN REIGN AND TYLER YOUR HAND THAN HAVE A
HAVING A PICNIC COOL HANDSHAKE BUT
WITH HIS CAR WHATEVER, WE STILL COULD
BEHIND AS THEIR BE FRIENDS.”
HANDS ALMOST
TOUCH
19 1:12- CLOSE UP, (EXT, FIELD) “IT COULD STILL BE
1:16 STATIC (EYE TYLER PUSHES CHANCE, I’MA PLAY IT
LEVEL) REIGNS HAIR COOL WE GOT SOMETHI…”
BEHIND HER EAR.
20 1:16 OVERHEAD (EXT, FIELD) “INSTRUMENTAL”
– SHOT TYLER AND REIGN
1:20 LYING DOWN
LOOKING UP AS
TYLER TURNS HIS
HEAD AND SMILES
AT REIGN.
21 1:20- MEDIUM CLOSE TYLER AND REIGN “ITS LIKE STARTING A
1:28 UP, HANDHELD TOGETHER AND RACE AND THEN WHEN YOU
(EYE LEVEL) REIGN AND HER BF TAKE OFF, THEY LIKE NO
TOGETHER NO ITS NOT AN END, BUT
IT WAS TOO LATE AND
SHIT”
22 1:28- MEDIUM SHOT, (INT, REIGNS “FACETIMING IT AIN’T
1:31 PAN HOUSE) TYLER AND ‘BOUT NOTHING, YOU’RE
REIGN FACETIME AS LAUGHING PACKING YOUR
SHE PACKS HER LUGGAGE”
LUGGAGE (PAN FROM
PHONE TO REIGN)
23 1:31 MEDIUM CLOSE (INT, TYLERS “ITS NOTHING
– UP (SINGLE HOUSE) TYLER INCRIMINATING BUT PLEASE
1:34 SHOT) TELLS REIGN TO DELETE OUR DECUSSIONS”
DELETE THEIR ‘YOU GOTTA DELETE OUR
DISCUSSIONS TO TEXTS MAN…’
HIDE IT FROM
REIGNS BF
24 1:34 SPLIT SCREEN (INT, REIGNS “YOU HIT ME WITH THE
– FACETIME HOUSE) REIGN LOOK AND REPLIED LIKE,
1:40 (CLOSE UP) REPLIES MAKING IT DUH BITCH”
CLEAR THAT SHE “DON’T WANT YOUR MAN TO
WANTS TO KEEP THINK THAT WERE CREEPING
THIS A SECRET BEHIND HIS BACK”
‘^^’
25 1:40- QUICK CUTS (MONTAGE) TYLER “CROSS THE LINE, CROSS
1:43 (CLOSE UPS AND REIGN THE LINE, CROSS THE… NAH
STATIC) PROGRESSING IN WE NEVER DID THAT.”
THEIR AFFAIR.
LEGS TOUCHING,
HOLDING HANDS,
 TYLER GOES IN FOR
THE KISS
26 1:43 MEDIUM SHOT TYLER CALLS “ALTHOUGH I HAVEN’T SEE
– STATIC LOW REIGNS BOYFRIEND HIM IN MONTHS, SHOT IS
1:46 ANGLE ASKING HIM TO RARE HE NEVER HIT BACK”
MEET UP
27 1:46 MEDIUM SHOT BOYFRIEND AGREES “ANYWAY, CONVICE HIM TO
-1:52 STATIC HIGH TO MEET WITH HIM, BRING YOU TO ME, SO WE
ANGLE REIGN AND TYLER. CAN KICK IT. RIGHT
INFRONT OF HIS LENSES
NOTHIG HERE IS
MALICIOUS”
28 1:52- MEDIUM SHOT (INT, CINEMA) “YOU SAT BY ME IN THAT
1:54 (LOW ANGLE) TYLER, REIGN AND MOVIE”
STATIC HER BF SAT
TOGTHER AT THE
MOVIES.
29 1:54- CLOSE UP (INT, CINEMA) “WE WENT OUTSIDE FOR
1:55 KNEE LEVEL REIGN TAPS TYLERS THEM DOOBIES”
STATIC LEG TO LEAVE
30 1:55 MEDIUM CLOSE (EXT, CINEMA) “WE WALKIN’ OFF WHEN WE
– UP EYE LEVEL TYLER AND REIGN TALK. MAN, THAT N****
1:58 SMOKE OUTSIDE NOT FUCKING STUPID”
31 1:58- MEDIUM CLOSE (EXT, CINEMA) BF “HE SEE IT, HE KNOW
2:06 UP EYE WALKS OUTSIDE TO IT’SOMETHING, WE
LEVEL, SEE REIGN AND FRONTING LIKE HA-HA-HA
HANDHELD TYLER AND ITS BUT WHENEVER WE HA-HA-HA
OBVIOUS SOMETHING WE SUBTLY PRESS HIS
IS GOING ON BUT BUTTONS. NOT ON PURPOSE
TYLER AND REIGN BUT MAN I FOUND MY
LAUGH IT OFF. PURPOSE.”
‘LAUGHING’
32 2:06 MEDIUM CLOSE (EXT, CINEMA) “IF I FUCKED OUT
– UP, EYE TYLER AND BF FRIENDSHIP UP FOR YOU, I
2:12 LEVEL. CONVERSING BUT AN THINK IT’S IT WORTH IT,
STATIC. AWKWARD TENSION BUT, NAH I CANT DO THAT,
BETWEEN THEM THAT N**** DON’T DESERVE
IT”
33 2:12- (CUT BACK (INT, REIGNS “AND PLUS, Y’ALL GOT
2:20 AND FORTH) HOUSE AND TYLERS DEPTH, IM JUST A N****
MEDIUM SHOT, HOUSE) CUTS BACK ON THE SURFACE FOR REAL.
OTS. AND FORTH BETWEEN SURFACE. I SAID SURFACE
HANDHELD TYLER AND REIGN LIKE CAUSE THEY GOT
TOGETHER AND ROOTS.”
REIGN AND HER BF
TOGETHER.
34 2:20 MEDIUM SHOT, (INT, REIGNS “LIKE IM THE NEW N****
– SINGLE SHOT, HOUSE) YOU KNOW, THEY BE
2:28 STATIC. CUTS BACK TO FUCKIN’ YUH YUH.”
REIGNS HOUSE AS
 HER BF’S STARTS ‘I DON’T WANT YOU TO SEE
TO ARGUE WITH HER TYLER ANYMORE’
ABOUT T (LOOKS UPSET)
’OKAY’
35 2:28- WIDE SHOT, (INT, TYLERS “DIDN’T SEE YOU A COUPLE
2:32 STATIC. HIGH HOUSE) SITTING WEEKS THINK HE WANT YOU
ANGLE. ALONE STARRING AT AWAY FROM ME. KNOW Y’ALL
PHONE WAITING FOR ARGUE ABOUT IF YOU MAD
HER TO CALL YOU MET HIM BEFORE YOU
MET ME”

36 2:32 MEDIUM – (INT, TYLERS “I FEEL GUILTY BUT NOT

– WIDE SHOT HOUSE) KEEPS AS MUCH AS I SHOULD, I
2:38 CENTRE CHECKING HIS TRIED TO HAVE THAT SELF
FRAME. EYE PHONE AND TEXTING CONTROL BUT NOT AS MUCH
LEVEL. REIGN. AS I COULD.”
37 2:38 MEDIUM-WIDE (TYLERS HOUSE, “I BEEN DOWN FOR DAYS,
– SHOT (EYE EXT) SAT INSIDE YOU’RE IN MY CITY AND I
2:45 LEVEL) CAR LEANING HIS CAN’T SEE YOUR FACE. I
HEAD OUT THE CANT’T EAT KNOWING YOU
WINDOW UPSET WITH WITH HIM AND NOT AT MY
ALL DOORS OPEN. PLACE.”
38 2:45 MEDIUM CLOSE PARK DATE, EXT) “I NEVER BEEN JELOUS OF
– UP SINGLE REIGN AND BF ON ANOTHER MAN ESPECIALLY
2:54 SHOT EYE DATE BUT SHE WHEN I HAVE EVERYTHING,
LEVEL KEEPS CHECKING I WANT AT HAND, EXCEPT
HER PHONE FOR YOU, YOU”
TEXTS.
39 2:54 WIDE SHOT, (TYLERS HOUSE, “YOU KNOW I’VE GOT EVERY
– SINGLE SHOT, EXT) TYLER DAMN CAR, MULTIPLE CRIBS
3:00 EYE LEVEL SURROUNDED BY HIS BUT IT’S LIKE NO I WANT
STATIC CARS AND HOUSES THAT.”
BUT STILL UPSET.
40 3:00 MEDIUM CLOSE (APARTMENT “HE LEFT FOR SOME DAYS I
– UP, EYE BUILDING OR CAR) CLEARED OUT MY SCHED, I
3:05 LEVEL, PUSH REIGN SAYS CLEARED OUT MY HEAD”
IN (SMOOTH GOODBYE TO HER BF
TRANSITION) AS HE LEAVES AND
IMMEDIALTLY
CHECKS HER PHONE.
41 3:05 MEDIUM – (EXT, TYLERS “YOU DROPPED OFF AT
– WIDE SHOT / FRONT ENTERANCE) MINE. I SAY THAT WE
3:10 MEDIUM CLOSE REIGN PULLS UP TO FLED, NO YOU PICK A
UP. WHIP PAN TYLERS HOUSE IN PLACE.”
IF POSSIBLE. HER CAR OR A
TAXI.
42 3:10 MEDIUM WIDE (INT, TYLERS “WE COULD TULUM OR WE
– SHOT EYE LIVING ROOM) COULD CAPRI, OR DIE
3:15 LEVEL (CLOSE TYLER AND REIGN RIGHT HERE AS LONG AS
POINTING AT A
 UP AFTER *2 GLOBE TOGETHER. YOU WITH ME I’LL BE AT
SECS*) AND FALL BACK PEACE”
ONTO SOFA ‘WHERE DO YOU WANNA GO?’
43 3:15 BACK AND (INT, TYLER’S “YOU WAS SUPPOSED TO GO
– FORTH OTS KICTHEN) TYLER BACK HOME TO SEE YOUR
3:27 MEDIUM CLOSE AND REIGN IN HIS BESTIE. I TOLD YOU I
UP EYE LEVEL KITCHEN CAN’T HIT THAT ZONE TOO
(ATW*KS*) CONVERSING ABOUT BUSY NEXT WEEK, YOU WAS
HOW LONG THEY CAN LIKE HMM I’LL STAY A
STAY WITH WEEK, SHE’LL GET OVER
EACHOTHER AND HOW THAT. SEVEN DAYS WIT ME
HER BF IS YOUR N**** LIKE WHERE
REACTING. THE FUCK YOU AT”
MONTAGE
STARTS
44 3:27 CLOSE UP (INT, TYLERS “DIRTY IN MY BAKIN POTS”
– HIGH ANGLE KITCHEN) REIGN
3:29 AND TYLER WASHING
DISHES
45 3:29 MEDIUM - (EXT, TENNIS “TENNIS AT MY MOMMAS
– WIDE SHOT COURTS) REIGN AND SPOT”
3:31 STATIC EYE TYLER PLAYING “CHAUFFERED IN THE
LEVEL TENNIS ROLLS”
46 3:31 MEDIUM SHOT, (EXT, RESTAURANT “THE BACK ENTERANCE OF
- HANDHELD, BACK ENTERANCE) THEM RESTAURANTS”
3:33 EYE LEVEL TYLER AND REIGN
AT THE BACK
ENTERANCE OF A
RESTAURANT.
47 3:33 CLOSE UP, (EXT, GARDEN) “PARKS PLAYING CHESS
– STATIC SHOT. REIGN AND TYLER GAME”
3:35 PLAYING CHESS.
48 3:35 MEDIUM SHOT. (INT, TYLERS “GIVING WIGS PET NAMES”
– STATIC BEDROOM)
3:36 TYLER AND REIGN
STANDING INFRONT
OF SOME WIGS.
49 3:36 CLOSE UP – (INT, TYLERS “MANICURES”
– ECL. (LJ.V) LIVING ROOM)
3:38 REIGN GIVING
TYLER A MANICURE
50 3:38 MEDIUM CLOSE (EXT, TYLERS “NIGHT SWIMS” “JERROD
– UP, STATIC. POOL) TYLER AND PROVIDING METHANE.
3:42 EYE LEVEL. REIGN DIPPING SHOPPING TIL WE DROPPING
CENTRE THEIR FEET INTO WHAT YOU COPPIN, SEE THE
FRAME. THE POOL. PRICE IS NOT AN OPTION”
51 3:42 EXTREME (INT, TYLERS “ITS INVESTMENTS ‘CAUSE
– CLOSE UP, HOUSE) REIGN YOUR SMILE IS THE PROFIT
3:45 HANDHELD. SMILING BACK AT TO ME.”
(FW.OS)
 TYLER AS HE
TALKS.

52 3:45 MEDIUM CLOSE (EXT, PARK) “I KNOW AROUND HIM YOU

– UP / CLOSE TYLER, REIGN AND GOTTA ACT LIKE YOU NOT
3:51 UP. HANDHELD HER BF ALL INTO ME. I KNOW YOUR
(ATW.CS.KS) TOGETHER AT A ANSWER BUT YOU GOTTA
PARK AS HER BF KEEP IT HONEST WITH ME”
HUGS HER BUT SHE
IS LOOKING AT
TYLER AND HE
LOOKS AWAY
NEW CHAPTER (LONG DIALOGUE
EXCHANGE)
53 3:51- CLOSE UP. (TYLER’S HOUSE) “SAID YOU CAN’T FULLY BE
3:54 ONE SHOT. REIGN EXPLAINS INTO ME ‘CAUSE YOU WITH
HANDHELD THAT SHE CAN’T BE HIM”
LOW ANGLE IN LOVE WITH ‘TYLER, I CANT FULLY BE
(ATW*753*) TYLER WHILST INTO YOU, IM STILL WITH
STILL WITH HER HIM.’
BOYFRIEND.
54 3:54 M CLOSE UP. (TYLER’S HOUSE) “THEN WHY THE FUCK WHEN
– TWO SHOT. TYLER COMES BACK WE LINK, ITS LIKE HE
3:59 HANDHELD AT REIGN DOESN’T EXIST? THEY ALL
WONDERING WHY SHE KNOW THAT WE’RE FRIENDS
DOESN’T CARE WHEN BUT WE BOTH AWARE THAT
THEYRE TOGETHER. ITS MORE”
*PERFORMATIVE
ABIAG*
55 3:59 CLOSE UP. (TYLERS HOUSE) “EVERYTHING I GOT, IF
– ONE SHOT. TYLER CONTINUES YOU SAY THE WORD, THEN
4:08 HANDHELD. FORTH WITH THE IT’S YOURS. THE ONLY
HIGH ANGLE CONVERSATION THING IM MISSING IN LIFE
EXPLAINING WHAT I KNOW YOU COULD BE IT,
REIGN COULD HAVE AND EVERYONE AROUND ME
IF SHE CHOSE HIM. THAT CARE ABOUT IT CAN
SEE IT.”
56 4:08- M CLOSE UP. (TYLER HOUSE) “I COULD FUCK A TRILLION
4:14 TWO SHOT. TYLER STARTS TO BITCHES, EVERY COUNTRY I
HANDHELD GET MORE DONE BEEN IN, MEN OR
FRUSTRATED AND WOMEN, IT DON’T MATTER
NOW TRIES TO MAKE IF I SEEN ‘EM, THEN I
IT MORE EVIDENT HAD ‘EM”
THAT HE COULD
HAVE ANYONE BUT
HE HAS CHOSEN
HER.
57 4:14 CLOSE UP. (TYLERS HOUSE) “BUT WITH YOU, IT’S A
– ONE SHOT. REIGNS FACE AS FEELING CAUSE WERE
4:18 HANDHELD
 LOW ANGLE SHE LISTENS TO TWINNIN AND WE’RE
(TRANSITION) WHAT TYLER SAYS MATCHING”
(SUBTITLED)
58 4:18 M CLOSE UP. (INT, CAR) “YOU STAYED IN THE CAR
-4:20 ONE SHOT. REIGNS FACE AS WHEN I WENT ON A DATE
PULL OUT TYLER WALKS OFF WITH THAT ACTRESS”
LOW ANGLE TO GO ON A DATE
AS SHE LOOKS OUT
THE WINDOW
59 4:20 M CLOSE UP (EXT, RESTAURANT) “WHOLE TIME IM EATING, I
– OTS TYLER ON A DATE COULDN’T WAIT TO GET
4:27 EYE LEVEL WITH ANOTHER GIRL BACK IN THE BACK OF THAT
STATIC STARRING OFF INTO CAR WITH YOU AND TALK
THE DISTANCE ABOUT WHO WE ARE.”
THINKING OF
REIGN.
CAR DRIVES OFF
60 4:27 M CLOSE UP. (EXT, CAR DAY) “YOU TOLD ME WHEN YOU’RE
– ONE SHOT. REIGN STARTS WITH ME IT’S LIKE
4:29 EYE LEVEL OPENING UP TO HEROIN”
(SIDE TYLER. ‘WHEN IM WITH YOU ITS
STREET) LIKE HEROIN’
61 4:29 MEDIUM SHOT (EXT, CAR DAY) “TOLD ME THAT YOUR
– TWO SHOT REIGN CONTINUES CONFIDENCE WENT UP SINCE
4:32 EYE LEVEL TALKING TO TYLER. WE BEFRIENDED”
(CMIYGL SS) ‘MY CONFIDENCE WENT UP
SINCE WE BECAME FRIENDS’
62 4:32 CLOSE UP (EXT, CAR DAY) “AND YOU TOLD ME THAT
– ONE SHOT REIGN EXPLAINS YOU DIDN’T WANNA HURT
4:39 EYE LEVEL THAT SHE DOESN’T HIM, WHY ARE WE DOING
WANT TO HURT HER THIS? TOLD ME THIS AN
BF AND SHE CAN’T AWKWARD SITUATION AND
DEAL WITH THE YOU JUST WANNA BE
SITUATION. THROUGH WITH IT”
‘I DON’T WANNA HURT HIM
WHY ARE WE DOING THIS.
THIS IS SUCH AN AWKWARD
SITUATION, I JUST WANNA
BE THROUGH WITH IT ’
63 4:39 TWO SHOT (EXT CAR DAY “TOLD ME EVERYTIME YOU
-4:44 M CLOSE UP – HILL) COTINUING NOT WITH HIM IT STARTED
CLOSE UP CONVERSTATION PROBLEMS, TOLD ME
(REIGN) EYE EVERYTIME YOU NOT WITH
LEVEL ME, YOU ALWAYS PONDER.”
‘BUT EVERYTIME IM NOT
WITH YOU I ALWAYS
PONDER’
64 4:44 (QUICK CUTS) (TYLERS HOUSE) “WHAT KINDA SWEATER IM
-4:46 ONE SHOT TYLER’S CLOSET WEARING”
CENTRE FRAME WITH HIM WEARING
 A COOL RED
SWEATER
65 4:46 MEDIUM SHOT (TYLERS HOUSE) “WHAT MUSIC HAVE I BEEN
– ONE SHOT TYLER AND REIGN FINDING GIRL, YOU KNOW
4:50 HIGH ANGLE ON HIS FLOOR WITH THAT IM’A PLAY IT
CENTRE FRAME A VINYL PLAYER WHENEVER THAT’S WHAT WE
AND HEADPHONES BONDED OVER.”
LISTENING TO
MUSIC.
66 4:50 ABIAG BS (TYLERS HOUSE) “YOU SAID YOU TOLD HIM
– MEDIUM SHOT REIGN IS PACKING THE TRUTH AND YOU NEVER
4:53 TWO SHOT HER BAGS TO LEAVE LIED”
EYE LEVEL AND IS EXPLAING ‘I TOLD HIM THE TRUTH
(REIGN) HO SHE NEVER LIED AND I NEVER LIED’
TO HER MAN.
67 4:53 ABIAG BS (TYLERS HOUSE) “NOW HE LOOKING AT YOU
– CLOSE UP TYLER IS LOOKING WITH THEM EYES, WE NEVER
4:57 SHOT AT REIGN CONFUSED CROSSED THE LINE”
TWO SHOT AND UPSET AS SHE
REIGN EYE IS IN A RUSH TO
LEVEL LEAVE

68 4:57 WIDE SHOT (TYLERS HOUSE) “BUT HE GOT EVERY RIGHT

– ABIAG REIGN HAS HER TO BE A LITTLE PISSED
5:00 ONE SHOT LUGGAGE AND IS OFF”
PUSH IN LEAVING OUT THE
FRONT DOOR AND
SHE LOOKS BACCK.
69 5:00 MEDIUM SHOT (TYLERS FRONT “HE PICKED YOU UP, YALL
– ONE SHOT GARDEN) REIGN GOT IN ARGUMENT HE GOT
5:03 HANDHELD LEAVES TO GET HIS SHIT OFF”
INSIDE HER
BOYFRIENDS CAR
70 5:03 M CLOSE UP COUNTRYSIDE) “MY ENERGY LIKE GET
– TWO SHOT REIGN AND HER LOST, YOUR ENERGY JUST
5:08 HANDHELD BOYFRIEND START WANT PEACE. I COULDN’T
TO ARGUE ABOUT EEN TELL YOU HIS ENERGY
HER AND TYLER. CAUSE HE DON’T SPEAK”
‘I PROMISE WE NEVER DID
ANYTHING’
‘AND WHY THE FUCK SHOULD
I TRUST YOU.’
71 5:08 OTS CLOSE UP (COUNTRYSIDE NEAR “HE AINT EVEN CALL YOU
– ONE SHOTS RIVER) REIGNS HIS BITCH UNTIL HE SEEN
5:15 BACK AND BOYRFRIEND ME MAKE YOU SMILE THAT
FORTH FINALLY GIVES HER N**** THREATENED AS
THE ULTIMATUM OF SHIT. IM IN THE WRONG
CHOOSING BETWEEN THOUGH”
HIM AND TYLER. ‘ITS ME OR HIM YOU GOTTA
CHOOSE.’
72 5:15 MEDIUM SHOT (REIGNS HOUSE, “I PICKED YOU UP, YOUR
– EYE LEVEL EXT) REIGN GETS ENERGY OFF. YOUR LIPS
5:20 STATIC IN TYLERS CAR AND REALLY DRY SOMETHING IS
LEANS ON HIS OFF”
SHOULDER.
73 5:20 M CLOSE UP (TYLERS’S CAR) “YOU ASKED IF I GOTTA, I
– EYE LEVEL REIGN AND TYLER ASKED IF YOU GOTTA. WE
5:24 TWO SHOT DRIVE TO A TRIPPIN OUR WORDS NOBODY
HANDHELD DESTINATION WHERE IS LYING, HAKUNA MATATA”
(SCENIC SHOT THEY CAN CHILL
OUT OF AND TALK ABOUT
WINDOW) EVERYTHING.
74 5:24 M CLOSE UP (TYLER’S “WE SAT IN THE CAR AND
– EYE LEVEL CAR*FRONTSEAT*) CRIED FOR AN HOUR, MY
5:32 HANDHELD REIGN FINALLY SHIRT LOOKED LIKE A
THORUGH CALLS IT OFF WITH SHOWER HEAD GOT IT,
WINDOW TYLER AND HE IS WE CALLED IT OFF”
DISTRUAGHT AND
SHE WALKS OUT.
75 5:32 CLOSE UP (TYLERS CAR) “ILL SKIP THE DETAILS
– EYE LEVEL TYLER SITS IN HIS BUT THAT NIGHT I SEEN
5:34 STATIC CAR CRYING. HELL”
76 5:34 WIDE SHOT TYLER DRIVES OFF “YOU WAS IN THE ROOM I
– STATIC IN CAR WAS PAYING FOR I TOOK 3
5:38 (DRONE)ROT L’S”

77 5:38 MEDIUM SHOT (TYLERS HOUSE OR “NO, I DIDN’T SLEEP

– STATIC HOTEL) WELL, WOKE UP AND MY
5:44 EYE LEVEL TYLER GETS OUT OF KNEES FELL. THYEY
ROT TO C BED IN THE BUCKLED TO THE GROUND. I
MORNING AND HIS CANNOT WALK, SHIT, I
LEGS COLLAPSE NEED VILL”
UNDERNEATH HIM.
78 5:44 EXTREME (TYLERS CAR) “NEXT DAY IM DRIVING
– CLOSE UP TYLERS EYES AS HE ROUND THE CITY WITH NO
5:50 STATIC CRIES WHILST DESTINATION BACK UP
EYE LEVEL DRIVING AROUND WATER IN MY EYES KEPT
RURAL ENGLISH FALLING LIKE NIAGRA.”
ROADS.
79 5:50 MEDIUM SHOT (TYLERS CAR / “VILL RIGHT BEHIND ME
– PUSH IN FIELD) TYLER GOES MAKING SURE I DIDN’T
5:56 EYE LEVEL TO MEET A FRIEND CRASH OR DO SOMETHING
AND BREAKS DOWN HEINOUS CAUSE IM
TO HIM. EMOTIONALLY JABBED UP”
80 5:56 M CLOSE UP (TYLERS CAR / “YOU CHECKED EVERY BOX,
– STATIC FIELD) THOUGHT THAT WAS IT FELT
6:01 EYE LEVEL TYLER TALKS TO LIKE I GOT LED ON AND
SUBTITLED VILL ABOUT REIGN PUSHED OFF A CLIFF.”
AND HOW HE
 THOUGHT SHE WAS ‘SHE CHECKED EVERY BOX
THE ONE MAN I THOUGHT SHE WAS
THE ONE’
(NOW) LARGE JUMP IN
TIME
81 6:01 MEDIUM SHOT (TYLERS STUDIO) “NO, IM IN THE WRONG,
– STATIC TYLER RAPPING THE THAT WAS A FRIEND. NO
6:12 EYE LEVEL LYRICS AND FUCK THAT, THE ENERGY WE
REMINICING ON THE HAD NEVER WILL FIND IT
PAST AGAIN. YOU’RE IN THE
WRONG, GOTTA REMIND YOU
BOUT THAT TIMES THAT YOU
STEPPED GOTTA REWIND IT”
(BACK TO 4:3 REWIND
FLASHBACKS)
82 6:12 TWO SHOT (TYLERS HOUSE “TALKING ABOUT OUR
– MEDIUM CLOSE GARDEN) KINKS, REAL CAUTIOUS
6:19 UP TYLER AND REIGN WITH THE LINKS YOU DON’T
STATIC DISCUSSING THEIRDO THAT TYPE OF SHIT
(MAYBE KINKS AND WHEN YOU IN A
EXTREME FLIRTING WITH ONE
RELATIONSHIP”
CLOSE UP) ANOTHER ‘WHAT ARE YOUR KINKS?’
‘TYLER LAUGHS’
83 6:19 CLOSE UP (TYLERS HOUSE “AND YOU 100 WITH YOUR
– TWO SHOT LIVING ROOM) MATE SO DON’T GO ACTING
6:24 STATIC REIGN LEANS ON LIKE NO SAINT. THIS A
TYLERS SHOULDER TWO-WAY STREET AND SHIT
AND HE LOOKS DOWN YOU KNEW WHAT I WAS ON”
AT HER AND SMILES
84 6:24 WIDE SHOT (TYLERS HOUSE “AND WHILE THAT N****
– CENTERED LIVING ROOM) OUT AND GONE YOU WAS
6:28 STATIC TYLER AND REIGN LOUNGING IN MY HOME”
LOW ANGLE LYING ON HIS SOFA
TOGETHER.
85 6:28 M CLOSE UP (TYLERS KITCHEN) “SHIT I EVEN LET YOU
– EYE LEVEL BRIGHT LIGHT MEET MY MOMMA AND Y’ALL
6:35 HANDHELD SHINING INTO THE GOT ALONG BUT SHIT I’LL
TWO SHOT KITCHEN. REIGN TAKE MY L THO, ITS NOT
MEETS TYLERS MOM FUN. YOU STILL GOT YO
(IF I CAN FIND A N**** AND STILL HAD YO
FITTING ACTOR) FUN”
MONTAGE ENDS WINDS INTO THE
FUTURE JUST AFTER
THE BREAK UP
86 6:35 TWO SHOT (OVER THE PHONE) “SHIT I CAN’T EVEN LOOK
- SPLIT SCREEN *FIELD* TYLER AT YOU AND THINK ABOUT
6:43 (OR CUT BACK CALLING REIGN BAD WORDS THAT’S WHY I
AND FORTH) TELLING HER THEY CALLED AND SAID WE
CLOSE UP CAN’T END THIS ON COULDN’T END THIS ON BAD
BAD TEMRS TERMS. WE STRAIGHT LIKE
 A BAD PERM WE’LL ALWAYS
BE GOOD FRIENDS”
‘WE CANT END THIS ON BAD
TERMS, YOURE ONE ON MY
BEST FRIENDS.’
BACK IN IN THE CURRENT
TYLERS TIME (FULL FRAME)
STUDIO
88 6:43 MEDIUM SHOT (TYLERS ‘“AND LAUGH ABOUT IT ON
– STATIC EYE STUDIO)*SUNNY* A SANDY BEACH WHILST OUR
6:50 LEVEL WE NOW SEE TYLER BACK BURNS”’
CONTINUING TO
TELL THE STORY AS
HE SPEAKS INTO
THE MICROPHONE
89 6:50 CLOSE UP (TYLERS STUDIO) ‘“THIS MY PERSPECTIVE
– STATIC TYLER RECORDING THIS HOW I FEEL I AIN’T
7:01 EYE LEVEL THE SONG SPEAKING FABRICATE NOTHING ,I
INTO THE MIC AS KEPT IT REAL. I TOLD YOU
HE LOOKS DOWN AT I LOVED YOU AND ALWAYS
THE GROUND WILL AND IF HE EVER PUTS
IS HANDS ON YOU I
PROMISE I’LL GET HIM
KILLED, TRUE”
90 7:01 WIDE SHOTS (MONTAGE) TYLER “TRUE, TRUE…”
– MATCH CUTS BEING ALONE IN
7:12 EYE LEVEL HIS HOUSE WHERE
STATIC HE USED TO BE
WITH REIGN
91 7:12 M CLOSE UP (TYLERS STUDIO) ‘“ON GOD I LOVE THAT
– TYLER CONTINUES GIRL IM A SH- IM A BAD
7:17 TO TELL THE STORY PERSON LIKE”’
BUT HE IS
STRUGGLING AND IS
JUST VENTING TO
HIMSELF
92 7:17 WIDE SHOT (TYLERS WINDOW) ‘“IM IN THE WRONG, IM A
-7:25 OUT OF LOOKING OUT INTO BAD PERSON… I HAD NO ILL
TYLERS THE GARDEN INTENTIONS THO”’
WINDOW
NATURE
93 7:25 MEDIUM SHOT BOYFRIENDS “SHIT, EVERYBODY GOT
– STATIC APARTMENT) REIGN HURT, I GOT HURT. IT’S A
7:32 LOW ANGLE AND HER SHIT SITUATION.”
BOYFRIENDS
TOGETHER WITH A
BAD ENERY STILL
IN THE AIR
94 7:32 CLOSE UP (BF’S APRTMT) BF “ALL THE MORALS AND
– HANDHELD LOOKS DOWN AT POWER YOU HAVE JUST
7:40 LOW ANGLE REIGN BUT SHE IS VANISH WHEN A CERTAIN
LOOKING AWAY. ENERGY IS NEARING"
95 7:40 CLOSE UP - (BF’S APRTMT) “AND THOSE FEELINGS HAVE
– MEDIUM CAMERA PANS TO SO MUCH GRAVITY AND ITS
7:44 SLOW PAN TO THE WINDOW AND OUT OF YOUR CONTROL”
WINDOW THIS IS THE LAST
EYE LEVEL SHOT WE SEE OFF
LOW ANGLE REIGN AND HER
BOYFRIEND
TOGETHER.
96 7:44 WIDE SHOT (TYLER STUDIO) “IT MADE ME REALISE
– PUSH IN TYLER RAPPING THE ADULTS DON’T KNOW WHAT
7:55 HIGH ANGLE LYRICS IN A THEY DOING EITHER. WERE
CENTRE FRAME DEPRESSIVE STATE ALL JUST CHILDREN. I
AINT MEAN TO FUCK
NOBODYS SHIT UP MAN.”
FLASH BACKS 4:3
97 7:55 MEDIUM SHOT (FIELD) TYLER AND “I THOUGHT I WAS BULLET
– PUSH IN REIGN HANGING OUT PROOF BUT SHE PROVED ME
8:00 LOW ANGLE ON THE FLOWER WRONG MAN”
*FW OS* FIELD.
98 8:00 EXTREME (FIELD) TYLER AND “I FELT 200 PERCENT WITH
– CLOSE UPS REIGN INFATUATED HER, IT WAS BEAUTIFUL, I
8:12 EYE / MOUTH WITH EACH OTHER WAS A BLE TO FEEL”
LEVEL IN THE PAST
*FW SS*
99 8:12 MEDIUM CLOSE (FIELD) FUTURE “BUT IT WAS, IT WAS BAD
– UP TYLER IN THE SAME TIMING”
8:16 HIGH ANGLE FIELD SITTING
(NATURE ALONE STARRING AT
SHOT?) THE SKY.

BACK TO THE
STUDIO AS
TYLER STARTS
TO LEAVE
100 8:16 MEDIUM SHOT (THE STUDIO) “AND IM MAD PRIVATE WITH
– EYE LEVEL TYLER WIPES A THIS PART OF MY LIFE
8:19 STATIC TEAR FROM HIS EYE CAUSE PEOPLE ARE
AND SHUTS HIS WEIRDOS”
LAPTOP *SITTING
ON THE FLOOR*
101 8:19 HAND HELD (EXT, STUDIO) “I JUST TRY TO KEEP
– MEDIUM SHOT TYLER GETTING HIS ANYONE I CARE ABOUT IN
8:26 QUICK CUTS BIKE AND LUGGAGE THE SHADOWS SAFE FROM
EYE LEVEL TRUNK READY THE COMMENTARY AND THE
PUTTING HIS HAT SPOTLIGHT AND THOUGHTS”
ON
102 8:26 WIDE SHOT (EXT, STUDIO “CAUSE ITS JUST A STORY
– STATIC ROAD) FOR THE PEOPLE OUTSIDE
8:35 EYE LEVEL TYLER CYCLING OF IT. BUT I GUESS
CENTRE FRAME DOWN THE ROAD YOU’RE JUST ANOTHER
INTO THE SUNSET. CHAPTER IN THE BOOK”
103 8:35 FREEZE FRAME (EXT, STUDIO “CALL ME IF YOU LOST”
– WIDE SHOT ROAD) CALL ME IF
8:38 STATIC SHOT YOU LOST FREEZE
CENTRE FRAME FRAME
CREDITS
END
CREW LIST
NAME ROLE DATES
NEEDED
BENJAMIN DIRECTOR, ALL DATES
MARTIN PRODUCER AND
CAMERA OPERATOR
JOE DRIVER + EXTRA 12TH APRIL
MCDONALD
TEMI ACTOR (TYLER 7TH – 24TH APRIL
MAJEK OKONMA)
AGGIE ACTOR (“SHE” ALL DATES
CHOCIANOWICKA REIGN)
JAMES ACTOR (“HE” 12TH APRIL – 24TH
REALPE BOYFRIEND) APRIL
OSCAR BACKUP ACTOR + 12TH APRIL
SZERSZENOWICZ AND EXTRA
FREYA EXTRA 12TH APRIL
ROMERO
BETH EXTRA 12TH APRIL
MAIDMENT-CARGIN
JONAH POWER COSTUME 11TH APRIL
DESIGNER
SIMON EXTRA 12TH APRIL
WILKOSZ
LOCATION RECCE

LOCATION INFORMATION
LOCATION NAME – THE CHOCOLATE CAFE
ADDRESS – 13 THAMESIDE, HENLEY-ON-THAMES, RG9 1BH
TYPE OF AREA – CAFÉ BY THE RIVER
SITE CONTACT – 01491411412
PERMISSIONS – OWNER GAVE ME PERMISSION TO USE THE INT AND EXT FOR FILMING
AVAILABILITY – AVAILABLE ON THE 12TH OF APRIL (3PM ONWARDS)

CREW (ON SET)

BEN M FREYA R
TEMI M BETH M
AGGIE C SIMON W
OSCAR S
JOE M

WHAT IM FILMING HERE

SCENE NUMBERS – 1-7
WHY THIS SPACE IS SUITABLE – THIS SPACE IS VERY SUITABLE AS IT IS THE MEETING PLACE OF
TYLER AND “HER” SO A COFFEE SHOP WORKS WELL FOR THIS TYPE OF SCENARIO ESPECIALLY AS
IT IS A BIG GROUP OF PEOPLE AND IT IS GOOD TO HAVE THEM ALL AROUND A TABLE.

FILMING INFORMATION
LIGHTING – LIGHTING FROM CEILING AND LARGE WINDOWS BY THE ENTRANCE
POWER – POWER SOCKETS ARE LOCATED AROUND BUT WILL NOT BE NEEDED
HAZARDS – THE CAFÉ WILL STILL BE OPEN WHILST FILMING SO KEEPING OUT OF STAFF AND
CUSTOMERS WAYS WILL BE VERY IMPORTANT
LOCATION RECCE

LOCATION INFORMATION
LOCATION NAME – MY HOUSE
ADDRESS – 15 NORDEN MEADOWS, MAIDENHEAD, BERKSHIRE, SL6 4SB
TYPE OF AREA – HOUSE
SITE CONTACT – N/A
PERMISSIONS – N/A
AVAILABILITY – N/A

CREW (ON SET)

DAY 1 – BEN, TEMI AND AGGIE
DAY 2 – BEN, AGGIE, JAMES AND DAVID

WHAT IM FILMING HERE

SCENE NUMBERS –
DAY 1 – 72
DAY 2 – 6, 22-24, 33-34
WHY THIS SPACE IS SUITABLE –
MY HOUSE WORKS FOR THIS LOCATION AS IT IS THE RIGHT SIZE TO BE FIT BEING “HER” HOUSE
THE BRIGHT PINK CHERRY BLOSSOM TREE ALSO FITS TYLER THE CREATORS AESTHTIC AND MY
PARENTS ROOM CAN BE DRESSED UP TO LOOK LIKE A ROOM “HER” WOULD HAVE

FILMING INFORMATION (PARENTS ROOM)

LIGHTING – 2 TABLE LAMPS, CEILING LIGHT AND MODERATLY LARGE WINDOW. THIS LIGHT IS
ENOUGH TO MAKE USE OF NATURAL LIGHT
POWER – SERVERAL POWER SOCKETS AROUND
HAZARDS – NO HAZARDS
LOCATION RECCE

LOCATION INFORMATION
LOCATION NAME – SLADE FARM / SLADE LODGE
ADDRESS – SLOUGH SL2 3XD (HEDGERLY)
TYPE OF AREA – FARMHOUSE
SITE CONTACT – https://www.airbnb.co.in/users/show/74128922
PERMISSIONS – PERMISSION TO FILM ONSITE
AVAILABILITY – 17TH – 19TH APRIL

CREW (ON SET)

DAY 1 – BEN, TEMI AND AGGIE
DAY 2 – BEN, TEMI, JAMES AND JAMES’ FATHER

WHAT IM FILMING HERE

SCENE NUMBERS – 8-13, 22-26, 35-37, 39, 41-44, 47-49, 51-57, 64-69, 77, 80, 81, 82-85, 86-92,
96, 100 - 103
WHY THIS SPACE IS SUITABLE –
THIS SPACE IS PERFECT AS I AM ABLE TO RENT OUT THE GUEST HOUSE FOR A CHEAP HOUSE
WHILST HAVING THE ILLUSION OF HAVING THIS ENTIRE MANOR. THE GUEST ROOM IS LARGE
ENOUGH TO ACHIEVE ALL TYPES OF SHOTS AND IS FURNISHES VERY NICELY. I WILL BE RENTING
IT FOR A FEW NIGHT AND STAYING THE NIGHT TO MAKE SURE I CAN KEEP ALL MY GEAR THERE.

FILMING INFORMATION
LIGHTING – LARGE GLASS DOORS LET IN LOTS OF LIGHT, 2 WINDOWS, CEILING LIGHTS AND
STRIP LIGHTS
POWER – POWER SOCKETS IN EACH CORNER OF THE ROOM
HAZARDS – SMALL ORNAMENTS AROUND THE ROOM THAT WILL BE MOVED.
LOCATION RECCE

LOCATION INFORMATION
LOCATION NAME – MILLEY LANE FIELDS
ADDRESS – MILLEY LANE, HARE HATCH, READING RG10 9AA
TYPE OF AREA – FIELD / RAPESEED FIELD
SITE CONTACT – NO CONTACT AVAILABLE
PERMISSIONS – PUBLIC FOOTPATHS ARE AVAILABLE
AVAILABILITY – ALWAYS AVAILABLE

CREW (ON SET)

BEN
TEMI
AGGIE
JAMES

WHAT IM FILMING HERE

SCENE NUMBERS – 17-21, 60-63, 97-99
WHY THIS SPACE IS SUITABLE –
IN THE SPRING / SUMMER THESE FIELDS TURN A BRIGHT YELLOW AS THEY GROW YELLOW
FLOWERS AND THIS IS PERFECT PLACE TO FILM TO CAPTURE TYLER’S AESTHETIC.

FILMING INFORMATION
LIGHTING – NO LARGE BUILDINGS SO LOTS OF SUNLIGHT
POWER – NO POWER AVAILABLE (NOT NEEDED)
HAZARDS – BUMPY AND WET ROADS NEED TO DROVE ON WITH CARE. THE SURFACES ARE
UNEVEN SO I WILL NOT LEAVE THE CAMERA ON THE TRIPOD ALONE.
LOCATION RECCE

LOCATION INFORMATION
LOCATION NAME – ELIO’S HOUSE
ADDRESS – WISTERIA HOUSE, WALTON AVE, HENLEY-ON-THAMES RG9 1LA
TYPE OF AREA – BACKHOUSE
SITE CONTACT – 07956119473
PERMISSIONS – FULL PERMISSION TO FILM IN THE BACKHOUSE
AVAILABILITY – AVAILABLE ON 14TH APRIL

CREW (ON SET)

BEN M
JAMES R
AGGIE C
ELIO DL

WHAT IM FILMING HERE

SCENE NUMBERS – 27, 93-95
WHY THIS SPACE IS SUITABLE –
THIS IS A SIMPLE LOCATION TO ACT AS THE BOYFRIENDS HOUSE AND THIS LOCATION
PROVIDES A COZY LOCATION FOR THIS PURPOSE.

FILMING INFORMATION
LIGHTING – PLENTLY OF LIGHT COMING FROM WINDOWS, LIGHTS, CANDLES AND OTHER
AMBIENT LIGHTING
POWER – PLENTLY OF POWER SOCKETS AROUND WITH ONE OF WHICH BEING NEEDED.
HAZARDS – N/A
LOCATION RECCE

LOCATION INFORMATION
LOCATION NAME – REGAL PICTUREHOUSE
ADDRESS – 2, BOROMA WAY, HENLEY-ON-THAMES RG9 2BZ
TYPE OF AREA – CINEMA
SITE CONTACT – 08719025747
PERMISSIONS – FULL PERMISION TO FILM IN AND OUT OF CINEMA
AVAILABILITY – 9AM 12TH APRIL

CREW (ON SET)

BEN M
TEMI M
JAMES R
AGGIE C

WHAT IM FILMING HERE

SCENE NUMBERS – 28-32
WHY THIS SPACE IS SUITABLE –
I SIMPLY NEED A MOVIE THEATRE / CINEMA FOR THIS SCENE AND THIS CINEMA IN HENLEY
PROVIDES A GOOD SPACE TO DO THIS AND THEY ARE HAPPY TO OBLIGE FOR ME TO FILM
THERE. THE EXTERIOR ALSO WORKS VERY WELL WITH A BRICK BACKGROUND FOR THE SCENES
OUTSIDE.

FILMING INFORMATION
LIGHTING – CEILING LIGHTS
POWER – N/A NOT NEEDED
HAZARDS – NO-ONE ELSE WILL BE THERE SO NO HAZARDS.
LOCATION RECCE

LOCATION INFORMATION
LOCATION NAME – COPPA CLUB MAIDENHEAD
ADDRESS – THE PICTUREHOUSE, THE ARCHES, BRIDGE AVE, MAIDENHEAD SL6 1RR
TYPE OF AREA – RESTAURANT
SITE CONTACT – 01628951108
PERMISSIONS – I HAVE HAD A SECTION OF THE RESTAURANT CLEARED FOR ME TO FILM
AVAILABILITY – 20TH APRIL

CREW (ON SET)

BEN M
TEMI M
AGGIE C

WHAT IM FILMING HERE

SCENE NUMBERS – 58-59
WHY THIS SPACE IS SUITABLE –
THIS RESTAURANT IS USED FOR A DATE BETWEEN TYLER AND ACTRESS, I THINK THE CLASSY YET
COZY NATURE OF THE NATURE OF THE RESTURANT WORKS VERY WELL

FILMING INFORMATION
LIGHTING – LARGE WINDOWS AND PLENTLY OF AMBIENT LIGHTING
POWER – NO POWER NEEDED
HAZARDS – NO HAZARDS AS IT HAD BEEN CLEARED OUT
LOCATION RECCE

LOCATION INFORMATION
LOCATION NAME – OAKEN GROVE PARK
ADDRESS – 32 MULBERRY WALK, MAIDENHEAD SL6 6EU
TYPE OF AREA – PARK AND TENNIS COURTS
SITE CONTACT – 01628796075
PERMISSIONS – PERMISSION TO FILM ON TENNIS COURTS
AVAILABILITY – 1PM 20TH APRIL

CREW (ON SET)

BEN M
TEMI M
AGGIE C

WHAT IM FILMING HERE

SCENE NUMBERS – 45 AND 48
WHY THIS SPACE IS SUITABLE –
WORKS FOR TWO LOCATIONS ONE BEING THE TENNIS COURTS MENTIONED IN THE SONG AND
THE OTHER BEING THE PARKS MENTIONED IN THE MONTAGE

FILMING INFORMATION
LIGHTING – ALL-NATURAL LIGHTING
POWER – NO POWER (NOT NEEDED)
HAZARDS – WILL BE FILMING ON A TENNIS COURT AND IT IS IMPORTANT I KEEP THE CAMERA
SAFE WHILST THE TENNIS BALLS ARE FLYING AROUND
LOCATION RECCE

LOCATION INFORMATION
LOCATION NAME – THE JUBILEE RIVER
ADDRESS – DORNEY, WINDSOR SL4 6QT
TYPE OF AREA – RIVER
SITE CONTACT – N/A
PERMISSIONS – N/A
AVAILABILITY – ALWAYS AVAILABLE

CREW (ON SET)

BEN M
JAMES R
AGGIE C

WHAT IM FILMING HERE

SCENE NUMBERS – 70-71
WHY THIS SPACE IS SUITABLE –
I THOUGHT THIS LOCATION WOULD WORK WELL AS IT PROVIDES A NICE NATURESQUE
BACKDROP FOR THE ARGUMENT BETWEEN HER AND HIM

FILMING INFORMATION
LIGHTING – PLENTY OF NATURAL LIGHTING
POWER – NO POWER NEEDED
HAZARDS – AS I WILL BE BY THE RIVER DURING THE LATE SPRING IT MAY BE BUSY SO I WILL
CHOSE A LOCATION ON THE RIVER THAT STAYS OUT THE WAY OF PASSING WALKERS AND
CYCLISTS.
PROPS LIST
PROP PURPOSE WHEN? QUANT
PLATES IN THE OPENING SCENES 2-5 X4
SCENE AT THE
RESTAURANT
CUTTLERY ^^ SCENES 2-5 X4
GLASSES ^^ SCENES 2-5 X4
HEADPHONES WORN BY REIGN SCENE 6 X2
DURING
MONTAGE
PERFUME USED BY REIGN SCENE 6 X1
DURING
MONTAGE
LUGGAGE USED BY REIGN ALL X2 (+1)
TRUNKS AND TYLER TO THROUGHOUT
CAPTURE
AESTETHIC
PICNIC USED FOR PICNIC SCENES 13, 17 X1
BLANKETS WITH TYLER AND
REIGN
WOVEN BASKET USED FOR PICNIC SCENE 13 X1
WITH TYLER AND
REIGN
BICYCLES REIGN AND TYLER SCENE 17 X2
DATE
PHONES USED TO ALL X3
COMMUNICATE THROUGHOUT
ROLLED USED OUTSIDE SCENE 31 - 32 X2
CIGARETTE THE THEATRE
OLD PHONE TO CAPTURE SCENE 35 X1
TYLERS AESTETHIC
CAR AS LOCATIONS ALL X1
AND PROPS THROUGHOUT
OTHER CARS TO SHOW TYLERS ALL X2
WEALTH THROUGHOUT
MAP / GLOBE TO SHOW TRAVEL SCENE 42 X1
THEMES
DISHES USED DURING SCENE 44 X3
KITCHEN CONVO
TENNIS RAQUET FOR MONTAGE SCENE 45 X2
TENNIS BALL FOR MONTAGE SCENE 45 X1
CHESS SET FOR MONTAGE SCENE 47 X1
WIGS FOR MONTAGE SCENE 48 X2
NAIL POLISH FOR MONTAGE SCENE 49 X2
VINYLS PHYICAL DISPLAY SCENE 65 X3
OF MUSIC
SPEAKERS PHYICAL DISPLAY SCENE 65 X2
OF MUSIC
RECORD PHYICAL DISPLAY SCENE 65 X2
PLAYER OF MUSIC
VASALINE FOR REIGN AND SCENE 70 X1
TYLERS LIPS
MICROPHONE USED IN TYLERS SCENE 81 - 100 X1
STUDIO
LAPTOP USED IN TYLERS SCENE 81 - 100 X1
STUDIO
OTHER STUDIO TBD SCENE 81 - 100 X1
THINGS
EQUIPMENT
LIST
PIECE OF QUANTITY
EQUIPMENT
SONY A7iii (RENTED) X1
MANFROTO TRIPOD X1
RODE MICROPHONE X1
BOUNCE X1
128GB SD CARD (300MBS) X1
28-70MM F/3.5-5.5 LENS X1
SONY A7iii BATTERIES X5
SONY A7iii BATTERY CHARGER X1
IPHONE 11 X1
LENS CLEANING KIT X1
 COST
SHEEET
PRODUCTION ESTIMATED
EXPENSES COSTS
TRAVEL £200
LOCATIONS £150 - £250
PROPS £50
COSTUME £75
FOOD £50
EQUIPMENT £75
FINAL TOTAL - £600
CROWDFUNDING TOTAL - £180
MY OWN PERSON FUNDS TOTAL - £270ISH
CONTINGENY
PLAN
ACTOR CONTIGENCY -
I am using Backstage casting to find my actors and fortunately I
have had over 50 requests from actors who want to take part in
my production meaning if my actors drop out a few days before
filming I am able to fit in a new actor in their position with only a
slight delay. As I am working with a tight schedule if an actor falls
sick or injured and cannot complete the rest of the filming the
same will apply to them.

LOCATION CONTINGENCY -
The majority of my locations are not restricted to any specific
days and can be moved around if needed so I have not got
contingency plans for them. The only location which could cause
a problem is "Slade Lodge" or in the story Tyler's house as this
has been booked on Airbnb and cost around £150 per night to
rent to it is essential that my actors can make it to this location
on the days when it is booked so rather than having a
contingency location I will just make sure that all my actors are
definitely free on the days when its booked and also make it one
of the final locations to film at as that means if something comes
up I will have time to cancel the booking and get my money back
if needed.
 TECHNICAL PROBLEMS
CONTINGECY -
As I am renting a camera for this I need to make sure that I am
getting all my filming done within the two weeks that I have the
camera rented but as the camera is off a website that is solely for
the purpose for renting camera equipment I am confident there
should be no problems with losing footage or files corrupting etc
otherwise the responsibility of that would be on the seller.
Obviously equipment can get damaged on set and if the camera
does get damaged not only will I be fined severely which would
be my main concern as I still have my own camera which I can
use to replace the other one but all the footage would have to be
redone on this replacement camera.
CLEARANCES

01491411412 - The
Chocolate Café
Phone Number
(CONFIRMATION
GIVEN OVER THE
PHONE)
01628951108 -
Coppa Club
(CONFIRMATION
GIVEN OVER THE
PHONE)