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  • Cadenza: To W.A. Mozart's "Andante Cantabile" (Violin Concerto 4)

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    程子恒
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    This document is a cadenza written for Wolfgang Amadeus Mozart's "Andante Cantabile" from his Violin Concerto No. 4. The cadenza was written by Ezra Anderson and provides an extended solo section for the violinist to embellish the original piece. It moves between lyrical melodic lines and technical flourishes. Dynamics and articulations are indicated throughout to guide expression and style.

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    Original Title

    Ezra Anderson 莫4华彩

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    This document is a cadenza written for Wolfgang Amadeus Mozart's "Andante Cantabile" from his Violin Concerto No. 4. The cadenza was written by Ezra Anderson and provides an extended solo section for the violinist to embellish the original piece. It moves between lyrical melodic lines and technical flourishes. Dynamics and articulations are indicated throughout to guide expression and style.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    33 views1 page

    Cadenza: To W.A. Mozart's "Andante Cantabile" (Violin Concerto 4)

    Uploaded by

    程子恒
    This document is a cadenza written for Wolfgang Amadeus Mozart's "Andante Cantabile" from his Violin Concerto No. 4. The cadenza was written by Ezra Anderson and provides an extended solo section for the violinist to embellish the original piece. It moves between lyrical melodic lines and technical flourishes. Dynamics and articulations are indicated throughout to guide expression and style.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    Cadenza

         
    to W.A. Mozart's "Andante Cantabile" (Violin Concerto 4)

                    
        
           
    Ezra Anderson

     
    (Cadenza.)

              
    (Tutti.) 3

       
        sim.           
                             
                
          
     

                
              
    (L.H.)

       
                      
    riten. a tempo

                  (pizz.)    
             
    0 2

              

      
                   
          
                           
    (arco) 6

        


      
                
      
    (Tutti.)

         
         ad lib.

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