TWELVE ARIAS BY OLD ITALIAN MASTERS Edited from the Original Scores by MAFFEO ZANON ¥ Medium Voice Ea. Vol. n, 60 4, Boston, Mass. THE BOSTON MUSIC COMPANY New York : G. Schirmer, Inc. . London : G. Schirmer, Led. Paris : Costallat & Cie, Rome : E. Grandi & Co. er eeCONTENTS of Volume I Gruserre Amaporr (1670-1732) Erurio (Jrom manuscript in the Library of the Conservatory at Sian) EmaNusie p'ASTorGA (1681-1736) PER NON PENAR Pro NON PENSAR (from manuscript in the Library of the Conseroatory at Milan) BENEDeTTO MARCELLO (1686-1739) Uy ouaRDo vous 4 me (from manuscript in the Library of the Consereatory at Milan) Francesco Ciaer (1704-2) Quetta HARDARA CATENA (Jrom manuscript in the Library of the Conservatory at Milan) Batpassane Gaturrt (1206-1784) Comparrre, stoxon (from original autograph manuscript atthe British Atuseum) Bm, co. 45658 PAGE n 20Nathan Haskell Dole Edited from the original score by ‘MAFFEO ZANON Andantino grazioso mp espressivo EB pur i 0, mit va-gafu-ril - la, grand’ amor non vo’ da Love-ly maid-en, con-sum-ing pas- sion not from thee my heart would a tempo a poco rall. da sion not from thee my heart_would poco ral. te, e pur i - 0, mia va-gn Eu-ril - la, grand’ a - mor non vo? crave! —_Love-ly maiden, con-sum-ing pas Copyright, 1915, by The Boston Music Co. For all cuuatriesa tempo be; Burd la ca - ga, miara-ga Eu - vil - la, grand’ a - mor,——grand’ a - crave, My love-ly maiden’ con-sum-ing pas-sion’ not from thee, not from & tempo pS Nt ral, mor non ro’ da te; thee my heart would crave. rall. a tempo, pockiss. rit eel P ma di fo - con-na fa vit - Ia, ma di Ia - grime w-na Let the flame of Jove burn pure - ly! Let thine eyes Took down_de - ‘a tempo eee — stil = la ap - pa - gar puc la mia fi, pus mia mure_=_ly; then my faith in thee thowit Save, my faith thow't a7 Fir B.M.Co, 4500Poco orese. ma di fo.- cou-na fa. vil - Ia ma di la ~ gri-meu-na Let the flame of love burn pure - ly, Let thine eyes “lookddwn do - cir RF OF lio oso crest. rall. stil - la ap- pa- gar pub In mia fé, ap - pa-gar pud ta. mia mure - ly, Then my faith in thee thoult Save, then my faith in thee — thoult ——. irs a tempo E pur i - 0, mia cagafu-ril- la, grand’ a - mor non vo’ da save! Tove-ly maid-en, con-sum-ing pas - sivn not from thee my heart would atenpo ° k, e pur i = 0, mia ra gaku- rid - (a, grand a - i © um -ing pas - sion not from PSC BM. Co, 4566poco rall. a tempo ‘mor_ non v0 dates Eu-rit-ta va ga, mia va- ga_Bu- thee_ my heart would crave, My love-ly maid - en con-sum- ing poco mall tempo mall. = = rit. la, grand’ a mor, grand’ a - mor non v0? da pas - sion “not from thee, “not from thee my heart would mall.Per non penar English version by eS Emanuele Astorga (1881-1736 Nathan Haskell Dole Edited from the original score by (AFFEO ZANON Allegro Voce Piano inf spigliato Per non pe - nar non la. sce-ro d’a-mar, pochiss. rit For my heart's peace My lovewill nev-er cease! OnE. Sa atempo: a ‘per non pe - nar non Ia_sce-ro' d'a-mar; sem-pre co - appena ri For my heart's peace My lovewillnev-er cease; Hum-bly de- SS ce, a tempo Pe y ly Copyright, 1915, by The Boston Music Co. For all countries B.M.Co, 4567stan-te il va-gomi-o te sors per non pe - vo-ted to my de-lec-ta-ble one! For my heart's | pocg ral a tengo pochivs. rit, a tempo * af a non Ia- sce-ré da - mar, no, sem - pre co - My love will nev-er cease. Nay, Faith - ful in va- go mio te- sor, sem - pre my ‘de-lec-ta-ble one! Faith - ful poco rall. va- go mi-o te - sor. de-lec-ta-ble one! a ee BM. Cu, 4507det Va-do- re-16 fe - dely néad al-tra- cold, To him [a faith-ful hold, ‘And oth - er s ben cru-del__ Ia-do-re-rd fe - Tho_ he were cold. To him T'd faithful man - te mai vol - ge - ri jl mio cor, lov - ers my heart would ev- er shun. al. tra - man- te mai vol - ge - re il mio oth - er lov - ers my heart_ would ev - D.C. dal segno S$ a tempo largamente cor, mai, no, — mai, vol - ge-rb il mio cor. Fer mon pe shun, my heart would ev-er, ev-er shun. For my hearts SS largamente ‘a tempo B.M.Co, 45Piu non pensar = Emanuele Astorga (1681-1 English version by Nathan Haskell Dole Edited from the ovizinal seore by ‘MAFFEO ZANON Moderato g Voce Piano Pit non pen- sar, mio co- re, di seio- glier Ia ca ‘tena con Oh, — heart of__mine no tong-er At - tempt that chain to sev-er That a temy no, pitt non pen. sar di seta ~ glier Ia no long-er, heart, At - tempt that chain to cui tav-vin-seA - mor, ca Love round thee hath bound! Nay, Copyright, 1915, by The Boston Music Co. For all countries BLM. Co, 456poco rall, te-na con cui tan-win-seA = mor; — sev-er That Love round thee hath bound!_ a tempo pooo ral appena rit, —— = nf pit non pen-sar, mio co-re, di scion glier Ia ca - te - na con ‘Oh, heart ‘of mine, no long-er At - tempt that chain to sev- er, That ate scio-glier la ca - it won pen- sar, no, i - tempt thatchain to cui Fav-vin-seA-mor, pi Loveround thee hath bound. oh,keart of mine, Nay, poco rall, te. na con cui Fav vin- se_A-mor, con cut tav- vin- se A- mor sev-er, That Love round thee hath bound, That Love round thee hath bound. poco rail. BM.Co, 450810 ™P Re - si-sti al tuo do- lo- re, av. vez-za-tial-la _pe- na del- To grow by this pain the strong-er, In spite of grief, en - deav-our And Va -mo-ro-sq_ar - dor, re - si-sti al tuo do- lo- re, av - conquer Loves deep wound oon Te grow by this pain the strong-er, In Sea NRO eS aa ee a D.C. dal segno % rec. za-tial-ta pena del - Fa-mo-ro-soar-dor, del - Va - mo - ro-sqar-dor. spite of grief,en-deav.our And conquer Lovesdeepwound,And — con-quer Loves deep wound. a tempo all. iy 1B. M.Co, 4568uw Un guardo volgi a me oe @5e= Benedetto Marcello (1686-1739) Nathan Haskell Dole Edited from the original score by MAPFEO ZANON Allegretto ny nf Voce = Un guardo, One glance,Love! ae a Piano un guar- do vol- gia me se pur non vuoi chia mo- ra,0 ‘One glance,Loveturn on me from thy dark,glorious eyes, test pockiss, rit, ' a tempo — ne - ra pu-pil- let. = ta, se pur non vuoi ch'io thouwould’st have me dy - - ing, lest thou_would’sthave me Copyright, 1915, by The Boston Music Co, BM. Co, 4569 For all countries12 mo.-ra,—un guar-do_vol- gia me, 0 ne- ra pu. pil-let-ta, un guar-do vol-gia dy- ing, oneglance,Lovegrant to me, —_lestthouwould’sthave me dy-ing One glanceLovegrantto - = => me, se pur mon vuoi ch’io mo-ra, 0 ne - ra pu - pil let - tay ‘me, lest thou would’st have me dy-ing, lest thou, O_ Love, would’st have me of. —————— a, ne - ra, ne-ra pu - pil-let - ta, dy - ing.grantoneglanceone on - ly, one glance, - do, wn Love, one B.M.Co. 45691B Allegro guar-do vol-gia me se pur non vuoicWiomosra, se pur non vuoichiomo- rao glance,Lovegrant fo me, lest thouwouldsthaveme dy-ing, one glance,Lovegrant to me, lest ne- ra pu-pil-let-ta, 0 me - ra pu - pil-let - ta vol- gi un thouwouldsthaveme dy-ing, un - less thoudSthave me dy - ing, one glance,one a guardag pu-pil- let - ta, se pur non vuoi ch'iomo-ra vol - giun guar- do, o_ pu-pil- on - ly,Lovepray grant me, One glance fromthy dark glorious eyes One glance from thy dark and BLM. Co. 45691 let-ta, ne - ra pu-pil. let - ta un guar. do vol-gia me gio-rious eyes, from thy dark, glo-rious eyes. One glance,Love,grant to me, e : ; pur mon vuoi chio mo - ra, vol ~ gi unguar-do, 0 me - ra pu pil - thou would'st have me dy - ing, one on-ly grant me, One glanceone on - ly Largo pespressivo let-ta, pu-pil-let ta. Dim. mi crudel per-ché, per. grantLovefromthy glo-rious eyes! Heartlessonegell me why tho! atempo poco rit. (tempo) a a BLM. Co. 456915 che con chi Ca-do~ ra tu se- i si ri ~ tro-set - ta, per- che IT fovethee so deep~ ly, thou_mak-est no sweet re-ply- ing,thow heart. - = oa _ _ — perché tu se- i si ri-tro-set - ta, per-che, perché, eru-del, con chi ta - -lessonewhy art thou my hopesde-ny - ing, Oh, why, ohwhy, thouheartessone,so rall. piitrall, pa tempo do. ra cru-el, tu sei si ri - tro - set - Ast thoumyhopesde - ny - = ta,si ri-tro-set- ta. = ingymyhopesdeny - ing. pitt rall, Tm atempo BLM. Co. 450916 mp Un One a tempo pochiss. vot-gia me se pur nonruoichiomo- rao ne ~ ra pu-pil- let - guar- do thy darkglorious eyes, lest thouwouldsthaveme dy - glance,Love,turn on me from pur non vuoi chio mo - ra,— un guar. do_ vol - gis est thou__wouldst have me dy - ing, oneglanceLovegrant to = a, se0 non vuoi ch'io o me- ra pu-pil-let-ta, unguar-do vol-gia me,se pur test thouwouldsthave me dy-ing, OneglanceLovegrant to meestthou wouldst have me me, me, pil let - me. ra, ne- ra pu pil - ing, grant one glance,one mo-ra, 0 me = ra pu - dy-ing! Lestthou, Love, would’st have Ge ee bese? let - ta wn guar - on - ly, one glance,. Love, one ‘ \ “ peat a ae = = = —— = SSS B.M.Cn. 0418 Allegro guar-do vol-gia me se pur non vuoi chio mo-ra, se pur non vuoi chi mo- rao GlanceLovegrantto me, test thou wouldst have me dy-ing, one glanceLovagrant to. me, lest we. ra pu-pil-let-ta, 0 me - ra pu - pil-let - ta, vol- gi un thouwouldsthavemedy-ing, un - less thow'd’sthave me dy - — ing,one glance,one ———— guar-dop pu-pil-let - ta se pur non vuoich'io mora vol - gi unguar-do, 0 pu-pil- on - ly,Love,praygrant me, One glancefromthy dark,glo-sious eyes_Oneglancefromthy dark and (¢ B.M.Co. 4569ket-ta, me. ra glo-riows eyes, pur non vuoi ckio mo - thou would’sthave me dy - let - tay pu. pil-let grant,Loverom thy glo - rious B.M.Co, 654 pu-pil - et - ta, from thy dark, glo-rious eyes ra, vol. gi un guar-do, ing, one on-ly grant me, fa. eyes. a tempo un guar - do One glance,Love,grant to me, lest 19 vol-gia me se Oo ne-ra pu. pil - Oneglanceone on - ly20 Quella barbara catena English version by | soa Nathan Haskell Dole Francesco Ciampi 1704-7) Allegretto Voce Biited from the original score by MAFFEO ZANON Piano che fa chains me, te - na stra-zio del Caus - ‘ing an-guish in mio co - re my bos-om, io di - T can BAM. Co, 4570 Copyright, 1915, by The Boston Music Co. For all. countriesio di - v0, to di - 1, io di- I can boast, I can boast, I can 6 to di- ro che non di pe - na, 1 can boastit nev-er pains me, ro, boast, pia - cer, non di pe - na, maun so- a - vee bel_ de - light; ro che pains me, Rath-er gives me keen boast it nev- er —— = SF [RE —— rall, a che non. di pe - nay nev - er pains me, eo di- ro 1 can boast it rall, no, ay! ay! B.M. Co. 457022 a tempo _ e bee bel pia ‘aun bel. pia ~ cer, Rath - er gives me keen de- light! it gives me keen de- ‘poco_rall. Quel. This a tempo bar - ba-ra_ ca - te stra- io del. mio bond-age that en - chains an-guish in my B.M,Co.4570co re bos-om, I a pains cer, light. BLM. Co. 4570 2B ri che non boast it nev jo di - can re— che non dé boast it nev - er di pe - na, io di - - er pains me, 1 can pet E ro_ che non. da boast it nev - er na io di - me, T can pe - na, ma un pains me, Rather @- vee bel. pia gives me keen de- non da pe - ma, quel-la bar = ba ra_ ca that en- chains me, IT can boast it nev-er non fa ‘Thishard bondage stra- zio,‘poco ral, — ' * SSeS eS 8 ae SS ie $- Sa te - na, io di- ro— che non da pe- na, ma un so-a- vee bel_ pia- pains me, I can boast it nev-er pains me,Rather it givesme keen de- 4 a tempo poco rall. —s = = SS € x = eS eer, e bel. pia ~ cer, e bel pia- light, a keen de - light, a keen de- poco rill. eee re B.M. Co, 457025 ri-a mor-tal fe - ri-ta che mia - pri nel se - ngA- This in - cur-a-ble wound that killsme, In my heart by Love in- a .— mo- re, che mi apri nel se - ngA-mo - re, di- ro pur che mi dit flict-ed, In my heart by Love in - flict- ed, I can claimwith life it 7 enee Da capo dal segno vi- ta, che fa tutto il mio go - der, il mio go-der, il mio go - den fills me, Putsall thought of ill to flight, all il to flight, all ill___ to flight! B.M. Co, 457026 Compatite, signor From the Opera “Ii filosofo di campagna” CARLO GOLDONI English a Baldassare Galuppi 4706-1784) cect Edited from the original score by MAFFEO ZANON Larghetto con, semplicité m Voce $0, son co- si- gnon— io non ‘Tis for Com pa - ti - te my friend, on_my soul Pray for- give me, Piano non so far all’ a - mor. so fare_all’ a - mor vain “to play at_ love. vain “to play at love, in che col lab-bro spie- gar non si po, non si Which by speaking I could neer re - veal, | neler re- ral. co - sa mi sen-to nel cor heart there is something I feel, = — Copyright, 1915, by The Boston Music Co. Forall emuntries BM. Co.458. 27 Andantino pus. Mi- ra. te-mi qua, sa- pre - te cos’ 6, volta - te- viin veal But gaz-ing on me, you quick - ly would know; Or if you should li, lon-ta - no dame. Vo-glio par - ti - re; g0, Thesign’s youwould see. Fainwould I hide me! => => aot mi sen-to lan. gui-re. Ah, col tem-pospie-gar-mi sa - pro; ah, Todark-ness con-fide me. Ah, in time all myheart 1 may show, ab, B.M.Co. 4571as @ — — SSS - ae a ah, tem - po spie- gar - mi sa - pro, col tem - po spie- ah, in. time all_- my heart I may show, in. time all my (ee SSS Sasa p $ eo = — ————— —_ £ £ s = a e ? mi sa - pro, col. tem~ po spie - gar, spie - gar. I may show, in_ time all my — hearh. my heart rall. B.M,Co,457129 Larghetto ti. te, — si-gnor,__—_stio hon son co- si, non so fare all’ a~ give me. my friend, on my ‘Tis in vain for me to play at _ oe — rE = = = mor, far all. a - mor U-na co - sa mi_sen- to nel love, to__ play at love, __ In my heart there is some-thing I col lab - bro spie-gar non si puo, by speak - ing I could neer re-veal, BLM. Co, 457130 Andantino 2 pus Mi-ma-te - mi qua, sa-pre- te co - sé, vol- ta - te-viin veal, But ga-zing on me, you quick - ly would know, or if you should le, go lon - ta - no da me; mi- ra - te - mi qua, sa-pre - te co - the. signs you would see. But ga- ting on me, you quick - ly would vol- ta - te-viin or if youshould go,— the signs youwould see. li lon- ta -no dame. Vo-glio _par- FainwouldI lan - gui - re; con - fide me. B.M.Co, 4571BL tem. po spie-gar-mi sa - pri, spie-gar-mi sa - pro, time all myheart I may show, myheart I may show, spie-gar- mi sa - pri, col tem- po spie- gar - mi sa - pro, ‘my heart T may show, In_ time _all_ my heart I may show, tem - po spie- gar - mi sa - pri, time all my heart I may show, gar mi sa- pro, mi sa - pro. heart I may show,I may Showa tempo all. B.M.Co.astTWELVE ARIAS BY OLD ITALIAN MASTERS Edited from the Original Scores by MAFFEO ZANON ¥ ‘Medium Voice Ea, Vol. n. .60 a. Bosron, Mass. THE BOSTON MUSIC COMPANY ‘New York : G. Schirmer, Paris : Costallat & Cie. Sydney + Paling & Co., Ltd.CONTENTS of Volume II Grovannt Barrista Percovzst (1710-1736) Dire ca‘oost someNTo (from a printed edition of the 18th century) Nicoto Procinnt (1728-1800) Grasarar Provat, from the opera “La Donna Vana,” (1771) (from manuscript in the Library of the Conservatory at Milan) Gruserre Santi (1729-1802) S'INGANNA CHT CREDE, from the opera “Medoro” (Srom manuscript in the Library of the Conservatory at Milan) Pancrazio ANtELLO (late 18th century) Lo so cHE PRIA MI MORO (from manuscript in the Library of the Conservatory at Milan) Dowentco Brunt (late 18th century) LA VEZZOSA PASTORELLA Su MERITAR POTESSI PAGE 1s Ee 25 29 Crom original autograph copy in the Library of the Conservatory at Milan)Dite ch’ogni momento ee English version by Nathan Haskell Dole Giovanni Battista Pergolesi 4710-1730 Edited from the original score by “MAFFEO ZANON Andante Voce Piano M.Go. an65 B Comp. Copyright, 1915, by The Boston Music Co, M.Co. A512 For all countriescho-gni mo- men - to des - sa chia - mo, her oT as timegoes fly - ing, Why to e nel piu agra ing? ‘And why, when woes come Bot tet hao hob ioe duo - lo throng-ing, non ho ‘The on + moe ram- ev-er mi- 0 — con-suo-lo chil’ so - - lo cure for my longing Is tears, TT bam 2 la = gri~ mar, eit of__tears, Is tears, so - p “> J ‘pooo ral. a jae ee lo. la - gri- marchil so- - lo Ia - gri- mar. — sweet balm of___ tears, is tears___ sweet balm of___ tears? : ‘poco ral. @ tempo a a ‘ aS == veel is! Hine 19} 1 or lL Fr pr =F ==cKogni mo-men - to des - sa chia- mo, chia - moe ram-mento — & astimegoes fly - ing, Why 1 to her call, ev-er sighing, And duo-lo non ho per mi-o thronging, The on - ly cure for suo-loehlil 30 - Io la = gri- marchil so- to Ia-gri-mar; Jonging Is tears, _sweet__ balm _of _tears, Is tearssweet baimof tears? __ poo n ~ _ a tempo R.M.Co. 472chia-mo, rammen-to gnimo-men-to, e that I time goes fly-ing? And duo - lo per throng-ing, my suo-lo non hockik so - lo la - gri- marchil so - longing is _ tearsand tears____swoetbalmof'tears,is er. B.M.Co. as7ari = po- so bra- ma da - reamiei lu - mi in-tan-to per-chance I slum- ber, While dear de - sires with-out num-ber, tor - nia chip - gnor— la chia» ma, tor - nia chio- Seem an-swerd by her re - ply - ing, Seem _an-sweril ——— la chia-ma, ed a-vrit tre-gnail pian - to, — ter-mi-ne td re- ply-ing, ‘Then tearsnolon- ger cum - ber, —sor-row no_ = ral 5 ter. mi. neil 50. sor-row no. more pie ral BM,Co. 4572cho- gni mo-mem - to des - sa chia - mo, chia - mog ram- timegoes fly - ing Why to her 1 call ev-er * = ¥ men - to e nel pit gra ve —duo-lo non ho. per And why, when woes come thronging, The on - ly a mi- 0 — consuo-lo chil so - - lo geri - mar, chil so - cure for my longing Is tears, sweet of___ tears, Is tears_ J poco rail. a tem - lo Ia - gri - marchil so - - lo la - gri - mar. — sweet balm of. tears, is tears. sweet balm of, tears? i ‘poeo mall. : tem F ruf Di: te Tel me tr atempo _ chio-gni mo-men - to des - sa_—_chia-mo, chia + moe ram-men-o—e as timegoes fly - ing, Why 1 to her call, ev-er sighing, And per mi-o con- on - ly cure for my po00 ral. ge _ateny suo-lo chil so - lo la - gri - mar, chil so- lo long-ing _Is tears, sweet balm la - gri-mar; of — tears, Is tears, sweet balm of tears? F - poco rall. @ tempo ~~ |eolta voce) BM. Co. 4572di-te ‘Tell me, che des - sa why is it ram-men-to am sighing, chia-mo, that I gni mo-men-to, timegoes fly-ing? e And ve come fa - gri = maryohil so - hochil so - tearsand tears, eet balmof tears,is cer suo-lo non Jong-ing B.M.Co. 4572 a tempo lo la gri ~ mar. veetbalm of tears. i @ tempoGiammai provai From the Opera“La Donna Vana” (1771) English version by = Nicolo Piccinni (1728-1800) Nathan Haskell Dole Edited from the orisrinal score by MAFPEO ZANON Tempo di Minuetto Copyright, 1915,by The Boston Music Co. For all countries B.M.Co, 407310 mp con grazia Giam-ma- 4 pro - va-¢ da mo. re il fo - 00, Love's flame, so fiercely burn-ing, Thus far has not harm me, da - mo - re it fo - co, ché sesl do - ves- si pro-var per Thus far has not harmld_ me, Yet soon shall I__ all its lure be == BS po - co, pro- var per po - co. per ten so- learn - ing, shall 1 be learn - ing, Since thy dear 4 ; poco rat 9. = é Es aE SES. a Spi - ro nonman-de - re - i, non ar-de-re- i da-mor per te, face has en-tire-ly charmdme,And nowkeen yearn-ing dis-turbs my heart. ‘poco ral. B.M.Co.4573And now spi - ro yearn - ing, pee eee da yearn- ing dis - mor, da mor turbs_ B.M.Co. 4578, non ar- de - re- i. da ~ keen yearn-ing— poco rall, BY BE at uw per teun so- And nowkeen mor per— turbs my te; dis - heart, de - keen non man-de- re - i; And now keen yearn - ing, ae non ar - And now mor per turbs_ my te, heart, a tempoAz Gi oS ? 2. poco rall. Love fierce - ly burn - ing, poco n an a ete == v + ee = 60; ChE 8 Loves flame fierce-ly Has nev => — ra =——_—_—_— a rt ji per po - co, - er harmd me. per teun so - spi- ro non man-de- re - i, non ar- de - — dit Yet soon shall I its lure be learn-ing For nowkeen yearn-ing- dis - eae = 75 B.M.Co. 457313 per teyn 30 - spi - ro, per teun so- Yet soon shall I its lure be - 4s (Qiap pee Sy SS SS] el ¥ ¥ ¥- ¥ T spi- ro non man-de - re - i, nonar-de- re - i da-mor per te, learn-ing Since thy dear face has en-tiro-ly charm me,Love fills my heart. ¢ J ara non ar - de - re- i da - mor. per te, non man - de - And now— keen. yearn- ing dis - turbs__ my heart, And now keen a5 pF BM.Co. 4593% re - i per teun so- spi - ro,non ar-de- re - i dia - mor per yearn-ing,And nowkeen yeern-ing,Andnow keen yearn-ing dis - turbs my So all, te, da - mor per te, da - mor per te. heart, dis - turbs_ my heart, dis - turbs_ my heart! atempo BM.Co. 4573,415 S'inganna chi crede From the Opera “Medoro” 2 English version by oe = Giuseppe Sarti, “il Domenichino” (1720-1802) Nathan Haskell Dole Edited fromthe original score by MAP FEO ZANON Andantino Copyright, 1915, 6 The Boston Muste Co. Forall countries BMCo.457416 gan - na chi cre- de le re,— le do-glie, wrong who im - ag - ines That rows and dan-gers, do - glie dan-gers B.M.Co.4574a7 = = ae Spa Sp as o =e SP ¥ Ss fug- gir dal- le. so- glie lon-ta = ne— dei Are quite. un - known strangers, In splendid halls of— Gis = a = a ‘Re, — fug-gir dal - le so- glie lon- ta kings, Are quite un - known strangers, In splen-did halls of kings, vie poco ral. 2 foe 7 ie I ~ 8585: ee mp > La pa- ceil con - ten- to quag- Sweet peace and con - tent-ment, All B.M.Co.457818, ppt SF eo 7 ——— git__ san ri - cet - to da po - we- 10 tet-to non treas - ures ex - alt- ing, Or hum - blest mens dwelling = May o—H5 : 5 ee ee & Ss SS SS ? —4 for - co-ngil pie} da po-ve -ro_ tet - to non tor - co-noil spread their wide wings, Olr hum-blest men's dwell-ing May | spread their wide — po oo = non tor - co-no at pi Sin- May spread their wide wings, He's, == ll. a tempo BM.Co.4574,19 gan - na chi cre-de le cu wrong_who im - ag - ines That ‘poco: le cw - rele. doghie fug- gir dab-le— ‘That sor - rows and dangers Are quite un- known so- glie Ton-ta - ne_ de-t Re, fug-gir_ dal - le so - gle lon- stran-gers, Insplen-did halls of_ kings, Are quite un-known strangers In BM.Co,457820 ta - ne_de-i Re, fug-gir dal-le- so-glie — lon- ta - splendid halls of_ kings; Are quite © unknownstrangers, In splen - -ne,lon-ta - ne dei Re, lon- ta - ne dei Re, lon - - did, in splen-did halls of kings, In splen-did halls of kings, In all, pit rall. —~ ta - ne dei Re. splendidhallsof kings. of B.M.Co. 4574,Lo so che pria mi moro English version by Pancrazio Aniello (late 18t Century) Nathan Haskell Dole Eaited from the original score by ‘MAFFEO ZANON Largo assai Ag Voce Piano Lo. so che pria mi mo- ro chew I vow my heart so troub-ledWould a tempo pooo ati, ver pa- cere ri-st- ro al cor—che lan- gue, glow with peace re-doub-led, To know for cer- tain: c [ ” “Poco'nah °F Sor a tempo Copyright, 1916, by The Boston Music Co. Forall countries "M,Co. 4875,ae p - a gr lo so che pria mi mo - ro chea-ver pa-cee ri- T vow myheartso troubled Wouldglow with peace re- it = a — a I sto = ro al cor, doub-led To know, al cor, to know, wT — al cor_che lan - gue, pa-cee ri-sto- to know for cer - tain with peace re-doub - so mi mo- ro chea-ver pa-ce eri - so troub-led Would glow with peace re- B.M.Co. 4575RA 7 sto- = ro al cor_ che lan - gue, chea- ver— pa- cee ri- dowd - led to know for cer - tain, Would glow with peace re- = =e 5 = sto- ro al cor, al cor, al cor— che lan - gue, doub-led, To know, to know, to know for cer - tain, el } - a fee ee al cor che lan - gue, to know for cer ‘rail ~ tain, a tempo vine © emir B.M.Co, 4595,24 ba che do~ pomor-toan-co - ra quel ben cheVal-maa-do - ra sa- ‘That af-ter life had per-ishid The Love myspir-it cherish’dWould a tempo 4 e SS ae Saas. nie-ghe-ra__ri-po - so al corpoe-san-gue, un-fal - tring, Be-hind the cur-tain, Would nie-ghe-ra ri-po-so cor-poe-san- gue, al_—-cor-poe-san- gue. still increase un-fal-tring, - hind the car-tain, Be - hind the cur - tain! rat Lab y B.M.Co. 4575,25 La vezzosa pastorella Domenico Bruni (late 18th century) Edited fromthe original score by MAFFEO ZANON English version by Nathan Haskell Dole Allegro non tanto ‘poongrazia Voce ie La. vez - zo - sa pa-sto - rel- la va co - glien-dotn sul. mat - In— the cool and dew-y_ morn-ing Fares the love - ly shep-herd fi - mo e@_— la. ro saeit gel- 80 - mi- no per. il maid - en With bright ro - ses and jas - min. ted- en, For_ her_ fi- do suo pa- stor, va co + glien-do in sul_ mat - dear - est one de-signd; Fares the_ love - ly___shep - herd Copyright, 1915, by The Boston Music Ca. Forall countries BACo. 4576lie noe In— ro-saejl gel-so- mi-no per il ca - 10, per tt maid-en,With bright ro-sesand jas-min lad-en For her dear-est, for her ca - ro, per il ca- ro—suo — pa-stor; maqual cru - dag-cer - ba dear-est, For—— her dear-est_ one —_de-sign'd; Ohthe cru - el dis - il pe - na gli si de - sta in mez - zoal co - res fu - sion, Which no words could suf- fice to meas - ure! SLU“LL¥* M@_ ve - de il sw- 0 pa-sto- re, pitt non tro - vail su-o te - no - where be-hold_ her treas- ure, All in vain her Love she tried to = B.M.Co. 4570pitt non tro - vail su-0 te - sor, All in vain her love she tried to find. all, pe tempo tro- va il su- 0 te - sor! La. vex. 2 - sa pa- sto - shep-herd she no-where can find! In the. cool. and dew- y— all. a tempo SES = te ae : rel - Ia va co - glien- doin sul_ mat - ti - no e— la— morn- ing Fares the love - ly shep- herd maid-en, With bright = es ro = sueil gel-so - mi-no per il. ca- ro—suo pa-stor, va co-. ro- sesand jas- min lad-en, For her dear-est_one —de-sign'd; Fares the BM.Co. 4676glien-do in sul. mat - ti - no ¢ la 10 - sa eit gel - so fove - ly— sep - herd maid-en With bright ro - ses and jas - min_ SS mi - no per il ca_- ro, per tl: sea «0, per lad - en For her dear - est, for her dear - est, For. SS ca - ro—=suo pa stir, per il ca - Tor suo pa- dear - est__ one de - signd,. for her dear - est one de - largamente stb, "7" per it ca - rotsuo pa- stor. signd,__ for her dear-est_one de - sign'd! Jargamente aes29 Se meritar potessi English version by Pees Domenico Bruni (late 18th Century) Nathan Haskell Dole Edited from the original store by . MAFFEO ZANON Andantino ‘perasioso a Voce — Se me - ri- tar. po-tes - si, ca ra, glidf- fet - ti If on- ly by de-serv - ing 1 might claim thy af- 7 pe et | ee ew [ee pS Piano Pp i sa- re- i de? mu - mij-stes - sé tion, My dear one, by Fates_ di - rec - tion, Ae (ee 4S LZ BZ pit for - tu-na - to, ph for - tu-na - to, What bless - ed for - tune, What bless - ed for - tune, ar 7 pe lee te [ee ew Copyright, 1915, by The Boston Music Co. For all countries B.M.Co. 457730 pit for - tu-na - to al- lor, pit What. bless - ed for - tune were mine! What SSS G 3 55 na - + tgab-lor; ma si fe- li - ce sor- fe per for - tune were mine! Yet were this bliss. de - nied_ me, Should = | Se eT ae = Sy - ss = — ————— Re ee i Gert woe crt - el loss. be - tide me, No oth - er love. should Wi B.M.Co.4517na - ta per_ si. fe- li ~ cea- mor, quest’ alma non—é@_ guide me Down life's dark sad de - clinel__ No oth - er love— should all a tempo mm - ta per si fe-li - ce a~-mor. Se me-ri-tar po- guide me Down lifes dark sad de-cline. If on-ly by do- ral, a tempo pe ez ad C@~ ra, gliof - fet - ti I__ might claim thy af - fec B.M.Co. 4577re- i de’ nw a pit for. tu - na - to, dear one, by Fates di-'rec - tion, What bless-ed for - tune, pe ee | ee ee pit for- w+ na - to, pie = for - tu-na - S teal- ‘What bless - ed for - tune, © What bless - ed for - tune were pit for - = taal - lor. ‘What bless - tune were mine! B.M.Co. 4577NEW AND INDISPENSABLE ON &. BOOKS m VOICE & eae AND ACTION IN SINGING—by Edmund Myer snip of he tue codons wn, aston of automat (a capitis? ‘THE RENAISSANCE OF THE VOCAL ART—y Bdsnond eityer fap ty ai, vnc eyo ho SE Slayoorneats Pe Bem VOCAL REINFORCEMENT—ty Edmund J. Myer ees oe er Se et Sra oan oat ‘THE VOICE—ty Frank E. Miller, M. D. Teepructin eae and preva WORDS IN SINGING—éy C. J. Brennan Ia he toy of pho sod fs aplaton HANDBOOK FOR SINGERS—ty Norris Croker ‘The phycogy ofthe veal appara, the registers cf the wor, proper breathing; ete. VOCAL GYMNASTICS—ty A. Giraudet eras for the development, homogenassnew aad Sexbilty COMMON SENSE AND SINGING—ty John Kennedy "The analysis and eynthess of voice taining ‘THE, RIGHTLY-PRODUCED VOIGE—ty E, Davidson ‘A promstatoa of facts and arrangements Ia aupport of new theory of voice product MANUAL OF VOICETRAINING—yE. Davidson Palmer ich complete course of exercises ‘THE TENOR VOICE AND ITS TRAINING—ty E. David- eon Palmer ‘A lecture in elucidation ofa dificult aubject ‘THE VOICE AND ITS CONTROL—ty Churchill Sibley A study of its powers, limitations and preservation HOW TO ACQUIRE EASE OF VOICE PRODUCTION —by Charles Tree low to assure the preservation of the voice The prices are netTHE BOSTON MUSIC COMPANY SELECTION OF THE BEST AND MOST POPULAR SONGS BY AMERICAN COMPOSERS oF complete acted sce B, M. Co. genera catalog, or special en or complete It of S006 ne eaghon ects Geman fst FREER Cit go et TERR RSNSEE Bao CONVERSE, P. 8. ee er ERE TN hfer Met a ‘OVER iy RAR. ad ‘SERIES I | ‘cow, GEORGE COLEMAN CHAPS ak. on THER Hes. iG, W. FRANKE See heteb SUE G See & rove. nen 0, Bia oivah’ Op Waris Gc zane, ENE Mich > worms SERRE EB AS Ta BOSTON, MASS. : THE BOSTON MUSIC CO. NEWYORK :G. schunaex, 1NG=CORDONG, SCRSER TTD ‘SCHIRMER, U’ j Bnd EP Loe td BERLIN : ED. BOTE & G. BOCK eee ee wie Skee Bae ee be beeaee OR ee Parenti nie. one fei Atom “ zs rine “MASON, DANIEL GREGORY I seek PEERS aa be ee nite he wen Beene ee © bape a tigen ota wi ee NORRIS, HOMER, Gn et ‘osgo0p, GEORGE 1, SPE LSE Ase ocr, ws @ ORT adE Gt hace “ROGERS, WIETEROP E ‘BIEREE EDO “RYDER, ARTHUR HL eee ER ure mene ® be be ee rad Tait er curr mies nya Teste Ra RRP 28 2 ome fat orse wasoow. menor aae TA ste a Mee Fst eee bab bee be -WHELPLEY, poe fiona Mich Bs Mab Dos Bees '—PARIS: COSTALLAT & CIE, ‘# SYDNEY : PALING & CO., LTD. ay BSSSSSISSOSSSSO IIIS SSS