Propose nthe cond parser" seis with gy — tht ofthe ma end who sas her pogo ler’ ane rege poy ypc fa seconde eure reserved by the en anaes thatofthclstedsokiieronieae whore er his" nana Florence, wile reveling is enol meaning. The heroine’ coming conscious thse ple ia changin alr mils, andthe erate young san who makes her ogee her kan ‘ee chat he spent seven yeas the Cle Univeral (net the Pa ‘Montour whete they met), tong connotation of his charm fo he “euteate” ature and for a propedy masculine notion of de tage since, as date retuming co Alger, he ik he young protigoniseok Ai Pips, snobs death possponed, Co Free alenatn p Psu i heen be prtuced an maintains by the mas lure se ‘mods svar singer The masking of gender ppresion lcnaaon ‘bysorocutralaenation india the contractor it of Vda fimmakes who can ony se reins of gender domination nthe elm of ‘mas culte,which se distances esl rom resolutely hough her inne ‘aie atisticpoject Her problematic (at woman) adherence a at ‘mile where cet is asocated“naurally” wi masculinity ads he to osu contaditions i ort to obtain an del image of gen retin in hime. imany ofthe filmmakers who make Hc frst ature ength tion on athe boginnng of che 960s acta bresk withthe dosinant epesenta tions of gender rltions and sexual deity of gly conserve a starch tadkonlciem, the new enema propos cull schemas that pile amass anda desi formas tha rework mie dam ain nother forms (more “sngushed ones). Moreove, thee is sre forthe most part eceled trough 3 reading pte proved bce modems clr, which privileges questions of am one questo of "presentation. Despite several bilan counterexamples fom he “Left Bank” group that prove sat formal inventiveness does not neces til itret in socal and pot questions inthe broad sens of encan sing gender elation, the feminist moxemen ofthe 1970s al tive before nemateeetion waly beg ota women points of wo Concusion ‘The New Wave's Legacy: “Auteur Cinem: “Thefoschbihay ofthe New Wave role inthe publication, beween t9p8 and 2002 of autos new works on the movement. On the whol, though these works dit nox produce any fundamen new insighsieo te sujet, even ifr the mos pr, historical research anaesthetic analycs ea 0 splice the eile tend of heel igh of fancy a inyeceeon he op The of ete lnovaton remaster theme acon withthe movement conskered to hea “ais chool to boxow the tle of Mice! Mare’ book. Bue in comcemporry as, «rts errand introns practices ts"avteur poli cats tobe the prinipallegic ofthe peso ihe New Wave as become forthe caltiated French, Wess, and even workuie elite, te reerence point fora cinema with asst spations, pray base ofthe conc Sonticmnens sgh shuren ate ios whole of de creative proces, whexe own genuscan beteaced fom fl 8deshomnaeclstonram eons EE sal—which is te say abstract — aaa gees Gara nchii ihe chins bt ln ang skein acc legate opty cen ts by mig ine wns ga chaps thee flmskaveameaning fore fh). The tural pollties Eas ull may fk Lg onthe rgh sn muchasente kee ‘han the puble trough th inematian Schneider 1995, sxcesst thee i ims improbable “ad the rina a eile ofthe New Wines bate oF * estes depen more onthe eis pote go romanticism, accompanied by a touch of formalism tha establishes heconnetion with contemporary at Tis model aloes the expression | tf subj ot in an ory ows an centers on crate thn that ofan ndisdal engaged with social and clewal determin Ip wel 64 fatasy of sbsoitemsery that makes of the fms 3 enorge rather than the mer fa calletive projet (which the lm psker nat often sven de complet ofthe proceso ait techn ‘land economic fbietion of fin). The model dnties de ater ‘than ensemble of ecurrng ats, tals thatan enlightened amateur an cfr iin fl the sim of which defines "personal wives” and {sye? Iria longer about appreciating the apa of Ba oexplore ‘nan innovative manner the vars contradictions thts an ances prove. With the rumph of de cine discourse tar secompasie the New Wave, the qucton of representations ha fas capped {oom fine discourse (as rom the whole ofcourse sent rand culere France) tar the elton Denice attic production and the soc which was nourished and which in em nour. Te fanantic mre ofthe st who rests in spend solaon, ouside of ny social constraint — dominant iaFance sine de Renaissance (see Co wie rof2) has undergone a certain amber of evolions Batis ower issuch hat ithas ben imposed on even the attic means of expe ‘son hit the most economic anionic nancy cinema, collective in es conception, elizton, and ge eepton. As Laurent Cretan, ns ark “The suppon op- speaking fom an exami perspective, poston between commercial cnema an acu cinema 3 poor one; ecomcs an abwirety tothe extent tat» growing suber of ins dat reach oad audience present themselves a auteur cine” (2004, 258) Burhe fay ofthe eros commitment of few accredit” (262) this anieplceabl vale of diinton, From this weave ar he pai tha the ir conser ain France toda he one that so lation othe weit a wi was rte or recived. Not tha thsi fat tnue—mose auteur ls, pling with chose ofthe New Wins, 81 fave ei to show inthis book, tke par in collective sain has conbuts to oar unde standing ofthe pri of sok and an ra, Bute etal dscours that foxms the dominancopti for reang these isos on paging them af ‘snything that might make of them an rstramnt inthe understanding ofcontemporary socio eations— parca hen com go ‘Sonali, gene clans, apd exalt inasmuch 2 theese locally coasted. This reading opti Funct 363 insane sisinson nthe reeption of teins (Fuller, 2003), ats asm Interne bythe erator themacves and ever more s0by Fema cn ators, who cansandy ave to prove thee lena sae he whole op "reach ela esto ens ocala the "secon 6 fom this pg ‘glows postion, Theconteadtony acy ofthe New Wave thus hatha hae allowed the resogition of he films a artis athe same tne, chav nposed ancureely estetvemodelofwhatconstinnes an aris, one that reduces crest formal game lone, outside of ay sociocultural sakes. ‘Appendix One Box Office Results ‘New Wane ls tha so more han 10650 a. vaso fn un an enstee s2 Terooving the clon indicates total eke so ne (December 996) 173° one y ys7): 120,200 ‘hasan ou ao (Fe) 1 rans Neem 198): 45170 esCnans (Mat 1959) 29852 {Les Dag (May 1989) 15500 Teese (6 1959} 281200 bia ny ar (fn 199° 12980 Tartans gens (Seed 1959) ‘Abo desi (Sash 860) 299° “tae ar Debt 1939) 28020 ‘Ne cattle (May 1980) 45.93