1 OMMITE KAPAKTEPUCTMKE 2KAHPOBA 3MMCKOF OBPEAHOL NOAYTORA L.1Kanp kao bymxuonaano acrepmuunn BOKAAIH Mapas Tlojam kanpa y eTHoMy3HKOAOMIKo} ANTepaTypH KOpHETH Ce a OstatanalLe PASHIIX HItBOA KaTeropHsaunje MYSHUKHX THOpeRMHa, INTO je HeCTO HOCACAMIIa Ip TANTaIba PASANMIITHX KpHTepHijyma, Y MANE HaBOpuMA, Ha HpHMCp, parxpera- Barbe MlecaMa y KaTeropitje, Maqa PeTKO AeIMAHO HasHBale KaNpoRsMa, yrAaLHOM je “pesyATaT MPOKUMarba yHKUMOHAAHOL (KOHTeKCTYAAHOr) H_OCTCKO-CaapAajHor, OAHOCHO TeMaTCKor Kpstrepiijyma. TaKo ce, y OKRMpY AMPCKHX 1I¢CaMa, H3,najajy KAO “HoceGue Bpcre (ca Noaspcrama) oGpeane Mu OGuNAjHe’, MOCACHHUKE, AYOAHE, PO- “ponyoutbe... Ozax auunje, sanipaso, usajy ynopuurre y Teopitjx HapoAne TmWKEBHOCTH Y Kojo} jeAHa OA MPUMEHMBAHHX MOACAA POAa HAPOAKHX AMtPCKITK “iéCama oGyxbara HeKOAMKo OCHOBHUX Bpcra (OGpeane HM OGnuajHe, NocAcHIMKe Mi NecMe aay, PeAUrHO3He, NOpoAuuHe, AyGaBHe)> Takba paseoba noaasit oA “ocHosusx npHnyina Koje je mpumenno Byk Kapayuh npu passpcravarsy Hapoane Aupuixe’ YBa y octane GpojHte MoAene HapOAHe Noesuje yKasyje npBeHCTBEHO Ha Tpancopmaunjy, peaykunsjy HAM caoGpasHocr capemeHo) Tepmunoaoriijx eae “MeHTapanx Kapayuhesux kaTeropuja, a 3aTKM Ha MocTOjarbe pasaMMIITHX HOAa- “Zuunanix KputTepHjyMa ca YeCTO HEAOCAeAHMM NPHHUNITIOM y CHCTeMaTHIOBatDy.” Meby cynporcrasmenum raequuituma Kapaynhesnx, Kao creaGeniKa aHToAorMMapa ¢ MoYeTKa 20. BeKa, HaAasH Ce H TutTaIbe NpHTAAHOCTH OGPEAHHX Tien oGnaajnnnn necaasa ce y oBuM MoAenana MloapaayMedaly BonaAne KATEFOpite KO}e Cy y Be>H ca xavoriyn unnaycom nojeanmua. ¥ cappeMtenio Hayle MojaMt ,0GHYa}* AOGH)a Apyravute anaMerbe eee rei a acedcpasstzaor obpea, Braet H. oyGnonsh, Nurosouea onoua epenme jux necama, 36opHux padona, Hon Can, Puaosodpcnn duaryaren, 1996, 689, 60. ©) spp. Aarwonuh, Hapodna xwuoneonoem, 1, Beorpaa, Hayana atitra, 1975, 145-151, cea onena Buraa Aarkobuha ocaaisa Ce HapowrTo 11a KONKEHTT Jae Tposanoustha, Kojn je y coojym auronorajanta ojeasnio oOpease obra} Mey eMY !pyy-BuaerH o rome: D, Adak Klesifikacjalrike u antologijama narodne poezije, FolKloru Vojuodintss.9, Novi Sud, 1995, 42 ‘ Cerpane, ona ce merepnpeTupa Kao OCMMULVEH TeOPHICRHL 7 nerannue o-rome y: ued, 9-26 D. Ayla Man. dene 37-47; Cretpanocas, Hexow npobacma to epcna co ccrenot na wanpopite Ho YHOTO AHPCKO HEpOANO TOpeUITHO, Manedoncaw Doantops Crome, roa, XXII, 6p. 43, 1989, 145-149._ Hopea HOTHPAHEX OATOHOPA HA OHO HATTA, Hoc, {nor ANPCKOF HECHIIITHA Y OBPCAHO) PET, y Koj) mh QUkt TEKCTOM HONCKAA OHEMOFyhyje ny cy H OGpEAHE HeEME HeCTO WOCTAL AA y necama Kopnycy AUPCKH i cranopn o oacyeTBY HP: Anja HERA ryaana n counjaana yt reKy BPCAHOCT Te oosnje.® OAOIIKH HPHCTYH Y HOACAH HIPOAH AMOK IC Hee ang, OG peAHty (KAACHAAPCKY H HEKAACHAAPCKY) W taker, ‘Tajana TPAHICHOSHUjOM OFpeane anwyje inHxoRy HOC anToaorijanta Hapoane M Yonurreniyj erHomyst npeacras.va paanpeTamabe H nae hy npany, NHICTY Han wyGaBHty ANPHKY, Koja je fheaea wanynnana werte npROGHTHE Py!KILOHAAHOCTH) 1 HapacutTjom 5i1ka Y HOBHM BPEMCHCKHM H APYRITKCHIIM Yononina? nje Mecro y Hay4nOM tipo. Ernomy- nOAY HOM MY3IIUKOF Hf OETCKOT je: Thirawse POAKAOpHHX KaNpowa HMA HCTAKHY’ MiuLarby MpHMaAHHKa PycKe UIKOAE, HOYER OA 70-HX roAnna 20. Ke SitKOAOUIKa NOcBeheHOCT OBOM MHTaIby NOACTAKHYTa je PAAOBHMa UyBEHOF hor- kaopucte Baaaumupa Mpona (Baaaumup [lponm), y kojuma ce xkanp tymaus kao noKasarew HCTOPHjcKOr pasBUTKa POAKAOpa, OAHOCHO, Ca yRepeHeM Aa ce AljaxpOHHjcKa AUMensitja DOAKAOpa OrAeAa_Y HCTOpHjH NOjeAMHUX *Kanpowa.” Yeasyiyhu, Takohe, Ha epoayyijy KaHpoBa y Bpemeny, Msaanj 3emyoucKn (Wfza- Ait emuosckiit) pasmarpa, Ha TAOGAAHOM MAaHy, NoKesaHOCT MH TIpHPoAy OAHO- _¢a bynkunje 4 kanpa. On, usmeby ocraaor, ekpehe naxkiby Ha 4eCTO OACyCTEO” HcTOsHAYKe Kopeaauije, TO jecr AUPeKTHE MPONOPUMOHAAHe 3abMCHOCTH OBHX xareropiija, WTO pesyatHpa iuXOBUM MebycoGHO pasAMUNTHM McTOpHicKIM Tpajanen* Ha mpiosep, HecTanak yHKynje us HapoAHOr xKMBOTA He MoApasy- MCTOBpemeHo MulyesHyhe OaroBapajyher x*aHpa; OH Moxe 4M aaive aa ersucTupa y HCTOM 06, eee pe nan eaneeenter a ee obanky M o6u4HO Kpahem BpemeHcKOM HHTepBaAy rae rane iS aren BMAY — Kao Npenaer nocTojehux *aHpoka, TeHaenuije Y auvasntiin banca Besu, POAKAOpHCTH YecTO HCTHYY ABE Kwy4He H cknoHoct ka ouynany cynepen PHOT CHCTeMa: TeExHy Ka 3OAM>KABalby KANPOBA, HORCKH H3ABaja ABe rpyne mauponaryehentn, AMMeH3ujH coaKaopa, M. 3em- Me 8a paaste npouece; y apyroj rpynn Y MpBoj cy o6peane, opcke 1 che mecme BE3a- MameHcKH oapehene, Beh ce Ee cy AMPCKe Ht entcKe necMe Koje HiIcy CTporo Y MSBOAMTH y pasHum npuankama.'* Aawe pas- Memo, 24.32, yun, cnerewa, € Memo, 26 SOGeMCKAH MysuKA, NO 1, Mockta, 1971, 24 Boy laeionenatt®” Cransniceay g Sem AAP: Conte Semuouenna, K xa » POA XXL, CHcTEMe xanp, 2-43: 1399, 45," MPO" Pononnopa (wonpoce TeoPH) MOP AM o Hay ax, Coney Covemckan wyseing, 6 N°8, Mocksa, 1968, 104-107.Ounre kaparcreperike xanpona sunckor o6peauior noayroba AAT APACAABA COs AOFUSITO, ¥ MYSHKIM KOHKPeTHSAILitjAMa AaTOF KANPA, OAHOC™ ‘Ho Teron: HOJCAUMAMHIM Peaataarutjama koje HOCe HapujartTia CHO|CTR: TONE, TPAMHHE BAPHPAIbA ,AKOHOMEDHO Cy Honc3aHE ca IpHpOAOM Kastpa!S Cxe- MATCKUM BPCACTARAAMEM OAMOCA TeKCTA, Hantea H pyuKittje AOGIsa ce hopMyaa AAU KO}A CAPRI MMbopMantijy 0 naxKHOCTH H HOCTO|AHOCTH ORHX KOMIOHCHA- _14- Ha upamep: dopmyaa HT@ (H = nanen, T= texct, @ = dyuxiqtja) kapaxrepic Tinutta je 3a oGpeane tecme; Hr cuojetneria je necmasa ya urpy; Hr oanocu ce na sucro autpeke Kareropitje; TH oGex@xana HapaTunny rpytty..!® Horentuspajy yh mrraine revese 4 croaynuje xanpona, MA. 3esuoncKs 12- awke XinoTesy © MpBoGuTHOM dopMupaiby Ht AbepeHsMpary KaNpoRA Ha HH- Boy YHKUHONAAHOCTH, NOTOM Ha HEtBO: mysitaKor.”’ To To} npetnocrapun, jeane yHitpepsaane mysiuKe dopa upu Y NOCTCKOF TeKcTa HM TeK KACHIIje Ha HitROy Hajpaunjit craaujym oGeaexent je noctojanem ‘YA, BHILLEHAMCHCKE MAU NOAHYHKUHOHAAHE, koja je OArOBapana pasHUM MoeTcKHM CaapKajiMa. Oxaj noveTHH CTaAsjyM, ¥ MYSHNKOM CMHCAY OrpaHMMeH Ha MpHcycTBO caMo jeAHe H YHKUBOHAAHO Omit Tenpumensupe dopmyre, V. ZemYOBCKH HasHBa ,MepHOAOM HeHBasepeHtnpa- ve dyHkiwtonaanoctw’* Toctenexo crBapaise pasHoBpcHix MloeTcKHX TeKCTOBA Pesyarupano je aucnponopustjom noerckor 1 MysHuKor TeKcTa (y OBOM KOHTeK- CTY OHM ce TpeTHpajy Kao NoceGHH, CABOjeHH %KAHPOBH, a He CAMO Kao KOMMO- HenTe WeanHe). TakBa HecpasMepHOCT mpar WeAoKynaH pasBuTaK GoakaopHor BoKAAHOr CTBapanalirBa, O MeMy CBeAOUH 3HaTHO Beha pasBitjeHocT NoeTCKHX 2kANP TOCMATPA Kao MOAAsHA TaNKA SoaKAopHor HerpaxrtBana, Y TOM CMHCAY, POAKAOPHIE Kap Ce TYMAYH KAO ,MHCTITyLHja 32 pe- aansauutiy it penpoaykunsjy OcoGeHe emoTHBHO-cHMGoAHUKe (sHaKOBHE) 1 KacHusje conereHo YMeTHIUKe AKTHBHOCTH, KPOs KOjy ce oprannsyje, ocrBapyje, ‘hoxycupa’ Konynitkatua y AaToj OGpeanoj curTyanusji; ‘onpeamehyje’ ce Hera cemaHTHKa’: Hanopeao ¢ THM, 3axapnijesa yBOAM Nojam »My3H4Ke %KAHPOBOCTH', y WLey Angepenunpama HM cnennbuKanije s13pakajHO-KOHCTPYKTHBHHX, opMarKo- CIpyKTYPaAHUX H MPOUeCYAAHO-AUMAMHUKHX MYSHUKHX TOKOBa. OHa Ce, sampaso, OCAaHAa Ha THNOAOTH)y HHTOHAUMOHO-TEMATCKE H3parkajHOCTH MAM 2KAHPOBCKOL Te- manisma,” xojy C. Cxpe6xos (C. Cxpe6xos) cBoau Ha TpH OCHoBHa THMa: peyHTa- TBH, MrpayKit H NepauKit* TToaasehit O4 H3BOPHOF CHHKpeTHsMa NOKpeTa, Pei i Meaoanje, Ckpe6kos je cmapao aa Cy peustTaTHBHOCT M MOTOpHYHOCT (NOxpeT, 41pa) ncropiijcks pannje nojaze, Aok je THn ,apHose pacneBaHocTH HACTaO KacHie [..] dopaupajyhut cpojy ymerHiuky camocraaHocr, HesaBiicHO OA peut 1 1trpe!” »Mysiwika xxanpowocr je, aaKae, HcTopujckit GeHoMeH, NoBesaH ca OApebeHoM eTA- 8 Opurmiaano netpaxkinaixo npomututoare C. Nom pasuoja mysiuKor siulmersa.” Saxapujene nesano je 3a anaaMTHKo pasmarpatbe PASAHMUITHX HaMUtHa POpMarHor expperypnps * SPYSTYPHPana MavepHjaaa Y OKDUPY NoMeHyTHX THIHLOBA MYSHKE AKAMPOROCTH. yropka yje ce Wropka KONCTATY}e Aa CY Ce KBAAMTETHO-CaApKAjNE H CEMANTHYKE PASAHKe Y US~ WT wacpoas ina Bagern, wa np »umep: A Coxop, Bonpoc coyuorver : nes ‘os nomanoserop, 1981-232 Dope Cogeonocta u semenauKte Mystaxt, Ih, Aenuntpaa, CO8 ©. 3axapnena. Dopmootpa jit mysnnosnanne, 1979 Maveanemo a Guscapcrama napodna necer, Copws, BAH = Huctstyt 3 lo 6 Nyranowy (5. Nyruaon), Ho M. Pavetoy UH, Paves): npesa: uemo,? pema: emo, 69, ‘mn Duke Teaaitanta Gaurant je emnteay Guopay y HOKNCPY Mpema: emo, 72 al Ho C. CapeGnony: npes Homo, 82, ccm 1a: weno, 8Onnrre Kapawre apAKTepHteTHKe xaHtpona suMAcKOr Obpeanor Honyroba paxajHO-KOHCTPYRTHBHIM TOKOBUMA HaAHOjCHUX >kalponcKHX rpytta HpHpOAHO ncrtositae HA NAAHY HIXOBE APXITEKTOHCKE Hatpagtbe.” Oni MysiKH KAHPORH puicy aAAOTONTE KONKPeTHE OGPeAne (hoakaopte) curyartsje, keh, KaKo-TO NOTE upa C. 3axapiijena, HEXOAe Ha MINPEr :ANPOHCKOT yHONA” KAO ChOjERPCITE Mc crpyktype.” Y3opan McTOAOAOMIKH UpHeTyH, Gaspar sta Muy! ONO) anaateas Gpojux MPHNEPA, BHATHO AONPUHOCH Gowemt carAeAaarny saKOHOMEpHE HpOLecy- axHocTHt MYSHUKUX TOKONA. Mak, SHIH ce Aa HaAHOjeHe rpye He Gu rpeGaao Tpe- uparit Kao KANPORE ~ ¢ OG3HPOM Ha HiIXONY Kpajiby yormrTeHOCT, KOMTEKCTYAAHY roToRO HeyTPAAHOCT H HeAowowny creiinpiKoKAlocT ~ Heh Kao OApehente THMOKe MySIINKOP HCKAA, HJM HacTaHaK je y BOSH H ca pasBOjeM MysHuKOF MIEIIEHA. Vimajyhit y stay n3aoxKerte npuicryne H renepaano saucra caaby noceeheHoct nirraby 2kaNPOBCKO CHICTEMA Y MYSH'IKOM dboaKAopy, OMsAEANO je Aa Y ETHOMYSH- KOAOUIKO} HaYIE He NOCTOje jeaHHCTBeHH KPHTepHiymu 3a AeuUNCane KaHpOEA. Ont ce y cyurTHHH cBoge Ha HBO yHKUMOHAAHOr, TeMatcKor H MYSHYKOF, Mast Fak a iXOBY KOMGHHAUty — UTO je Hajeuthe Mocaeantia HeAOcAeAHOF npucTyria y xaacitpxopary. KoMMAekcHoct opor mrrarsa noraphena je 4 caNMHHIM cTabem ¥ ApYTHM HaykaMa; Yak M MOAepHe Teopije KANPOBA Y KibIOKEBHOCTH, Ca yOpHLTeM Y MCTOpH|CKHt AYFOM M MeTOAOAOMIKH OGyxBATHOM HCKYCTBY, CyoUaBajy ce ca mpoae- Mom yonlocTaBeatsa HajpuMmeperisjux 1 yHitBepsaannx Kpytepitjyma." Canpemexe ‘reopije HAM ToeTHKe pasMarpajy 2%kaHp, Mpe cBera, Kao AMHanTaHy, pasBitjajyhy 1 niulecrpyKo KOHTeKcTyaaHy Kateropijy. Flojam KOHTeKcTYAAHOCTH OAHOCH Ce Ha Aujaxpounjcky m CHHXpOHHijcky paBaH, Te TpajHo HMMANUMpa BpeMeHcky Mpoue- CYaAHOCT, OAHOCHO ,AMHAMIMHO lowe MehyCOGHHX OAHOCA MMBApHjaHTHHX H Ba- pisjanriutx xkanpoBcKitx oGeAerkja Ka0 Ht ,Meby3aRUCHOCT, PeaalsOHaaHocT CBIX ojeauayHHnx HAaHOBa %KaHpoBcKOr KopMyca’’® Hacynpor AeckpHINTHBHO| NOeTH- Lut, Koja yraabitom sateMmapyje »TeMMOpaAHOCT ¥ TpaxciopMatHtBHOCT KibIDKESHIEX oGamka’ ucropijcka noeTHKa, AaKAe, TOCMaTpa KAHPOBE Y wAtjaxpOHtjekoj CyEUe- Cujm cutxpoHIsjcKHIX CTaiba, Kao M y HHTepxAHPOBCKHM PeAatitjana: Mysitxonouika aitTeparypa, rewepaato, adupatute aba KowtiaentenTapra npwictyna y Tymayewy xkaNpa. Y uiMpeM CMMCAY, PemeTHTHBHOCT jeammnma, Koja ce maye tperupa kao Gasnsian mpunuutt y aedinicarsy Acanipa, aouyparia je ¥ cO- Lusjaasuin, KOMYHIIKATHBHIIM, ECTCTCKHM... HOAPY'HMA, KAO HY MYSHANHAE MaTE- Homo, 17. ® sHemo,8,78-81. 4 7 Brajovié, Poetika Eanra, epnene noemune, Beorpaa, 3380 29 T.Brajovié, nao. deso, 136. >Kanpowexa unoapujanias ‘Aownanajy ,..konranyarer ape! nomena xoje ce nacaojataiy- Bap jacno eneuednnyiy nexy oPay Y OAPEDE 3 yremo,98. Kanposexu Kopnye ie CAYT NO! xopnyca; uemo,9- * Homo, 23. Alfa, 1995; Houma Hergoanth, O Ceara a eacTina, 1990, 9-28. iyGeunne 4 HACTABHA CD jnshi), noapaayaena exementTe RO} YC havajy Aa ona MOKE NOCTO!ITL YHYTAP seokojit MertocTO}AHO' aA no M. FaosmnncKont (Michal Glow ‘re ONOrY iencoaja cy eacmen peat: 10700, 99, 100. ) rencrowa; Chat Manp HactTaje U3 pene KibinKeBHEE NPCTE rujanmnv KANDOHENS me Tpenytny’ ixperntx (nrbvoKenHHN 9Obpeane necne sumcKoz noayeohia pujagsia.® Y ypsem entcay MysHKa AeAA Ce AHCTAMUPAIY OA YeAOHA MARXORe npg, Ayn peut, 1 akampont Ce HACHTINpHKY IY «820 CPeACTBA yPebutang, Guarraonaiba H Rasnaaue cantor MysIEHKOF Marepyjaaa."” Canpemenujis upycrying npoywaraiy an|pORA, Kako TO HETHMe LfmM Camtcon (Jim Samson), ,. TORY Y CKaany Ca NPOMCHOM KPHTHUKE HePCHEKTHBE OA MPHPOAC YMETIBNKX AcAa Ka Mpupoay ecrerekor vexyerna, Ta nppoaa je npahena tkipaaeation postenton y pasywenany AANPA OA KAacIepUKanje METOPHFEKH HATAAOKEMAX KaTeropHja Ka dayuanujern Anujent KoUNLeNTY Kojit je y Hest pe cHera ca dyHKuujom, peropueon packet ait ‘AMCKYPCOM’ KaNpa y OKRUPY YMCTHHMKE KOMyHUKALUje H Petuemue!” Cysuy- aupemene KonuenTe, Ppanko DaGpu (Franco Fabri) paiyhit, y Hanectont eatitcay, Sif MYSHUKIDKANP Kao »TPynY MYSHUKHX Aorabaja (peaasnx tM Moryhinx) yj Ty Tox je yemepent oapehenom rpyniom coujaano npuxBahensx npavsiaa’.* Kouuiaex- caw 1 OGYXBATAM CHCTEM MpaBiiAa, KOjH, AAKAe, AONPHHOCH AeduHCawy -Kaupa, ‘aj ay Top CBOAH Ha HeKOAHKo THNOBa: PopMaAHa H TeXHHUKa, CeMHOTHUKa, mpaLst- Aa Nonautiaiba, COUNjAAHa 1 HACOAOUIKa, EKOHOMCKA H MpaBHa Mpanstaa.” Y Kourexcry OMITHjx MYSHKOAOWIKHX TyMatlelba, apoBst (POAKAopHe My sutke TpeTupajy ce Kao ,npRocrenest" (npBoGiTHH, OcHOBKH) 1 THMe jacHo Asbe- penunpajy 04 Apyrocrenenux" xkanipoza npodecHouaane Mysitke, npeaoapebenitx 3a cayulaise Ca KOHUepTHOF MoaMjyma Hast onepcKe cuene.” TIpakrituiia Hasexa sMy- 3i1Ke H YCAOBKC HeeHOr locTojatba npeactaBwajy Basie NapaMeTpe He camo y CKAOTYY Haneaene nogeae, Beh u Ha HiIBOy AaMmuX cneundUKauija KanpoBa. DyHKYsOHICare Myaitke y oaKAOpHOM, Noce6HO y O6peaHom, crBapaaaulTBY ycKAabeno je ca Mexa- HitaMom $YHKUNOHHCarba HeAOKYIHOF KOHTeKCTYaAHOr OKBMpa. UstTas OGpeaHtt>KI- BOT ~ nocMarpaHt Kao ersH{CTeHIIM4jaAHO HCKYCTBO APeBHHX BpeMeHa M KPOS AYTO, KOH- THHyUpano HcTOpHjcko Tpajaibe — Takohe MMa CBOjCTBO SaKOHOMepHOr M APYUITBEHO Peryastcanor cucrea. Qarosapajyha npapitaa yrpaheua cy y @yHKUMOHaAKY AliAeH- aujy Nojeannaunux 4 MebycoGHo andepenTHHXx O6peaa, aijst PeAOCAeA H SHavere MpatH MPHpoAaH TOK KaAeHAAPCKe FOAMHE, OAHOCHO MPOTOK APYUITBEHOF M 6HOAOUI- Kor Bpemena. C o6supom aa je Mysuka cacraBiit Aco oGpeaHe MpollecyaaHoctit, Te Srereeae x sta\enicka Y ckAOMY KOHKPeTHor OGpeaHOr eHTHTeTA MS KOjet, KAO ance aoe tay eYUUEINNCKiC HexOAM, eH THRMHIpan CaaprRay sAnpatO je Smt meee sore, Y exaaay ¢ THM, nojast ,katip", y BOM pary, Ae- Fao nomena Orta (6 acm apenenexin 1 nasenexsm Koopa) Mita OOpeaita RoKaana KaTeropiija. 25 Sarasa eae 1. Samson, Genre, The New Gr oom ‘Nev Grove Dictionary of Music Online, edited by L. Macy, 2001, http://www. emo, Memo. OE Fabri, Ath uAvrores theta e heory of Musical Gentes; “ct Teo Two Applications, huip://www.theblackbook.net/acad /tage/ Momo, MBA. Lge 1an), oan re} "ro Ha ACTH: A. Conop, gu ‘i epesiiten Cs es 21 a8 Deao, 239; E. A. Pyanencan, Dynxigutt1.2 2Kanponn sum Kor OGpeanor ee SusteKo Hoayrobe, Ho reapoattons Kane pauntit, KojtIMA Ce Mparn pabame sa omETY MAOAHOET Ht sApanme norpeda 38 HHTEHAHBON capAAMOM ca tpere, schumannin. ca GoxaneTanMa, Chary apxanne ny Hora byGuntxonsth: ,Pagao6ase on Mira noaararoa ceMetia y Majky 3emay u stniexituaia cneroninen Gyjawa n pacra. O6- pean or napa hin seatay paaow, nayroM, nomonpinperrne a ne, (natch wa- luntanta), HoueK jy je NOTOM cemeniom ortAobattao, HKeneha Aa My TpyA He Gyae yaa- VAAN, WoREK ce OOpahao 3a nomoh, 3a ‘inteppentiy’ wor con ne je, n0 mpapoan ctmaput, Guo y peaanoj moryhnoctit aa my nomoh Upyn. To cy 6itast weronst npe- aut. Yiepant, o6peaone Caxpave nonpahenn maj seman Ha obHio8y, y nurvexseany Oy Parks Ha ‘OBa) CBer’ nyTeM HoBor pobersa ~ Guau cy npeaoapeherut nomaraan Ou cy Gutaiy, TO cy AYGOKO Bepowann Haunt apxanunn npersosin, Y Maeaanoj NPHANU Aa HOMOTHY HoTOMINAMA THMe UrTO he ce M Cann Gpiyrt 0 nocejanom CeneHy CBe AO TPeHyTKa Kaga Mlocaheno aocrurHe pact MOcAe Kojer npeU oitute ne NoFy YTHUATH Hal AaMwy CYAGUHY AeTuHe... HaKOH BypheRaata HeKOAMHIM Mpastin MMA, HapoA Ce ONPalltTao OA CBOjHNx NOKO}HHKa HMIEHIO His ObPeAHHX paris Koje CY UMane 3a Lite Aa MOKOjHEKe, Aa MpeTKe Bpare ‘1a onaj cser*! H. AbyGunKosith, Taxohe, sakwyyyje aa capaaiba ca npeuisina Hitje jeaaKor mHTeHaUTeTa TOKOM roan. He: Bearska je y sumcKom noayroby, oa Murrpopaana 0 Gyphesaara, aox je Beosia CkpomHa Ht y3ap>Kalia y AeTIbeM Moayroby, 04 Byphesa Ao Murposa aana.2 Aco6a kaaeHaapcke roaune Ha Be OAOBHHe MosHara je M MHOTHM Apyrita Hapoauma. Y pyckom oakaopy je, Tako, saGeaexexo: ,3itMa ce ca aeroM cyc- Pehe’, man: ,Aero orksyuanatn, sumy sakmyvasarit’.® To sajequnatom minuvverby dponkaopitcra, oBakéa noaesa KAAeHAIpcKe Fo- Aunte (y Kojoj cBako moayrobe caap>kM ABa TOAMIIa AOGa) pesyarar je HCKOHCKOr Nocmarpaiba npomexa y NpHpoaH. Cnosiaja BeauKor yruuaja Cynua H Meceua Ha MPHPOAY, oceGHo Ha BereTaUjy, sHauMAa je NpHAarobanawse BaacTutTOr oe SPeMeHCKHM npomeHaMa H NpHpoaHuM ycroBuma, Crora cy 4 weil hay onan ~ MonGe 3a MAOAHOCT M SAPABME — Y BEIM CA TAABHIM NOAOKAJEM CYHUA Y TOA) x KonenapcKit Ce H3BOAH MOCAe SHMCKOF CoAcTHIMHja (NONETAK HoBe Spates ‘AasapmuKn ~ nocae npoachwe papwoaMesiite: KpaVsitikKt ~ MenpeA cone hus). Bpeme, aakae, MMA MaySeTHO BOKIY yAory y unje (kyamunaiusja cyn4ene Mol HAAPY, poke: 4 Hopacr cynuene Noce cBojerna H er. TO je W30M o6peanux Moh y roqunn, Taxne moaGe Pe Peamryje, y wujoj ocHowst je PuGytHEH0 (roToK0) noMeTo- POAle chectH caMKonutTo onncyje Pobaatia Ao ‘Byphewaana jecre soba cerze, C is kancntaap, Aanua, Cpnicke napodnu uaycmposanu H. foybnnxonnh, Arpapia roauia sapoat kanendap 3a 1997. eoduny, beorpar, 1996, 251, emo, 254. M. demuovennit, Menoduna nasentiapnner neces MYM Y npoachnuu necatana Beaopycnie cpehy Sima 3 neram crpavanact, pa saapoye murraaacs Tipena: 3. A Moxeiixo, ‘caasancxntx m GaAaKaNCKHx HapOAow, on racnmennh, Has, Jex0, 3, Buaeri o rome, Ha nmpumep: M. A. Bach neces, Mystana, Acnuurpaa, 1975, 27. aqnuin a ecenKest oBpxA0BOCTH Tecenuinie 4 Tani nar oy CKOnye roa. XXL, 6p. 43, 1989, 161. ‘Maxedonexu (poaxaop, CONE, "Odjpeane necme suntcKo? 0 voli sen oa paaaobiast FOAM, OAPEDEE CCAMHTLE HAH Aana, ao Koacaapexe neeMme pare OUXOAC Y HEPHOAY Baawe, Boxuh. TOKOM OGPCAHOF AYMAIAHIBOA Ce Y UAPEN a repitropHj CpOryjes OA Boxuha ao bypheraana; aazapuy. stant rpoanenie onopKe ¥ HepHoay LIRETHE Heer y Byphenckoj weacwn (1 ‘osnane npe- Kaciutje — Abe Heaeme HaKoH ‘hyphe a pajwen jyroutcroxy CPOHje); KpaasuKe necse ce #046 a vena ceocestx ncaa H savevHia, KAO HH “Tpojsue. Kojitjeoa AaBunina HIMaO HenpoweH My BAKHOCT 3a FOAMING suujy, oynaunt cy pYAHMeHTHt npexpmuhar- a anrponomopéiiix Go>kaHtcTaLa, OA Koji aumenoujy.’Y yHYTpanibem cHiixperuaxy vo” erancrupajy, aakae, H enemeHTHt #3 CTape paKce, Te ce xouxperuayje Y mpeactapama 0 Ayuasta Mpesaa, a xoje ynpapaajy CTBapHoM Hast anilLNerom UKOT Mt ACMOHMCTHUKOD Ka oGpeanom *1HOTY: HE sanicnor AOGa AANA. nasi Heac ne 1 Borojanwenene ppenenickow pactiony 1 ke meme pare ABOAHCBUC pyphenaaene cy YK sony mpasironarba Aaa sevene nepaiy’€e y HCTOM HepHOAY HAH HenITO aye HEME jana YoOsacr ypbenaan walt ¥ Y onost uitkay saatnor pereranuje M AyACKY ersHcTel eaitrnje = OA aNUIMHI3Ma AO KYATOB: ‘aoonast xpituthancKy ce p oy nexit BpeMeHOM cpnexe Mapoane peat tr nojas wampnpoawor Hajyewthe v wopitita, AeMOHHMA, OANOCHO CHAAN aevcrpanom axrupxoniy. OBE NpeAcrase — aHiIMHCTH paxtepa ~ nositbajy Ha CynpoTcTasmeH vim caojeraiMa Ao6por H AOULeF, TO ject 03H ra voor yj Ha ast KONeKTHBHIEXHBOT ¥ TOM CMUIEAY ANOHPS aaaiei m onnoc aajeavinue npena ayurana npeaaKa xoje wajueulhe uryPHDSY A se noe aonaToplt ans caysajy HSOCTaNKA MPOMICAHOT OMTEHA Ca NSS: aaann onsen enryTerit Koji MOTY YrPOBHTH ersHCTeHUI)y MOTOMAKA. Voepeve y moh Taacrbenix wai HaTHpspoAHLtx rojana w Orsha ca KOHN rauntit Besy NOKPEHYAK CY H CHKHO PASBMLAM APKAuMHY MATHICKY vercao. Ta anicao je cnaxHo MOTHBHCaHa He CaO NOBEKOBHM CTpaxOM, OAHOCHO ccchawe nemohu npea werlosHatiim oKpy>kyjyhuim entHreTuMa, Beh M CBAKOA sechana numeric nonpeGanta YoMepeHiM Ka HOCTHSAHY MPAKTHSHIX LHe voce inns yay cto opeay APPTND Pe icra Gerace eenioe nnpnpebibate), ctpyktypupatbe apyisTBeHOr sper yaconojeranncioeroanpNPoAte ToaesxA06a: 0A HOTRY- vex pean apap pana ack, A ONE yanaarjey Aerie eR 3 mc ot ca yr ou noroaye exc paste owocTpaHoctt Tej€ ee y nocrenmarea cBeraocT#, oAHOCHO Cjaja CY" ae ree ree eae oeneeon Eevee creraoctn, omoryhasa nll oucerpedin Aaxee'ciditoamrum vance seer Ea aban ‘aHaviajno HOTHCKYFE boucttianjonad nateta seen coh te teaa ka paharny a javiarby evita jecte suuusra apyro nero ckeraoM oMoryhena ee eaters cxeshen A NET yAcKa aeaaTuioct”™ Taxa ‘pacoaeaa MOBI rpe6a yenoc Pine o rome wane me ine nner Fs Honan, uraycy mincouriya, Mowe Cap, Cuero quugomnos Macuja cpcnsex obipede wit Mende specrurofpeter saeniacpmcnit Opes D Handi, th Taba u tradi tena, Va {tonal kurt Seba « ha, Beograd, BIGZ, 1980, 198, 199; B. Jowanosnh, Has Yennmrapactnann cabaranve Peden! Je Nocebwa Je sac yitao B. Maannosenut, Buaetit: B. Maannone- ka u peat D. brat ea, Leor pan, 19) Wat, Glan dob Beoprad tes ne \nz lato, 1993, 53,Ounre Kapakreprertxe -kaMpons AMPOHA aiIMeKOE OGpeAnOF HoAyroha soja je ¥ BEsHE Ca PHTMOM MPHPOAMEX aGuMAMHA Ha OLE poxonara kpeTabest CYHI, YRAayje na atchycatine netpatto: OHOCTPAIO; CRETALK MC TAAHY H MIpuMapiIO ya~ Ho eka nerrat OANOE oHtositya: i H:HOh; Apynerneta acrmnnoer: apy soeTpaNOseneta aKrus sure paicak THNHOCT. FACHO je AA HejeqaKa KOATIIIA che etl consribo AeietHO HA CPYRTYPHpatbe ApyitTetor npestena; KOM pet yt ys 1s062AHOF ONHPA MPUPOAKI Aeitanama Ha octonty ae naxt aTMocpePeNINE TPHATKAMA, C OGaHpOM 1a came per onitx nojaa Koje je Hemoryhe counjaano Kowrpoaneari, egoalt Ce HA PHTYAAHO THsHBAILe AOCTH TOKOM FOAM HMa fue ‘AKEHOCE sajeanunie tipi MiHY UpeABMAAMROCT oveKumana uirreprentitja WuXOBEX HarMpHpoAHX HUIUjaropa.” Byayhu 2a je AMpeKTHA Besa OBOCTPANOF 1 OHOCTPaHtor cnera HeKAyYeHa, yHKIUUja pitTyana, x20 ,cimmBoartuKe opMe nonautana yraphene y sajcaumiu" oaocto ,tiporuicanor Stk MOHANTA OA KOjer Ce OeKy}e MarnjeKH yuutaK’," jecTe y NocpeAHaBy 13° ncby apyuTa (4oBeKa) H 1beMy cynporctapenor entHTera. ~pPuryaano nonamiawe nsparkara ce Kpos oapehene oGauKe akraBHoctH (warnjexa # KyaTHa Mpakca Koja uma cBojeTBO peryaaropa oaHoca sajeauuue npe- Ma HATHPHPOAHOM) aA, HCTO TaKO, H Kos H3GeraBalse MOjeAMHNX aKTHBHOCTHE (ra6y). Hoctojehe Hay4ne anaanse, Gasmpane Ha (Aeaumuunoj) pexouerpyxturjit obpeaa ts pasHHx KpajeBa Haile semive, yKaayjy Ha CAOxKeM npouec dopastparea oSpeaa y AlsjaxpoHitjckom ToKy, unjem Hacrajaiby 1 pasrpattapaiby je Aompittieao pitiue KyATOBa AMepeHTHor Caapxaja u BpemeHia HacranKa.” Anaauze, TaKobe, agupmumy nocrojatse Ta6yHcanux nojapa MAK ,HeraTHBHHX oApeadst (sa6paxa, orpanntuersa) KojuMa ce CaKHMa Towalliaibe AVYAM, A KOje MPOUCTHYY M3 HHHXOBOT saMtilwenor OAHOCa npeMa ‘HarMpHpoaHom™ Lfeaoxynaw o6peano-Marujckit KOMMAeKC, AaKAe, CarAeAawa Ce KPOS CYCHeT 1 MpenlAeT pasHuix enemeHara: KOCMO- AOWKHX Hi AHTPOMOAOMIKHX MUTOBA, PeAHTH|CKHX CAAPXAja, COUMjAAHO-KYATYP- MXM KOACKTHBHUX MOTHBAL{Hja, PAUMOMAAHUX MocTynaKa... TIpoxustarve 6poj- HX KOMNOHeHATa H UXOBU HOjeAMHAYHM ATPHOYTH sHavajHo saMarvyjy rPAHstUy uameby dusuuke peaaHocTn H MMarHHapHor CBeTa. Vako ce nojmy ,o6pea” mpunucyjy pasamuitra TyMayeiba y HaysHo} AMTe- Parypy, Beoma “ecTO ce OAPeAHHMe ,OOPeA” H »PUTYAA" KOpHCTE KAO CHHOHINH. Taxo,m aeduicaibe oGpeaa Y CaBpeMeHHN ETHOAOIIKHM HSBOPHMAy K20 »TP2Al- hvjon yrnpheurx o6pasaua cGoanuwor mostamavsa He CaAPRI Cy ANT Kunjy y oquocy Ha Kapaxrepusatisjy camor prtryaaa, PasawnrTocr KOja.c& 2 oo, os : sa pyar" copes ger ve NL AnacTaCA, "DH Heo, 17. erunonoen # TH HO TO etn nse, Cao XXVIIL nerHKa — AePHE puryaa’ 4 mart nr A gy esr dca a into bm ‘serous Gpojunm mirrepnperanyajana niiacrn: J DIorMeViCs bv uasGona (CHMGOAHSROT Ajeowarsl, HONE ; ee ce Me Saraki, FUinovik sree ‘Ghent, 2005, nog ritual ‘mitologije u narodnim obredivna t »Maryjckuat ce Hasna ajeaoware Si aM Hag-duswuKn Hat HaTTIpHpeAll Umjetnosti, Horetzky, Zagreb, Viees & Beton = Buseru, ua npumep: dr S. Zevevie, Element Mung) grada Zenice, 1973. oie ne Lvint 1 12 D.Bandié, Carstvo zemaljsko i carstvo nebesko, Beograd. BN tz ign, Zeniica, si nase 132 yoha Obpedne nceme Pe Obpedne cna wameby nONRUIEHA OA KO}EF CC OMEKY;e Marjegy gy peau) sanpano ouckyje OOMHA MUKPO HAM Maxpy oy a npn oapebene sajeannue” a ne Marien ae, uajy cueundukymy o6peaa, a, vaPnen pentowana THYE CC “Wy OHOT OA dhuixanyja prank 2 negcnTt : tino Gi romp Y HPROM cy scram rpanenoattt YOGI x oGpeaa na upoxou np, Sea eae aeraprian n xourunyurery ObpeANOr musora (ca anna. STOP COCs sono), neh H o weVOBO} yeabaGiiocra oArobapajyho ss pase seen rete nponctonn, ¥ ccnown coe arene = sneha a ute Heap eta ovjpeaa noapasystena i KoHKPeTHBaKNjy OnUITe Hache, Kojo} NocTojehe Haye anasise, y HssecHiM caysajeniia, aajy pasantntra TyMavewa. Vnpazo npenser Gpojuix Kowmonexara, npOKUMAHbe KCTOPHjCKH PASHOAMKHX Caojesa Halt eroBD peaynonaie y pelen Tilt YononHMa, OTEXABAjy NPEWUISHO M HeaBOCNAIEAeKO no NoBHO oapeberse nojeausiauniix o6peaa. TIpobaem ce aktyeanayje Beh viniert, oM npuicycrsa pasaw4nTHX KYATOBA, a HEABAja‘be AOMUHAHTHOF (GasH¥HOr — wa suBoy asanposcxor cnewiipuxatopa) Meby ssuiMa Moke aa NOCTaHe Mecro cycpeTa cynporcraswenitx nayuniex Tymaversa. TIpoGaemaTinKa ce, HaAawe, ycaoxieava HocT)IKOM Henlomnyie PeKOHCTpyKuuje OGpeaa, Koj NOYMBA Ha NapllijaaKoM arepijaay u WecTO Mejackum objausessiita OapeheHsX wHHOBa OA erpane He Bobasa (aakae, Ha MeteAoBitTO eTHOeKcHAMKALLUjH y AOKAAHIIM Aeckpunustjana), creren OuecoM KYATYPHe sTepHepenunje pasauuutTHX OGAacTH M OGpeaniix cancel Raw MojapoM mebyxaxposcKor Mpoxkutwatsa y OKBUIpy wlenonyrior wie (peanayea ~ usyseTHO Mpahenor dopmom »C€KYHAapHe puTyaansa- ‘Patbem HeKor O6peaa, WETOBOr AeAa MAM H3BECHHX eAeMe- Axonal SeAHUNKOr craBa — Koju norenuupa ecenusjy T Noayroba, rexepaano o6eaexenim KOMGNHO- onsets Goxancrana; asapuaenjenpones exe: Matusjanuje Wa, XTONCKE MH AyHapHe MHTOAOTHje; janine; nn MOueHTe Ht KyaTa BaAAaotta, cHaLKHO AHOM foywatby y uy pacra yceBa M cetsHopHa dysxuiiia ousnuhera oa CKH OGpea, KaO NpasHuk OxuBw.eHe . ees ce Hacrojana npeners stc- © TpaLORe cron TY MPCAAMAHLA suMeKe H O“apeKor Kyara,,.7 38 o3navanaise pay on HOR rt ne PAAMKE MaMeby puTyana Noceera, 1995, 143,Outre Kaparre A mipaxrepnenixe xaupona aumexor abpeauor noayroba Y oanocy na cnaxognemna, mE UKAYE OSEAN H_HPHNPexEHIL Met, octHonTIN apynttnenin. ae Ha Tor yea enaKHE OGPEA MORE Ad ce HOEMAYPA KAO sApptLete yer AAHEEPATIE MPERIA PEAOUIY corujaatnr paiyhitst cuntGoart ia soermnut, ue oe IMHOY YRyOE KancHaprKor | “ YHTCT COLUHAAHOL tpajatia spe mapa y ANCKONTINIYHpano Apyuerneno npese Mexamursan Anakit HOHOBAHOT HIPeKopavtena” Mjerutcaan Mopesscks (Mieczyslaw Porebski) Bitatt KO CyIITHHLY CRAKOF PirryaAa Halt MpasititKa.” Pea je 0 yrpantce pect ~ cite. TIRYAIPHOM mpeKopauitHalby HopsaaHOF, ApynttnenO eaeutwnmteanor Hopes crap” Kojer PATH »HapositTa HecHAKOALCHHOCT MOPYKe", HAH O gHILNUHaUAHjCKO} mauopsanusji— mopman Koja ce nonanva, upeactanaa Hoaceharte-sa jean, st yBoherse ¥ CBAKOAHEBHO CKpHBaHte Tajtle craryca rpynte sa apyre" M. IopestncKit naraautiasa: ,Ty Aeayje namherbe cBux yuecuitka, aeayjy Cake Koje ono tlamheie npuixpara i Koje y wbemy OcraBwajy HeMaGpHcistrpar. A y TaKBIIM aK casiKoDIErHeE kanmesiva namhersa ... npasiink he ce jamin Kao Gesupementexo cram, Ha1yyeHo us peaavior npocropa u peaawor peaocacaa Aorabaja, crate y KOME HeevoRst ak rept nyNecHmit TaKobe Mocroje HsBaH H MSHA Bpemena,."*! Tlojam ,rtanherbe" ce, oBae, ynorpeGwana y siiaveny Koje my npitutcyiy te- opitja undopmanirje u KnGepueTHKa: Kao HauH oapeheuMx cHeTeMA aa syBajy axymyaminy uHopmanujy”® Koaekrupno namhere, y Koje je yrpabeno uckycrBo o6peanor xuBoTa, jecre, HeMeby OCTAAOT, SHAK HOCTOjalba KOMMAKTHE H NBPCTO HH Terpucae sajeannue. Y teopujama conjercKux cemMoruapa, KyaTypa ce H aedit- Huuie Kao @opma KoaeKTHBHOT Namhera.® ,CAMKOBHTH KAMIMEH Mamhersa, y At- PeKTHOj cy Be3H Ca NPaBHAOM ,KOAEKTHBHE WeH3ype’ Koje je K/VYYHO KAKO 3a reHesy AeAa, TAKO H 3a HeTOB ONCTAHAK; NPHHINT MHAMBHAYAAHOT CTBAPAtA, AAKAC, NOY Ba Ha OOpacusima Koj Ce MaMTe Y KOACKTHBHO) YoMeHO) MPEAajit HM HCXOAM 3 ON lTepaxeher, KoAeKTHBHOr BpeAHocHor cucTema. Hacaare HekycrBa H naMthera, lo peusima Teopernwapa yemene KibiDKeBHOCTH, POpMIIpajy YCMCHO ACAO Koje je NO ,MHOFHM CBOjMM OCOGMHAMA HAAHK Ha TAAUMICECT TO KOME CHAKO NOKOVEHE uenucyje cBoj TeKCT, AM ra HcIIICy;e NO TparomHIMA NPCTAOAHOTA TERETE: Comat Y Beau je u Baxtunoso Tymayerbe ,famherba %*aupa’, Kao ppoato AMHLAAIENULOT Creapanaukor npoweca Kojst HyBa apxanunocr saxnanyiyhit Craatost oGuaBAatey oGrina acmanar, HCAOKY HAE COAL Ope A, Arnon fon Neu, AKTHIOCTH, KOjH Ce aaMenyjy OArot: puTyaanor name alIpHnpeMeHor 1K RD Bpamah, nan, = nao cutcremy cermentiparea ©). Bparuh, was. dero, 48. Kancuaapcxom oGpeanomt winayey ete pee wea serves : Cowyannor penena y roanuionm pasmepawa — TOceDny TaXty , Kovatevié, Semiologija rituala, Beograd, Prosveta, 1985, 152-164 M. Porempski, konosfera, Beograd, Prosveta, 1978, 112, 113. Homo. Homo, 133. Oumpem rymaveny npasnnna BAe J.M. Lotman, Ogledi iz tipologije kulture, Memo, 438-489. ; * Ousspannse apour ey nernyans P anobcon WE Boranpon (UL npasiiao naposiro cy HC 1: Bora Saisy naponne mnsoxconoct.fTpena: H. HletaouHh, yaa, dea, 38,3 6 Memo, 94,95. a rus. Djordjevi, naa. Der0, 225-261. : 8. a Tredi program RB, jesen 197) Borartipes) y mpoysa- allObpedHe necMe SUMO? noayeohia sasiom penpexcnryiyhem cay’ a Wy CBaKOM MOjCAI jy ce He camo 4yBaiLeM OGpazara onoj erat pasnoja 4 unprilnist ROHTHINYHTCTOM aay) ramon, nef AyGOKOM chemhy o SMaMajy Heaney rina, TIOA HOjMOM wfPAAHILH}a" MIAME Heoma nu. poso 1 BHC tsrcrpitnaoM ¥ AOMCHY PasnHlir TH wayka,”” loaparymena yopoxt cxyaiys reaina, Mpenoticiia, erorania nacacha MpOHiaocn perv peut = opal KYATY pt xonrninyurrer yyrap misieveHepaincre severe sie atte, ROjHt HOCH CBOIC rna ncropiyjeke, AmmasiiuKe Kareropise. ¥ campe- vnouysitwoxouixo) Haytth Paani” ce onpebyje »ka0 Mexani3ay et anryaattattije 4YACKOF MEKYCTHa, cHCTEsA Hea Conair eR pouraiae mpeaaie crepeoTarona Koj ce Pel poaykyjy. Tpaasija ~ 70 je xonex- Srusno nawthere, aKTHBHO OGHABAAHO ycanpemenocti"s# ¥ cryasjama KYATyPe 03) repauni raxobe pepepipa na erestenTe Kojt ce pence, Max Ha OBAMK KOACK HEHE MYADOCTH MOA, “eTpaaltisroHaaHuM” ce moapasyMepa KOHTHHYMTET Ht MocTojaHocT.” Tloasprasarte mpapstaisaa ¥ TaKBOM MpeHOCY yuspuihyje nparsaruky sy2it4- kor nexasttparsa it HcToBpeMeno oapebyje MPY opmausjy Kommerennisja y Koxy- arcauncko} pankit, OBY, FAQBHY; OCOGHNY sTPAAHUIOHAAHOF anana” Kan-Dpanicoa ‘hvorap (Fransoa Liotard) sayerpyje mprmepiina 19 HapoAn® napatuene mpaxce: “Suanse Koje mpenoce Te Hapalitje He Casto Aa sje Beaano jeartHo 3a @YHKUIH}e sICKA- Jroaiea, Hero, npesta TOME, Y HCTH Max oapebyje H OHO UITO HOBEK pea aa Kaxe Aa Guera cayutanst 1 ira TpeGa Aa caya Aa GH Mora0 AaTOBOPH H LIT) tpe6a aa ustirpa- na andi worao aa Byse nmpeaNee Te mpitue. OHO oMtor yhasa aa ce jacHo caPnGe Kako je zpaanunja npitva y HicTo Bpeme M Tpaastusja KPHTepH}ysa Kojit oapebyiy TPO!AKY ve mrerenuiy: yaeha KasiBaisa, yeha cayusarba o yaceha aejcTaobaieay ¥ OKSHPY rofitx ce oastrpapajy OAHOCH SajeaHHILe C HbOM CaMOM H.C H»eHOM oKoastHost.? na cRaKoj H paamuntie € rant mpenmoananarbest CTEPC rrentepartisiaa MPEHoUleH its np snaNno pH pouee MPC ee, MeHO] PYCKO axyMyaanutie, MPC 1.3 Komynnxanrjcxa cnemmpika o6peaa reparypi a cae veuihe #313 HTeKCTYAAMO citeUst pHa, stuutjoat. ¥ CKAOMY He- J xume- Y caspementoj aHTpomtoaowskoj 1 eTHOAOUIKO) As nnepa cesoTutsapa, Oped Ce TyMauHt KAO KOMMACKCHA, Ki koastpana opta, 4isjt TOK je jacHo ypebeH 1 YcTAHOB.eH TPA AOKYMHOF HAPOAHOE FOAMUIHEr UMKAYCA, OAHOCHO Y »MakpocHeTeMy OOpeaHo! 3 © Tpewa: uemo, 95. iia”, Ernoansropoloskt lu etnoloaiie Ulnpe 0 ToMe susets Hap: E. Petrovié, Neka razmatrania © poime tradi seis e . Beograd, 1989, 15-22; P. Vlahovié, Tradiciia 1 earerenost uw sveth Eantrpobtt praenl e 6, Beograd, 1988, 2932, 5, Naumovié, Od idee obnove do prakse upotee redo odnosu poliuke | tradicye na primera savremene Srbije, 08 auuma do Gosxa, Kparviesaly HewraP Cpncne axazeninje nayna wt yetuoctu o YiuisepaieTa, 1997, 109-15 1, Craguabnoe # MosHEABHO condpepenigite oe | SEageva: HH. Funspona, MyaunansnostHorpupyecn Fp LoAbhAUp CubpeMennoCme le MpadUIguN (MaMEpUare mpembel o ° xm AB Pyomenaih Mocasa, 200,24 means epee Mena napene™ * panno MecTO unc yiy: BAe” 2004, 11 Tog nojmom anaiie” We vues noo akan” We Noapunyuesa ce camo tenn cuym osanasay Ras Has Tak Maha narone mane, neuiranecayuana WTA 2. Lita Postmoderno staré. NV \ lieOme kaparer ApoKa suMeKor o6pea or Hoayroha pestis CHAKH HO}CAMIENHI OGDeA More Aa Ce HocMarpa KAO HOCeR a " a tT pa ka HoceGan cHCreM MAU jeaik Ha KONE CO HIND KE" CAMO jeAaHE TERE" Fo, jeguttctncnme reneton iy ; co " reKCTOM HOApAay- ona Ce, OBAC, MINA HjANTHH CreHEH OGpeAas ate A AC TPAKTHO HCKOAMIITTE HOjcAMtat xouKpeTmiix ttanoberba. Takan ,jeanosnamine oad euros a viet OAtto€ MaMehy yencrema” 1 ay HajHapaaitryje oGeacage hut cam o6 pea x Herono Habe Kora? chaKor AurepapHor TeK- jecre, No MININCHY TAOCeMA THA; cra. C pyre erpatte, noemarpajy 0 CAOKEHY, CHITKPETINIKY HAM yi nicjearny” ops obete Kapakrepite ypano oanoc: mitoro cncrema = jeaatt TeKeT. Oryaa ce y Honuyiim cemstoriuad Na FOROPH O HOCTOjarbY BUNE CHeTEMA HAM KOAOHA MW CHMYATAMOCT KOAORA Ca ,BIHIIEKAHAAHOM siETe KyATYPHHX MopyKa jecTe Basi TeopujeKH HOC Tepautt -Koa(opst)" Kopuctu ce y npuGaikito ncTom sitaeMy kao H Hac it jean" HAH ,cHtcteM”. ¥ Teopujt macbopmanuje no ,KOAOM" ce o3Hanaza ,cKyn BUX MHBAPHJAHTHHX jeAMHHLA KOjHMA KOMYHHKAYHOHH CKyn pacrionaxe Ht CK YT npaniaa NoMOhy Kojitx ce Te jeanne KoMGunyjy y upouecy KoMysmuipawa’”* Y KOHTeKCTY NOMMHbAHHX ONOsHUHja Hs PaHUjAx AMHTBUCTHUKHX Teopitja, KOAY Ce a CANYAN HaMMH TepMILHOAOUIKM CyMPOTCTABAA yfOPYKa", KAO HIB KOjIt Ce AOGitia KOMONHOBalbeM HHBapHjaHTHMX jeanauya.”” AoMen cuuKpeTHuKor noapasyMesa Mocrojare pasiux KoAoBa (cHtcTesa, jeaika, OAHOCHO cy6jesuKa) yHyTap onurrer jesuKa ator oGpeaa. ¥ cKaaay c THM, TOBOpH Ce O Bep6aAHOM, My3H4KOM, MrpayKOM Koay MpeaMera... Byayhu aa cy pe- aAKZOBAHM APyTAuiijAM HaparkajHuM CMCTeMMMA M Aa OsHavaBajy onurTe Moryhe (a He jacHo pranusoBaHe, KOHKpeTHe) HMBOe, OB KOAOBH Ce pasastkyjy, Mpema rroce- MaTHMapcKoj TepMHHOAOTHjHt, ,CYIICTAHLIOM NAaKa Hspasa’.* AucTHMKuja H3Meby suspaza” 1 ,,caaprkaja" y rAocemaTHYapcKoj Teoplijt ~ Koja ce wii 6asi4HOM 3a ce- MuOTHUKe cTyAuje M Kojy je NOApoGunje paspaamo A. Xjeamcaes (Louis Hjelmslev) ~ sHauajHuM Aeaom ucxoan “3 Cocuposux (Ferdinand de Saussire) dopmyaauija significant" (osHauuTer) 1 ,signifié” (osHaeno). Vispas siaxa (IberoB osKasstrey) jecte onaj Aco sHaKa Koju ce Moke OCTBaMTH y MaTepHjBt; CaApKaj 3HaKa (HeTOBO O3- ANTPOHOAOMIKHM passarrparbn- y o6peay. Yipano, naypaanrer ‘PAKIUjom" Koja o6exbel) yaar etHocemmornKe”® vie Mpenoe ; Koa(ts) 1 o6paa(t), Kodoou exosencktix Kym pa, Ulnpe o Tome: A. K. Bait6ypin, TA. AesateroH, (ceai6a), 6p. 3, Beorpaa, CLIO, 1998, 239-241. a sous Wave, snare repmnnonouixe onosninje .CHCTEM" H ¥TEKCT” Y Henin oe y “oar Hjelmslev) ogrosapa Cocuposom (Ferdinand de Saussure) Cea ep nagar eae Yexpyxrypanvojanuroicrit ce nojan langue" (eax) Ox0CH Ha oN TPS Ae ss Frog oe A TE Ca Car 3 aa ena A a he pus oicrent oanaiana opransobaity Wea ADK CE TENET TINIAN A Bier {2 sane uae xomnnorabe java HenorsnaxooteorcHereMaY HPENEN NASTY HTerwowih, Exemenmu xnounenne cemuornure, Beorp 1996. pie ings, Sesh Kaslover-Nov Sad avatha MY pena: A. K. Bait6ypuu FA, Aesurton Has. dene, 240 Hemo, 241, 14, Hapa kt veka knjidnica Zorana Stojanovica, ” % in ; ae. deA0, 18-2 xy, lupe o tome: M. Hoppa, nao. dea sao an 37-38 ay TiPema: H. Nerxoauh, Exemenmu xrownenne com! Hema, xy emo, 37, 242, 243. Mpema: A. K, Bait6yput A. Nesnurron a 0640: v7ospeane vce pect He OMNI HO, Q ; Onn Gj rentepannto je AIKAG, Y BEB CA 3Havey, foc sr KAA KAO CHCTEMA COMAITI GS aime ro anana y KO} saqvento) meArctanas Ae maanta caApr! py HIX MpABETA SAHRA of qpopme" y OKBMPY, o6a taana YeAOHEH je piter HAH HRs KonKperHor (jactio amrpepemmunparor) cuctema,” Fat HOCTO THIN KONE Gasnpania na mitTepaKICHjN cK rama qpuraage cYETTG crunin CHCIINPHUHIEM KOM Ha Tlopea HekOasKO BaXHINK MOMENT Koj co ogano nen Y TY avery HOjMa monynuakatje ~ X90 1170 CY: HAMEPA, OAH HIIpAHeMy moryhit KOMYHHKAHOHM yi) Ha Apyror H yTHcK- eine snare y erat? PasMea nicpopaayuja eby YueccumUN y o6peanoj omy sana ACTEPMBIHHECRH Je KOMITACKCHHM TIperiaeTOm CYKIL@CHBHINX Ht CHMYATaHIC ‘yumopa. AeAoTRopHoct usBoherba ¥ AupeTHoj je Best ca NOMITOBAHDEM KOAeKTHE- Hux, TPAAHUAOM yenocTapweHi% HOpMI; CBaKa TOjeaMHOcT PYHKUMOHHUTE Ka0 Aco yeaokyMor TORAH HeMa CBO}CTBO jg0AoBaHtor, CAMOCTAAHOT ACMEHT2- Y Tom cmatc- sgvanrpononosit KBAAKGUKIY ‘OGpeA KAO »jeanwteraeny WEAHHY Y wurrepakuuit’# ‘easyjyht Ha anaatTHaKy CAOKEHOCT rpouteca y Kojem ce sHopsauitia npesaje KoMxHORaIBeN BEPHAAHINX esep6aanitx cpeacrasa, Easywa Ais (Edmund Leach) wcruye: »Ywecint wimajy 3ajeaHukit KOMYHHKALBjCKH AO- 1s.vaj MYTeM MHOUITBA PasAnwseTHx TYAHIEE aHaaa HCTOBpeMeHO; OH OAHTPA- ray epeben its meraapopuukax aorabaja y “PaHiuane reprtopujaanior mpoctopa xojit je w cam cpebent aa 61 o6ea6eaHo ‘MerapopH'Kit KOHTEKCT 9 OANITPAndHHé. BepGaawa, mysitka, Kopeorpagcka usyeano-ecreTcKa ‘auMmeHsii; CBE one 7 aad aa o6pa3yjy KommonenTe ueaokytiHe MopyKe. Kaaa yuecTByiem© ¥ ae te ay ra pererpyene ewe Te mopyKe y HCTO Bpeme KoHAeHsyjeMo eee a * pyri pesnnta, NOCTOjH »...MHOUITBO PasHies Ko- a are wp9 oje Nowe ‘rehut nopyka M MHOUITBO PasHiiX BPC Sa ri wopaTH eaemenTH HOpyKe. AH - Ha KOHUY Capperypa ws aro jsonees el (2 mpinciouhs Ma KaKo caoxKeHa 6HAa HoHXOBA can [oe] onxsivazaly xa0 jedunernsen ea Griaa wuxoBa HMITAHKAUH? Cxoano nerpaxua Laila 5 Pea Mma CBO} P uma Huxure MM. Toactoja (H. MU. Toacroit), CBaKH OO )jCTBO KYATYpHOr TeKcTa Kora HHHE fl a We ‘tira encresmnual coon): Be pa erementH Kojit mprnaaajy P3SY Bee ana ena |ANOM, AKUIMOHAAHOM, peaaHtont HAN TDA. Saree ee eet yanuxoxt auxosnon.”! OF) ‘cnuGoamaxnx dopan ncror pe ae oGpeane mopyke y »HH3aHY ob peanux Jesa", a ncTonpemento aeaonarbe PASH KOA x ya napasa sraneeby Aa! sya CTO aaa RAO CHETE ceumTaccl cymerattte” OA panna. P oc To;aNeeno Camac mebhynot oy past pal yo PeAHOM ermapanalltTBy- cpecun nntonis npouec hnorpesin 32 KOMYH Tipewa: Uo bho van OHho Uv, Eset tens nfo © § swig rmacije (pivedio Umberto Eko), Beograd: Prose vi, Diskus rie Disbury analiza, Novi Sad, a vate Tawea Nowt Sad, ozofk fake, 1993, 41; 2. Tome, Komunikolgis Beogrt Hoga MMe ENN, Kultura Komuniacy ne ia, Beoyrad,Prosveta, 1983, 5-15. Hi tox a de 0,14 \heOnutte kapakrepueriiKe xanpora suMeKor oGpeanor moayroha pa pesyarar je TeHACHI{Uje Ka MAKCIMAAHO] CHHOHEAL, OAHOCHO Ka HOHaRMalby jeanaKor CMHCAA H CAAPKAA Pasaurrum Moryhnm Hasta.” Apyrasusje pe- YEHO, pYCHTHAKA Ce MAH Hapasa, AA He M HAaH CaApKHHe (,,.); ¢ TAaNKe FACAMUITA CaApRINE, ACO je pana earns 6 Ka YuHOORABEIKY PASH, CHNG- HIMHIIX OGAHKA HACHTHAHOL EMHCAA TIpeacTanma OCHOBIY HoKperauKy cHary y cROAYUUHM PAsANMNTHX OGPeAa HAM OGAHKa jeauior Te HcTor OGpeaa. ¥ TyMaKeHy BAKRHOCTH Ht CBEHTYAAHOF Pasnoja one nojane, AaGepr bajGypun (AaGepr baii6y- pix) 1 Teoprij Aesmmron (Teopriii Aenintron) ueriuy ane aumensiije: aujaxpo- Hitjcky — Kos YyBaIbe H HOCTOjaHOCT OGpeaa y Bpemeny = H cHUXpoHAjcKy — KPO CuTYpaH, HeAoBHT H OArOBApajyhit MpeHoc Nopyke y O6peanoj KoMysuKartTji4.7 HansMenitio, CYKUeCHBHO CMeIbHBaHbe MOpyka pasix KOAOBa, 0 peuMa oBNX vay4HItKa, OGHNHO NoApasyMeBa AOMHaLUHy jeaHOr KOaa. C apyre crpatte, HcTOB- peMeHO, CHMYATAHO NOjaBwHBarbe MOpyka pasiiux KoAoBa Mloaceha mpe cuera Ha opkecrapcky napritrypy, Kako je To KoHCTaToBad jout Koa Aesut-Crpoc (Claude Lévi-Strauss), ykaayjyhit na erpyktypHy caMunocT uaMeby Mura 1 MysitKe.** Ounraeano je, Aakae, Aa CBaKI TlojeaMHauHH eaemeHT o6peanor cHcTeMa ersiicTupa He CaMO KAO KONKpeTaH TekcT,” Beh, Hajnpe, Kao KYATYpHa Wearita saxpawyjyhit MHTepTeKcTyaAHOj pasmexnt (MAM, Mo BaxrHHoBoj TepMMHOAOrHjHt, »ANsjAAOUIKHM Peaat{ijama” TeKcroBa)” osHa¥aBaba y BepGaAHo}, MYSH4KO}, KHHE- MatuKo}... liMeH3i(j1. Byayhit aa CBaKit TeKCT Ha H3BECTaH HaNIMH HCXOAM H3 APY- Tor TeKcTa MAM TeKCTOBa APYTHX CHCTeMa, NOKasaTem CMicAa TeKcTa je yrIpabo muteprexcryaattoct. Tymatieise uHTepTeKcTa 13 OKBHpa “pellenTHBHe KOMeTeH- unje™ noaast 0, Moryhux Tpancopmaunja caMux TeKCTOBA, a, HapONHTO, OA mpeoGpaxasaiba TexcTona OApeheHux KOMYHMKATHBHHX KAHAAa (AYAMTHBHEE, BH SY€AHM, TAKTHAHMH...) ¥ TeKCTOBe APYTUX KaHaAa Besa.” Flocmarpaise oGpeator ToKa kao KoMyHitkaTHtEHOr Aorabaja wamanunpa nor peGy 3a jacnnjom apruxyaaujom GasHunux oAHOca HeroBHX KOHCTHTYeHaTa, AHa- AOTHO ,ronopuom aorabajy” y AMMTBHCTHUKOj Teoprtjit”® 0A ,oGpeatita Aorabajent™ MoxeMO NOAPASyMeBaTH YKYNHOCT KOMYHHKAMHOHMX AKTHBHOCTH H CAHOcA Meby pemave ® Memo, 124. * © oamocy aeaowa H YeAHHe Y T2B. ceManTH4KOM (,cHMBOAHYKOM") THNY KyAType BHAETH: J. M. Lotman, Ogledi iz tipologije kulture... 453. © A.K. Baii6ypun, f, A. Aepnuton, was, deno, 251, 252. Onnioc cunonmnnje ao6uja M caeaehn acriexT: TeKCTOBH cuCTeMa (KOAOBA) CE MaAaSe Y OaHoCy mebyco6uor osHavaparsa: o3Ha4HTeW H O31AMEHO MOTY Aa Metbajy MECTA. ®© Tpema: wcmo, 252; E. Lit, Klod Levi- Stros, Beograd, Prosveta, 1982, 62-72. © Kouyenrr srexcra" je npeyser M3 rippoanior jesnxa n. Y CEMMOTHUM Ha WNPOKOM HHBOY unranervunor, ymerunaor he xyatypuor Qevoment Tipewa: D, K. Danow, Bakhtin and Lotman: Novel and culture, Semiotics of Culture, Helsinki, ARATORINC, 1988, 283. 1 Npeysero us: M. Dudok, Tekst, Intertekst, Zant, Fulklor u Vojvedind, sv. 9, Novi Sad, 1995, 91-97, E. Ams nerve: ,Ownraeano, Ha jeanom AyGeeM ancrpaKTHOM HMiBoy, cha Halwa 4yAa, MaKO pase ;vurra, roaupava cy wa eT Haswit. MOpa HOCTOJATH MEKaKAL 'AOTHMRMT MeXAM34M KO) Mant A03- Dawana aa anayeave nopyse TpanctopMMiient y AYANTAONE HAH TAKTHANE HAH OngpanHBHe NOpyKe, M parvo" E Li, Kultura | Komunihactian, 19 M. Radovanovié, Sociolingvistika, Beograd, BIG 979, 51-54, 19se monyoaly 0 HACK — (spedne neeme - ae aaron nponecy cHopasystenna, Cary enurama: Y ; ocnosnt aad i" osmanana enaKy jensmny porabsn gua Ca reaonyine HneTepaxitye). Fac je Aa YUKA, OAc, oe jeaonyiy ophuMnaaroyy Aotalaja ay HCTORPEMCHO, YCAOBMATA BPCTY, pactiopen y veces pata THX THIN OGPCAHI AITO, serena a Pettey an aranocT AMOK yRAAY}C A KOMTIACKEHOCT OOPCAIE KOM YHKAIGC, Koja Kp owvanve Ha pasiitM HMBOHMEL meby yUccHMmuta, Ca 3ajCAHHIOM (OKpyxeite%), cq vrerpawin cnerost = noxpasyaena ie CHEMBNpHMHTY OPLAUUIsalUy Kosmoneiay sor nponeca, Mako cna Hay! pasMattpalba oGpeaa MaKap MMILAMIUETHO HOTEphyjy paanoct caracaanattal KOMUOWEHATA KOMYHHKAIMOHOL HPOHeca, HiibeHna je xa vow nivamy rorono Hine HocwehiBaHa Beha TaKWa Y AOCAAAIOAM doxkeo- pucTinine erpaxnuarnuata, Perke KOMeHIHje TPeTHparba doaKAopHx sojasa 420 KoMyHinKaTIABHHX Aorahaja HanasHMo y paaonuma A, Aomaxca (A. Lomax), P ayaca (R.D. Abrahams) au, perumo, A. Ber-Amoca (D. Ben-Amos) 13 70-i via (y KojiMa je TEAMUITE Ha OAMOCY HaBOhaYa IpeMa CayularewcTBy),”* KAO KY caupemeniso), MeToxonoMiKH paspabentjo) u oGyxwarHixjoj, cryasjt Eayapaa sek cejena (Bayapa Aacxcecs) 13 90-nx roquia 20. BeKa.” TLnrarbe KOMyHHKauHOHKX poueca y MyaiiKoM (oAKAOpy HlocTaje H PeAMeT pacltpabe HajHOBsjHx eTHOM}- ‘OAOWKHX paAOwa Ha Hale HpOCTOpy.” Tipu pasmarpawy npupoae u d@yHkije KOHCTHTYeHaTA OOpeaHe KOMYHH scune HajnpHMeHMonBHjMM Ce YM MOACA TPAAHI{MOHaAHe CxeMe TOBOpA PosaH? Jexo6cona (R. Jakobson), Koja npeactasiva HeIITO MOA >HKOBAHY 1 ANHEBHCTHU npwrarobeny bepanjy aunnutaata yruphennx y KOMYHMKOAOUIKO} TeOpHjs- ]2K0% — TunoAorHja MoTHBHCaLIa je OTPeGOM Aa MeTOAe CTPYKTYpaaHe AHHEBUC A eee Ha jesmk riecme. Y CkAaAy Ca THM MOAEAOM, HO _ pian, Done Yaore jeawor oR meer wnnaatta roBopHOr aKa (uowaou rey a ant ni KomyuKarnonOr Kanana, pedpepenta vai oe spent Je meer acuownnrx ronopuax dy (exenpe seas 7 ee Wusjaana, HoeTCKa M MeTaAHt uarerseana): veld 38 MoEHje OGaMKe Macon ra cred Cannan ayauTopnye (6ipae e apo 1K. Ret Capecinn enatitay Hojeaau anrrponosoan, na wesy 6 oe ‘ X TO HOMMILY aa cy pyne Ae m Pannje, “AAW He nocrojt HoceGua nyGauKa. HS O"Vompnim a9! wossern: wer 10; 95-59, Ueeme:D Wayne, Hongrahfa komurihacf hau > Yui A Kihaan, Kom Mis Beograd, BIGZ, 1980, 285 237. 1st 1d xy abmnypad, Mucha, Cowercasit none! vnagijina par MHS NAY bar pony nny nll ADaAdeunUx necusia Aymruige (AuHAONEN PAY Gy Set baan lin Masotan ay PPE. M. Vabievie.Zabit nhc homie, eee “ etnusnucihulase refeksge, Beograd, LMU, 2005, 32-41: HET 1 sys, Muncie ys i sv: Ke mesuamucsaguja nyarspne MYsIRE MINES A ya Hewinepcr CJorsine aucopannu (snusomiens Pads OA? Linge Mev pct, Hea Nut, 196,285 904,__OlITe KapaKtepHErinKe Aanpona sHMCKOE OGpeaHor HoAyroha W CAyTIAOTUL CY JEANIE NCTE Ayal. Mit yaasuma y OGpeae aa GHCMO HpeHeAH Ko AekTHMHe Hopyke Cebu Casta” Ped je, OMTACALO, O KOH THHyMpasoM KapaK Tepy hoakaopue KomyHKAKUe ¥ AujaxponujcKoM TOK, ¥ KOjeM HpuManatt HO pyke cTiMe yAOry IheHOr HontEAOH y eAeAchO] EraM, HeeyeanstKo jen yuenhe Were SAJCAUIE Y ONIN HepeMONjAMa, a HOHANTAKe CHIL HeHX Haanona, Ca HoapaayMcrajyhit pasamurri yaorama, mwa KoaHpanty opmy. Apyrim peut: Ma, OOPCAUH TOK je OGCA@KEH HOACAOM Ha AK THE (caMH HpOTALONMEE, To jeor nomHLSAont, AApecanten) HW Mat Aco aajeAUIIE, TO jec AK TBI, OAHOCHO Hace yuccHitKe (ocTaas HPHAMAON, AAPCCATH), KOjHt Ce Hanae Ha Aka Kpaja Komy- MuNKaTIEBHOF KaHAAA, JacHo je Aa Atebepenmurparve akTHBHEX H HacHHX yuccsttKa y TAOGaaIHA OKRUpHMA TpeGa cMatpaTH ycAoniEM, GyAyhH Aa OuM Mealy HOR unje ¥ BpeMeny, Te npeactanwajy parnonpanite, KoMHeTeItTHE YAaHOKE HCTC, KyA- TYPO KoxepeHTHe, sajeaumne. Ho, umanierrriia HOACAA Y ATOM KOMyHIKATHEHOM uy HMMANUMpa MMTaWe Crenena NpucyTHoCTH excnpecusne (ca AOMMUaHTHOM yaorom noummmaona) 1 wAnpecuane bymnnyjc. C o63upom Ha To Aa je Hapas HomuAvaona, cHemmu4nO OGerexeHor Kao NOCPeANHKa H3Meby OBOSEMAMCKOF H OHOSeMAMCKOF, CTPOTO YcAOBMEH AaTHM KOHTeKCTYAAHMM OKBHPOM H Tpaanujom yrRpheHuM HOpMaMa, Herova raanita caojerBa 3aapsKanajy m yusputhyjy cHcTeM KoAcKTHBHOF siiarba. Caraacto couso- AMHTBHCTHUKOM TeOPHjcKOM NOAABHIITY, NoUIM»AAAL, HOCeAYje sHaHLe Oapehenor jesuka (cucrema), Komnerenunjy KOaa H KoMneTeHiUjy KoMyHitKatUje, MTO My Ao3BonaBa Aa, nourryjyhu oronapajyha mpanuaa, KopeKTHo 6upa, KoMOsHyje 1 ynlorpe6wara jeaunuue cuctena.™® Toumwanalt je rpyfia, aad Ta HaAHHAKBHAyaA- Ha ocHoBa, MPHpOAHO, He MOApasyMesa M (OTMYHO) OACYCTRO HHAMBHAYaAHOCTH. 3a pasamky OA HeKUX APYTMX KAHPOBA Ca CHAKHHjMM EMOTHBHUM NevaTOM HAM zehum crenenom caoGoae y Hspasy,!" excnpecuaia dynKulija y oGpeanom oa- Kaopy je 3HaTHo caaGuje ucnowena. Ou1a MOCTOjH y OHO] MepHt Y Kojo) BapHjabuA- Mocr yemeor crBapanaliiTBa O¥yBaRA HACHTHTCT H TPaaniutjom ycroctasena Mpaputaa; ona ce Manuectyje pos peuitrepnperanie, Koje cy HykHa NocAeAmtA PASAMMITHX NPUMAAAUKHX HCKYCTARA NOjeAMMMX enloxa H reHepattitja, H Hejeana- KuX MHAMBHAYAAHHX NoTeHTUHAAa. Mako cami HaHObAu PeTKO NpHIIAcyjy ceGH YAOrY akTHBHHjer NpeHocHONa, WICHIA je Aa BAPHjANTHOCT NpeacTawsa npH- PoAaH OGAMK HapaxKanaiba M YCAOB OUyBaIba (MYSHUKOF) (oak aop: Canpemena reopija Maconie KoMyHHKaltje pasmarpa nosiuuiy aapecan- ‘ra Kpos caeaehy xujepapxijy: 0A crbapaonta HopyKe (reiteparopa), npexo npona- asaya, HpeBoauona, npepabiuaya, tpaucopMaropa, npenocioua, ao npoctor Penpoayxrupna." Cxoano Koucrarautjn E. Aackcejena, Kojit je nocebuy naxKiy BL, Kultura i konuuntkacifa.., 69. 1 M. Radovanovié, nas. dero, 46.48, yenananne, 191 Kao wro cy unp. TYAOaAMt OaANCKE HAM ANpeKE AYOARNE NEeMe.. LIIMpe o TOME bugeru: M. Vukigevie-Zakié, Funkcie komunikativnog ¢ina umuzidkom folhlort.., 32-41, 1 9, Anexcees, nas, de40, 49. 21Jf 01 K ha gunscxoe HOAVEO! (spedne neeMe ve non) AMCHALY DYEROM TEIDOAWOW CUSARGNT EY, yy ero 1 oc. ne : cy sacTynn yea TpHe THT 1 ORE sjepaprtie AOMMIEAHTTHO CY BACTYHWEITA Y Hoakopy set ys aa. 1 A ONSTAR yeh npraora yy ypanenanttt AcaotRopHoct uurrapor Hponcea ¥ AMPEKTHO) Je BE3H Ca MpiMaoye. wy sree, Gyxyhit Ad MY OHO OMOIYHAAA MPAPEAKO ya" y payers nope (1heH0 aeumepponarbe H eMeutraibe ¥ KOHTEKCT), “ apepentpsyi crys woaora MH eHKOAMPAIY Hopyxe npg vos np cnoapasy Hokey FOHOPHO KOM HUKAH P,JaKoBcon saxypyje “Fp poser, HPAL enKOANPAIEG MAE OR SHAVED AO SHYKA H OA AKIN “romanian so oHoAouKor HHO, ADK MPO AeROAMPAIbA Teve Cyporkiy oat oas8YKa Ao sHaNeHba HOA OGEACKFA AO CHMGOAA. poe a passiny oA aNOHIIMIDE MpHBAAaua Y MACOBHO} KOMYHIKALI)H pela nopyne y o6peanom Goakaopy puis ce oapel|enoM AUtty, Py! OOjeKTy. O6- peso) npouecyaanoctt utanenTHta je, TaKobe, amAeNStHjaTICeyAOKOMyHHKate ca GoxaHcTBHNa, NpeUiMa, CHAAMA MpHPOAe, Koja creusrpuKyje MOsHUK)y MPH oa wa uiBoy onuuTer Gunapxor Moaeaa. MMnpecisia yHKuija, TaKO, Nocreje cyuTiecnnt Nagorpabena anexaTisx0-KOHaTHBHIIM CBOjCTBHMA, KojuMa ce HK sutea wt YenocTaB/sa Besa Ca OHOCTPAHHIM eHTHTETOM. Oxiioc Kojit ce ocrsapyje meby yuecHmuna y KoMyHseKauiyitjecTe OS CYlr rckor suavaja 3a AeaorBopHoct obpeaHor ToKa, Crora cy 1 cpeactBa Koja uicsanay KOpHCTH aa 6x npHmaouy roKasa0 oapebery HHTeHLNy MPeMOsHATNS eapocuatcacnta. ¥ un pasymenaita n peaassonatsa Te MHTeHUHje, HAYES CES kor oGpeaHor casa AYOOKO je npoxxeTo eHepritjoM, EMOLHjOM M CHarOM yOeber2, §uTo nogerive 4 akTHBHpA MpHMaoves ons. TpaaHunoHaAra apexxija” o6peaHor _Tearpatsacnonanaje, aakae, He caMo Ha Hapaay HAM CaApsKajy roRopHOT, eB ‘ora, seh M Ha BpeaHOCTH HcKasitBaiLa H Ha BpeAHOCTHL KOMYHHKALHOHE CIS wie gyn Pena, AeAOTROpHOCT OOpeAHIK HMB MOPEA caneaxcute Tepe) n cease (xaueiecre)erpane, sHavajno axryeanoyfe mparsani rae eat reiee Kao AUMeNaHjy yritaja na mpuaaona Had HaNtePe AS Sepenuyjannux eo ciene TIparwarwuxa erpava, aaKae, npewocn Texsure PE mapesGe, monGi a Ma mtratte Koja ppera ueKaaa ce KopHCTH (THI YATE | je, SaRBAAKOCTH, mee.) TO ject KaKHO je AejeTHO THK ERAS. OF AAMEHSH)a KOM YHUKaNje OCEOHO Je Maparke a sje. Veriuane xouravra usueh parxera ycpep marnje pennies, Y HosaoKa Ht mpumaona, AcsiIUesHe jBIIM HERYCTROM I usw x anise HCHXOAOUIKA Besa Koja HM OMoryhaBa yAasaK 1 ocrattak Jecte cuojerno gamut i cojet ie Jaxoboon npe Erno ghamuuxe dyixiuje. Tepaain pars’ ST 0 0A Bo cog eb 30 04 Bpowucaasa Maannonckor (Bronistaw Malinowskl) € @ ROMIHANTHOM yy Kony Kae W can M Yaorom y yeuocrawsarey H OApSABAteY a " aAnuowcxs je naraamanao neanxy naxnocr daresne OY" Time ™ g Jakubson, 1. 7 1. Lingvisuka i worija ko ” th bean Pore iia Komurukacije, Estetika ( teorija informacje, (pre a bas Wap o tome weaers : ms en a na gin RC XS pe ‘actje, Beograd, Cho, 2001, 89-91 a: Kon Ma. OeA0, 74; B 4B Giro, Semiolugija, Beograd, Prosveta, 1983, 12. leOutre KapaxrepuernKke >xaMpona sumeKor OGpeanor noayroha sa paaeny pirryaatsonanunx opamn, 3a/CAHMIUTBA Kojima je AH OA MMLCHIE Camor mpneyeTaa H HovEpbumaiba npunaaMoer rpytn" yTIpunut pewumpourrera” © Rone Ws Mena MutLwelby Maaitonckor, aacrynaen y cnim OGamiuAMa ApyliT- BeHOF HoHEUba = jecre H Moaye oGpeattor KomytuiUIpamia."™ Viameby ocraaor, BAN APEBAMA YHCCHUKA OA ETPane KoAckTHna HoTHphyje eMMCAO pelutpoUne oGanese KOjit Ce MamIecryje KPo3 ysajamio occhame sajequmurrna. Yenocraswatbe Kontakta y aMpextioj je Ben ca oAaGupom byneiuonn CAEN MEAIIYMAy KO} ~ Gyayhwt Henocpeanio YeaonwetiH HCHXOAOUIKHM, ApytttT- BoMHA Ht CISHCTEHIHjaaiing HoTpeGama — npunaaajy Hajcrapujus, upEoburHns CPEACTBUMA KOMYIUKaLLIHe uA} SHaNaj Hutje ywrarben y AujaxponnjcKoM ToKy. Ona cpeactaa y Opeay OGyxnarajy 1 suy4ne Ht Bitayeate siaKoKe H UMajy oapehen BPeMenckH M OrpantuveH mpocropit oncer (KOMyHMIKaTHBHH HIN ce yerlocrapwa TAKO ITO CY YHECHIIUM — H oMHAOUL H NpUMaOUN — HCTOBPeMeHO Ha jeaHom wecty). Cheunbisitocr o6peasor Meaujyma je y BuUlecTpyKoM cKAony cHMtyaTa- Ho Kopuushesx KaHtana y Kojima ce peaansyje oapeben cucrem 3HaKoea. Oaro- Bapajyhit Haunt touxoBe ynoTpeGe yraasHom Ce CBOAE Ha HOpMe uHTepaKtTje M miTepmperauisje, HMaHeHTHe Yemenom MpeHocy y AaToM KONTeKCTYy. Tako, f10- MeHyTe Hopme (noes OA BpcTe usBOhaNKor cacTasa M HeUXOBe KOOPAMHalltje, NPexo MuTeHsHTeTa MeBatba, POBOPA H NOKpeTa, AO, PeUMO, THINIa BepGaaHor/My- suuKor/... ckasa) Mory GUTH MoKasaTemM OApeheHHx AujaneKara, ani W AaTHX curyauisja Mant >kanposa. Ha aay MysHuKe mTepnpeTaunje, axTHhoxa opsta Moxkaa HajGone Mayerpyje NoTpeby 3a YcnocTanmameM M NPOAYKaBaILEM KOMY. Hutkausje Meby cama (akTHBHuM) HaBohawnMa. Y THM HajAHpeKTHIsjuM KONTAK- Tuma cMeryjy Ce yaore noummmaoua 1 NpHMaoya. 3uauaj Hopman Koje ynpaprajy oAHocUMa Meby Hspobauitma nocesHo je MeTunaHt y Teopijckum pasMarparsuma A. Aomakca, TTosupajyhu ce Ha HyKHOCT scTpaxnBauKe opujenTanuje Ka nephopmanu, ovaj ayrop nocrehyje Hajsehy Naxiby HuBoMMa nephopmaTunior CTitAa y BOKAAHOM HCKA3y. HberoBa MHHY UN sta paspaaa ycnona 2a chaky nepdopmanuly noTBpbyje H cAorKeHocT nocTojehux ©aHoca nephopmaropa MysH4KopOAKAOPHOr Acaa IpeMa cayutarewctsy. Ha wnrepaxtuny cbopmy axtuniix u naciitnx yuecnitka ynyhyje u youvaje- Ha mpakca ,apyynpaiba” M usnohera necama HamermeniM oApebenuat wanton Aomahunersa. ¥ vom mponecy, ca HaparkertiM mexanutsmow feed-back-a (noRparHe uuhopmauusje)", oGe crpante y4eciinka H enKOAMpajy H AeKOAupajy HOpyky. Kouvekcr, kao ocuonia KouoneHTa KoMyMIKAKONOF NpoYeca, apTIRyAst ue Bpeanoct pehepenyujaane dpynkinje, Koja Hoapasymena ytupbyjyhu oaHoc W3- Meby nopyke W npeamera ita Koji Ce o11a oxnocH. I jep Lupo (Piette Guirand) ykasyje Ha noceGuy saxxnocr pesbepenmujaane 1 excnpecumie byuKuuje; pia KAO castajua SHLTANEEX AMjanora H yomttTe 3a che OGamKe CAPRA) OLUITTEHA Mae Ha 17 pena: P. Giro, naw, Geao, 12. a Tipema: E. Lig, Kultura é komunikacija..., 13. 1 Tpema: D. Hajmz, nas. der0, 233, 234. 2 © paxnocrn feed-back-a, Kav KONCTITYTABNOT EX den0, 64, 79. HAY KOM UIKALUHML BHAT: Z. Tomié, was 23vac auwcxos noxyeoha Onyeive nerve ae s.apyra sto apex tina cYGICKTBITA ITE Ata ae b¥COGG ey sje A808, APYTA KA M1 woven sexeertrapita ceMOAOMKA OGAMKA HIpAKAKAIKA Hy, eg Hatha yo” aR We M ROMITACMEC . " Kone, . se naeropana psy aH AVAHOCTH, Aa OKA AYACKOT HeRyen now yon THM NaTEFOpHMANKA PAs ; Y coo rywavensy nonTeKcra Kao pedpepenta, P.Jaxotcon eo sowiinto na ean jeawo 0A MoryhitX HY MpAKCH MHBEIOHTHIK sia ua Tepsi AOHTERET” CTHONYSHKOAOSIEH ETHOAOSHE OGM Kop {ainpe, TO je OHO O MeMy Ce FoBOPH y MopyuH MAM HoRo FANPABG gy, Wa ORF tj, HCTE yy OAOM Hera icra vorocTaa NOM HAAR. ¥ IULAY MpaBHTAHOr paay etait jacno je AGH py. sa spies a8 Gxe 05p0 ost ca KoHTeKCTOM, Baxtanyiphu opr soe coapaaiaynpewtante GteTewe ceNanritaKH npabiaa y crass eno pose ‘Syiewto Ha pHMep cBAAGEHH CHCTeM/KOA, NOCMPTHH, KOA chaKor Tporehior Speaa.. Ilo neToj ocHoBH Moryhe je nparirit Tpancopmaynjy caapxajunx care. onsa {soaona) y¥ oGpeatna, pH YeMy Ce KOAOBH KAO, AaKAe, ,roToBi" (og partie ‘) GicTeNH Npenoanajy y HOBOM KoMTeKCTY (ap TY:KeIba Y Chaxbenen > ea le natayerpatuBaju npustep), Byayhut aa cy wuXOBH exementy (yus20p- ence uoM KodTeKCTY) antbepenniin 1 caapxkajuo m opMaaxo, obi Kososir ec ecbscodo, no pewntta rsocenarivapa, PasamKyjy spopmom naania caapxaja Kowtexcr ce Beoma uecro tystasst st xao cuTyaUja, OAHOCHO creuNpiHa SsOSHOCT Y Xojoj Ce OGaBa KOMYAKaLY toca). Tako rosopuno 0 oGpeaiiom, 3a6aBHom, culencKous., KoMtexcry Notusajene cy, raxobe, u cunrarne »COUMOKYATYPAAHH" HAI ,HAeOAOW! SKF: MPH HeMy ce O6aj Tepatt AOBOAH y Besy ca peaanuM BpeAHocTiia oie ers ae vie toe THPAiyY ABTO) KyATypHL, ogNOCHO oa OmuITHM YcAOBHMA OKOAIHE 1 KY kon laaita CaApkaja!13 Y wpe 7 © on HOR KseeRcToM ce nogpasynena it upocropi 0! re etna »kOHTeKCTHa AokaAHBalIMja” y mpoueaypHt yrepbiparba 7 Tannen, ft) Has ppewencxo (uctopujcko) oapeberse. Tako, tepeHck? sl tne fn tKObonxropyor Marepiijana cBeaowe 0 nocTojatby paswospe Y eKara Ha Tepito) épesa PRK OG pact acca eA HIH CpG, Mysuuxn texcrosn ncritx o6pes 4 Je KOH CTaratuje ynyhy yan ANY # Pasauury Cintraxcuuxy opranutsauniy. Tanse 8 Onn wag pM HAO OnOsMIMOK oGeeaje noje je y west ca nous chy Her Ae 3) Mewaudeperupanor cuera ene Moryhux anyxona (1° wiije c rapy snot oaAD jack opranntowanon, oapedeHo™ 38 Coda 7 Koja ce-THve ,dhopate nana Hapa jac: HO je pa Yai dno NaAHY MLLEpaKiUjy MYSHNKOE 1 BAIMySHUKOE Cores OY WaTKy HACIA 8K H AD Mae cactrit imran Ne ol _ MPHPEUHP AHO Haw ayseatisitor nonrenera, Pash? ‘ Gy, ni on Rot yy ea 4 2 tan AE MMH Aaron a ena OM Madero, 215-246, ves wna an 4Onntre kapaxrepnctike xanpora snatcKor oGpeanor moayroba KONTEKET KAO OKOAHOCT KOMYHIKaltje, OAHOCHO OMT cHtTYaLUt}y ¥ KOjoj IpeTHOC- ran.sentt pedepente sHaKa He HOCTOjt a Koja Hae sAnaK yrtyhyje Na OAroRapajyhe ana- uense’, YaGepro Exo (Umberto Eco) aaxnyuyje aa ykoHTeKCT yrHHc Ha 1360p KOaa", 4, CXOAHO TOME, Metba CMHICAO, byttKiUsjy 1 KbopMarpny Kory nopyke."” [lupe tymaveise KoHTeKCTA MUHMIH OCHORY conMoaHHTBHCTINIKe Teopsje."* Y nopebery ca yoOusajenuim aiitrnictinnKiM npHcTynoM, TeKHMTITE Hake CO- UMOAHMEBUCTA NOMepa ce ca CTPYKTYpe Ha pyHKuUjy, Ca HZOAORAHE AUT AICTIM- xe popme Ha amurnnetHEKy opay y wyAcKom KoMTeKeTy".!” Crora ce y wHXOBOM caracaanalby KOMYHIIKATHBHOE Aorahaja HsABajajy Kao sacebue pedpepeniinjanwa H xonreKcryaana (ca TeExIMTeM Ha OKPyKeIby) yHKusya.!® Hojeaute annrnnernuKe teopiije, takobe, uerisy yaory Koxrexcra. Tako, Baxtin/BosomHtoB MOAeA KoMyniKaUIsje Hisje GasipaH TOAHKO Ha npeHourersy svavietba, Bch Ha spasy sHavema Koji je yBeK AcTepMIHitCaH KOHTeKCTOM (y CMHCAY OKOAHOCTH, YCAOBA, a He Y JakOGCoHOBOM caitcay pedpeperTa). CxOAHO O60) CxeMIt, sa)eAHITKO 3Harbe, SajeaHituka enaayautiia OKOAHOCTH H SajeaHiuka ciiTyatutja mpea- cTanwaiy AeAone KOHTeKCTa y CBaKoj RepBaaxoj KoMyHItKaNLsi4."? Camo, npesta Pe- ssitt/Pesaiita MOAeAY, CBI KOHCTHTYeHTH KOMYHISKaUIKje Y OAHOCY Ha AOMHHAHTAH KOHTEKCT 4iHe CHCTEMCKH OprakHsoBaH M Y3PONHO-TOCAEAMYHO NoBesaH CKyTI.?? PasyMenatbe MlopyKe, AakAe, Y AMPeKTHO} je Be3it Ca HeAOKYNHIIM KYATYP- uit KoTeKcTom, HbeHo HeMoTnyHO HAM HeaAeKBaTHO ,4HTaHe" YecTO je MOCAe- Aula HentoayaapHoctit HaMeby HaBiika Koje saxtena AaTH (my3H4KO)OAKAOpHit cTHA m Koje MpHmanay creapHo oceayje. Oxy BpcTy npenpexe Aeouapa Mejep (Leonard Meyer) wasuba ,kyaTypHuM uyMom'. 3a pasaHky OA ,akycTHNKOr LuyMa" y KOMyHILKaLIMOHOM Ka}laay — KOjit je pesyATar caaGe akycTHKe, CAaGHX CHC- Tema TpaHcMucitje HAM HEKHX BAHMYSHNKHX 3BYKOBa ~ ,KYATYPHIT Ilys” Ce jas 3Gor aHtponoaouke MAM HCTOpHijcKe yAaweHOCTH. ylllTo je Beha yaaweHocr jeane KYAType oA Hamuier cagaultiber ckyna HaBHtka, THM je KOMYHHIKaLUa BHI OTeKaHA kyatypuiin mymonitsca!"™ Byayhit aa KOA aaje Cmitca0 SHaKOBHIMa, OAHOCHO OApebyje sHaYewe HeKe osuake, moapasymena ce Aa jé 3a NPaBMAHO ,MUMHTABAre” NOpyKe HEONXOAHO Aa MOUMWAAAL MPH eHKOANPAIY M MPHMAAALL MPH ACKOANPamy KopHCTE scTIE 15° U. Eko, Kultura, informacija, komunikacija, Beograd, Nolit, 1973, 63. 6 Counoanuranctuka’ je Hajmaabit 4 HajOnuTigi TepANe 3a HETPARUIBAYKO MOApyN)e Koje NOBe- ayje aunrnctany 4 antponoaorijy” ~ D. Hajmz, naa, Dero, 149. "7 emo, 139. Ma camsninx pasnora je H. Home (Noam Chomsky) sanenno Cocupose tepaiie sla langue” at sla parole” repuntunua ,xoMneTe;ija" H slepspopmantia” KO} NOAPasyatewaly CHOCOBNOCTHE H Aeie= ‘ea. - Memo, 237; M. Avie, Pravel u lingvistici (2), Wegrad, Bibliotcha XX veh, 2001, 7-30. "# D. Hajmz, was. deno, 61, 52. 19 Tpema: Ann Shukman, Towards a poctics of the absurd: ‘The prose writings of Danvil Kharm: Semiotics of Culture, Helsinki, ARATOR INC, 1988, 89 88 Rp Tipema: ucmo, 88-95. RY LB, Mejer, Znacenje umuzicl i teorija info Eko), Beograd, Prosveta, 1977, 188. "2 emo. acije, Estetiha i feorija wvformacije, (privedio Umberto 25reno yea Ue SUMEEN aaa Moe Ad ACHOMMPA OApebCHO IHAVEHLE Cay o, OEHART MORE ATA wig Aanrese 1012 0c Tlovasehit oy Hlenon/Bunrepone (Shannon C, & We oy : ET) cre, yt wna so iGEM CAEMCHTT KOMYHUKAIUFC, KAO MOAen Koj ca Bs He ie rsa a ditce ofjaciiaa MOry ocr KOMYHIIKALUIe pec 2 pana pvtonay eapehentin peteproapost aatinx CHG (taps so anon cee OA, EH HPI, Ko ga snesorne (CHNTARMATERT HBO). Nby paca open Roun HOA jy cep Hecseaer soy caesar omHTIN HS}aRA O HANUYY HBROberbA ~ THN, TaKo ° Pea" ay, Tax cepaswienenaso).E Avekecie® HarsaInapa: «K6, je NeBitacit; Hcrospe je Wah ROMYNHRATIEBHOT MITRAL HeMy:"* Hay3eunt cy, HapaBHo, CAYMajesit noces. wr oduAT MeRANG (It CBHPAHA) KO} MOAPAsyMeBajy CBECHO OBAAAABaISe sary SRI YON, OANOCHO KOAOM, Te CAPE H AAEKBATHA TyMaveH, Tray SonVeHIPARLE Ha OBY KOMMONEHTY KOMYHHKALIOHOF Mpoueca, Koja axry- auuwcsucmiuiny Syununiy, Jecre CBojcTBO HayuHO-aHasTtKOT pasa -ANOCT KONIC] KGAA H KOAMPaHEA, KAO MPOAYKUe ¥ CBAKOANEBHOM ai01% » penpoarnunie apyurrsene it Ky ‘ATYPHE CTRApHOCTH, rloceGwo je NcTaKHYTa Ye ‘oTHYKO} Teopitjit.? Ostioc nopyxe ca castoxt coos GacTIO Reh wey KOMHUNRe — jee “cTo je wamspasa Exosa anterin ‘90 GtcTenta sHayetta, ,Toy Biota |] Kola moxe aa onc Mw re AHO, Rowen ~ NH vey oa Bine He Mpeacrasva cx Te Oapeherbe noemcKe (ecmemcKe) OyHNInse. HHKuutja HsMeby Mopyke Kao PopMe-osHaKe H MOP PYKAKIO Hop ata-osnaka je rpacpirakea HAs AKYCTINNA TSOP Tale HY cayuajy aa ne Bye nprnveHa” HAST yout je Net Pewerutient Koj He ROSHaje AaTH KGa, «[Topyxa Kao cHCTEM 3Havetea je vanpons PP Ha-O3Kaa Koj} puntaAaN Ma Savoy oxpebennx Koxonaaaje cuntcto” bane, eel SA TOFa Ad KOMYHitKauIja yBeK NIpeACTAR a exo cre — {pa Pass yen at W- Schramm) etue yeaone xoje Gu Tpedano At ee Norra sabe manne POMEHE MHgopNaLyja ca .perenanTAINA aysops HY ospeasurea re A OFAC Cactaswena Ht npenecenia Ha MaMitN Ad 3 ot " " A@ KOPUCTHC cutHare Koj ogronapajy sajeHitsow HC any o® JSC ALOCPe4aN,Jeanomaan u exporo je yraphen KOA0% ae jena y Kojata aenornpano 2 "2. Tomi, nas, der0, 51. oAenoTaT HAH ance era, nonstan KEK O4Moe oe ose Yavasanta paassearran, May Nd bero, 29 on M eTHeCeM umcsom se tpaasa atBOM PHC TY . aon (3Y SHH N ol eras 4) Taw NY NoerojH Tex Ka NOTHY mwor fan ye PMC ae Tent aan. cuctena, ui jew ocHosa NOASP Ute ku ma, 27,28, mata homundacia. 64Oumrre Kapaxrepucrinke anpona suMcKOF OGpeaHor Hoayroba eHKOACPA H ACKOACPA, AA NOACTAKHE AMINE HOTpEGe HpHMaoKA H Aa CyreputtE AAcKRATAN HANI HHXONOK aaAoROAaAMa,!” C o6anpon Aa o6peane Meaoanje ne ers nit y OOPCAHOM TOKY, Reh KAO YIIMOIIE HEAOKYHHOL KOMYHMKAIHOHOT Mporeca, ecrercka yNKINja Hitje AOMMMAITHA y To} Mepit Aa Gu CHecHO TpeGaAo oKy- CupATIE NAKIY CAMO Ha Meaoanjery opmy; HarxoHa ecTeTcKa HPCAHOCT CarAc~ anna je TEK y MNTepAKIUTIE ca RANMysUIKHM TeKCTORHMA. Y mpotlecy AccaKpa- ansauiije Opera it Npecrankom OGpeano-marnjcKe aKTHBHOCTH, MY3HMIKH TEKCT je nocrynMo enoaynpao y Hesanucny hopMy; BaxKaN Chm 10 ce6H,, a He 110 oHOME ITO O3HAVANA, MYSHMKIE TEKCT TAKO AOGitja M CaMOCTaAHy ecTeTCKY BPEAHOCT. TloricKHRaIbeM HeKAAannse CHMGOAMUKE H paKTHUHE YHKUUsje, MYSHUKH HC kas NonpitMa CBOjCTRA ayTOHOMHOr 3Haka Ca HCTAKHYTOM ecTeTcKOM yHKILAjOM koja ce NpBencTReHo ocTRapyje y yMetHocTH. Fo peunma Lona Baekirura (John Blacking), panisja yrHauTapHa gytKunja — Ae Cy weseKTH MysinKe cllopeaHH y oasocy Ha yUHHAK ApyUITBeHe cHTyaMUtje” — samerbenta je apTHCTHUKOM — »rAe je cana MYSHKa KAsy4Hit UHHBIAlY AOKIB Aaja". Y reopujt KoMyHitKauusje AGpaxana Mona (Abraham Moles) noce6uo je apTinKyalican OAHOC H3Meby CeMaHTHKOF H ecTeTcKOr BHAA MopyKe. CemaHTsIHKL BIIA Ce 32CHI1Ba Ha CeKBeHUH exeMeHara ySeTHX Hs jeaHOr perlepToapa YHIBepsar- Mix, HOpMMpaHHIx M nperlosHaTwHBHx cHiMGoaa. EctercKn Bia ce Oasitpa Ha ceK- BeHLUM Bapjauitja Koje He NOAAeKY HOpMutparby, Boh Cy OAPAs AHUHOT, ayTOHOS nor peneproapa siiakosa, Koje npuimaaau y oApeheno} mepu Mpertostaje.' Cxoa~ Ho Tome, ,cemanTH4ka mxopMauysja" je, 10 Moay, aedunitcata CBojcTBOM TasHOr npenouiemsa M mpeacTaswatsa; OMA Ce NOTUIMIbABA YHIIBEpSAAHO} AOTHUH, MpEBO- jitea je Ha apyre jesuKe, a npapitaa K CHUMGOAM Kojuna ce KOpHCTH omuTenosHarit cy oapeenuin npsmaousima riopyKe. »Ecrercka uncopmauutja" je prepconaana® unopmauuja Koja CaApKM AOCTA HespeUnBor HeoApeheHor; He OANOcH Ce Ha yuunepsaanit CKyT CHMGOAA M EIKO Ce MPEBOAH Ha WeKit ApyritjeauK.}? Tlojmonna aucrunxiuija uomeby cemanriake 4 ecteTeKe nopyxe y ObaacrH -eopitje undopmanuije noaaai on TyMaNerba Hnpopsautije Kao Mepe MoryhHoCTHt na6opa y cenexiusjt jeane nopyke.™ Uchopmauja je, AaKAe, YBEK HOBOCT, HHO- saunja, opHrnnaann MoMeNaT; OWA He HOAPasyMeua sHauerbe Koje Ce CAOMUrTABA, keh HymepHuky KoAMUMHY HHOBAIIHe. PasymeBatbe Mopyke PesyATaT je mpetxoa- Hor nostanawa M MACHITIgHKAIIHje HEKHX WEHHIX eAemenaTa, OTYAa 3A CBAKY cemanruuKy nopyky, Mijt ce ut cacTojit y exurTosanny duKerpanut ‘snaverbs, HenpeabnannBocT cexwestie suakoba Mopa OirTH cpasMepHo nrtcKa" JeamnicrBo u capanwa meby yuecimiitma, Ca YCarAatHCHIA H CHUEXpOHESOBAUTS ACAOBAIBES, rupajy kao caMOcTAAHH eNTHTe- 77 fipewa: Z. Tomié, nav, ero, #0. 130, Bleking, Pojam muzikalnosti, Beograd, Nokt, 1992, 59,60. 24, A, Mol, Analiza struktura pesnigke poruke na razlgitim nivoima seneibiteta, Estetika i teoriia Anformacje,(pritedio Umberto Fo), Beograd, Prosveta, 1977, 147-168, A. Moan, Teopu unjupmayut u xmemcteence socpuninte, Moca, «Nip, 1966, 195-209, 133° U. Bho, Kultura, informacija, komunikactiaan 3. 14M. Benze, Sazeti temeln moderne estetike, Estetiha i teorija informacije, (priredio Umberto Eko), Beograd, Prosveta, 1977, 71 27noreola SSS anon, a THE HEHDY DONATE IG ann ntned ypebent opramt sora wopyKa jecre Rucoxe i oceabebyie xOP30r AakO H CHEYPHO MpCHOtese 5 - Franporith, HOADABYMENA BEY HHOKaTUHy, ey | Penta Hepulemtusja je MPHPOAHO te, aan Ke nommmantTHo MparHt CLOXACT MAK pose me Te, react ure Yoxynisatnjeky vere PHKY OGpeaa HECyMIbHEO je, AaKye sani ovpannsen ont, HEPCTO xoKagntgonaHioM Ht ATBOPEHOM KOHTEKCTY. Apyrun sacha. V ROWRDCTHHM erancrenijaaHliM YCAOBHMA KOMYHIAKALUHa Ce YCHIOCTaR9a re acunta ROC pHTgay ETON KONTERCTY M mloceayjy HCTH KOA y pas. sopywa. Romy niente je BHICOKO O3HAABajyha, Ca jakKOM PeAYHAAHIOM, uiro ‘oworyhana MeABOCMHCACHO PasYMEBAHE nopyke. My3itukit TeKcT je, HapaBHo, npe- ae pnt napianTHo obeAexeH Y YeMeHOM BPeMCHCKOM MPeHOCY. Visweurramem 13 ayT@HTHYHHNX YCAOBA (kao wT cy Ha MpHMep cueHcs vocrvnt waneweunt untpem ayaxTopijyMy), KoMyHMKauiija MOCTaje OTBOpEW sha ca OTROpENII KOHTEKCTOM, MACOBHHM H HeoAPeheHHM MIPUMAOLIE, ehox shuowhy y Kopnuhewy pasavsnTHx KOAOBa H Ca HEHBBECHHjHM YCTeXON Y pasymezatby NOpyKe. Z Kana ce paait 0 3anitcaHoM (My3H4KO)POAKAOPHOM ACAY, jacuo je Aa TaKsit rer noceny Komyunkauione oHaKe KapakTepHCTH¥He Ht 9 pyre micaHe ows ote a Ha NocTojawe BpeMeHCKe HM MpocTOpHe aucTaHye wameby el au roe KonyHuikaniija ce BpUIM TO MpHHILTY pOAAOKKEHE a et eee (Antonina Kloskowska) tryst 324 Ova jacno auepent re mc sarees Apyurrpente xyatype’."” O83) a tn cnSonnsaunje npari eo poner yalkTyeadte ApYuuTBeHe KYATYPE er ja cum60Aa", OAHOCHO Y KojeM ows Sopmyanue no i PYKY YH ane exwusxom bay. Yupxeycrsy npusaoua vt na waytH HAKaHeHTAN #HXO8OM ej ye seen ae nee panne 1 COMME supa NOAH no mp ro, SANPAKOs ws FereTexa HOPYRA pueimiaantoct ti ttl pyre. Tass pe yn aati pope oonuoet Moni Py pour 8 H. Tero ye ann Cpe A og ace cauomuse, wa Ciporio anavewe vata nojant weerponh mu, 4 “40-42, Feenenmuy Mog ACTS Set povu® ; uo acwnpposet une eo? sr eas onpoane} amnesia P= riggs ca waiting son mpoxcysnnedy npc" Cr gaat aan 078 a itemnost nel HHteviost nekad danas, Beograd, Prosveta. 183.15 a hulture, eo rad Coa Stampa, 2001, 186. M8 KapaKtep gy erent te ciety yo | py aca ss ie dog Poca A Knocns *capmueny it te Lowa sauusje w suerepanuiie) Y cu Tt PaakuKyie Tp siogena KYATYDE: ARTYEAN Gogh YATYPY (wnja nopyaa wena neerep, neh HHT?" sre Hy Momostes ie lasOtuure kapakrepuerixe 2KalIpona 3uMCKOF OOPeAttor Hoayroha Pasauy naneby yemenor w icanor doakaopiior acaa K. B. Uncroe (K. B. Yutcron) TyMaMH KAO pa; AAUKY HaMehy HpUpOAte ,KOHTAKTHE KOMYyHHKAIUtje HW sTeXHItuKe” KoMyHIIKAUIHjC. ¥ IpHom caysajy, KoMYHItKaItHja Ce yCHOCTaRAA He- nocpeao, y eapebenom tpenyrKy, Ha AaroM Mecty H ys yuemthe oapchenor or- paunisenor Gpoja syant, Hsnobae Gupa nyGauy, nyGamKa rakohe Gupa usnobaua 1 ROHTERCT HMA KOKI yAory. Y Apyrom cayuajy, OAHOCHO TPH. MpeKoampary M3 jea- Nor citctesa siakona y Apyrit (yeMera peu ~ mucatia peu), HaKoheH.e H peucnuuja Ne OAUTPanaly ce HeTORPeMeHO; pH HOcpeAoBalOM OAHOcy rye ce HaRaHTeKC- Tomi exeMeHTif; sitTaaan Guupa mitcua, aaH He H ICAL NyGAUKY; TeKCT je uKeH- pax (Maaa Aonyurra Htsnecny cAoGoay usvohary), a nyGaska Huje orpanuyesta,"! Horun sanient napoaninx meaoaita, Ha npumep, aocrynit cy mpoKoj jaB- HocTit, uitme je oMoryheH KouTaKT ca HeorpanHueHtsim KYATYPHMIM KoHtTeKcTOM. Y ‘oaHocy Ha YeMeHe TeKcrone 13 HsBopHe cHTYauINje ~ ca CEpjcTBUMa OTBOpeHe, BIL- enapitjauTHe opme Koja KOMyHituMpa ca 3aTBOPeHIM KOHTeKCTOM, nucaHN TeKC- ToBI uNa}y NOTHYHO cynporHa OGererkja - duxcupany, sarBopeny opmy u Besy ca otBopettin KOHTeKCTOM Max uiMpiM cBeTOM ynyhuBaisa. Mebyrum, aoctepajyhut y oapebeny cpeammy (aarit mysit4Ko-anjaneKarcK npoctop), (bukCHpalit TeXCT npu- Poano aoGiija Mysiuka OGeaexja KOHKPeTHOE KYATYPHOT KOHTeKCTA, a y Aav0j mpakcut yemene npeaaje nocraje NOuoBO OTBOpeH, Te BapUjaHTHo McKasHBaH, Oba) oaoc ce Moxe uspasirru cxemow Kojom je E. Anekcejen naycrposao cneusritkyM ersiicTuparea HoakAopHior oGpacua y weroBsim MpUpoAHitM (usBop- nuns) YeaoniiMa My ycaoBuMa WeroBOr TpaxcronOBarba Y YMeTHHUKIE, KOMIOsie TopeKu onyc:!#? Ka nucaxoj cbopmu KOHTEKCT ‘pesa: |. Lovie, Metatcorja u folklorist i ilozotja wnetnost, Narg wha wnjetost ky. 16,197 1 2 Anenceen, nas. dena 65, "16,1979, 46, 29yoke Oppedne neeme s1MeKoe HOAY nptina CYHESTHLY HPOHtECA Koy gy pano pasornp Caen yy on sje: yewenia —imcatio (saGeaexento) SPeaKnopn aca een, WoCT perauuitic e upeaas orwopene, BApHAAUTHE dopme y Wente Koy Peon Sie er aeponia orionemmnt ar erat PVC ky APYTOM stingy, gM kap KOAeaap. necama MysuuKu TeKer Tpamapiin wiino naycrpyje KomynusKaniy Meby axtusiuat yaecrangna y OGpeay. Yaecuis cy, AAKAC, MILTEpUPETATOPH TeKCTORA APyTHX clICrEMa KOjst ¥ Houma noacrHyy oceharie, AOKHBAxI), MICAO, OAMOCHO HABHKY Aa Ce Hapase OAro- Bapajyhu TeKCTOM. AaKAe, jena TKCT H3 AKIUNOHAAHOL, NpeAMeTHor... cHCTesta yapoxyje Teer 13 My3H4Kor, BepGaanor... ‘To je H cynmTitHa MHTepreKeTyaAHocTHt Y O6peanom cunkpeTHsmy, pH 4eMmy ce yuecumut, HMajyhu y BHAY cuMyaTant Npouec, Hanase MCTOBPEMeHO y YAOSH H HOUINAAOLA H UpHMaAta... Ha Gasit MAB ke unrepnperarop oArowapa Ha OApebentit TeKCT (HOCMAAL s1taKa), HOMO je cast TeKCT AOBEACH Y Hesy Cd AECHTHATYMOM (OBjeKTOM): KAKO MenocpeaHM (OCOGH- Me, KBaAMTeTH AaTOr CHCTEMA), TAKO H HOCPEAMIM, OANOCHO AMANIUKHEN (UAeja 31aye nceme aumenoe noryeolid Y owMMpY OHMITE MACIE HAOAHOCTH)."” Ontioe oy showy eyHa YON aaa eee nuasinat ccuiny eee hurrepmperanrons ecu naTy Ma 4 y ui maa yu npervoau Piynnttajtr anaren Hapeame mina (jeqtane: MON aday FADYEM pertitigg 4 byte js PAtHOCTH AACAOTHODHOCT OF PEA) hay inn, sci wey AKTNHKIAL IE KLEHBHLI YSHCCHIIIN, Hc pan, WOM saan, A HOCH Y CHORD YuPKOG CHO} pasaMuttiM yttUhjan fe Hey AHAIMENAH ACCT KOMTHIYUAILTOK yer, syucena x NATE HOpywe HOC Ae H MEH HOtLAAAsay Y Mape Caeachit itso npemocranaa Hocmarpaua Kao 1 Ae. Wewa yaory axvepa y oGpeatiowt aoraly SANOE Kojit Ce yettocras Seka), Nocaanpava, oaHiocHo cayuaoita 3N0¢y wHpuma Tepper SATeDAPeTNTA HAM Hop) Pasymenansewt KonTeKer ewery, Te ca Nor SHAK, MPHNAHOCTH NETO KONTEKCTY, ‘Te Cara 2yby, OR YMCCHUNU = YONA y PCAC Hog AMO) eran ay KON, pa 72, Hajananajnin je (nrepupe AUUMOMX MoryhnocrH 9 yajeMt stameny") YaAne cirryanuyje, ropa) it re aKa (14a ¥ BESH je ca ¢ Y eaysajy nenoey M CHOjctHOM OBpeaa), caymarau je y no. oy Coe AOAKHBHL W TepIpe Mpa Kao KoMMoHesry Besy ca Peepentinin O6jekrom, Ako je caymaaan, nak, Y oarovapaiyhoj curryarusju, o1 HAa HCTOKO TyMayeHe My: HW OTeKAHO sHayaj »KYATYPHOF wy" Rocrojehunx en crema tpavitsa st C40. YEOAMKO cy 3a HeKOr HHTEpiIpe: © OCOGHIHE MeAO AL) 3Hauen.cKe, CMLKATy Ma Y py ana allonpy jen ‘AMMM HOCTOjateM was (1 cHMKPeTHEKH PCAHOE KontTaKra ca ay. kit Te 88am My3tty ene, Te Jacno je aa je ycuocrawven ShadeIcKa AcjeTBa snaKa o\Bit)s)y mrepuperattreKoms NMBOY, pH Yemy sutrepuperantt HpeX? Oicr#a oncytux objexara. Crox"o “pe aH eMOnMOnaAIK “ wenneprencKe’ AWija MOBAAN 3a coGoM aa HHTEP Peayarunpa cacachutse oGjaunuere, 10) oMHCQOHE Hanke’ aopnost « HPeMa samicaniost seyauaKoxposk se? Kpannn ja Yementor y unicarut -TeKC pies Y Haut neronor gaser urvepupenpe® He MRA Khaattnatnimane oryhoctt sm PS Mien Avror KonteKera, unre WOApasyM® ‘Pipe: We MOKE AQ 8 Npomeny “PYJC OAH AH stk; aA OHH OO HettUc pacaM” (qanaet 1d OCH rr ENA chery a entTenC THO MY a marepo HL mya MATE MOO) eth KOMETEKCTOM, te reatne dA we nye ating THAN Catyausnoan iP eenta jo anak pee Me Sensis ‘music, Welsh, 1997, 73 i HindustaniOuntre kapakrepuerike xanpona sumckor o6peanor noaytoba HOMERALE HMPHAPKARAIGE CHILTAKCHIKIX, CeMaArETHEtKENK Hf UparmarauKkux npa- bua yHompee, Koja Rarke y oapehenoj apyuitrnetoj aajeqnmiU 1.4, 31 Kone by nkunje oGpeauor cuerema ¥ oanocy na yoOusajeny axunory npaxcy, OGPCAHO AcAOKaIe HOUKA Ha Crore yrnphenunsc npasnansa i oGamutMa HoHamaiia Koj cy Acrepsussiscasn PINYAAHON, CUMGOAIIKOM sHRAKOBHOM ytKiUjoM. MaKo miciesHpajy dhanra on Cee aORHOGTH 3 TOK CrBapHOCTH, OGPeAM Ce, HeTORpeMeHO, WasKerTajy ss Coamiauinber 2utBoTa cHenndusnn dopMama. ¥ nopeherby, ake, ca autaucnest UDEAMETS HAN P8AWHt ¥ CBAKOAMEBHOM OMLITeIbY, KYATYPHO sHavieILe OGpeasur “Sinnmaaita je »APyrocreneno’, re ce u cam OGpen TyMa4M KAO »apyrocrestemu cite. teat"? Ccres osHasapaiba, Ha KoMe ce saciitBa npouec Komynukauusje y oGpeay, meeachibna K aaceOHy cHrMnbuxaruBny aumensijy penpeseronaima ,apyror” X20 JeAnY 04 TAQBHHX 3HAKOBHUX dyHKUstja y CeMHOTHINM. Ha cumGoauxy aeaorsopxocr o6peaa yxasyjy, wajupe, anTponoaos y CBOjiM pasMaTpaisima OA MoUeTKa 20. neKa. EMMA Aupxem (Emile Durkheim) na- Sia oMusMeTHMKHM" O6pege ,CacTaBMEHE OA MOKPeTA H YSBHKA KOJI 9a LUNA usajy ROaPwkanatbe PASAMMIATHX BHAOBA NowalllaHba MAK PASAHYATHX USTACAa AMBOTIIInN TELY macauoct npiokeroKyjy""® Ont ce ocaaiba Ha mutuuverse Expapaa B. Tejaopa (Edward Taylor) 0 ,npueaauiioj sarujn, xao oapeatuun o6pena »KOjt MoAase OA, RGTOF Ka MCTOM, OA OAMCKOr Ka GAHCKOM, Of Aeaa Ka HeasHit" Tpuituine npu- Braue (cunnarH4Ke) Maruje aeTawuuje je paspaano Llejac LI. ®pejsep (James Fraser) xpos nogeay Ha aba nocrojeha timta: xomeonatcky nas uautraTusny mariijy, koja je Gasupana va acoumjaurjn Haeja no cAMUHOCTH HAIL Mpunusiny aa nocae- Auta AWM Ma CBO) Y3pOK, HM MpeHOcHY Marujy, Koja je sacHoBana Ha acounjausjn Macha NO AOAMPY HAM Haveay MloAyAapHocTu. AyGwa ueTpaxMearba cHmGoamane Aumcwouje o6peaa 04 etpatie erorora Mapeeaa Moca (Marcel Mauss) yxasana Ts Poanoct marniickor nowtauratba, Kao obpease dbopae, u crpyxrype rowopa. Tako, saxou canuocrus, y caykGst 3aMeHe, npeTTocTasna oaoe Kojst octBapyje PeroPurska durypa MeTabopa, AOK OAHOC OAYAAPHOCTH HAM KOHTAKTA, Oanocwe PoucTonchnpaisa aeaa ca eannom, noaceha Ha peropmuky duirypy Meronuatitjy.!5? Besy uameby ova ana npumiuma M. Moc usparkana peusima: ,Carea je 3a npeamer pea ltTO Je Aco sa ueamny" Onaxwa TyMaveia cHMGoaiiKe aeaoruopnoera ob Praa Hualy wswecHe ananoriie ca Cocupooi oxpebersem sitaka y aur enersiu Tlonesinaive cxpykrype o6peaa Ht saKoHa ronopa uxanasnqapa cneuncunxyst tepaut- HOAOUIKHX OAMOCA PAsAUHUITHX AMCHMIAMIA: CAL HIOCT H KONTHEBAITET y OGpeat- 19M Toncro), nas. deno, 14, " Npema: 2. Kon, was. dena, 47 ema: wen; D. Kokjara, tortie folklorau Evropi (2), Beograd, Prosveta, 1985, 130 151, Di. Di. Frejuer, Zlatna grana, 1, Beograd, BIGZ, 1977, 20-60, Mpema: Z. Kon, naa, dero, 48, 49 Mpema: wemo, 48, Unpe o rome wugeru: uenro, 49 33Ospedue necwe sumcnae noryeol — aye. Na) oe €€6 THPON SEFTON 8 Ohne ma (Dpersep, Moc . KC, my es (84 BH POA (oo ee vivrearwonr (oon Nosv6HarHe) Y AMIERICTIPINOM OHARA ay Me ara A0M (OCOM AG y Me PAH ro (Cocup, Jaxobcon).! Sect napa scmdonmnna dyna” att scConska Aexor pepe ose =H oj ansaat0 XIKOY PAAOBHNA APOHOAOTA HE NRE Moxon ge fox Tako Hy CryAHMa CANPEMENH AHTPOHONOTA, ETHOAOKA HAH erHoMyaq sora moxpasyMensiy YARRHON MIPe sHaNewe KOMILETTA CHIMGORA, Tlosenn, cxoone eniereme Kojt omoryhaajy dukenparbe BeAItkor Gpoja HojMoza xibixonse oawoca, cmsGoat, narime, ocrbapyjy ONMUTY }YHKUU}Y OcpeAoarsa, Te npenoce (coonuanay w sterynajy) saversa Koja y MarijeKo-pHTyaAHOM cMCAY Aen aa npynaoua. Beh its nperxoawo pevenor jaco je Aa 3a marnjcko-peaurijcxy axrin Moc nije Girran 3HaK caMt Ho ceGHt, Beh OHO WITO CTOjH HSA Hera HAN OHO UITO Te swakoswasana; to pewina Jatia Mykapkoscxor (Jan Mukafovsky), «rexiurrenujeva cunSoay Beh va expiiBertoj Mohit Kojy oH opanachyje".*” Mperwapaise HeKor moja je y ommGoasixy npeacrasy, npixBaheny oa crpane oapebewte xyarype, jecre cBo}CTBO Koantpatsa; OOPHYTH MPOUeC, OAHOCHO MpeTBapaibe cumGoaa y penpeses TOBSHH TIOAM YHHH OGer@xje AeKOAMPatba. YueCHHLIM, AaKAe, Moceayiy sajeaHitat CeMaHTHUKM CaApxkaj KOjit Ce Beayje 3a CHMGOAE H NO|MOBE Koji OK MpeAcTas.al. Ynpaso, xopinuherse cumboasukix cictema omoryhaba KomyHIKaunjy H MpevOC ‘uckycTasa 6¢3 oGsupa Ha npocropHy H BpeMeHCKY AMCTAHLY. - Tlospyyje cimGoauxe y HaseaeHom umpemt Tymaveny mowcToBehyie © G staveteckom dynkunjom yonuTe, Te je cuMGOA eKBURANeHT aHaKy 2eNeprLm. YnotpeGa oBix Tepannia, yraoGaannjut HaytHAM OKBUIpHMA, HeCTO je HEOADED NS IAM ABOCMHCACHA, UITO je, BEAHKHM AeAOM, OCAEAMIa HejeAHaKiiX OApEDeH? konuertta cum6oaa y pasanuurite HayYHHM AMcuuTAsHama. Tojast cis60% Y ObOM paay Guthe y Besit ca ineroBiM yum XaTETOPHje; OM HCXOAM U9 CennotiKe Y, C. sheuewe cmmGona Kao suaKa Aorobopuma K yroBopuna’ is! No onurroj secusay chara syauma xocr cae" Yenocray, wavepnperasro se nocmapatsen Ha HHBOY HONE, Tlepca y Kojo je »yBeaeH MOA ‘unja cy sttaversa oapebenia npasiiasht, Ha! ; iy gua HOS i Kao usro je Beh weraxnyo, dyuKiy S800 cy ‘Ynwa jealuuua Koja Hexora ynyhyje Ha HeullTO scion! a ‘werta Tlepcowa Konemnja aitaka ca cpeactaoMt, 06} a open HoAPABYMeka M AawE Tpiyjaano pasupcranarbe OBNE NOPE Taxo,apyratprxoronne pce PHHjAAHo paswpe <1 061 eacTaBss 0.00 Pana Ha OAHOC y KOMe 3HAK IP OOprwara THO: UKONY, UNdeKe Ucundon Manus : : - He Camsnocny i OCtBapye sHaviewe Ha ocuony anaaomie HAH XE ‘pecs Bajeanioay ny eae E7OM HA KOjU ce onc, Saxuanyjyhil, AdKAe: “oe MM KADAKTEDMETHKAMA, HKOMIKH sud aaje canny 06jeKT aris Mpema: Homo, 69.72, 1 Mpema:B. Micanind, was, dy ” Munn, nas, dero, 166, pema: M. Suvakovig,£ ‘stetika aps me - strain slikarstva, Beograd, Narodn N. Petkovie, Elementi Anjternesemioike 75, a 2 1998 1° 34