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i LEN
FAST
DESEENT
AERIE-- OUR
HOME AWAY
FROM HOME.
--YOU PROBABLY \ ‘ 9
ERE IS MR. WORTHINGTON ¢ YOU SEE, WARREN --PERHAPS
Opec HE'S EXPECTING ME 2 PASSED HIM ON . v
PLEASE-- IT'S IMPERATIVE THAT I YOUR WAY DOWN. . ; BETTER
i, KNOWN AS THE HIGH-
b You WILL..AS FOR ‘SEE HIM. WR
He's UP
= VISITING
Wine HE Ie SOME MEET WARREN
FRIENDS, WORTHINGTON Z ,
(IN TO RUN
THE FAMILY BUSINESS,
LEFT HIM BY-H/S DEAD
FARENTS.
P HECK I'D
LIKE TO. STAY
LOOK6 LIKE MY GUEST UOise!
HAS ARRIVED A Wee BIT pFOREVER!
AHBAD OF SCHEDULE.
iE WAS A
ELF TH
, BECAME A BRILLIANT, THOUGH
UNORTHODOX , PHYSICIAN.
(7
IE OF US KNEW
sil
ll
*SEE X-MEN #5 60 § 6/-- AL.
LIFE IS FULL OF “IF'S”, TANYA, BUT-- THAT'S WHAT I THOUGHT, UNTIL
CLICHE THOUGH IT IS -- WHAT'S: I READ THIS, MAGAZINE ARTICLE
DONE a nb CAN'T CHANGE ABOUT LANE ONE
THE PAST. SO WHY KEEP -- NEED-
LESSLY-- TORMENTING YOURSELF M ., I
ABOUT IT ? EDITORS, IT WAS_TAKEN L.
THAN SIX MONTHS AGO.
THE MAN STANDING
BESIDE KAZAR, LORO
OF THE SAVAGE LAND...
Ula
PLEASE. T..,
va L THINK I'M
GOING To
oe Ww. . REGRET THIS,
CANDY.
PUBLISHER OF THE NEW YORK DAILY BUGLE. ALSO,
OR INP PETERFy ER, ACE FREE-LANCE SHUTTERBUG,
PPENS TO BE THE AMAZING SPIDER.
OUR MASTER'S VOICE --
I_KNEW THIS DAY WAS
AMAZING
SPIDER-MAN#'S
103 § /O4--AL.
I WON'T TAKE THINK OF THE FAME... THE Bar'sGATTHOE
gion. THIS ASSIGNMENT 1S Lacs
‘SHOE-IN FOR A PULITZER. | BOY A Make
ANP HE TURNS
ON ME!
I ALMOST GOT
KULED THE LAST
TIME T_WAS THERE,
REMEMBER 2
WELLLL-- T
MUGHT
CHANGE MY
MIND...
PETER HAS
COLLEGE EXPENSES,
MEDICAL BILLS FOR
HIS AUNT MAY...
SEEMED LIKE THE SENSIBLE
THING TO_DO,
THINGS SURE HAVE CHANGED FUNNY-- LAST TIME I CAME To I PRAY I'M DOING THE R
SINCE I WAS HERE LAST, WHO WAS THING, THE ODDS AGAINST OUR.
KNOWS, MAYBE THIS TRIP WILL YKOS. FINDING KARL ARE AS HUGE AS
BE DULL AND BORING. AND THE SAVAGE LAND ITSELF-- BUT
FEACEFLIL, VE TO 7RY.
I SHOULD BE oes
SO LUCKY.
WL,
I VOT DYE hee
[
ANGEL ,DID
PETER PARKER
GET OuT #! DID
HE HAVE _A
PARACHUTE 2/
SOME TIME LATER. 'M GONNA PUNCH PARKER, YOU'RE
ASELE IN THE NOSE ALL Ri /
RIGHT
SOON AS I GET BACK To eo FOR ACCEPTING
IT.
NEW YORK, I'M GOING TO iS
INCH JANESON RIGHT IN ‘ iy uv,
THE NOSE FOR MAKING ME h LONG TIME,
AN OFFER I COULDN'T NO
REFUSE. 4
IN THE MEANTIME,
I GUESS THERE
NOT BELIEVING —_— =
WHAT THEY ALMOST COMPLETELY FILLING THE VALLEY BELOW--/7TS GREAT,
IND, SHATTERED DOME TOWERING ABOVE
GEO-THERMAL PITS THAT HELP WAR E IND
IESERVE ITS PREHISTORIC ENVIRONMENT-- STANCS A RUINED,
S| AUTURISTIC CIT™ =
sa
Wy
SEE
RACTION OF.
ITs
Ae
Nee
TINGLING!
eneets ROM THES SERVED
X-MEN'S DESCRIPTION. Fer
ANC
nix PRIESTESS,
2. ZALADANE.
CO
BEFORE I FLY PETER AND
TANYA TO SAFETY,T'
WE'RE BACKED UP ©
AGAINST THE EDGE OF
A CLIFF, ABOVE A
RIVER / WE CAN'T
RUN ANYMORE !
CJ
. 5 IN THE Mi ME.
"L Bi IELP TANYA_ ¢) I'VE GOT TO GET THIS
LONG BEFORE SHE REACHES ANY OF THE BARBARIAN HORDE OFF.
DANGER AREAS. OUR BACKS.
WA
4 a oe
WE'D HAVE BEEN S/TT/ C ed
FOR THEIR SPEARS, Sere ee
TANYA ON HER OWN FORA BIT...
H)
THANK HEAVEN! T
Due ae,
AFTER TANYA.
wie BEGINNING TO
CO
WHEN SHE'S SAFE,
I'LL COME BACK
FOR ANGEL--WHOA/!
SAS
NS
f LEAST. BUT IT ALSO
LNSCRAMBLED MY BRAINS. I'VE
HAD ATTACKS OF VERTIGO-~
DIZZINESS--BEFORE, BUT
NOTHING LIKE THAT,
GEEZ-- THIS
GUY'S AS BIG AS
A HOUSE. T
HOPE HE'S ONE
OF A KINO,
ALTHOUGH THE
GIANT1S LINIQUE, HE
1S NOT ALOWVE, HE
HAS COMPANIONS,
EACH ONE AS
POWERFUL AND
DANGEROUS, /N
HIS OWN WAY,
AS GAZA,
i
WHAT'S THAT. |
GOUND-- 2?
ANYBODY GOT AN
ASPIRIN € I GOT
SUCH A HEADACHE,
YOU_WOULDN'T
BELIEVE,
WELCOME, HUMAN,
TO THE CITADEL OF
OUR OR EA .
I, AM CALLED SRA/WV-
CHILD, ITAM MASTER
HERE,
LL FUNCTION, IT
Oo /E ANY LIVING BEING
(oJ ITS PRIMORDIAL BEGINNINGS
WE HAD ORIGINALLY PLANNED To
TEST OUR DEVICE ON KA-ZAR,
BU
THAT YOU AND
ANGEL ARE HERE,
ee
SORRY, BIG_ BRAIN,
BUT -- FLAWED
THOUGH T MAY BE--
a
4»
Loe
S @
AN ATTEMPT THAT /S
DOOMED To a
FROM THE MOMEN:
BRAINCHILD ACTIVATES
THE TRANSFORMER.
Ss INEXORABLY LINPER.
a
ey, \
WELL, LESSEE
NOW... FANFARE.
OH, YEAH!
Hl, FANS! LM Ad M/LGROM YOUR SOMETHING WE COLILD CHARGE UH-- SORRY, + SERIOUSLY, WE
FRIENOLY NEIGHBORHOOD MARVEL EXTRA MOWEY FOR! TIM... WANTED TO PRODUCE
EDITOR / A COMIC USING THE
NOW ME AN’ THE BEST TALENT
I HAD THIS IDEA FOR A NEW MISSUS CAN AFFORD AVAILABLE.
COMIC-- SOMETHING WHICH You THAT TRIP TO ACAPULCO
REALLY DEO/CATED COMIC WE'VE BEEN... WHAT’S MORE,
FANS COLILD GO FOR. WE WANTED TO GIVE
THE BOOK A CHANCE
10 £00K \1S BEST.
SOON AS
H He's ALONE, WE
BGO FOR IT! i
N-NO...
PLEASE...
CEET HIM WITH NOTHING BUT PAIN
ANO HEARTACHE --LITTLE COMFORT
FROM THE BITTER NORTH WIND THAT
HOWLED ACROSS THE ICE-CLOGGED
HUDSON, BAcee WITH THE PROMISE
SHELLY LEFERMAN
Letterer
GLYN/S WEIN
colorist
JIM SHOOTER
Ed.itor-Ln- chief
BUT WHILE LEWIS LAY BEATEN BUT WHAT'LL I Saly.? VY Lewis isn't HERE, DARLING.
ANO SHIVERING JUST A FEW WHAT'LL T BO? BUT YOU ARE. NOW HOLD
BLOCKS AWAY, FOGGY NELSON, LEWIS ALWAYS STILL OR T'LL WEVER GET
MY BEST FRIENO AND LAW PARTNER, PLAYS SANTA-- THIS BUTTONED.
WAS GETTING COLD FEET...
HOW'S HE LOOK,
HEATHER >
D ANO I WAS iV
A BLUE FUNK!
R :
ZKNOW. ZT
USED 70 BE
ONE OF THEM,
THIS /SN'T GOING TO WORK,
DEBBIE. 1 JUST AWOW IT ISN'T.
MATT, YOU
GOTTA HELP
Me!
gAieyirga ie esEVERY ‘ 3 Ss
F THOSE SENSES ROM TH y
Scmeaman SoMeTHIne
WAS WRONG! |Voilee tr
UILOTHE
70 LEAVE VEL, Tove uRNEe
ROOM. |BY THE ME...
BERED TIME THEY
I WASREMELA-
GONE...
SLIPPING INTO MAY FAMILIAR RED ZIM CALLED THE MAN WITHOUT
SUIT, MY RADAR-SENSE GUIDEO
ME FEAR BUT I'LL ADMIT MY
EFFORTLESSLY THROUGH A WORLD HEART SKIPPED A BEAT--UNTIL
OF CARKNESS... ZL HEARO HIS POUNDING: ++
ERRATICALLY, BUT STRONGLY.
MY ACHES AND
PAINS AREN'T
IMPORTANT, IT'S THE
CHILOREN I'M
WORRIED ABOUT.
DON'T MISUNDERSTAND,
DARE DEVIL. THEY DON'T
WANT PITY OR HANDOUTS. im
THEY WANT 70 8& ACCEPTED [IME
AS HUMAN BEINGS WITH ff
SOMETHING WORTHWHILE
AND (IMPORTANT TO
CONTRIBUTE TOLIFE.
JUNKIES, MAINLINERS, LONG AS BUMS LIke N yes, I GUESS }
NAMES DON'T MATTER, HASKILL KEEP PUSHIN’ HE COULD. J
POISON OUT ON THE
ia, STREETS, THEY'LL KEEP
ae
4 : ROBBIN! AND KILLIN!
p TO GET IT.
A 8L/NO MAN
COULD SEE
THAT.
H- HE'S
A Devic!
HE AIN'T
HUMAN /
Wok
OFA4 / S G y
«K y
©
\ aN
Z COULD HEAR THE SHARP AND ZI WENT FOR HASKILL.
SCRAPE OF POLISHED STEEL
AGAINST WOOD.
YOUR GREED BROKE BUT NEVER I WAS SO I GOT 'IM,
AN OLD MAN'S HEART AGAIN, MAD THE
TONIGHT- ~ HASKILL. ; BL00p
ROARED IN
)) MY EARS.
CHRISTMAS
FOR SOME
VERY SPECIAL
CHILOREN.
VY Lie
1A,
4
p
i
CADENCE internal Correspondence
From Tim L
Date /Of4¢g/s
y 26 3/
% Séan
Subject
AN OPEN LETTER TO STAN LEE
Dear Stan,
We haven't had a chance to talk for a while, so |thought I'd drop you a line. No special reason — Ijust
feel like blathering at you for a couple paragraphs.
Remember back when you worked here in New York how every now and then, around five-thirty or
So, after a typically chaotic day, I'd sort of wander into your office and flump down on the couch and we'd
just shoot the breeze? It's about 5:45 P.M. now, and I'm in that same sort of mood. You're the Marvel Hol-
lywood Mogul these days, and |guess it's good that you're keeping an eye on all that TV and movie stuff.
It's a dirty job, but somebody has to do it, right?
Bleh.
| liked it better when you were here, in the office next door down the hall. | know, | know, you say
you're just a phone call away. Bull. Itjust isn't the same as when |could pop in anytime with the latest reve-
lation, or crisis, or good news, or problem and flump down on the couch and be amazed, or distressed, or
happy, or puzzled with you, right there, right away, face-to-face.
That was a better deal than | realized at the time. Where else besides this strange place could | have
strolled into the Big Boss's office more or less whenever |pleased, put my feet up on the coffee table and
scarfed down sourballs from the candy dish while complaining about the weather, the Mets, and how hard
it is to explain the mysterious science of balloon placement to new writers. More important, who else
would really, truly understand
how hard it is to explain balloon placement to new writers? How many times
did | thank the proverbial stars that you, the Publisher-Executive-Vice-President-Creative-Director-High-
Muckamuck-Whatever-the-Heck your title is, had spent many years doing myjob, so that you really, really
understood the problems? Even when you didn't have an answer |felt better about whatever the current
crisis was because, hey, if you didn't know what to do it must be okay for me not to know.
I'm real glad you were here during the first couple years of my time in this job, at least, so that |could
get my feet under me, before you went West. I'm glad we didn't have three time zones and a telephone
separating us back when we were struggling to get EPIC launched, or the time that we had to trash a
couple hundred thousand copies of the Battlestar Galactica Super Special because of a legal hassle.
Geez, how many years has it been since | became E.1.C.? Four, | guess. Already? Wow.
| remember the day, in December of 1977 when you asked me to have lunch with you downstairs at
the Ultimate Lotus. | was the Associate Editor then. | figured we were going to discuss the Spider-Man
daily strip, which |was plotting for you at the time, but instead you wanted to tell me that Archie Goodwin
had resigned to become a writer again, and that you wanted me to replace him as Editor-in-Chief.
You told me then how much grief it would be. You warned me that I'd be facing some big problems
and tough decisions in the months to come, and that doing the job right meant enduring a lot ofabuse from
a lot of people.
You also told me how to deal with grief, big problems, tough decisions, and abuse.
The grief, you told me, is standard fare. In publishing, you've got to expect a lot of late nights making
deadlines, a lot of boring memos about budgets, a lot of aggravating meetings about schedules and other
nonsense. z
The problems, you said, come daily. The latest books are always the ones that get lost in the mail.
Stat machines only break down when you need them desperately. Allthe inkers are busy when you've got
jobs to give out, and all of them need work when everything is backed up at the letterers!
The tough decisions, you told me, can't be avoided. A lot of bucks stop on the desk of the Editor-in-
qt Choices must be made— creative choices, business choices, who to hire, and, sometimes, who to
ire.
As for the abuse, you warned me that there were a lot of things that needed changing, things that had
been neglected for years. The changes needed, you said, would very likely leave some people upset.
Furthermore, you told me, that no matter what |did, somebody wouldn't like it, and people who don't like
what you do often attack you. You said that there was no defense against the abuse except one — to al-
ways, always deal fairly, honestly, and honorably with everyone. In the long run, you said, people would
learn that you could be trusted and judge your critics accordingly. Above all, you said, never answer the
abuse in kind.
Well, four years into this trip, |can tell you without a doubt that you were right about everything. In fact,
it's been a bit rougher than you warned me it would be. It's also been better than |ever imagined it could
be. | took a stroll around the place this afternoon, and | realized, for the thousandth time, that the people
who work here are not only the best group of comics editors, artists and production people ever assem-
bled, they're truly the best people | know. What a place to work! Creatively, we've begun to open up a
whole new era with our Graphic Novel Series, EPIC, the All-Direct titles, FANFARE, and other great stuff,
and, personally, | couldn't be happier. | love my job.
It's getting late. Time to go home, | guess. Hey, would you believe that two thirds ofthe guys in the
‘Pen are still here working? Well all love our jobs, | guess.
Thanks, Stan.
ee Best,
Shooter
P.S. Almost forgot, say hi to the Marvel Productions folks and Joan for me. That's all for now.
~s
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