ee UN peut Talia by Gary Willis STG ee ee Baie cee | enoTels ty ee Introduction. 2 Second Finger Position 8 How to Use is Book 2 Fourth Finger Position 2 ‘About the Author 2 The Connection 2 Invervals 4 Choosing a Key Center ° eval Fat 5 Finding More than One Key... TWieds 6 The “Three” chord 2 Second Fag Poson 7 The “Four” Chord a Iovanions 7 Minor a Seventh Chords @ The "wo" Chord ” The Linear Approach 9 The "Five" Chord ” Possing Tones 13 shifting 5s Chord Tones Instead of Roots... 14 Memerizing 38 ‘he Minor Thirds Role 17 Secondary Dominant Eighth Notes 18 Throo/Four ° Extensions 21 Other chords. 08 Review 25 —_Puting I All Together ° Hond Positions z Spa an Mo Sab Fe an ai aha he apa a ak HAL*LEONARD:Introduction ‘nigh schoo | was vas an at math st a), bit whan the srestar on goome- sey came sound | got sraght A Fortune for meth bs ngeawd 62 Yer Oras {ony geomet ncnenet rom cy ae ve ays sect any sound on te as wh | conespoeng shape For itctance amar 4 # a song ad Ft aap. That shape (8 agra! Ine avn Berea Beto Notes onthe frgubeurd) wll elt 22 ror Die ‘fom any ther note onthe neck (alongs youve gota stg nd a ft left rect). 8 corr. 3 major thré on beard an be two wie tes two lace notes a whe note then a Back note ora Dak note than a white nat. Tne garg combwstons (Grapes) regured to play major thirds onary woodwind intrarent are een nore vad My approach oferoard hemany har say ten Ged on tere ymin hapa “Tare are to way to rete hemor on the bass One way to lay cords. The sgn and ring of th bass mals ling ane ting chor ity nec procesk tren ona ng, Th oer way to este hon onthe base to pay a eres fee (ine) dat referee or cent the sound of he chr tebe every te ot ‘ruc youre gg to need 'o create a res sae port Hope is Bok vi ge Jou 8 Consitert way ofosang at harmony ont nek ra you cn ply tes ner rel. How to Use This Book “The exrcse and earplesin hs book are cise Each a concept ed con the preius erce and eagle out record sping ton ded witht ring sure yu can cote peor a the prevows exces sa very “ana” proach While the exes may ser ey o understand be Rene wah yeurse and Irak sure you cn ect tem wih ease belore youre tergted to rove en A wh ry ‘ew concep may tke & whe befor hs wa of ching st harmony becomes “bon ecu” At rs be very celerte ad hypecnsiws” tke he tne 10 rake sre Bo your hands and mind undesard whats goigon wih each exercise, Everly youl be abe {0 vas harrany cary anyahere on ie es.About the Author Ae ore than decade of cosa Ts Tech wh putaret Scot Henderson, and tei ht CDs, GARY WILLIS tar Inuncned he soo career wth the Seterber 1996 ree of No Sweat He has peromned wath Wane Sorter Alan Haldar Hubert Lave oe Dor, Robben Fort and Wayne son 'A Texas native, Wile studied composition and inproviaton at North Tea State User, ter moving ta Los Angles in 1982 he became a course lead t Musca ett in Helwan ae ter taupe t Coma ete ofthe Aten ‘enc Calf. Since Wi! rove to Colorado in 1993, he has become one of the fngrtaa harman took Hal Leora wl reset compoatiniolo book 1997. He cure hes tos teaches and mountain bes (rt neces terse} with he we Pret anc har wo kbrador reer Buster anne in aera Spring, CaoradaIntervals “To begin wth lets make sre we understand Sow general ric terms. An ine the atarce between two notes. The babe ena come fo tha mar eae © Has Gmaprsate 1 ‘The begin ote ina cecal thee Ech intr base onthe moral i neti ern te oo nd rurbered scone hd othe. When you get gh i (he an etre ond ehh Listen teach inter on he CD. The ites tances re he rot are slows DISTANCE Nae RESREVATION ‘tom @ w © aor ed va fon = @ aed va rn 0 eres m4 fon Ow ere rn Ow @ aor a Me fon oor 7 wrInterval Facts 1 The rte fom the root 1 the second hin ch and uence (rom te mse sel) 1 The tras othe fourth) and pth ae called perce + Aaoter rae fora mejor scot tl sp. + Onthe bse awe step isto Set nd a hast one ft © Hers what evry interline seus ee NAME ‘ABBREVIATION. bern ai up) a aor 2 (vs) a minor a or 3 0 sured (ved 5) 4 wet (5.5) sagem Snore) Sau) re m6 ‘moe ca Ie verymportane to beste to reste hese irteras o the bs (a wo a ier ‘hershen jouer tam). All humeny salt on an understanding of se nersTriads when you play every ether noe a aor see srutanccusy you gta de When you playa hae of tere notes toate ou gt td © Hee wen sat ete Fo eG mor ae: Fomere(ect@) oma) Fem tree() Fremtoe (0 joupeengoresc —youpwammtad —yougwamnrtiid — yupeamauread ™m ™ — — ra le Ld] HL Frome ©) Fema) romnen yu eipmere paced Gerais — ani a (14) | i al E “iad Facts + Each note the sale an became the root of rad Ech rot har sown thi an ‘tt complete the ad + cap for number ene, dm ie ay of bid +6 can be ted bythe roan of et nara he). +s blton on, ound fre re moe: + Trt bit one thre andere minor‘Second Finger Position 8 satin with your second Singer on G onthe E sing you can erga te wd ip te tay f Gin ae latin nde you han Ti ale vse ge potion You ay have nated i ths positon soe Noes ofthe as have atoms at can tobe ed 12 crete the meso For rstanes you can pte a bul of the Tere +4 Rl H Lassy eet Aes ate eyenes ovat ony eA ed mie ay + Aten arte withthe hie cal fit ern + Aten arte tn the Sth cae stand nen Thee you see the nvarons py aden et ierson ng al ng Than pay svace 17m econ eversonSeventh Chords “wo comsecutve thc fom 2s oat ale. Tneeconsectve hide ge you 2 sence © Hare are the mares and tvs of he seventh contac fom each ot in ‘we Gmaoe sae Dull Fam dhe 05 the “one chord” ai al om 3 aes chon 7 al mn he ahve dont” 7 The bl forthe sverth chord esr tothe ones or de cep forthe ch baton te th and seen. Her we he chor tone ta each ame res + Major rot maor 3 pre St jor 70) = oar + Minar Tx rock mine rk perio Sth mine 0 + Dominant 7k oot major 3h perc Sth minor 70h eT = ns) + Minar 708): rock mine rk dined 5 nor 7 ‘The fest eee of est 70 chore (mor 70 minor 7h and dominant 7) const ‘he major ofthe ham hat wel be yng te re of ebookThe Linear Approach Gtr and teonts wre able to een har on thr inrnnts in a vera ‘ston They are unformiy remutedt ply chore (eer note at» tere). Te Spproach te mony on te bse par eck aes no acou th roa of te ser abot ou ‘one Bas layers re som an to aye than one ote ta eve. Th ear at 3 ‘fire haart approac to learing harmony necessary stead of plying ale noes ofa partir chord at nce a basis mt rely the sound ofa chord cme nat at 2 ie in 3 Forsortl er ine sion In anos every Se of msc Yu ae rege a some pt 1 py ane Somstnes ts nthe rite fa roo ora sometimes Rs walng OrouEN 2a. anohen you slg, rest comply nea Crest tes es ears ma bg an informed decsion about whch note gts pjed on whch Beat. ut sting for the exec sae o arpeago rarely ges the ob cone THe eres an sound ary aeaderic. © sen wo he CD te hearhow the C mor sale wors with Gra? on © ere wap hows wht hopes when ou dot art wath oot ofthe chars ona SS oa Scales work ony when you begin wth the oot nd ace Arpagaos work te bet- tecbut both approndus eatin ies ta re naar conecd or very sath. 1nd won Sats ht the sar covaders Belore sefes thet the harmony fe cael begin © 2 enon be sere bes wr ry ping om nts ar he Sb tack tine para ote cv eae ne one ost am or ee SX (6) on erga |e 3 ay ay Pte ou war oe wea Seas ad inte sand tobe war yo te hom sve rd ons On nd {tay ary rove yu on srry Dea Tr 3. You ed poe ath eter sit jou pay tet ts be oon a tt mn Cn san he ae [sto te sund mh On. ‘Te treat tng to rernerber ie ht wih a qrter note puse te ea ede to hear harmony notes on and 3 and puso le empass.on wats ples on 2 a “he fre wegen ths process he mere wel ech kart ue the ote on ess “Tanto afore wha the ear as on | aeThe kn of cords welts be sth are sevrth charm a major ky There 2 ‘curate of seveth orden smarty + major seven (aj) minor seven (7) + comiant even (7) hii evan (87 o min even fa 5) “osc mer datoric hemony we oy need othe fe thes (7.7) The half imines ih 5) amor sways ons minor Wil get rior kaye tron, rome to ari ne caret had to nth aon of thse chr tones nthe nec The notes of a noon he nace acy ats cre together Se sear hres ae bt ois the gest asarce for ore nae ofa ar to the net aor {hrs Once you get othe seventh youre any sha tp ora whole ap fom the next ‘oot Infact th pes ance you co et fom ry aac chor tone hole ap Inthe gerard agra bly ano mage ry ich Ya ome to ind and ss leaton one neck (frst FA strng th et Check on te gra or ‘ance to the news herd tone Fits rot aed chr tone, ou i that no eR ‘hanawhole ep tom ached tne (Cmai7 arpeggios EI tf fat tn ith it yung chor tones on bets | ad 3, thr pracy on hefner llores to reer the harmony wah Ines tae mace ip ony Mf mepe ae whe sep. Ti falstepiohclestep process prevns the common smotom of "kmping around tht Creep into everyone ines at and ao pt Kop nes om sry eon he eles and spearMot ofthe execs this book nv quarter nets and ey notes. The reson for wing quater nd sth sce tat we net sng yn the ny to avd Su in ryt to mae the craton of al he notes the ae Once youre camfarae wth {he proce youll ae to apy to anytng Fem fal ate osx ‘The be way to er about the aaa note cae sto alte each chord nthe ses of the nee tat were wong on Wel beg the net fe eres by tng 032 Gord nthe ea oe ate cmr-F7 ‘obap you memorie the hap of enn chord nie part of the nek uae one of he pater prone or your 45, or 6strng as ° - 2 2 rm His ald Ht sn (Once youre bet ly up othe emp of he CO, move onto FTA son 2 youre comfortable with thse pater, youre read for he frst exerci, Pay for notes of Cri than four notes fom FT. Ae saan athe chard changes, ly the reves or tone of the nest ord ke aecton youre ging Keep your ne morn the are direction ui eu i ou of room (st re Fe) Fs ence ges you voute reer to the previ puter Ache chord ange, the nek sus ve 2 eet Took” Lan the CO fora spl of het ourmentes o ow 2 eo ” ‘A you sar to get comfortable with hs rc you can se how portant Rito be sbi te Vasa the wale chord tones coe the ace Passing Tones ‘A posing tne note played on awek baat 2.0) at sa whale tp or ess om ‘he note tore an aor wer be sng psig note enon baa 4 er now The chords ae the same (Cn? and 7), Bog each masare pla hee coreecuve chon tones Use 3 pusing nae 2 bea Keg your nthe sare drecon rt you rn ot of room fl ony us hee Sve ft) Uae the psig rote to comes the chon ne on beat 3 to the ears ce {one che oe cordon beat | the net mess o @ ” o ° ‘This ample “oops” on ating bss ster four matures in onder so bene fom ‘is exrese, bag each four oop with each chor tore aval fo Cr ine te frets (on a hag thre are seven abe). You can se frm this nero hat sing rosin come fom the el te chore crsoretne hye cera. We the son (of ping tone you can ea the re re geting soother Now add ping note on best 2 Set | nd 3 wal be chor ones anc 2 an wal be pug notes Dan worry about te econ his oe, Agar sample nes en 5you Sd youre ging in oble# ual esses by wating a god chor ton 2 awedkbet ow seston vo ie “The frst masace dou connect ne because tha Fon bet $i wasted and 90 Fein arow a pojea Aa the Dan best 3 fhe second menue a rte The et fr (@) inward on a abet. The cond means minds OK bat wee ong 'o ‘rg on ri eer nd ners (chore tenes fm above the oct frat ‘An Eon beat 4 wil alow the ne to core smoot t0 Fon bet I. An Eon best 2 ofthe stcand msi ao he sever) ob pie the srorg beat. i a Chord Tones Instead of Roots ‘Aecther tng youve probly deere eta pling the rot on bat | of every measure severe ls your posites Using chor tones other shan the rot epen up the posites Stay with ts exer unl you an comlery srt on ay hor tne of Cn ae fly tn any craccn win te frst fe ets Viiog the “pti? or pi of ord {ones acon te fegetond slow yu inmate sxe 19 the noes tat redore te ‘ound Aa tis exe lows you to sar arg te shor ones aring ote of & Ine mead of he rot nthe next eerie wl wad starting th te oe togetherEm7-A7 Use ne ef he putas ghen to mamorot the spe ofeach chord for tht part of Em? ese 2 ieee‘Once yt ble to play up tothe tempo ofthe CD, move ono AT. ar 8 at Ot ttt ttl Hl WANow ur the pte for your bse contin Ei? an A. oun os In onder to si he root on bet of very mei yu have to beable to change eects Use chord toes on | and 3 and pasng notes on? and 4 (po rats en 1). Fa free to cange dractons bt male sure your Ines ean to the highest and lowest ates lite nthe fe Se fot ‘The Minor Thirds Rule ‘Wher 2 ln is mad 0 hao whole taps he decison of which rote to se for 8 psig note ey There sul ony one note ut wil gt the comet es Fel Inte ft metre, the detrce fro bet | to best 34 whole step (G to A) The ‘ony pontle ne toe on beat 1 Gk rom bet 3 ta beat | isa ma td (A to “The ol posble note to ee hae on bes 0bo the second meine fom best | t best 3 the detnce between song ba rina hed (Co 8), Tare are two cole re ht wl gre yous fey or wholesep pasang tone (Df in Fiver D ln ig 2) Only one of tes al one poe. ne mse ‘say cote out ig ata En and AT are nthe ay of Dror Term ‘he core rome D Fe 2, Fer som the ty centers foreach exer wl be gen. Ltr on when we tye postions wel work on chonsng ey corter fora group of chor. Reerber whan there Sminorthdbetwean chore tones can asng note fom they err Eighth Notes (ne fh bn of aming oid ots in esis sing anh ei of te ba cae ofthe iw rege be hacer Ri ie ort asst und it trabow ta harony cperaly fer ae nt fot te n38 We eo he tet eigen ae spd to agp wh be rong oes contrg wn et Cex suseg nn oe Tete bao dns wth pets Ena ons ea ‘Sint a egrdh notes vw ” a a er [As you ply asl inh bon, yl dune the nado change rection an to ‘seid the root However ths keeps the Ine om sounding snot nthe net ene wed {> back 10 wang al fou chore tore and connate on lasing the recon of he ineDm7c7 (Once agin to get val “gid of chor tenes ace he nach, wel beg withthe pater or Dr and oe T fe =e awie “re Sane on Stone SSS SS SS SSS SS ony Se Fe oe ~ Hers pater thet conbines On? and G7 D> toeThe re execs ues pusng tones on bests 2 and 4 ad al ur chord tones Om? sd GT we nthe fay of ©. Rerarber to get your pasar hots fom the hy of C wen ouhev a choke. tart wih a chord tae on your lowes seg (Ee Bs) ana iaep te ine mcencing ui you ran ot of room en your highest eng ( or C arg Se et) ‘Then change dreion and descend untl you run ut of room. Cantina ascending or ecarng ui te ter sng ae wed D oo o Inthe tid mesure ofthe nent ere you in se the rection hs to be interapt Extensions, Ping nes tht maintain drecton (whether waking or soloing) ruts in 2 more ‘cued muse efoc The inenrs nar held ger Sas the dea of sceng ot renin snatannd ove alonger paid of ne. Matanrg recon becomes epee ‘rule when the dors st or sera means at a tre, Evertualy the sound of 3.3 7 ewn though ss been spacial rogue, bezmes ling ans ree curse feening these nes youve probaly tubes ero same tes that sound ood Jour ea, bu do nt feito the I, 357 chord toner ve ben woring on you cote ‘paling cheeses ps 3.5 nd 7 you gee chord tones 8 1 ara 13. These chars {toes ae ced exesore © xs ec oithow te ens tt Ca? codon the CO ye srs () setae on yor bse Now pay eet) nd trae (0) = Now by these extensors ahs a doninar 7) chad (vase) Try the rh event and tires jt he before Jt he Ga. he rith and irteeth sound 3003 bie cern coe New ina Co? ctor (rack con). Ty the ath eset and thirteenth again bt ‘hs uve ty a Rated trees (9) as wal You Sod haw eer rests ths tee The ‘ethan ever sound best hehe tran don werk ute ae wa The tre = {worth oune beter tat the fated one lhe wore fetes censors In ea of hase seventh chords (77 and don) two ut of th toe entero + Fora. the ecenon ie ad len workIryoumarrange chord tones 113, you get he sven notes ofa sale ‘a ese yt remeber entrins tt for very sae a seventh chord pen ‘here eny one wrong not far m7 and don? the en the wees etenson ci Am7-D1-GenaiT Lets ain a lok athe chore toes fr each hor Th estrone ae colores There rt a coneiet way to ete « ptten combing the dhs tones aod eters Use these 1-57 pater to get rtd and then move on fo the wee fo pet ar the eersne oe t ft Hit Ht oogee ss pep! Drees & sing Be pict : —Gmaj7 with extensions ‘me Sse nee ‘che 2 onto ‘Ant, O7 Gon? are the by af G sor For the nt ample, we a erect ‘etenion fr every chore On one enon neces forthe tao messes of Ga eo w » =~ Wie exterons do a rice job of acing color to an ctherwise ba ne they cant be ‘eld upon to ranore the ficient sound ofthe chords. Cartan lib Stations ‘equre 2 more endive hemote pron where a oman of eens are nceary ‘Other statins might recure amore bse approach Ere ood jet and cosier yourrle ees png saonReview To make sre youre read 1 move on. appa he exercises wee used to each set of rr cnage so fr Here ae bores weve ed Em7-A7 ‘Amst-D7-Gmai? Heres what we done with thon + pease ines wh cect: Ply ur notes os hod i one deacon As con athe ‘hort changer play the reare chor tone of he next chord te decon youre feng Keep you Ine mong in he sre deecon ural you ran out of roam (tn the st fe fe). + sang ot n bea 4: ly he corectve hard onas—then we ping tone on beat Keep yourlne inthe sore drecton st ou nn out af oom (orthn the Ss Sete) + os notes on bots 2 ond Any recon within he est fe es + No Rat vei plying rot en bat | ny ne. (ny rections + gn ates: Aterte chord tones and pting tones wih he eighth noe pus. Fewer ‘ete make sound abo” the haar, + Drectin ony: Py fom the lowest note tothe Mahe foreach chard Dont change “Sreton srt the hes and lowes le chord ones re ruched + Ganine Use a correct extension foreach chord chang, The dag on the fll lng pages inde chord tones and exter (a) forthe fst Ure sts of herd cheAT with extensions : t some a nt Em? with extensions ae ld ott Py tT ithHand Positions Key-Finger-String So fr wave pent lot of tine wlirg on harmony within te Ss Si ets Now were gong to concentrate on proces tat wt low you complet conta the ete reel contin You Sud 10 en selected areas f the ec. The reason ou dee to teeta your hand st Sy parte lection on te neck when youre plage over chord charge shuld be a eit ofthe harmony Almont al chore changes mph ay cee Once you dead on aay crt you choose a fan poston on te neck where you war to py “he wana han potion beng ton tun the fet narBer where the St ger i cates does tel you ang abt the kay youre nn order to aso bay caters ‘wt hand positon. sce they rated, wee gor to use some fw trnagy From (ined by sing each gor oa et and slowing 3 Bric oar of he tuo ets on ‘che ofthe sabia our fet aa. sna | sete sen Te ‘where do you put yourhind when srnone as yout play Gemaor ee Most of ox wil ute yur scar ge on the Ud et (6). stng to ply 3G aor sale. The Ieing system at were ging to ue srt acount the Bret decors at you mace ‘erat se Yay ~frger= Seg” The abel rt poston "C2" oa 7 TN ay toger ng‘Second Finger Position “Toe most common way of olga major ksi wth the secon Sgr vil ‘lows yout playa notes a mar sele wehout Ng Which so means You dot fave to Et rach ay of te ots of cord thn Dey ers what G2E and C2A lege ange bate be rest fhe Sngarboat cage web ung the neon the neck tht i ued to indicate the and poston wl be oxtinad in gray. tha te happens to be a chord tone ibe edn wh ad oterwie wl be ety. a oe StegerBm? and Amai7 “The nest exercie sas the Say ofA major Here, the locaton of your ha i AZE (hey of A. second finger on the E string. This extabishes your $12 hand poston, ‘Wet use the chord changes Sm and Ara. Hares what they lok Ike onthe nec ‘he herd tone re ack andthe eneront 3 EEE m7 with extensionsAmaj7 with extensions, t sone Altrough the edansons are init, st use chord tones |, 3.5 and 7 ates Add te extensors wen youre ray For the nent nap, te psn tones on baste 2 ae 4 te remember to pet yur ptr te rom the ey of Aen you have a chle one = “The fgerings gen are for each note within the 442 area extabisned by AZE. Each nate vithn he man fur fet area ted by ts corespondg finger The res {hata ona et an aher e of he four ft ten (22) ae payed By ges | or # a Pe neice by the ot er te amber Te temporary eee & ays teva ‘oiowed bya note wah te fur fet nen. Fringes, do Bex 2 B utc he ur ‘tore. By “rein ch the fourth get ply at are then ng the fourth Ser to ay the fling A You reste ret to he Rage ser ret const tt alow Your haa to ew the pace you py te wh hearth ger and an Day te A {sth your tir ge your handed loses "pe af he hey ert The Inge {hat are presenta hare are very ergot you ue them corey yl be sl to ae ‘he sounds one rec as cones tapes ans yu choos to pay on the EAHere our meas spl ner extensors ow oe ‘As ear ofthe st wo enarmples steno descens you noice the noes ude the for fret area (etch note) are psd secordngh Ascend “areten notes a= ped byte est rger ana descending “eth ote” ae peed bythe ours Sgr TAS low 4 rater ret ot Sr et ae, ‘Amma? ~ Fhe? Brn? -E7 “Ts exerci aso more chords othe previous one Snce ET and Flin? ae fom the lay ofA major wal ae AZE Her hat hey oh onthe nck The cor tee de batk td he eensone re a EXER €7 with extensionsFim7 with extensions oun Ones bene 35 * on be c= lnhe nent exec Ama, Fn Band 7 to one masse ech Bap by ng ist chord tones and pag notes and thn move an ta extern en youre ready TAS (ft meaire exer wes jt char anes tei ur br, and externa the se ond forbs DO mw “The Sperngs prod inca hw to eect the “aren nates. The the nates ‘at wat the man our eteFourth Finger Position ‘The second most conan had poston isthe rh ng ostn. uy regures ne srt ouside ofthe our fe rea (the eve) Yo pay a eer see ry hard {fot nce tht seth sale degre wl alo role Ht ete 4 11) — hie — it sntngeone + LL ba tage ‘The Connection ore we get to the AE execs we need o look at how hss hand potions con- ec srs he gerboal Sand et bases rae ate easter to sete connection ‘Two to Four ‘ou can connec second ge potion to he four ger poston without ing On ‘elt a second rger potion Next tater second tng potion the ctv Bye by the th ger on the sng Frm thre ou can ea fourth ger nd postion, “heer stings tat rei fom a combo of tae two postion ae proviedin gy Jo °Four to Two A sits inte to connect fourth fnger to second Sng f you vest out ger hand postion ars seal then the corect fern esis tat yu ply the sith see ddagee with te forth nge whch stupa on the octave wah he acon ge Tit ise sit tat sinaliedn conecing orth Sng to Second ogee The cra SUS Ba le | |oe0 + il “The way these hand postions cornet (wo te ou outa te) ear that no ater where you are onthe nec & combat ft se fal lo you to "sete ay ot Under jour hands By stung thse tw Fand postions wee ding mFOMOn ‘Patan be wets npr onthe nekBe7-Amay? though he fourth Sgr potion ies ea, SO of wha ou nado brow in cree t see" harmony on the de The folowing eect wil we te sre ay and ‘ord changes st the ane for secon gee The lesion of yur hand is AME ey of fot ger on the © se. Bm7 with extensions east e pa oe“Te ome notes of AME are pe nt postion. Groups of ots onthe Ostingand soe shoud be aed nthe A2G poson The gen proves enable ou to rae heAmnai7-Fie-Ben7-67 Now lea ae Hen ET with extensions FFIT with extensions Oo aim ae Ore am For the eae bow ie he conection beten forth gtr and end ger ‘our deciion to use AME 0 ZG should be base on where you expect you net 2 For tance the scone mete the Gon bet 4 was flowed by and cntnas tack down youd pty the CB wth 4 "etched eth fer aed tern in ME See Sethues tiger te mor comers to ze he Ft A wo AIG.Choosing a Key Center X's chord progression ipa tog from chorin these ay thee ae content renships betwen them at ge you ches abou he key carter. As marten belo, Yu waily wort fee a 75 chon ns major ty 2 yu cont hve to worry spout {nei non Uautly a you need ae two corde rom Be sae Ky ai you can gure {hela coer fom ther restershe Here ae the mor important rstonhips nti harmon +The he herd ithe nly domant seth chard Knowing the act ofthe Sh wl Be you the root othe key + Amor sent cord enly haere en one and Gut wo major seventh cho 3 {ocrtaper il ta you the lower mor sevewth ordi tha “one hors “A msjor seventh chord with & minor seventh chord a whole sep higher can only tappen whe "ne" andthe "wo chor + A mijn seve chord and nr seventh chord 8 hl tap tower can only app wth the “our” and “ihre” chore (aap counting down and you and onthe one ers. happen withthe "wo" ane "vee chor +The minor sever chord nappen a Ww “hee” mina seventh hore 2 fourth ora th fom another minor severth chr yu have eter "Pe" an" ‘ors snd "wo" One more card fener to le the ky Hare ae the chord typerin onder of hic occarece: doen ery happens on the fits ‘ma: happens tone nd xe" nT bape a 0 "hee and When chosing & ey cent tat ak er & dena seventh chord Newt ok for snjer seventh hors Amin sent chor wil tl you thee AOU sky ance an Sea tea "ree" ors) int fs reutoranp wth her chord ops colette pe Ure At soon youve ented a ay cet you cn dese whic 442 hand poston ® use to play ove hose changes‘Croce a ey contr for te folowing progresions on? 87 Ana 2 An? en? On 3. rai? An? Sma? 4 Gna? Bn? Amr 5. Dna? An? Bn? Gr poems Tn? 87 Anal = Kya h @ veo KN) “The dombant avert () lays ed prea 2 Am? En? B= yf 1@ vO we “wo minor seers a whole stp put (An? and Bri) are "oo" and “re” 3. Fa? Ani? a = Kayo M8 va) Two major seventh fourth apart (fri an bri) re on” and outa 2 rr severity ord wth amine severth aha! sep blow Sma an Ar) ae our and “oe 40 nay En? Day = yah NO 4a) “To minor mente whole step apt (nT and Dv) ae “we and “ree” “ror sever chord wth an a aif ap beow (rai and En) ae ou” and Stree: S. Dra? Fin? Bn? Gi? = Kayo KM) BQ wo ve Two major severe fourth apt (Gna ané Ori) ae "onan ur”Finding More Than One Key "When 2 progresion conn more tit ane ky enter the correc han poston can rake lang the progresion eae: For eanpia, th olowng progression can be played t (he 42 lonton onthe ned ere hough aes mre an one cert BaF AT Dima Goi FT mal “Theat tre cer aren the fay of Doc, a). The ttre hee ane inthe tey of ror @. 5 and I). O62 hey of Oy, 2 ger onthe A ting) werks fr ‘he fet three chore and BE (ay of fourth ger an the tng) works forthe et ‘re chords. Te wre progresion canbe played nove pac on he nec who ii ‘he foloving chord pogressens ihe tore than one ky crt Choose « 4+2 and poston for enh ny cnt: The hand posts shoud sare the same locaton onthe rece 2 Aba? Oba? On? Ba Dm? my Gna a a Lay oma? DG nar 7 V8) BVH) 2) ea 2 Remap Ohm? Sm Bomar Ww GR Ve 1) =e 2 Dra? hn? Cai? Bo? ve 8B HHO‘The net two exces nvhe font ey carers but canbe pled nen lcton con the ne Remar the fst rg a a whan ced ith ae se of card carge tye them fr ky cater nha poston Here te fr progression See hand potion prt of yur ana you den have to bel nda cord tat arsine sre by jm the $2 bel ont our dec, (HEL incates hat youve died tat D7. 7, od Cg 68251 in (EXE) insets ta yee died tat CF, en Shay a2 Be DmT-G7-Cmaj7-CmT-F7-Bimai7 Forti oui refer to. page 48a 46 forthe fngeboat gran to thse chads Use chord toes and een on bet | a 3, png notes on 2 and 4 Remember to ley pang tones fom te fey you have a ho, rd ue your rt ger or acne tech tes nd fourth finger for descending "arenes Frguings ae han o he osraton ied pean,‘The empty bus are provided incase you nee to wrt cut 2 ie to gt Sart st re re you So mom af our wort wl cing ae neck Sine te Be fgets | Sri, tevul ecforceert yu get Yorn werk wit th ships one tngerboae Btw yout move tose apes around ae ply confrablyanyuere on era (Crm7-Dimaj7-Crmt-F7-Bimal™ “Thi progression itroaices to chord we havnt work wth co Sr—she “es” chor mrss ‘The “Three”-Chord 2826 wd BE sow you to sayin co lesion op the whol prion The Co bprmanare sa the rcechod of Mar you nak ahead ta he herd dag on pages 45 and 46 jou note te "tre" cots oly coe the deer stan aeerion Norma he 9 wera on ier sevrh herds bath rt tha cores Fo te key 309 Ina cae woud be 8 Ob gant 3 Cri—oet 3 prey sound. When you ue te ars eth overs "ore chord # goes you arte Wal rat tek nhs case wou sD Faire. Usrg ona ang best woud csey py another ky carer whch set bt ‘Ges when youre wang an mprovaton Fornow aed hei) a'a"UvedchordThe “four”-chord Ding isthe “ou chor of A. What ferent about the Yourcherd is tht al ‘tres eens (her elon and treet) can be ech sed on seorg beat Noma the natal slverch of 2 major seventh chord sunt as The sewer of 3 our-cher a shu eleeth wich doit core wih the chard the way He ta event does. As wih al enterons te sharp seventh dost rere the bass of te ‘on att doo 4 color to the foun of ne. You mit Rave ben aug hs nap evar wil werk ovary major Sever ors When you use 2 sar eleerth over Scre-chra youre eng the sons ofa icert ky Again the 4 good inprvton| le, bat ep your ison he caret ey certr st youre read a move on Inthe wate the sharp eee he ouch is ie in mau 3.n mare 5 the ne aysin HE poston by racing to te A with the fourth ngs You cou aso pip the four res of meas 5 BG postion (ngerng 7-142). While eto reer orks, you sou conser 226 ws the ver prt of BE aed aves use the lowest be (er anajaig Remember to sit wie one upper dein Homcesary ow ome ‘The flowing pages provide altbe drs yout need fo chore in scone anc fourth ‘nger potions The dagrans are tied on he ting tak are web to ry sg, Al you hate to renarber& how second ge” pton snd fourth Seger poston crm {6 C26 ‘eu cont howe to wre the CG abel ja remember tat Re pat f CAE yu haa 5- or 6ating bass an FAA potion shu be bed FB sce they coed winout Shs best ous te ba om he ower stg rd vale the cornet o upper poston. fro pgs tN wt parr cot rhe(ikone"-chord (naj) with exentons (Cibo chord (7 with extensions ‘ene Sorne ‘ee ‘eo [E.nree"chord (with extensions cE — f E i ALib one-ho osi) with ntesions ly {thSo tr weve contned our sity ofthe neck to major ey centers Eventhough weve ad sore ay changes ae secondary domnare chord al ben aor dtaric hare. The net ep iene ny centers ut the major tere ae to hand pons fr minor kay You probity Kou the les of C major and A minor ae rela Major and miner hans postions aerated he sameway, Foran, the tne notes fer 2A and CAE wl grey Are aed AE“The Sr Sng potion comecs to he fourth wih a aise si | $9 Here are the nd of cord andthe corel oneslntenions hat ocr 2 minor ky ‘ne chord nt 13 5.07.9. tw chord mis pererrnn the herd on) 1579.03 ‘atch oa 1as79801 3 ‘see chord oni TasThe “two"-chord: m75 “The minor seven fat he sdk than the chords wee sce so fr The chord tones 83.5, td ofthe minor sven fal fe a so econo, whats few re re ‘eensons On a repulr minor seven chor the comet eens to oe 8 ie end ‘Sever For the minors at he, the ert and at Wrteeth sand bet “The reason the ith doen work ora minor sen fa fhe i aca the ith a cone nth ay at ith White the i it sounds good ove the "eho doesnt work rear a5 wel 35h lve and fa thrtcarth The rar ine olen rear Irended ve a ior see ft fhe dot enforce the sound the hy tu ts 2 good ‘prong cboie becas ofthe tron & creates by imphing another by The resto the ft thresh wort bacne cone coc wh the severth ore fh Pu down an ota and you cn Sets he tp om eer ere The “five”-chord: 79 ‘The eter hrs you ned to pay terion ofa minor ty the “chr ses 1 crt tone that nae fam the by grate Ferran sce he ky of A minor ae te thr or tts the "chord shoud be rior soveth (EG BO) sad RET G80) Amor at minor propresion ees comiart seth chor forth "ne'-or The he" chard n Amines E nd hae a GF hats not rr he ky ‘The fvechord in minors ako ferent because use 8 ft rh and at three forthe comes entesiora When ous aver "ech rnor you need shy Ber the hl sephahole tp proces weve Been Ung The fst ine canes Be prebem “The Gane beween and GF wa mor it Neral the pase note woul be F, bat ‘bats not De lay Ushg the F atlas he pasing hotels refrce tb mn ey found Reriters minor ie (to wan the hapless ne, bt sind tru bettas The sybal forthe “ha5) with extensionsCmnt-Fen7-DmnT5-G79 Heres an exerci in the CJA hand poston sing the preiousy mentioned minor seven fa foe and sven fa ine, a8 wel athe “ae” hord snd ove” choné minor “These dors fe the most commen fr mater progressone i le ely you we the “Jeee it or "yre"ina mine rogesson om Notice in measire & the Seventh and fat thirteenth are weed over the D7. Mesa 7 i an oarpe of whan to orek tbe hasteplatsestep res ovr the = ‘ord minor The moe thd betaen the Band Ab crea more “mina” sounding We ‘han uing an A tural on best 2 “The poten measre IG Srngup 2 Htreing hing out sien ft nine hore. The faxrine on 3 dora slows you to eat a dora severth chord 3s sere” Are tea you can ue 9,685, and Fn rasa Ute sharp nines play on bee 12 ‘Pityou chow tote ft ine Gerd ares your en and aed choose the notes that resche the teson thee eensns can reat, Ussly the sharp nine sounds est when if rescvest the Sth of the flowing “one” hod. The fat theten sounds best ‘escing to the rth or elev of the flowing ene” chon rte Yo alo a Sense (foarte eto wart to sche, racic laying each extention a whole note (nthe second bar of G79 and ian fr when chord tone nat o resolve ta. Then 7 | eyourinesto accompli the same ing‘The nod exes sts the sane preresionin the Ont hand poston (BEETS “ewo-chord (Om7'5) with extensionsIp mene 7 he at ine a the or hed ae usd wt he sharp ne sa psig ‘tone cn bet The eleventh aed oer Fri? renures 4 and IT and over Dm Imex 3. Inreaaze 15 tre ft hrten ann ease 16 the Sat ine ae ued over the G8 chor‘BenT5-€79-AmT-Dm7-GT-Cmal ‘Ths mt enrciecombies he connections ase the gear sng he moran rrinor tnd posters. The tet three chord are A minor andthe est res ae Ce By teginang ie AmiE. you can ue te rated ror fund potion, CAE. Both postions reqare a sito pay th noes onthe pp stings Refer to pages 24 and 48 forthe on- rnetion dara Ramerier the ttt he uper potion (aD and C2) tated by how many notes yu plan opi inthe une poton You ay nt be abet die ht ‘va bat evry yee tarps hom ong your ine wl ay eer postion “The upper hand postion is shown in parentheses For AMIE the sit ecurs 50 menus 2 and 3 can be combat pay in A then retars to AMIE or he fourth ‘ease. For CAE the sift ony orcas onto hs reser, ou conve paying fom Treasure 8 tthe nest B75 chord yu wl bem Ar4D ud the noes descer e lower poston Remember see the an abel corms fem the wer poston the upper postion shown prerneses SSS SSShifting The fet ting to do whan choo ae psn foray prgresion sara the ro- pesionforiny certers Once youve fund the tas ny eter (Ory cere) yuan ely Toate a poston ht rales the harmony en ose and ee your hand fom aes lowing the rots wound The gals to srrate a rch fig asp Ts erable yu tom more about noreton tht cin be tarred and wed forthe progression Occaonaly some siting ines, since one poston doen says werk for an cere progression Forunately, hess tad poten low you to charge hay crtrs who fr shiny more tata hal sep. Forstarce Rees Row you cn et em the ey fC (C2) 10 ery tery cotar Fer sing practic, sippy the anavor to the folowing cart. The et eal the ey ceterhand potion Wrte te carespordng and positon abe forthe key ne it olimn tt raha stp it any deat wth he sits up or down the mde ohinn The fr newer ven FROM [HALE STEP SHIFT 7. ‘ae | Feiner Grace rior canTT Te “aE oom ia cane 7 a a pedo | pata oar Sow ‘ Soke oom ar AmnT-Ben7-Cm7-DmT-En7-F79-Frn7 BT ‘This execs rhe sng hae sia get four diferent hy centers co te a eee eee eee eae8 = From G2E to BE shits ha tap up From SHE ta Bore egies no sit From BtoB requires ro sit From BUA to G2E sities ha tp down Reramberifyouhne 35: or 6sing bs, EA shouldbe B28“The ne progression ihr on he Scull han weve bn dog ar 0 the tampa Ite dower on the CD. Reber oa her of the "eres hord aed {et paing roe: fom te ky center wen ou cn. om enon a ong ema Kooning he nck wel mean bing ste one” rent ey crtrs under your hand border to teach your tard se" the Singers, you shoud be lokng atte eck a no he paper Your ably to mamerse cord change eon of reading then become 4 ule set rng the proces The folowing progresien has Ween chor charges Memeriang the progestin a sere of chore tages the merrang’ tty seven gt phone merber [Emt~A7-Dmaj?-Dra?-G7-Cra?-CmT-F7-Bi ma [Emal7-£rn7-AT-Bimna-Em7-A7 An eae way to mamorin ches change iby ncn. For ste, is progestin has ree hey cera: OC an enc ay here isa 2-5 | The 25th up soe fe pret fhe progresion By coneecng uit spent ech ey you cn resis ws yourheve to meme by Fy percent shane infomation ht can ans oy ey ae fpothertnes Heres how wert, Fist ite what happenin te fest ey 251 Now you need away to eotnet tothe ety which ita whee tp do stead ofwringins tors to We net ay ctr nthe tothe ne cor 09 9) it Bee Yourse Deeter! to gt for the it enor ne yf he Set chord nthe Met sy (eny one ep). nts ate th root doesn mow so a the ward "ben 25 V eecans“The same hing happens i the nt ne. ated of wing agp A 2X2). 25 Veen it ‘The sane thing opersin he ere with he sition of “our ‘ered he writen prgresson on page 58 You on Rear an eaple fre tat ues ‘hese vos hard poston atte baping cf CD Yack 94, itn keapig with he srt (he nerose erat writen ‘Secondary Dominants o ow ; » “Theft tng to oo for when anaang & cord progresicn i domartseverth ‘hod. The frst dinar seventh in esse 3 (7) nt fom He ky of Therefore we ‘od sy the by for hse wo eases G mao Snes a lated dominant sererth ‘ord (te rods bere aa ter kare not Dat hey you an hag i pet oC mor bycaing a secondary dominant. A secondary dari the eof chord ay eter ‘an the “nero In ects five ee, ch the rot cornon seconery Corina To ep ting mpl wel cl ta 2 Haves how fo mamaria she progesson 1 a 2 5 2 2 5 1 pa 2 5 mpi 2 5 “Trang he O7 a secondary domhant es aang and meron he powes| sion exer bt pining roger an ers ep Alou D7 vey Bag othe ay of your hand reeds to "ne th res Form G rj (D7 isthe te of G). The base ger Ihe’ tat the notes for 3 sesndary corona cme fom ths ley tha k np. For irae, he of shin the Key of 27) woul mp note om the ay ofA non Soe Di the fv ofa dian cher cane prt fe ey oF @ maeHere he progression ana for hard postions =m @ = 2 3 e = » EET oe ca fat By starting with CAE youre le to we 2A without siting The (G20) n enue 3 3 (G48) fr 5 ad sng bass youre plying G2D on a sing bass Det to se ‘ots onthe E suing a pat ofa magrary GiB The A, Dy are Ging notes sl come fom G20 Here the at iteen resis of CD wk 4 OB @ s = ete“The next ears ia poo ay 10 se youre rely in command of yur han posh tions W rare CZA goer argh at 26 ants CPA intent 9 maar The Seger tit lowed steers fom one poston anther The ent art wih Nts ‘tin te Sr frees lay Noes above te wh et ai eur oe rt oe ty (he end fhe progussen on a ee Sometimes the saquence of notes and figs wil flow you to anit he nxt pestion by oe es n rare 2 te Fle bytes ger does belong in C2A ba fea +f G20 By pining she EF and wh heft Sger te eaadon £9 20 fade trvother Sear ane emu fom menue 5 nd Fr 2-3 He ar he changer and postionsPaying in 314 posts alee sveng bene beat share than wee worked on so fr ra mir 38 the strong bess Best? ordered som se vor | ile 3 wank beat The rote you choose fr bet 2 (he sentry be) based 09 ‘he dizance to tha nest cho tone esto on best | of te net meses snd he Cand cond, the net chord tone Yeu doth chie ee, Dean D wor bets and'3. from he Bm mame? tthe Gon best | ofmassre 3, Jou have 4c (lnotes to use to pt are, Teng bests song bet when you he ache wl Snron best? and anF¥ on Best 3 You cn hea hs a Sten coke tan an on? idan Fen ben 3 Snce we area have the mip ies rue for 44, cols be eld the rj ths refer 314, When the chord tones on bat I ar a major ee pat oe 1 Shore tone or core extrson on Bet 2a pata net on Dee 3. “The harmon inthis progresion ys (horde ring for mor thet 2 measires) ‘Ts cere sgl to fora on away oh crete more interest cre ese sae Sou ing tanger by urges tarry mpg dome chor te ne laces jo {dh ela movemert and rar at anes ou Ines fow bei ns progesion Co ‘our measre feck ure pre hare he pe Soman ars wert ‘ou choose the “ie-chrd ofthe chord hat sats the next ur bar phrase. For cxanpl. The GM in massre 4 teak up the eg consaetiemeesrs of CT to Wo fourbar pests 8y ping C79 on manure & you wet x sronge sense of rig at Fr. Theres any one note ciferncebenean the chr tones and exten f On sod Fn? The C79 nope spare the eon of Gn? lm rand me he begeng of he ret ourbar pase stronger Heres the progestion ith he npies chords purest‘Se he chords ts ong. dost worry abut abl the hand postions before you stan tis exes. Use ha tps ane wile eps fer your le, bu vt to apes oe ‘he rol "ech Als make re ta our rps nce he td ofthe hor eres nel ne forthe ft ert ourmennres of ce 96 oo en on you anaes proressn 6 hand posto, youl fo that the chord (D7 ar 17) we rot the ay of © rner Sce we im five wt seconry demas the O7 ‘oui look friars the Sie of fv, For tesa to metres, ae a G mor hand poston ‘The D7 ie not 3 secondary dominant beau ot 8“ of ary cord fo the ey of C minors ald "toe ib (abso) A tone & ether mene fr 3 i> ‘She Rh Thre (whole tps om it Os The O87 = ind ata bite fr GT erthow th the ane ab wor The ror mporantcho tones of any hors ed ‘he root are the hid and seat The thd and severth of GP ae BaF When GP ‘ssvs to CJ. The chad tones Gand Frese to Card The 7 chor ao has 3 BaF a chord tore athe month and tre The me wo chore toner roe he ‘me way to.Co. Tha ey rence the rook ‘The ttone sb ceates an teres hand poston sturton. Since O17 ithe “re chord of Gs, your hand poston sou te bed on meer Bt see ao a tone sb for G you shuld ue ratral asa psig tore between Fand AV You can ao vse rt ta as Srp dwen earn. You cn vay ecopie one Subs becase ey SY rhe oun one ha epThis nxt errs euses more on iftng, Remember theft hing you should do when you see a new projresion ic ansyae for hey certertnd postons The example blow vas minor and mar ey corer xcept or the tow exces wee tet sep moto the siting to a minim i ender t foes on wht uncer your ar Inherent exec, wsre gong to werk on roung around more 8y staring Cn!A. eA ard Cl ou an pay heh ht pro Feson by ony moving your hand posto aa te. eo SABES Ee T Eee rat oe ” 3S F TL ema 7 omar ‘Snow DEA TTI = ‘Ss o SHEER FFE EEPL TT ELT) ro oo » SST eer om ES arom omHite Set 2 measures of ac 58 + sure 2 beat 4 thir nga arcptes the move to FAA Mesure 6 beat 4 frst ger mies the wanton 19 BE + Measure 14 beat fst gears the mov to FDA eure 18 You cul! acta lym Ab on eat 210 the Fin mere 19a wth the fourth oger i ot pital correc garg bt gets the job cone. + Measure 21, beat fourth ngr mas the vation to O}2AMos Other Chords Ale chores we've worked on 9 fr he been prt of miro miner ay center the oer pes of chara syria yl se arto We arr major seve minor seven ad domiartsoeth cxegries Here’ a st of ret of Se berks of ches ‘pba yl see and how to tet hum Theyre al eed wid a Groce, Malor GGrap same as ma. enghasae th Gait} sre asa. erphasze rea Gri) wea at fou" contin ory (harp seen cre ary) CGS. save as ma, evphasze sharp fe, se natural eon weak best (G9) reas ma, enphaize ith arth, we mae seven on weak est Gore ama cep rghit and we mar seven om weak Dot Minor G8 sean erp rith Gril mesa i pha Seth GimI3___ fe a mV. emphasize thirteenth (G9 Sir a 7, erp St ae lth (GrT#S, Sra as mo, emphaize tarp he use nal eon wen bat, da thought Dominane oe o 7 eta Mi of Cnr (he ag fe b B—the miner the of) ‘Sr cond, empha ith sorties one” chor (Hake or lt) 13 se at dr, erphaetewarth somes 2 "one" chord (uke ts) G11) se as dom? arches slew ar ae er Eon weak best tn seen aa ne nh se page 4 C511) ae a com, emphasontarp even an ue rue Shon weak best Gr Sh!) Same as do, empasae Sup sever and we regulon weak beat 61309) same a Wirteeth empha at ine GUI) same ae G47 CC7at tars at rsh eae ines, at ae" of C miner (ee pag 5) G79) imple ater G79) rots ators ‘Other G7 usa sed asa pang chr (towing chord uly ta ep above oF ow) best reed asthe 1.507, and89 ofa dom709) inthe are 8709) Gad implies reenter GA and ot vy enn "nee ype ba parts Gast ipierire roter G Cana so not unl senna” ype prt (Gras Sereted by ether afl Di chor wth aG in he bss, onthe rane cr Inger oD mina is Fmaer:an Fn chard wit «Gin the bass Need ae" or" tard Pay she rot athe bagning of te meas nd ee ‘he reat ofthe meas ole te oer Cord sound 1 meat Gre Gan) fame as Gra emp ft inePutting It All Together At the ines wave worked ons far hve been confined to hal tps and whole steps AS you dewlop te abity tpl these smoat es, you Became more aware of the ponies under your hance Whe oth sounding Snes are the mo chalengng {heyre ony prt ofthe vocal you need to wen marca ststonr Th iy 1 ‘rat root nes wih irterak and arpeggios ood be your evra goa. Cretig cn ‘rst ung oer elements soul be puto your veal as el nth, contour regiter an harmony ae the man elentstht cube part of ye vocbdry. Her haw they can be cnt ‘ytho: repetition quarter nots) vs. rhythms (breaking up) Dire pas of 2 une right require a content steady pe ofa af bance, mare ‘rte broken up approach Aiough he Ges of hs Bok onthe fern Jour number one pal shoud be to mate the msc fe good. The more econo ear sue of hmony becomes (ayn wir Dik abo), fh ae kit on ena on the orale! the mua. Contour: angular vs smooth ‘The shape fa Ine can be sen bast whan rit Soot es ack ha way 20 paper but ocasraly they need t be broken Up by mare aged sourcing tena 2 pees08 Register: ow vs igh Staying low and ut ofthe way" it rportan tut canbe contrasted with ns at Conte sce or erconding and ie he muse recon Spe memers Harmony: rots and fits vs. more chord tones and extensions Using the basic roots ad fits is important fo some stutons but evertualy can tere predate, Chord tone and eens crete teston and contra. Ay oral of these dements my be necessary to we wii perormance, Everly oul develop an isin fo" pring te rh arcu of corr 2 the re, Heres bs ne fam zz CD I recoded on Mesies 124 and 2648. he net ‘wo pages ae teat to tres trough be pression the end a sola. ve tae te Sei eu ar replaced the pano with mpl chres 0 you an hear wats gore on Except ‘or te 87, teal major even sharp siaven xj everth chondro here at realy = sy crter yng al the chords topeer Eh chord agar our hand took a he key (Geter topes major seven tarp ven ea chard and maar evant “ane codDeans emt merit omni eat Rythme Sece | kag 0 prey rah ak qparornotes fr the fe three chorus. twote he ryt ne Gt cons (Sarg eure 26) wth ethane fear, from we A door othe FE staring mare 27. Ti descents i ind ret swap to res up the sym url mena 35 where fe goer back to suai notes. The otters mesaires 2634 hp ces tion and ere soa ree othe ater ne Pale neni 35 provides aeewe a lo sa flan thats been rehadnte ‘Contour: Th vristns in concurs ae ary sy to Se in hee wo chon The angrier rmiure 24 ted? ae coated ith the smccth ies in meres Si Mantues 1724 ae ange (hey He Fart ploy emo ner wah tose chge) a ae contrasted wih aneot Ines in meme 2.59 te hen more ange ines nese Piote enRelator: The contra rete for hare to chore i ota ig etre of he bas ine 35 e ter ebro While gor slow athe Oo rouse 39, ony ye as Ih atthe Bin ease 48 Win tht le tht a cele ange you an pte oF ‘maton (up and dow) ant rection one mat, Sans Seas owt » ow Harmony: Soce| payed ore basi rts nd chord tones nthe ist to Sorts | fut more chard tones ahd extensone the le 0, Lest han haf ofthe st ory ‘resures hove rot on beat are. Ip herds ae ako used fas as ne. (meron (hpage 63 and 6) A-624 propresionterb togeasrae of tion to measures Tana The he" of D major tpl he at two Beats of meas 2 ad the "he FC jr pon the a 2 ase messi 5‘oct hing tat alas is nd of bass ne work she sense of a theme ois bene repented Here where hey epee 24 The saps emabitadin mene 3 irepeitedn moat 4andin ease S {then connect to an ascang nen ease & 12.16: The iden of tree em scendng notes sartg in mesire 12 epsted ‘exact in measre 13 (een Ugh he chord cranes, hen fom ore rots fn meusre 14 and baceres& far note ascending Corti de 00 Ses of mesa [4 ane repete narg on best 20! mei 16 0 rach ‘ek atthe begring of masse 7 172k: The shape in enn 17 tat in cach nme wl changes in exe ar 127.35: Descendrg idea sendy mesons 45-47 Holdrg the note on bs and nt chang tl bet reas (One thing 0 remanber you rent wart al these element 1 work for you 3 subconscious a langage. pertormance stun Kyou fd yourself thn ot Soul abot mony or tm or ang she too ch then the muse is prota rey sierng becuz oft Hope by ug th das presented ints book yu be tie 1 orgie harmony onthe nck a way that lw ou to mak sc fs wth your head ed more ancl Ie gang shouldbe. ood ackTh ae ae A PN eee em Le) the Theory and Geometry of the Bass te RA el) ag Leading Players and Music Educators. * CDfeaturing 99 Examples and. 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