I SOLITI IGNOTI

swing musica di PIERO UMILIANI

q=200
 
Flauto       

Flauto 2 (sost. flauto contralto)       

     
Flauto Contralto
 

 
(opt.)Tromba in Bb      

(opt.) Sax Contralto       

(opt.) Sax Tenore
     

      
Piano

  

 
µ




  
 


  
 


 


 


  
  
µ
Basso verticale
   
            
swing 
   
3 
  
3
q=200  
  
4
Drum Set      

5

Fl.      

Fl.     


Fl. C.
     

 
Trb.     

Sax Alto     

Sax Tenore
    

    
Pno.

   
 


  
 


  
 


 


 


     
      
Basso V.       
  
    
3
    
    
Dr.   
3 3
Copyright © Roberto Manuzzi 2022
2
$ I Soliti Ignoti

  
                                      
A1/2
            
9

Fl.         
    
                
                                   
Fl.       
          

              
                   
Fl. C.               

                        
Trb.              
                          
  
 
   
Sax Alto 
    
                        
                    
  
               
               
                  
Sax Tenore      
F D‹7 G‹7 C7      

                          
             
Pno.


        
  
    
 



        
          
F D‹7 G‹7 C7

    
Basso V.        
$ A1/2 
 
 
  
 

       
  


 
        
     
Dr.
            
   3 3    


B

17
                          
Fl.                     
    
          

        
           
Fl.       
 
  
   
           
    
        
           

Fl. C.                 


                       

Trb.                           
           
  
Sax Alto             
  
                 

       
  
         
 
   
     
 
                         
Sax Tenore 
       
                    
                                            


                               
Pno.
               
       
             

Basso V.
       
 


     
 


     
 


B       
              
            

Dr.
 
 I Soliti Ignoti
To Coda 3
                                      
A3
 
     
23

Fl.        
                      
             

Fl.                   
                                   
        
Fl. C.  
     


                    
Trb.             
         
   
      
  
     
               
Sax Alto                                   
 
                
         
     
                  

Sax Tenore 

µ   
F D‹7 G‹7 C7  

                      
Pno.

         
   
     

        
    
F D‹7 G‹7 C7
        
Basso V.
     

       A3        

         
3
To Coda
    
Dr.           
3      3 3

 Ø             
31 B
Fl.          

            

Fl.          
       
 
                
Fl. C.
 

            
Trb.              

           
Sax Alto          
  
                  
Sax Tenore   
 

    
                      


             
µ
                     
 
Pno.

       
                  
      
µ         
Basso V.

                            
Ø    
 B   3    3 
           
         
4
Dr.            
   
 I Soliti Ignoti
4
C

39
 
Fl.           

Fl.          

         
Fl. C.


          
Trb. 

Sax Alto          
         
Sax Tenore


         
Pno.

  

  
  

 
 
   
µ
 
   

     
 
         
 
          
                    

µ

Basso V.
                              
 3  C   3   3 
           
     
4
Dr.            
3 3

D
 
  
             
47

Fl.        
     
Fl.                
      
         
Fl. C.       


         
Trb. 
  
Sax Alto                 

             
Sax Tenore
      

   
         
Pno.

        
   

 
 µ

     
 
 
         
            
  
 
 

  
           
 
µ
             
Basso V.  
     
 3 D   3    3 
          
   
4
Dr.           
3 3
 I Soliti Ignoti


5
54
         
            

Fl.

    
           
Fl.        
         
            
Fl. C.
 

         
Trb.     
        
   
             
Sax Alto       
  
Sax Tenore 

                
   

      
                
     



                
   
Pno.
       
        

           
       
Basso V.         
 3      
                       
Dr.                     
3 3  



61    
Fl.     
   
Fl.     
    
      
Fl. C.
      
 
   
Trb.                   
    
Sax Alto     
        
          
Sax Tenore 

   
    
Pno.







 


   

Basso V.    

        
              
Dr.               
 
 I Soliti Ignoti
6
E SOLI (F RHYTHM CHANGE)
69 FŒ„Š7 D7 G‹7 C7 A‹7 D7 G‹7 C7 F6 F7/A B¨ Bº F/C D7 G‹7 C7 FŒ„Š7 D7
 
Fl.                          
FŒ„Š7 D7 G‹7 C7 A‹7 D7 G‹7 C7 F6 F7/A B¨ Bº F/C D7 G‹7 C7 FŒ„Š7 D7
Fl.                           
B¨Œ„Š7 G7 C‹7 F7 D‹7 G7 C‹7 F7 B¨6 B¨7/D E¨ Eº B¨/F G7 C‹7 F7 B¨Œ„Š7 G7
 
Fl. C.
                          
GŒ„Š7 E7 A‹7 D7 B‹7 E7 A‹7 D7 G6 G7/B C C©º G/D E7 A‹7 D7 GŒ„Š7 E7
  
Trb.                          

DŒ„Š7 B7 E‹7 A7 F©‹7 B7 E‹7 A7 D6 D7/F© G G©º D/A B7 E‹7 A7 DŒ„Š7 B7
Sax Alto                            
GŒ„Š7 E7 A‹7 D7 B‹7 E7 A‹7 D7 G6 G7/B C C©º G/D E7 A‹7 D7 GŒ„Š7 E7
 
Sax Tenore 
                          
FŒ„Š7 D7 G‹7 C7 A‹7 D7 G‹7 C7 F6 F7/A B¨ Bº F/C D7 G‹7 C7 FŒ„Š7 D7

                         
Pno.

  

FŒ„Š7


D7


G‹7 C7 A‹7 D7


G‹7 C7


F6 F7/A


B¨


Bº F/C D7


G‹7 C7
 

FŒ„Š7 D7
 
Basso V.
                          
E 3   3 

         4 8
Dr.              

78 G‹7 C7 A‹7 D7 G‹7 C7 F6 F7/A B¨ Bº C7 F A7


Fl.                                     
G‹7 C7 A‹7 D7 G‹7 C7 F6 F7/A B¨ Bº C7 F A7
Fl.                                     
C‹7 F7 D‹7 G7 C‹7 F7 B¨6 B¨7/D E¨ Eº F7 B¨ D7
Fl. C.
                                     
A‹7 D7 B‹7 E7 A‹7 D7 G6 G7/B C C©º D7 G B7
 
Trb.                                     

E‹7 A7 F©‹7 B7 E‹7 A7 D6 D7/F© G G©º A7 D F©7
Sax Alto                                     
A‹7 D7 B‹7 E7 A‹7 D7 G6 G7/B C C©º D7 G B7

Sax Tenore
                                     
G‹7 C7 A‹7 D7 G‹7 C7 F6 F7/A B¨ Bº C7 F A7
                                    
Pno.

 

G‹7 C7


A‹7


D7 G‹7


C7


F6 F7/A B¨


Bº C7


F


A7
 


Basso V.                                    

12 16
Dr.          
 I Soliti Ignoti
7
87 D7 G7 G‹7 C7 FŒ„Š7 D7

Fl.                             
D7 G7 G‹7 C7 FŒ„Š7 D7
Fl.                             
G7 C7 C‹7 F7 B¨Œ„Š7 G7

Fl. C.
                            
E7 A7 A‹7 D7 GŒ„Š7 E7
 
Trb.                             

B7 E7 E‹7 A7 DŒ„Š7 B7
Sax Alto                             
E7 A7 A‹7 D7 GŒ„Š7 E7

Sax Tenore                             

D7 G7 G‹7 C7 FŒ„Š7 D7
                            
Pno.

 

D7
 

G7
 

G‹7


C7


FŒ„Š7


D7

Basso V.                            

20 24
Dr.        


open - D.S. al Coda
94 G‹7 C7 A‹7 D7 G‹7 C7 F6 F7/A B¨ Bº C7 F C7
 
Fl.                              
G‹7 C7 A‹7 D7 G‹7 C7 F6 F7/A B¨ Bº C7 F C7
Fl.                              
C‹7 F7 D‹7 G7 C‹7 F7 B¨6 B¨7/D E¨ Eº F7 B¨ F7
Fl. C.
                               
A‹7 D7 B‹7 E7 A‹7 D7 G6 G7/B C C©º D7 G D7
  
Trb.                              

E‹7 A7 F©‹7 B7 E‹7 A7 D6 D7/F© G G©º A7 D A7
Sax Alto                              
A‹7 D7 B‹7 E7 A‹7 D7 G6 G7/B C C©º D7 G D7

Sax Tenore 
                              
G‹7 C7 A‹7 D7 G‹7 C7 F6 F7/A B¨ Bº C7 F C7

                             
Pno.

 

G‹7


C7 A‹7


D7 G‹7


C7 F6


F7/A B¨


Bº C7


F


C7



 
Basso V.                              
open - D.S. al Coda
 
28 32
Dr.         
 I Soliti Ignoti


8
  
CODA

 Ø      
101

Fl.           

  
            
Fl.    
         
Fl. C.             

         
Trb.  
             

 
Sax Alto 
              
   

Sax Tenore 
       
       
    


F6
  
Fº7 G‹7/F
 
Fº7

F6    Fº7 G‹7/F
F6
    F6
Fº7

            
     
              
 

              
          

Pno.
    
         
              
Basso V.
       
   
              
Dr.          
   
 I SOLITI IGNOTI
Flauto 1

swing $ 
musica di PIERO UMILIANI

q=200           
A1/2
       

     

13
                  
          


                 
17 B

              

21
                    
       

 
          
       
25 A3

     

Ø
To Coda
29
                 
        

B
 C

 
33




          
49 D

     

57
          
           

63   
   
Copyright © Roberto Manuzzi 2022
 Flauto 1
I Soliti Ignoti
2 SOLI (F RHYTHM CHANGE)
E
69 FŒ„Š7 D7 G‹7 C7 A‹7 D7 G‹7 C7

                 

73 F6 F7/A B¨ Bº F/C D7 G‹7 C7

                

77 FŒ„Š7 D7 G‹7 C7 A‹7 D7 G‹7 C7

                

81 F6 F7/A B¨ Bº C7 F
                

85 A7 D7
                

89 G7 G‹7 C7
                

93 FŒ„Š7 D7 G‹7 C7 A‹7 D7 G‹7 C7

                
open - D.S. al Coda
97 F6 F7/A B¨ Bº C7 F C7
                  


Ø CODA      
     
101

        
Flauto 2 (sost. alto flute)
I SOLITI IGNOTI
swing $ musica di PIERO UMILIANI

q=200
                  
A1/2

   
   


                      
13

   
 


                         

17 B

       

                    

21

       

            

A3
     
25

     

 Ø
                  
To Coda
   
29

     
B
 C

 
33



      
49 D

          

57
          
       
   

63   
   
Copyright © Roberto Manuzzi 2022
 I Soliti Ignoti
2 Flauto 2 (sost. alto flute)
SOLI (F RHYTHM CHANGE)
E
69 FŒ„Š7 D7 G‹7 C7 A‹7 D7 G‹7 C7

                 

73 F6 F7/A B¨ Bº F/C D7 G‹7 C7

                

77 FŒ„Š7 D7 G‹7 C7 A‹7 D7 G‹7 C7

                

81 F6 F7/A B¨ Bº C7 F
                

85 A7 D7
                

89 G7 G‹7 C7
                

93 FŒ„Š7 D7 G‹7 C7 A‹7 D7 G‹7 C7

                
open - D.S. al Coda
97 F6 F7/A B¨ Bº C7 F C7
                  


Ø  
CODA

        
101

        
Flauto Contralto

I SOLITI IGNOTI

swing $     
musica di PIERO UMILIANI

q=200     
             
A1/2

     


                     


13

          



                 

B

17

              

                        


21

       

  
          
       
 
A3

25

   
Coda Ø
        To
            

29

      


B
 C


33

 
D     
         
49

    

57            

             

   
62

        
Copyright © Roberto Manuzzi 2022
 Flauto Contralto
I Soliti Ignoti
2
E SOLI (F RHYTHM CHANGE)
69 B¨Œ„Š7 G7 C‹7 F7 D‹7 G7 C‹7 F7 B¨6 B¨7/D E¨ Eº
                          


75 B¨/F G7 C‹7 F7 B¨Œ„Š7 G7 C‹7 F7 D‹7 G7

                    

80 C‹7 F7 B¨6 B¨7/D E¨ Eº F7 B¨

                    

85 D7 G7 C7
                        

91 C‹7 F7 B¨Œ„Š7 G7 C‹7 F7 D‹7 G7 C‹7 F7

                        

open - D.S. al Coda

97 B¨6 B¨7/D E¨ Eº F7 B¨ F7
                  


ØCODA        
   
101

        
 I SOLITI IGNOTI
(opt.)Tromba in Bb

swing $ musica di PIERO UMILIANI

q=200
  A1/2
         
                    

13
  
         
      
                


              
17B

              

           

21

                   

25


A3
       
      
     
        

To Coda Ø
29
  
         
                       


B
 C
 

33

49

D


Copyright © Roberto Manuzzi 2022
 I Soliti Ignoti
(opt.)Tromba in Bb
2

 
57
       
              

 

62

         
  
E SOLI (F RHYTHM CHANGE)
GŒ„Š7 E7 A‹7 D7 B‹7 E7 A‹7 D7 G6 G7/B C C©º
 
69

                         

G/D E7 A‹7 D7 GŒ„Š7 E7 A‹7 D7 B‹7 E7


75

                    

A‹7 D7 G6 G7/B C C©º D7 G


80

                    

B7 E7 A7

85

                       

A‹7 D7 GŒ„Š7 E7 A‹7 D7 B‹7 E7 A‹7 D7


91

                       

open - D.S. al Coda

G6 G7/B C C©º D7 G D7

97

                 


Ø CODA 

101
       
             
 I SOLITI IGNOTI
(opt.) Sax Contralto

swing $ musica di PIERO UMILIANI

    
       
q=200
 
A1/2
      
             


                         
13

         

 
B
           
  
17

                          

                     

21

          


    
A3
            
25

        
Ø 
       
To Coda
        
29

                 
  
33

B
 C
 
 

   
D
    
49

         

     

 

57

                

63
   
   
Copyright © Roberto Manuzzi 2022
 I Soliti Ignoti
2 (opt.) Sax Contralto

E SOLI (F RHYTHM CHANGE)

 
69 DŒ„Š7 B7 E‹7 A7 F©‹7 B7 E‹7 A7
                 


73 D6 D7/F© G G©º D/A B7 E‹7 A7
                


77 DŒ„Š7 B7 E‹7 A7 F©‹7 B7 E‹7 A7
                


81 D6 D7/F© G G©º A7 D
                


85 F©7 B7
                


89 E7 E‹7 A7
                


93 DŒ„Š7 B7 E‹7 A7 F©‹7 B7 E‹7 A7
                
open - D.S. al Coda


97 D6 D7/F© G G©º A7 D A7
                  

Ø   

 
CODA
  
101

              
 I SOLITI IGNOTI
(opt.) Sax Tenore

swing $ musica di PIERO UMILIANI


q=200                
A1/2

        

                        

13

     
 


B
          
  
17

                          

21
                     
         
  

 
 
                 
25 A3

   

To Coda Ø
               
   
29

         



B
 C
 

33

           
49 D

     

     



57

               
Copyright © Roberto Manuzzi 2022
 (opt.) Sax Tenore
I Soliti Ignoti
2
     
            
61

  

SOLI (F RHYTHM CHANGE)

GŒ„Š7 E7 A‹7 D7 B‹7 E7 A‹7 D7
 
E 69

                 

G6 G7/B C C©º G/D E7 A‹7 D7


73

               

GŒ„Š7 E7 A‹7 D7 B‹7 E7 A‹7 D7


77

                

G6 G7/B C C©º D7 G

81

                

B7 E7

85

                

A7 A‹7 D7

89

               

GŒ„Š7 E7 A‹7 D7 B‹7 E7 A‹7 D7


93

                
open - D.S. al Coda
G6 G7/B C C©º D7 G D7

97

                  


Ø CODA   
           
101

     
 
Piano I SOLITI IGNOTI
musica di PIERO UMILIANI
swing

                                
q=200 µ
 
                            

$ A1/2
   
F D‹7 G‹7 C7
   
9
  
                
            


  
       
  
     
 



17

B
            
   
                
         


                    
   

 

  

 

         
21
       µ   
     
  
      
            


        
   

 
        
         
Ø
A3
F D‹7 G‹7 C7  
To Coda
     
   
25

            
            

 
       
  
     
 

                          
33 B µ
            
                    

                                    
41 C µ
                             

     
                                
49 Dµ

               
V.S.
Copyright © Roberto Manuzzi 2022
 I Soliti Ignoti
2 Piano
57
           
 
                 
           

  
     
  

SOLI (F RHYTHM CHANGE)

 


 
 


E
69 FŒ„Š7 D7 G‹7 C7 A‹7 D7 G‹7 C7

                 
73 F6 F7/A B¨ Bº F/C D7 G‹7 C7
                

     

77 FŒ„Š7 D7 G‹7 C7 A‹7 D7 G‹7 C7

                
81 F6 F7/A B¨ Bº C7 F
                

 
85 A7
 
D7
 

                
89 G7 G‹7 C7
                
93 FŒ„Š7 D7 G‹7 C7 A‹7 D7 G‹7 C7
                
open - D.S. al Coda
97 F6 F7/A B¨ Bº C7 F C7
                  

Ø CODA


F6
     
Fº7 G‹7/F Fº7 F6    Fº7
F6
  G‹7/F
  Fº7
  F6
        
101

 
            


              
    
    
  

  
         
Basso I SOLITI IGNOTI
musica di PIERO UMILIANI
q=200
      
                                 
swing µ


$ A1/2
F D‹7 G‹7 C7 
         
9
             
       

17 B
   
                                      


A3
25 F
D‹7 G‹7 C7   To Coda
 Ø
        
         
 
    

33 Bµ
      
                                  
 

41 C µ                        
  
                       
 

D
49 µ
                       


                     

57         
  
    
Copyright © Roberto Manuzzi 2022
 I Soliti Ignoti
2E SOLI (F RHYTHM CHANGE) Basso
69 FŒ„Š7 D7 G‹7 C7 A‹7 D7 G‹7 C7
 
               

73 F6 F7/A B¨ Bº F/C D7 G‹7 C7


               

77 FŒ„Š7 D7 G‹7 C7 A‹7 D7 G‹7 C7


               

81 F6 F7/A B¨ Bº C7 F

               

85 A7 D7

               

89 G7 G‹7 C7

               

93 FŒ„Š7 D7 G‹7 C7 A‹7 D7 G‹7 C7


               
open - D.S. al Coda
97 F6 F7/A B¨ Bº C7 F C7

                 


Ø CODA
101 
        
      
   
 

Drum Set I SOLITI IGNOTI
musica di PIERO UMILIANI
swing
q=200
  3    3    3  
       4       
             
3 3

9
$A1/2         
                           
            
    3 3    
B
17              
                 3

     

  
         
3
 

A3    To Coda
Ø    
25  
    
                  
 
         
   3 3    

B 3   3    3  
       
  
33 
4       
              
3 3

C 3   3    3  
       
  
41 
4       
              
3 3

D 3   3    3  
       
   
49
4       
              
3 3

57                    
                           
     
                     

  Copyright © Roberto Manuzzi 2022
 
 I Soliti Ignoti
Drum Set
2

SOLI (F RHYTHM CHANGE)

69 E 
3  
 
3 

         4 8
            

77
12 16
        

85
20 24
        

93 open - D.S. al Coda

28 32
          


Ø CODA   
101    
            
         
   
 GASSMAN BLUES
(I Soliti Ignoti)
swing
musica di PIERO UMILIANI
q=200
     
Flauto  

Flauto Contralto       

    
(opt.)Sax Tenore
 

µ
           
Piano
        
         

Basso verticale
      
swing
FILL

  
q=200
Drum Set
                  

5

Fl.      


Fl. C.     

    
Sax Tenore


          
       
         
 
Pno.

               
µ
Basso V.        

FILL

Dr.                     
Copyright © Roberto Manuzzi 2022
 Gassman Blues (I Soliti Ignoti)
2

        
A
  
9
 3
  
                 
   
Fl. 
       
      

                               
     
Fl. C.  
       
3
3
   
Sax Tenore
                            
       

     
Pno.
 
D‹% DØ7
                   
Basso V.

A
  
4
Dr.     

        
14
  3

Fl.                    

   
              
Fl. C.           

       3

3
  
Sax Tenore         
       
  

 
 

    
Pno.
 
D‹% G‹7
                
Basso V. 

8
Dr.     
 Gassman Blues (I Soliti Ignoti)


18
     3
      
3

Fl.                
       

                      
Fl. C.            

       
3
   
    
3

Sax Tenore          

          
 
µ
    
Pno.

        

D%

E7

A7
        
µ
     
Basso V.      

     

12
Dr.     

                      

22

Fl.         

     
    
   
  
   
  
 
 
Fl. C. 
     
            
Sax Tenore 
                       

               
Pno.
     
              

            
          
    
Basso V.  

       
                            
FILL

Dr.      
 Gassman Blues (I Soliti Ignoti)


B
     
              
4

27

Fl.        

      
          

         
Fl. C.  
                       
Sax Tenore
     
D‹%
    
Pno.
              

   
D‹%
           
Basso V.  

B

FILL

Dr.              

       
32 
                    
Fl.        
         
3
       
       
       
Fl. C.    
3

                         
Sax Tenore
    
3

DØ7 D‹%

Pno.
                 
DØ7 D‹%
                
Basso V.

4
Dr.     
 Gassman Blues (I Soliti Ignoti)

          
              
5

36

Fl.           

                   
3

     
Fl. C.         
3

                     
Sax Tenore
      
3

D‹7 G‹7 D%

Pno.
                
D‹7 G‹7 D%
                
Basso V. 

8
Dr.     

       
40
             
Fl.         
3

         
  
   
  
  
 

  
Fl. C. 
  
3

        
    
 
        

Sax Tenore
    
3

   
µ
    
Pno.
                    


                 
µ
    
Basso V.     

        
          
FILL

 
12
Dr.  
 Gassman Blues (I Soliti Ignoti)
6

44            
Fl.            

         
Fl. C.               

        
Sax Tenore
                  


D‹6
        
Pno.

               
   

              
Basso V.         

       
FILL

Dr.                           

C SOLI (D minor blues)

D‹% G‹7 A7(b9) D‹% DØ7
 
49

Fl.                           
G‹% C‹7 D7(b9) G‹% GØ7

Fl. C.                           
E‹% A‹7 B7(b9) E‹% EØ7
 
Sax Tenore
                         
D‹% G‹7 A7(b9) D‹% DØ7
  
Pno.
                         
D‹% G‹7 A7(b9) D‹% DØ7
                          
Basso V.

C
    4
Dr.           
 Gassman Blues (I Soliti Ignoti)

D‹% E‹7 A7(b9) D% 7

 
55

Fl.                           

G‹% A‹7 D7(b9) G%

Fl. C.                           
E‹% F©‹7 B7(b9) E%

Sax Tenore
                          
D‹% E‹7 A7(b9) D%
  
Pno.
 
                        
D‹% E‹7 A7(b9) D%
                     
Basso V.      

 
8 12
Dr.        

                         
D BACKGROUND last solo)
61

Fl.      

         

 
      
  
Fl. C. 
      

      
    

   
   
    

Sax Tenore 
 
      

D‹% G‹7 A7(b9) D‹% DØ7


Pno.
                     
D‹% G‹7 A7(b9) D‹% DØ7
Basso V.
                    

D
    4
Dr.         
 Gassman Blues (I Soliti Ignoti)

                  
8

66

Fl.           

            
     
Fl. C.             
    
         
    
   
        
Sax Tenore 
        


D‹% E‹7 A7(b9)


Pno.
                    
D‹% E‹7 A7(b9)
                    
Basso V. 

8
Dr.      

    
E
           
      
71

Fl.    
           
Fl. C.

              

          

             
Sax Tenore
 
D% D‹%

Pno.
                         
D% D‹%
Basso V.
                        

E
12     4
Dr.          
 Gassman Blues (I Soliti Ignoti)

                9

       
77

Fl.     

              

      
Fl. C.      
           
         
Sax Tenore 
     

DØ7 D‹% EØ7


Pno.
                    
DØ7 D‹% EØ7
                   
Basso V.  

8
Dr.      

               

      
F

82

Fl.       
          
Fl. C.  
     

         

   
           
  


     

Sax Tenore  

A7(#9) D% D‹%

Pno.
                     
A7(#9) D% D‹%
Basso V.
                    

F
12    
Dr.         
 Gassman Blues (I Soliti Ignoti)

    
                       
10

87

Fl.     
 
    
                             
Fl. C.  
       
              
Sax Tenore
        

DØ7 D‹%

Pno.
                    
DØ7 D‹%
Basso V.

                    

4
Dr.      

                    

      
92

Fl.    
          
    
       
Fl. C.       
    
               
Sax Tenore 
         

EØ7 A7(#9) D%

Pno.
                     
EØ7 A7(#9) D%

Basso V.
                    

8 12
Dr.      
 Gassman Blues (I Soliti Ignoti)

97 G DRUM SOLO 12 battute 11


Fl.            


Fl. C.           

          
Sax Tenore


          
Pno.
 

          
Basso V. 
G
    4 8
Dr.              

  
            
H CODA
      
107

Fl.       
                 
    
Fl. C.    
                
             
Sax Tenore

µ
     
                      
Pno.
 
µ
           
Basso V.
              

H
            
        
12
Dr.   
 GASSMAN BLUES
Flauto 1
(I Soliti Ignoti)
swing musica di PIERO UMILIANI
q=200  A
      
 
  
      

  

        
12 3

          
                  

        
16 3

    


          

  

20
 3            

    
        

           
  
24

             

 
                        
29 B

       
3

 
                         
33

        
3

 
                       
37

     
3

41
             
         

45            
         
Copyright © Roberto Manuzzi 2022
 Gassman Blues (I Soliti Ignoti)
2 C SOLI (D minor blues)
49 D‹% G‹7 A7(b9) D‹%
 
                 

53 DØ7 D‹%
                

57 E‹7 A7(b9) D%
                  

D
                  
BACKGROUND last solo)
61

        

                  
          
66

        
E
                    
72

     

                     

78

     

      

       
F

83
        
        


    
            
      
89

     

           

      
93

   
  
DRUM SOLO 12 battute

97 G
 H  CODA  
               
     
 GASSMAN BLUES
Flauto Contralto
(I Soliti Ignoti)
musica di PIERO UMILIANI

q=200
swing

 A
         
     
     

12
         
          
       
3

16
          
  
         
    
3

         
 
20
 
       

 

     

3

        
 
24

     
         
  
           
      
B

29

    
  
3

           
 
           
33

            
 
3

37
                         
     
3

                

41

      

45
            
            
Copyright © Roberto Manuzzi 2022
 Gassman Blues (I Soliti Ignoti)
Flauto Contralto
2 SOLI (D minor blues)
C
G‹% C‹7 D7(b9) G‹% GØ7
 
49


                         

G‹% A‹7 D7(b9) G%


55



                         



           
     
D

61 BACKGROUND last solo)

 



    




            
 
66
 
                
  
                
E

71

       

77
        

     
      

           

     

81

    

            

F

85

                   
 


      
          
90
    
   
  


94
         
    
 

               
  CODA
DRUM SOLO 12 battute

97

G
 H

     
 GASSMAN BLUES
Piano (I Soliti Ignoti)
musica di PIERO UMILIANI
q=200
swing
µ
 
                 
      
  
5
        
   
   
 
         
9 A  µ
        
 
              
 

25
  
  
 
  
      
           
B
29 D‹% DØ7

                       

35 D‹% D‹7 G‹7 D%


                       

41 µ
       

               
       
45 D‹6
  
  
 
  
      
            
C SOLI (D minor blues)

49 D‹% G‹7 A7(b9) D‹%

 
                
53 DØ7 D‹%

               

57 E‹7 A7(b9) D%

                 

Copyright © Roberto Manuzzi 2022
 Gassman Blues (I Soliti Ignoti)

D2 BACKGROUND last solo) Piano

61 D‹% G‹7 A7(b9) D‹%


               

65 DØ7 D‹%

               

69 E‹7 A7(b9) D%

               
E
73 D‹%

               

77 DØ7 D‹%

               

81 EØ7 A7(#9) D%

               
F
85 D‹%

               

89 DØ7 D‹%

               

93 EØ7 A7(#9) D%

               
DRUM SOLO 12 battute CODA
97 G Hµ
       
   
                  
   
Basso
GASSMAN BLUES
(I Soliti Ignoti)
q=200 musica di PIERO UMILIANI
swing µ
  
      
    
          
A
9 D‹%
                

13 DØ7 D‹%
                


17 G‹7 E7 A7 D%
                


21 µ
    
       
          

25
        
  
  
 

   
 
B
29 D‹%
             
   

33 DØ7 D‹%
                


37 D‹7 G‹7 D%
                


41µ
     
     
            

45
     
       
        

Copyright © Roberto Manuzzi 2022
 Gassman Blues (I Soliti Ignoti)
Basso
2 C SOLI (D minor blues)
49 D‹% G‹7 A7(b9) D‹%
                 

53 DØ7 D‹%
                 

57 E‹7 A7(b9) D%
                  

D BACKGROUND last solo)
61 D‹% G‹7 A7(b9) D‹%
            
   

65 DØ7 D‹%
              
  

69 E‹7 A7(b9) D%
                
E
73 D‹%
            
   

77 DØ7 D‹%
                

81 EØ7 A7(#9) D%
                

F
85 D‹%
                

89 DØ7 D‹%
                

93 EØ7 A7(#9) D%
                

CODA
97 G DRUM SOLO 12 battute Hµ
          
               
Drum Set
GASSMAN BLUES
(I Soliti Ignoti)
musica di PIERO UMILIANI
swing
q=200 FILL

                   
5 FILL

                    
9 A
4 8
           
18 FILL
12            
         
  
24 FILL
           
              
29 B
4 8
           
38 FILL
12            
         
44 FILL
           
              
  
C SOLI (D minor blues)
49
     4
          
55
8 12
        

Copyright © Roberto Manuzzi 2022
 Gassman Blues (I Soliti Ignoti)
2 Drum Set

D BACKGROUND last solo)

61
    4 8
            

70 E
12     4
          

77
8 12
        

85 F
    4 8
            

G DRUM SOLO 12 battute

94
12     4
          

101
8 12
        

109 H CODA

           
         
   
 LA NOTTE
("quartetto all'alba")
dall'omonimo film di MICHELANGELO ANTONIONI
Giorgio Gaslini
A
q=160 B¨ C‹7
 
C©º
 
B¨/D F G‹7 G©º F/A G7 C‹7 F7 B¨
                            
swing
         
Flauto  

  
B¨ C‹7

C©º

B¨/D
 F  G©º
G‹7
 G7 C‹7
F/A
  
F7 B¨
Flauto Contralto     
 

 

  
       
          
 
    
F

G‹7 G©º
 
F/A F7 B¨
     
B¨ C‹7 C©º B¨/D G7 C‹7
                
          
  
Sax Tenore
   

B¨  C‹7  C©º  B¨/D F
 
G‹7

G©º

F/A G7 C‹7 F7 B¨
     
Vibráfono    
                 

    
          
B¨ C‹7 C©º B¨/D F G‹7 G©º F/A G7 C‹7 F7 B¨

Chitarra Jazz                          


B¨

C‹7

C©º

B¨/D F

G‹7

G©º

F/A G7 C‹7

F7 B¨
  
                              
      


 
        
   
Piano

                    
   
   
B¨ C‹7 C©º B¨/D F G‹7
 
G©º
 
F/A
 
G7 C‹7 F7
  
B¨
          
pizz.
Contrabbasso        
swing
q=160 A
                 

    
Drum Set            



   
D‹7 G7 C‹7 F7 B¨ C‹7 C©º B¨/D F G‹7 G©º F/A G7 C‹7 F7
            
                    
7

Fl.  
        


D‹7
G7  C‹7  F7 B¨

C‹7

C©º
   F G‹7
B¨/D
 G©º 
F/A G7 C‹7 F7
    
Fl. C.                   
 
   
          
  

D‹7
G7  C‹7  F7 
B¨ C‹7
 
B¨/D F
 G©º
 G‹7 
F/A F7
    
G7 C‹7
          
C©º
Sax Tenore                
         
    
D‹7
 
G7 C‹7
 F7 
B¨

C‹7 
C©º 
B¨/D F
 
G‹7

G©º
 
F/A G7 C‹7 F7
 
Vib.     
        
         
              
     
   
      
D‹7 G7 C‹7 F7 B¨ C‹7 C©º B¨/D F G‹7 G©º F/A G7 C‹7 F7

Cht. J.                           
D‹7 F7  C‹7
G7
B¨  
C©ºC‹7 
B¨/D

F G‹7
 
F/A G7 C‹7 F7
  
G©º
  
     
 
    
   
        
 
        


         
        
  
Pno.

                        
        
                 
D‹7 G7 C‹7 F7 B¨ C‹7 C©º B¨/D F G‹7 G©º F/A G7 C‹7 F7
   
Contrab.         

                       
Dr.                    

Roberto Manuzzi 2022

2 LA NOTTE - quartetto all'alba

B
 
B¨ D‹7 G7 G‹7 C7 FŒ„Š7 D‹7 D‹(Œ„Š7) D‹9 G A‹ A©º G/B
                
             
14

Fl.       
 G7  G‹7
3 3 G A‹ A©º G/B

B¨ D‹7 C7 FŒ„Š7
D‹7
   3     3 
D‹(Œ„Š7) D‹9
    
Fl. C.           
          
 
B¨ D‹7
 G7  G‹7 C7 FŒ„Š7

D‹7

D‹(Œ„Š7) D‹9 
 G 
A‹ 
A©º 
G/B
Sax Tenore          
3 3

                    

 
B¨ D‹7
 G7  G‹7 C7 FŒ„Š7 D‹7 D‹(Œ„Š7) D‹9 G A‹ A©º G/B
Vib.          
          
   
   
B¨ D‹7 G7 G‹7 C7 FŒ„Š7 D‹7 D‹(Œ„Š7) D‹9 G A‹ A©º G/B

Cht. J.                             
B¨ D‹7 G7 G‹7 C7 FŒ„Š7 D‹7 D‹(Œ„Š7) D‹9 G A‹ A©º G/B

                  
     


  
Pno.
 
                
              

      
B¨ D‹7 G7 G‹7 C7 FŒ„Š7 D‹7 D‹(Œ„Š7) D‹9 G A‹ A©º G/B

Contrab.                     
B
                  
4
Dr.                    


C
CŒ„Š7 C‹7 F G‹ G©º A/F B¨
 
C‹7 C©º
  
B¨/D
                         
  
21

Fl.  
  
  
3 3 F G‹ G©º A/F B¨
            
CŒ„Š7 C‹7 C‹7 C©º B¨/D

CŒ„Š7
             
3 3
 
   
           
Fl. C.
F G‹ G©º 
      A/F      
C‹7 B¨

CŒ„Š7 C‹7 C©º B¨/D

                  
        
3 3

     
Sax Tenore

F G‹ G©º 
A/F     
CŒ„Š7 C‹7 B¨ C‹7 C©º B¨/D

Vib.                

   
 
   
   
CŒ„Š7 C‹7 F G‹ G©º A/F B¨ C‹7 C©º B¨/D

Cht. J.                         
CŒ„Š7 C‹7 F G‹ G©º A/F 
B¨ 
C‹7
  
C©º 
B¨/D


                 

   
  
 

 


    
     
Pno.

                    
       

     
CŒ„Š7 C‹7 F G‹ G©º A/F B¨ C‹7 C©º B¨/D
Contrab.             
       
LANCIO C
                 
Dr.              
 LA NOTTE - quartetto all'alba 3

(Fine) SOLI sulla struttura,

F G‹7 G©º F/A G7 C‹7 F7 B¨ G7

C‹7 CØ7/F B¨6
  
          
poi TEMA D.C. al Fine

           
27

    
Fl.     

F
 
G‹7

G©º 
F/A

G7 C‹7 F7 B¨ G7 C‹7 CØ7/F B¨6

                          
Fl. C.
    
  
F G‹7 G©º

F/A
  
G7 C‹7 F7 B¨ G7 C‹7 CØ7/F B¨6

Sax Tenore         
                  

    
 F G‹7
 G©º F/A
  
G7 C‹7 F7 B¨ G7 C‹7 CØ7/F B¨6

Vib.     
           
        
       

F G‹7 G©º F/A G7 C‹7 F7 B¨ G7 C‹7 CØ7/F B¨6

Cht. J.                      

    
F G‹7 G©º F/A G7 C‹7 F7 B¨ G7 C‹7 CØ7/F B¨6
       
         
     
    


          
 
 
Pno.
      
   
                
F G‹7
 
G©º

F/A
  
G7 C‹7 F7
   G7
B¨ C‹7 CØ7/F B¨6

 
        
Contrab.  

 
(Fine)
            
Dr.              
Flauto LA NOTTE
("quartetto all'alba")
dall'omonimo film di MICHELANGELO ANTONIONI Giorgio Gaslini
q=160 swing

   
B¨ C‹7 C©º
B¨/D F G‹7 G©º F/A G7 C‹7 F7
                  
A
 
          
 
    
  

B¨ D‹7 G7 C‹7
   
F7 B¨ C‹7

C©º
 
B¨/D
             
    
6
     
  

G7  G‹7
  
F G‹7 G©º
F/A G7 C‹7 F7 B¨ D‹7
    C7
                     
11


  
  

B FŒ„Š7 D‹7 D‹(Œ„Š7) D‹9 G A‹ A©º G/B

17
             
  
       
3 3

CŒ„Š7 C‹7 F G‹ G©º A/F

21
                  
    
3 3


 
C B¨ C‹7 C©º B¨/D F G‹7 G©º F/A G7
                 
  
25
  
    

(Fine) SOLI sulla struttura,

     
C‹7 F7 B¨ G7 C‹7 CØ7/F B¨6 poi TEMA D.C. al Fine

      
29

            
Roberto Manuzzi 2022
Flauto Contralto
LA NOTTE
("quartetto all'alba")
dall'omonimo film di MICHELANGELO ANTONIONI Giorgio Gaslini
A
q=160 E¨ F‹7 F©º
     B¨ C‹7
E¨/G C©º B¨/D C7 F‹7
 
B¨7
                   
swing
    
           

E¨ G‹7
 F‹7 B¨7
C7 E¨ F‹7

F©º
 
E¨/G

          
6

                   

11
  
B¨ C‹7 C©º

B¨/D C7 F‹7
  
B¨7

E¨ G‹7

C7
 C‹7
 
F7
                           

B
    
B¨Œ„Š7 G‹7 G‹(Œ„Š7) G‹9 C D‹ D©º C/E
             
17 3 3

         

FŒ„Š7 FŒ„Š7 F‹7 B¨ C‹ C©º D/B¨

     

21
  
3 3 

               

C
E¨
 
F‹7
 
F©º
  
E¨/G B¨ C‹7
 
C©º
 
B¨/D
 
C7
     
25

       

 

  


(Fine) SOLI sulla struttura,

     

poi TEMA D.C. al Fine
F‹7B¨7 E¨ C7 F‹7 FØ7/B¨ E¨6
  
29

                 
Roberto Manuzzi 2022
 dall'omonimo film di MICHELANGELO ANTONIONI
Vibráfono LA NOTTE
A swing
("quartetto all'alba") Giorgio Gaslini

q=160
 
B¨ C‹7

C©º

B¨/D F
 
G‹7

G©º F/A

G7
 
                       
  

5 C‹7
   
F7 B¨ D‹7
 G7   C‹7  F7
      
          
  


 B¨

C‹7

C©º

B¨/D F

G‹7
 
G©º F/A

G7
 
9

         
   
         
      

C‹7 F7 B¨ D‹7
 G7  G‹7 C7
   
13

      
        
 

B
FŒ„Š7 D‹7 D‹(Œ„Š7) D‹9 G A‹ A©º G/B

17

  



    
   

CŒ„Š7 C‹7 F G‹ G©º A/F


21


   
 
 
    

 B¨

C‹7

C©º

B¨/D F

G‹7

G©º

F/A

G7
 
25

                    

  

(Fine) SOLI sulla struttura,

poi TEMA D.C. al Fine
C‹7 F7 B¨ G7 C‹7 CØ7/F B¨6
  
29

        
       
Roberto Manuzzi 2022
 dall'omonimo film di MICHELANGELO ANTONIONI
Chitarra Jazz LA NOTTE
("quartetto all'alba")
swing Giorgio Gaslini
A
q=160 B¨ C‹7 C©º B¨/D F G‹7 G©º F/A G7

                 

C‹7 F7 B¨ D‹7 G7 C‹7 F7


5

                

B¨ C‹7 C©º B¨/D F G‹7 G©º F/A G7


9

                

C‹7 F7 B¨ D‹7 G7 G‹7 C7


13

                

B
FŒ„Š7 D‹7 D‹(Œ„Š7) D‹9 G A‹ A©º G/B

17

                

CŒ„Š7 C‹7 F G‹ G©º A/F


21

                
C
B¨ C‹7 C©º B¨/D F G‹7 G©º

25

            

(Fine)


F/A G7 C‹7 F7 B¨ G7 C‹7 CØ7/F B¨6

28


                 
Roberto Manuzzi 2022 SOLI sulla struttura,
poi TEMA D.C. al Fine
 dall'omonimo film di MICHELANGELO ANTONIONI
Piano
LA NOTTE
("quartetto all'alba")
Giorgio Gaslini
q=160 swing

A B¨  C‹7

C©º

B¨/D F
 
G‹7

G©º F/A G7
  
                    
   


     
    
     


 
         
         

  
5 C‹7 F7 B¨ D‹7 G7 C‹7 F7

        
   

    
 
               


B¨

C‹7

C©º

B¨/D F

G‹7

G©º

F/A G7
  
9

 

     
   
            


     
        
 
            
       


C‹7 F7 B¨ D‹7 G7 G‹7 C7

13

         
   

   
 
               

B
FŒ„Š7 D‹7 D‹(Œ„Š7) D‹9 G A‹ A©º G/B

17

             
     
  
            
Roberto Manuzzi 2022
   
V.S.
2 LA NOTTE - quartetto all'alba

Piano

CŒ„Š7 C‹7 F G‹ G©º A/F


21

             


    
 
                

   
C B¨ C‹7 C©º B¨/D F G‹7 G©º F/A G7
25
     
         
   
            


     
    
    
            
   
   

(Fine)

  
C‹7 F7 B¨ G7 C‹7 CØ7/F B¨6

29


          



        
 
 
            

SOLI sulla struttura,

poi TEMA D.C. al Fine
 dall'omonimo film di MICHELANGELO ANTONIONI
Contrabbasso LA NOTTE
q=160 swing
("quartetto all'alba") Giorgio Gaslini
B¨ C‹7 C©º B¨/D F G‹7 G©º F/A G7
 
A pizz.

               

C‹7 F7 B¨ D‹7 G7 C‹7

5
           F7
 
   

9 B¨ C‹7 C©º B¨/D F G‹7 G©º F/A G7

            
    

13 C‹7 F7 B¨ D‹7 G7 G‹7 C7

           
    

B
17 FŒ„Š7 D‹7 D‹(Œ„Š7) D‹9 G A‹ A©º G/B
    
  
       


21 CŒ„Š7 C‹7 F G‹ G©º A/F


    
            

C
25 B¨ C‹7 C©º B¨/D F G‹7 G©º F/A G7
            
    

(Fine)
29 C‹7 F7 B¨ G7 C‹7 CØ7/F B¨6
          
   
SOLI sulla struttura,
Roberto Manuzzi 2022 poi TEMA D.C. al Fine
 dall'omonimo film di MICHELANGELO ANTONIONI
Drum Set
LA NOTTE
("quartetto all'alba")
Giorgio Gaslini
q=160 swing
A
               
 
        

9 
              
         
B LANCIO
17
    4    
              
(Fine)
25 C
 
                       
           
SOLI sulla struttura,
poi TEMA D.C. al Fine

Roberto Manuzzi 2022

 LA NOTTE (BLUES 1)
Giorgio Gaslini
q=70
slow swing
 
Flauto        

 
Flauto Contralto        

 
Flauto Basso       

    
Sax Contralto

C7(#11)
    4
Vibráfono
          

C7(#11)

    
 4

       

Piano

    




  
4


     4
Basso verticale     
SPAZZOLE


     4
Drum Set       


A
  
A¨7
                      F7
C7(#11)   G7(#5)
              
5

            
Fl.
 3

 F7(#11)    D¨7 B¨7 C7(#5)

Fl. C.                
 
                       

 
 
    
 C7(#11)               A¨7    3   
F7  G7(#5)
B. Fl.                        
3
A7(#11)    F7  D7 E7(#5)
               
                     
T.Sx
         
3

C7(#11) A¨7 F7 G7(#5)

    4
    
   
            
 
 
Vib.

  
 
  C7(#11) A¨7 F7  G7(#5)
  
         
4
      


       
  
     4

         
  
C7(#11) A¨7 F7 G7(#5)
      4

Basso V.          
SPAZZOLE
      4
Dr.           
2 la notte blues 1

ØG7 F7
C7(#11)  C7(#11)
ultima v. al Coda
               
           
11
  
Fl.        
3 3
F7(#11) C7 B¨7 F7(#11)
3
  3

                
3
               


  
Fl. C.

G7  
F7
 C7(#11)                 
 C7(#11) 3

B. Fl.       
       
3 3
D7 3
A7(#11)
        
E7
  A7(#11) 
        

    

   
   

T.Sx
 
3 3 3

C7(#11) G7 F7 C7(#11)
        
3 3 3
 
             

           

Vib.
     
 
C7(#11) G7 F7 C7(#11)
 
                           
           


      
   
           
           
    
C7(#11) C7(#11) G7 F7 C7(#11)
              
Basso V.         

 
8 12
Dr.        
ultima v. al Coda
Ø

B SOLI

C7(#11) A¨7 F7 G7(#5)

   
17


4
Fl.                 
F7(#11) D¨7 B¨7 C7(#5)

    
4
Fl. C.              
C7(#11) A¨7 F7 G7(#5)

    
4
B. Fl.              
A7(#11) 4 F7 D7 E7(#5)

T.Sx
               

C7(#11) A¨7 F7 G7(#5)


  
4
Vib.
                

C7(#11) A¨7 F7 G7(#5)

 
     
4
            

  
        
4
        

C7(#11) A¨7 F7 G7(#5)

     
4

Basso V.              

    4
Dr.          
 la notte blues 1 3

C7(#11) G7 F7 C7(#9)
   
23

Fl.                    
F7(#11) C7 B¨7 F7(#9)

Fl. C.                     
C7(#11) G7 F7 C7(#9)

B. Fl.                     
A7(#11) E7 D7 A7(#9)

T.Sx
                   
C7(#11) G7 F7 C7(#9)
  
Vib.
                    
C7(#11) G7 C7(#9)
  
                   

  
                   

C7(#11) G7 C7(#9)
 
                    
Basso V.


 
8 12
Dr.        

ØCoda
G7 F7
 C7(#11) G7 F7
 C7(#11)
  

                                   
29

Fl.      
3 3 3 3 3 3
C7 B¨7
 F7(#11) C7 B¨7
 F7(#11) 
   
3 3
                 
3 3
Fl. C.                       


G7
    
F7 C7(#11)      
3 G7
      
F7 C7(#11)      
3

B. Fl.  

             
3 3 3 3 3 3
E7 D7 E7 D7
        
A7(#11)  A7(#11) 
                  

         
T.Sx


 
3 3 3 3 3 3

G7 F7 C7(#11) G7 F7 C7(#11)  
   
3 3 3 3 3 3
  
Vib.
          

             
 
    

          
F7 F7

G7

C7(#11) G7 C7(#11) 
                            
                        


   
    
    
                    
      
G7 F7 C7(#11) G7 F7 C7(#11) 
Basso V.
 
        
         
 

   4    
Dr.              
ØCoda
 Flauto

LA NOTTE (BLUES 1)
Giorgio Gaslini
 
slow swing A
q=70
  C7(#11)      

                 


 ultima v. al Coda Ø
A¨7 F7 G7(#5) C7(#11)
                           
8


     
 3

F7
G7  C7(#11)
                  
13


      
 3 
3 3

SOLI
B
C7(#11) A¨7 F7 G7(#5) C7(#11)

17

       
 4
               

G7 F7 ØCoda G7
C7(#9) F7
   
24
    

  
  

             

C7(#11) G7
              

31

  

3 3 3

F7
 C7(#11)
              
34

    
 3 3 3
Flauto Contralto LA NOTTE (BLUES 1)
Giorgio Gaslini
q=70 A

slow swing

   F7(#11)  
            
              

ultima v. al Coda Ø
 D¨7 B¨7 C7(#5) F7(#11)

8
  
                         
3

C7 B¨7 F7(#11)
        
13 3
             
3

      

3

SOLI

F7(#11)
B D¨7 B¨7 C7(#5)

17

        
 4
          

F7(#11) C7 B¨7 F7(#9)


23

                      


ØCoda
C7 B¨7 F7(#11)
     
29 3

                   
3

 
3

C7 B¨7 F7(#11) 
       
33 3

3

   
    

3
 Flauto Basso LA NOTTE (BLUES 1)
Giorgio Gaslini
slow swing A
q=70
  C7(#11)    

                    


Ø
 A¨7    F7 C7(#11)
G7(#5)  
ultima v. al Coda
                        
8

    
3

F7
 
G7  C7(#11)
    
       
13


         
 
3 3 3

SOLI

C7(#11)
B A¨7 F7 G7(#5)

17

        
 4
          

C7(#11) G7 F7 C7(#9)

23

                    


ØCoda
G7 F7
 C7(#11)
                 
29

    
 3
3 3

G7 F7
 C7(#11)
33
       
        
      
3 3 3
 Sax Contralto
LA NOTTE (BLUES 1)
Giorgio Gaslini
q=70
slow swing




A
A7(#11)   
             
5

              

 

Ø
ultima v. al Coda
F7  D7 E7(#5) A7(#11)
           
9
      
     
3

E7 D7
 A7(#11)
 
                  
13


   

3 3 3

B SOLI
17
 A7(#11) 4 F7 D7 E7(#5)
                

23 A7(#11) E7 D7 A7(#9)
                    

ØCoda
E7 D7 A7(#11)
     
            
29



 
3 3 3

E7 D7 A7(#11)
      
           
33




3 3 3
Vibráfono LA NOTTE (BLUES 1)
Giorgio Gaslini
q=70 slow swing
C7(#11)
 
         
4
  
 


A
C7(#11) A¨7 F7 G7(#5)
    
5

        
4
         
        
  

C7(#11) ultima v. al Coda Ø G7 F7 C7(#11)

  
11

   
3 3 3

                     
    
 
  
   

SOLI
B
C7(#11) A¨7 F7 G7(#5)

16

      

 4
              

C7(#11) G7 F7 C7(#9)

23

                    


ØCoda
G7 F7 C7(#11)

29
3 3 3
              
         

G7 F7 C7(#11)  

33
3
 3 3

                   
        
Piano

LA NOTTE (BLUES 1)
Giorgio Gaslini
q=70
slow swing
C7(#11)
 
         
4
  


 

     4

    


A C7(#11)
    
5


4
        

    
 



  
4


ultima v. al Coda
Ø
A¨7 F7 G7(#5) C7(#11) 
  
9


                
          


    
     
     
     
   

G7 F7 C7(#11)
 
13

                
      


    
 
 
           

   
 la notte blues 1
2 Piano

SOLI
B
C7(#11) A¨7 F7 G7(#5)
  
17


4
               

   
        
4
       

C7(#11) G7 C7(#9)

23

                    



  
                  

ØCoda
G7 F7 C7(#11)
 
29

                
    


     
 
 
          
  

G7 F7 C7(#11) 
 
33

                
 
          


   
  
 
            
   
cìontrabbasso LA NOTTE (BLUES 1)
Giorgio Gaslini
q=70
slow swing
     4
    

A
5 C7(#11) 4 A¨7 F7 G7(#5) C7(#11)
      
           

ultima v. al Coda Ø
12 C7(#11) G7 F7 C7(#11)
 


        

  
  

B SOLI
17 C7(#11) 4 A¨7 F7 G7(#5)
      
            

23 C7(#11) G7 C7(#9)
   
                  

ØCoda
29 G7 F7 C7(#11)
        
    

33 G7 F7 C7(#11) 
          
 
 Drum Set LA NOTTE (BLUES 1)
Giorgio Gaslini
slow swing
q=70 SPAZZOLE


    4

     
Ø
A
5 SPAZZOLE ultima v. al Coda
     4 8
             
B SOLI
13
12 4
              
    
21
8 12
          


ØCoda 
29
4   
   
              
 Flauto AMARCORD
Nino Rota


arr. E. Pieranunzi

  
Jazz Waltz A

 
          
4

     

     
        
15

     
1.



      
23

      
 2. 
    


31 B

                    

39

A piano solo

    
  

  

53
   B

 
1. 2.
 


77
  
A sax solo
  

1. 2.

    



trumpet solo


97 B piano solo A E¨Œ„Š7 B¨7(“4) E¨Œ„Š7

 

        

 
116 A7(#11) A¨‹7
4
         
 Flauto
Amarcord
2

1.
B7

121 FØ7 E¨Œ„Š7/B¨ B¨7 E¨Œ„Š7/G C7(#9) F‹7
                   

2.
B7 B¨7

128 B¨(“4b9) E¨Œ„Š7/B¨ E¨Œ„Š7 A¨Œ„Š7/E¨ E¨Œ„Š7(#9) E¨7(#9) G7

                     
 



piano solo

    
B
   
135 tema

        
4

   

     
rall.
    
150

      



              
157

   



  rall.

       
169

   


185
    
Tempo primo
      


     
   
4

 
192 rall.

                 
 Flauto Contralto AMARCORD
Nino Rota

 
arr. E. Pieranunzi

 
Jazz Waltz A

   
1.



  
  
19 2.

   

 


B

      
31

           
  
41
 
A piano solo
  

1. 2.

        



sax solo


61 B A FŒ„Š7 C7(“4) FŒ„Š7 C¨7(#11) B¨‹7
  

              


82 GØ7 D¨7 C7
                       
1. 2.


89 FŒ„Š7/A A¨7 D¨Œ„Š7 C(“4) FŒ„Š7 B¨Œ„Š7/F
       
      
         


FŒ„Š7 C¨7(#11) B

    
95 piano solo

    

113
 
A trumpet solo
 

1.

     


 
 
129 2.
B piano solo

 
 Flauto Contralto
2 Amarcord

     
145 tema


                    
  
4

 
rall.
       
     
154

        


   
  
    
166

  
   


 rall.

Tempo primo

   
178
   
       

 


  rall.

      
189

          
Piano conductor
AMARCORD
Nino Rota
arr. E. Pieranunzi
Jazz Waltz
EŒ„Š7 B(“4) EŒ„Š7 B(“4) EŒ„Š7 B(“4) EŒ„Š7

                    

  
8 A

           
4

  

 
G/A¨
 
G¨/G A¨Œ„Š7
    
E¨7(“4)
  
A¨Œ„Š7
   

    
13

       
1.

 

    D¨‹13
     
4

B¨Ø7
  
A¨/E¨
  

     
     
19

     

  
E7
     
B¨Ø7 E¨7 A¨/C B(“4)
         
EŒ„Š7 AŒ„Š7 E/D G/F
   

         
25

   
2.

   
  

  
   
E7
  
E¨7 A¨Œ„Š7
  
E¨7(“4)
  
A¨Œ„Š7
  
A¨Œ„Š7

D7



B
  
31

                    


    
   D¨7 A¨7 D¨7 D¨‹13 A¨/E¨
                  
V.S.
 Piano conductor
2 Amarcord


A

   
39 piano solo

    
        



  E¨7(“4)

EŒ„Š7 B7(“4) EŒ„Š7 A‹13
                  


46

        

  
  
4

F©Ø7

  
EŒ„Š7/B
  
C7

  
B7

  


53
 2.
         
1.

 

  
A¨7 D¨7½ CŒ„Š7
                          
FŒ„Š7 EŒ„Š7 AŒ„Š7/E EŒ„Š7 EŒ„Š7 B¨7


B

  
61

       

  
A7
         
B¨7 A7

EŒ„Š7 D/F©

           
E/G© B¨7(#11)


69

         

  
   
A7

A‹

   
E/G© C©7½

         
B7(“4) B7(„ˆˆ13) B7(#5)

  
77 A sax solo


          

    
CŒ„Š7 G7(“4)
                
CŒ„Š7 G¨7(#11) F‹7
  
4
 Piano conductor
Amarcord 3


  
85

     
1.

  
   
DØ7

A¨7

  
G7

  
CŒ„Š7/E

  
E¨7

  


91
 2.
        

  
   
A¨Œ„Š7 G(“4)

       
CŒ„Š7 FŒ„Š7/C

  
CŒ„Š7

  
G¨7(#11)

  


97 B piano solo


         

  
   
F7
  
4
C7 D‹7

           
E¨º C/E


  
105

       

  
   
F7

F‹7
   
G7(“4) G7[áÆ]
          
G(“4) F‹7 B¨7

 
113 A trumpet solo

       

    
  
E¨Œ„Š7

  
B¨7(“4)

  
E¨Œ„Š7

  
A7(#11)

 


  
117

     

  
   
A¨‹7
 
4
   
FØ7

 Piano conductor
4 Amarcord


  
123

       
1.

  
   
E¨Œ„Š7/B¨

B7 B¨7


E¨Œ„Š7/G

  
C7(#9)

  
F‹7

  
B¨(“4b9)

    


129

       
2.

  
   
E¨Œ„Š7/B¨ B7

 
B¨7 E¨Œ„Š7

  
A¨Œ„Š7/E¨

  
E¨Œ„Š7(#9)

  
E¨7(#9) G7
 


135 B piano solo


          

  
   
A¨7

E¨7

   
A¨7 A¨‹7

        
E¨Œ„Š7/B¨

B¨7(“4)

  

    
tema

      
144

        
4

               

  
 
BŒ„Š7
  
F©(“4)
  
BŒ„Š7
   
4
E‹
  

     
rall.
     
150

       

  
            

  
E‹(Œ„Š7)
E‹7 E‹/G
            
E‹6 B/F©
  
G7
   
F©7


    
        
157

 

  

G

  
  
GŒ„Š7
  
C
 
CŒ„Š7 FŒ„Š7
 
                
  
 Piano conductor
Amarcord 5


       
163
         

B¨Œ„Š7 E¨Œ„Š7 A¨‹/E¨ E¨Œ„Š7
           
       
           
  
   
170

   

 
 
 
 

 
 
    
     
A¨‹/E¨


E¨Œ„Š7
       

G7/D

           
C‹7 A¨‹7


177 rall.

          
 
E¨Œ„Š7 E¨7 A¨7 A¨‹ E¨/B¨ B¨7
               
   
E¨/B¨
              
    



     
Tempo primo

               
184
 
4

   
  

 
     

 
E¨Œ„Š7

    
A¨‹
              

E¨


190

            

   
 
E¨Œ„Š7
 
E¨7/G A¨
  
A¨‹
  
E¨/B¨

 
B¨7

  

  
195 rall.

       
       

E¨ A¨‹ E¨

          