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Tusa

Karol G, Nicki Minaj


Arranged by
FULL SCORE IN THE DESCRIPTION Igor Escalona

www.igorescalona.es
   = 100              
                                   
      
 
Flute

         
 
         
  
             
          
 

      
                     
Oboe


                        
   


    
            
B♭ Clarinet 1

                                   

 

     

                     
B♭ Clarinet 2

                           

 

     
                    
B♭ Clarinet 3

        
 


                   
Alto Saxophone 1

     
    

Alto Saxophone 2-3

                           
 

Tenor Saxophone 1

                           
 

Tenor Saxophone 2

       
 
 

Baritone Saxophone

       
Horn in F 1    

      
   

                   
Horn in F 2

                            
      
      
          
B♭ Trumpet 1

                         
     
 
 

     
              
B♭ Trumpet 2

                                 

 

     
                 
B♭ Trumpet 3

              





          
         
Trombone 1

           


  
 

           
Trombone 2

    
     
             

 

 
 
Trombone 2

    
                             

 

    
               
Euphonium

     
         
  
 

  
Bombardino

       
  
 

                                           
Tuba

             
     

 
Glockenspiel

         
 
 

Drum set

2 www.igorescalona.es
7           
                        
   
  
Fl.

   
         
   
      

      
 
  
            
Ob.

                     
   
          
B♭ Cl. 1

                        
   
          
B♭ Cl. 2

                       
   
                                          
 
B♭ Cl. 3

     

                                         
 
A. Sax.1

    
A. Sax.2-3 

                                      
               
T. Sax.1

                                                    
 

 
T. Sax.1

      


    
   
 
Bar. Sax.


            



F Hn.1

     
 

     
 


     
F Hn. 2

                  



     
B♭ Tpt. 1

                  

       
B♭ Tpt. 2

                          
   
          
   
B♭ Tpt. 3

                
             
Tbn. 1

                 
   
         
Tbn. 2

                
  
      
Tbn.3

                      
   
      
        
Euph.

                
 
   
Bo.

     
          

  
                  
Tba.

          



  
          
Glock.

 
Drm.

            

www.igorescalona.es 3
  
               
          
       
12


Fl.

 

                          
 


    
           
Ob.

                 
 


  
      
B♭ Cl. 1

                       
 


 
     
B♭ Cl. 2

 
               
 


 
            
B♭ Cl. 3

   
     


            


 
A. Sax.1

 
     

 
A. Sax.2-3

                               

 
T. Sax.1

                               


    
T. Sax.1

     
            
  


    
  
Bar. Sax.

                         




F Hn.1

    
    


    
   

      
              
F Hn. 2

   



B♭ Tpt. 1

                   


  
B♭ Tpt. 2

        
       
   


 
        
            
B♭ Tpt. 3

          

    
           
Tbn. 1

              



                
Tbn. 2

           
 



 
Tbn.3

                          



  
        
      
Euph.

               
 


      
Bo.

            
            


   
  
Tba.

    
              

          


    
Glock.

       


        
  


Drm.
        

4 www.igorescalona.es
   
                      
      
 
18

Fl.

  
                      
      


 

     
Ob.

                    
    



 
B♭ Cl. 1

                           
  



    
B♭ Cl. 2

  

     


   
B♭ Cl. 3

     
 


A. Sax.1

  
     
  


   
A. Sax.2-3

               



T. Sax.1

               
    


 
T. Sax.1

                
                        



Bar. Sax.

 
          
 
F Hn.1

  

      

   
 
F Hn. 2

   
                  
       
  
 

B♭ Tpt. 1

                                          
   
   
B♭ Tpt. 2

             

                   
 
B♭ Tpt. 3

          
      
     
Tbn. 1

   
        

      
Tbn. 2

                

Tbn.3

                   
  

            
Euph.

   
        
 

   
Bo.

               
                           

 
Tba.


                                         
  
   
Glock.

        



Drm.

www.igorescalona.es 5
  
          
         
        
25


Fl.

  
                    
      
  
Ob.

                    
      
  
B♭ Cl. 1

                    
      
  
B♭ Cl. 2

                   
      
       
             
 
B♭ Cl. 3

              

                  
A. Sax.1

 
                 
 


      
A. Sax.2-3

                            

 
 
T. Sax.1

                               
 

 
      
T. Sax.1

        
         


  
Bar. Sax.

  

                       
 



F Hn.1

   
  


     
    


       
F Hn. 2

     


B♭ Tpt. 1

    

   
B♭ Tpt. 2

                 
      
             
         
B♭ Tpt. 3

           
             
      
Tbn. 1

             


             
      
Tbn. 2

             



Tbn.3

  
             
  
        


 
             
        
Euph.

            



     
Bo.

       
      


    
  
Tba.

             
         
  


    
        
Glock.

         
Drm.
           

6 www.igorescalona.es
  
      
            
     
30


Fl.

  
                   
 


 
 
     
Ob.

             
 


 
  
B♭ Cl. 1

                   
 



 
B♭ Cl. 2


              




     
              
B♭ Cl. 3

   


   
                 
A. Sax.1

 
 

                       
A. Sax.2-3

    

   
T. Sax.1

                    
 


 
T. Sax.1

  
             
  



 
Bar. Sax.

     
         
 


F Hn.1

  
 

        


         
F Hn. 2

   
     



B♭ Tpt. 1

                   


 
B♭ Tpt. 2

           
    



        
B♭ Tpt. 3

           
  
     
Tbn. 1

           


  
Tbn. 2

                


Tbn.3

                  




        
Euph.

           
 


   
Bo.

        
         


 
  
Tba.

 
                  
 
 

 
Glock.

                


                


Drm.
                


www.igorescalona.es 7
               
                 
  
 
35

Fl.

                     
             


 
                  
Ob.

           
     



 
B♭ Cl. 1

                               
  



   
   
B♭ Cl. 2

  
 


   
B♭ Cl. 3

      
 



A. Sax.1

  
     

 
   
A. Sax.2-3

                
 

T. Sax.1

                     

T. Sax.1

  
           
                         


Bar. Sax.

 
          
 
F Hn.1

        


   
 
F Hn. 2

   
                    
 



B♭ Tpt. 1

                                    
 
  
B♭ Tpt. 2

            

           
 
B♭ Tpt. 3

        



   
         
Tbn. 1

        

   
Tbn. 2

Tbn.3
                  

                      
             
Euph.

        
 
   
Bo.

               
                  
        
 
Tba.


                                         
  
   
Glock.

        



Drm.

8 www.igorescalona.es
  
          
        
     
42


Fl.

  
                  
    
  
Ob.

                  
    
  
B♭ Cl. 1

                  
    
  
B♭ Cl. 2

 
              
      
                      
B♭ Cl. 3

    

                 


A. Sax.1

         

                          
A. Sax.2-3

       
  
                 
T. Sax.1

 
               
    
T. Sax.1

          
       
  
Bar. Sax.

 

                    



F Hn.1


             
  


      
F Hn. 2

     


B♭ Tpt. 1

    

  
B♭ Tpt. 2

                  
    
             
    
B♭ Tpt. 3

             

           
Tbn. 1

    
              
 

        
Tbn. 2

                  
  
 
 

Tbn.3
 
                              
  
 

   
             
Euph.

   
  

          
 
 

     
Bo.

    
          
 

 
    
Tba.

                 
   


  
            
Glock.

Drm.

                       
p 

www.igorescalona.es 9
     
                       
  
47

Fl.

    
                       


  
  
     
Ob.

                
   



   
B♭ Cl. 1

                     
  




 
  
B♭ Cl. 2

   
      


  
   
B♭ Cl. 3

       



  
A. Sax.1

  
      
   

    
A. Sax.2-3

               
 

    
T. Sax.1

               
 


 
T. Sax.1

         
                 



     
Bar. Sax.

 
         



F Hn.1

  
           


 
                 
F Hn. 2


          



B♭ Tpt. 1

                                      



   
B♭ Tpt. 2

           
 
     
            
B♭ Tpt. 3

        
                
Tbn. 1

          


            
Tbn. 2

              


Tbn.3

                             


     
            
Euph.

        
 


   
Bo.

            
                  



   
Tba.

 
  
                            


 
Glock.

        


            


Drm.
         


10 www.igorescalona.es
                       
                          
   
54

    
Fl.

                        

            
     


   
                     
     
Ob.

                
   


   
       
B♭ Cl. 1

                                       
 


  
      
    
B♭ Cl. 2

   
              


  
    
B♭ Cl. 3

 
    



A. Sax.1

      
  

    
A. Sax.2-3

                     
 

T. Sax.1

                          


    
T. Sax.1

              

                    

 
Bar. Sax.

      
              
 
F Hn.1

 
         


    
 

    
                              
         
F Hn. 2

         
    

   

 
                                       
B♭ Tpt. 1

         
  

  
       
B♭ Tpt. 2

                          

  
           
      
B♭ Tpt. 3

           

           
Tbn. 1

                 

    
Tbn. 2

                       


Tbn.3

                           

 
           
      
Euph.

           
 

     
Bo.

                  
                  
   

       
Tba.

                                           
    
        
Glock.

                   



Drm.

www.igorescalona.es 11
        
      

61

 
Fl.

    
       

    
Ob.

       

    
B♭ Cl. 1

       

    
B♭ Cl. 2

       

  
B♭ Cl. 3

A. Sax.1    

   
A. Sax.2-3   

        
 

T. Sax.1

T. Sax.1          


  
       
 
Bar. Sax.

F Hn.1          

       
  
    
F Hn. 2

       

    
B♭ Tpt. 1

       

    
B♭ Tpt. 2

       

   
B♭ Tpt. 3

       

    
Tbn. 1

Tbn. 2       

          
Tbn.3

          

   
Euph.

       
 
 
Bo.

  
        
      
Tba.

       
 

Glock.

    
Drm.

12 www.igorescalona.es
Flute Tusa
Karol G, Nicki Minaj
FULL SCORE IN THE DESCRIPTION
Arranged by

                                        
Igor Escalona


  
     
   
 = 100

                                 
 

      

  
           
6

                                         
     
  
14

                              


              
        
22

        


                   
 
 
 
   
 
30

                                        


      
    
38

                                  


   
 
46

   


   
                                         
   
54

                


   

60

www.igorescalona.es
Oboe Tusa
Karol G, Nicki Minaj
FULL SCORE IN THE DESCRIPTION
Arranged by

                                        
Igor Escalona


  
     
   
 = 100

                                 
 

      

  
           
6

                                         
     
  
14

                              


              
        
22

        


                   
 
 
 
   
 
30

                                        


      
    
38

                                  


   
 
46

   


   
                                         
   
54

                


   

60

www.igorescalona.es
B♭ Clarinet 1 Tusa
Karol G, Nicki Minaj
FULL SCORE IN THE DESCRIPTION
Arranged by


                                              
Igor Escalona

       
     
 = 100

                     
 

        
                
  
 
7

 
                         
 
           
 
15

                           


                 
     
23

                      


       


 
31

                                      


       
 
39

                       


              
  
48

                                           


         
 
56



   
62

www.igorescalona.es
B♭ Clarinet 2 Tusa
Karol G, Nicki Minaj
FULL SCORE IN THE DESCRIPTION
Arranged by


                                              
Igor Escalona

       
     
 = 100

                     
 

        
                
  
 
7

 
  
 
                                 
 
15

          


                                  
         
23

                              


       
  
31

             


                  
   
        
   
39

    


                                    
    
48

         



                    
              

  
56



   
62

www.igorescalona.es
B♭ Clarinet 3 Tusa
Karol G, Nicki Minaj
FULL SCORE IN THE DESCRIPTION
Arranged by


                                              
Igor Escalona

       
     
 = 100

 

                 
  
                       
    
 
     
7

   




                     
      
15

 

      
       
 
                          
27



             
                       
  
 
 
    
 
39



                                    
      
 
50

 

  
          

61

www.igorescalona.es
Alto Saxophone 1 Tusa
Karol G, Nicki Minaj
FULL SCORE IN THE DESCRIPTION

                    
Arranged by

  = 100
Igor Escalona


    

                                


7

                        
  
10

                  
        
    
13

  
 
 
            
           


20

          
                       
 


29

       
     
       
32

                        
  
 


42

  
                        
   
46

  
  


61

www.igorescalona.es
Alto Saxophone 2-3 Tusa
Karol G, Nicki Minaj
FULL SCORE IN THE DESCRIPTION

                    
Arranged by

  = 100
Igor Escalona


    

                                


7

                        
  
10

                  
      
     

13

 
 
      
 
      
           

        

20


                                 
 


29

     
        
      
32

                        
  
 


42

             
        
      
46

     


61

www.igorescalona.es
Tenor Saxophone 1 Tusa
Karol G, Nicki Minaj
FULL SCORE IN THE DESCRIPTION


Arranged by

                               
Igor Escalona


  
 = 100

                             

            
  
8

                                      
 
12

                                   


  

18

            


                            
  
 
28

                              

 

32

                          
 

         
  
42

                            
         

48

  
 

                
 
59

www.igorescalona.es
Tenor Saxophone 2 Tusa
Karol G, Nicki Minaj
FULL SCORE IN THE DESCRIPTION


Arranged by

                               
Igor Escalona


  
 = 100

                             

            
  
8

                                    
   
12

 


              
               
 
18

           


                           
    

28

     

                   
        
32

                          
 

         
    
42

   
                                   
48

 
 

                   

59

www.igorescalona.es
Baritone Saxophone Tusa
Karol G, Nicki Minaj
FULL SCORE IN THE DESCRIPTION

  
Arranged by

  = 100 
   
Igor Escalona

    
   
                       


       
      

  
                         
17

 

  
 
                       
  

   
     
  

   

27

 

    
 
                    
  

   
      
   
 
  

36



        
                         
                  
45



  
    
            
    
             
55

www.igorescalona.es
Horn in F 1 Tusa
Karol G, Nicki Minaj
FULL SCORE IN THE DESCRIPTION


Arranged by

     
         
Igor Escalona

   
  
      
      
    
  
 
 
 = 100



         
         
           
  
 
    
17

  

      
                        

29

 

   
                            
       
41

 

        

        
             
    
51

 

   
62

www.igorescalona.es
Horn in F 2 Tusa
Karol G, Nicki Minaj
FULL SCORE IN THE DESCRIPTION


Arranged by

                    
Igor Escalona


      
 
           
 = 100



                
             
17

  

               
 
             
28

 

                  
             
39



                 
           
49

  

           
   
60

www.igorescalona.es
B♭ Trumpet 1 Tusa
Karol G, Nicki Minaj
FULL SCORE IN THE DESCRIPTION
Arranged by


                                              
Igor Escalona

       
     
 = 100

 

           
                     
   




7




                                      
  

19

                                            
  
 
33




                           
          

39



                                         
   

52

                    
   
             
   
58

www.igorescalona.es
B♭ Trumpet 2 Tusa
Karol G, Nicki Minaj
FULL SCORE IN THE DESCRIPTION
Arranged by


                                              
Igor Escalona

       
     
 = 100

 

            
                          
 
7



 
                             
   

19

   
  
              
            

33



 
                                     
 
39



   
                                    

52

                    
   
             
   
58

www.igorescalona.es
B♭ Trumpet 3 Tusa
Karol G, Nicki Minaj
FULL SCORE IN THE DESCRIPTION
Arranged by


                                              
Igor Escalona

       
     
 = 100

 

                 
  
                       
    
 
     
7


     
                                  
 
15





 

             
        
            
 
27

                                      
     
 
38



                                           
       
49

     
                

60

www.igorescalona.es
Trombone 1 Tusa
Karol G, Nicki Minaj
FULL SCORE IN THE DESCRIPTION

                    
Arranged by


Igor Escalona

                   

 = 100

   
                      
        
 

             
8

                   
         
16

                    
 
 

         
25

              
  
           
         
28

                  
 

               

38

                      
 

        
46

                     


                  
53

  

 
62

www.igorescalona.es
Trombone 2 1 Tusa
Karol G, Nicki Minaj
FULL SCORE IN THE DESCRIPTION

                   
Arranged by

      
Igor Escalona

              
 = 100

                      
 

    
               
8

   
                                   
16


 

                     
         
25

     
                               

28

              
 


     
            
38

  
 

                     
   
46



    
                                      
 
53

www.igorescalona.es
Trombone 2 2 Tusa
Karol G, Nicki Minaj
FULL SCORE IN THE DESCRIPTION
Arranged by

   
                                        
Igor Escalona

     
 = 100

 

   
                                          
     
8

                                       
16


 

                     
         
25


                                  
 
28


 

          
                       
 
38

  
 

             
           
46



                                          
  
53

www.igorescalona.es
Euphonium Tusa
Karol G, Nicki Minaj
FULL SCORE IN THE DESCRIPTION
Arranged by

                                        
Igor Escalona

  
 
 = 100

  
 

                                          
     
8

 

                                      

16

 

  
                                         
  
25

                                       
 
30



                                          
   
42


 

                                    
48

 

                    
  
59

www.igorescalona.es
Bombardino Tusa
Karol G, Nicki Minaj
FULL SCORE IN THE DESCRIPTION

                    
Arranged by


Igor Escalona

                   

 = 100

   
                      
        
 

             
8

                   
         
16

                    
 
 

         
25

              
  
           
         
28

                  
 

               

38

                      
 

        
46

                     


                  
53

  

 
62

www.igorescalona.es
Tuba Tusa
Karol G, Nicki Minaj
FULL SCORE IN THE DESCRIPTION


Arranged by

   = 100  


Igor Escalona

     
                         


     
                 
                           
16



    

    


            
  
              
         
25


 

     
      
                           
35



    
        
                        
43



     
      
                             
53

 
  
        
61

www.igorescalona.es
Glockenspiel Tusa
Karol G, Nicki Minaj
FULL SCORE IN THE DESCRIPTION
Arranged by

                                          
Igor Escalona

 
     
   
 = 100

                                   
 

       

  
           
6

     
                          

     
 
14

                                   


             
  
21

               


             
    
 
 
   
   
28

                          


                  
   
 
36


                                        


            
 
43





                                        

52

                                 



    
     
 
58

www.igorescalona.es
Drum set Tusa
Karol G, Nicki Minaj
FULL SCORE IN THE DESCRIPTION


Arranged by

       


Igor Escalona

               
 = 100

       


               
13

      


       
     
18

           


                  
27

     


            
32

     


      


   
35

                            
                         
42

        


   

           
p 
47

     


        


    
54

  
        
59

www.igorescalona.es

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