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trees and cattle, after the fashion of the golden age, settled on this singular mar
riage."
The story appears in a truer context in the anonymous English paraphrase of
the sons' life printed in The Library of the Fine Arts, 1831. This story is worth quot
ing at length, even though it comes to us at third hand, for it is the only personal
anecdote that retains some of the suddenness and singularity that Piranesi must
have put into his lost autobiography.
"He happened one Sunday to see the daughter of the gardener to the Prince Corsini,
whose features, and especially her black eyes, perfectly convinced him that she was
possessed of genuine descent from the ancient Romans; nor was her dowry of a
hundred and fifty piastres (about $175) of small consideration in the scale, though
the jealous watchfulness he maintained, was not entered into with merely merce
Piranesi at once went full blast at a project that he had already started, and that
became his biggest single undertaking. He first secured all available aid for the long
pull The Pope allowed him to import two hundred bales of paper without
ahead.
paying customs duty. He obtained a promise of patronage from Lord Charlemont, a
young Irishman who had set forth when he was eighteen to travel in Egypt and the
Levant, and then in Rome was planning to set up a school for British artists like the