Caramelo

Otoniel Ruiz Ozuna

   
 = 84


Intro

   
     
Set de percusión

  


   
         
     
Guitarra

    


   
Piano

            
 
3

    
Melodía

Bajo      

  


4

  
           
Perc. Set.

     


         
      

Guitarra

   


 
Pno.

                 
          
   
Melodía

Bajo    

  


6

               
Perc. Set.

   


        
      

Guitarra

  



  
Pno.

                 
    
3

       
   
Melodía

Bajo    
  
2


8

           
Perc. Set.

         


     
     
     
Guitarra

  



   
Pno.

                 
 
  


   
   
 
Melodía

     

 
Bajo

  


10

         
Perc. Set.

      
    


       

     

Guitarra

      
 


  
Pno.

                  
              
  
Melodía

 
  
Bajo

 


12


    
Perc. Set.

      


  
    
Guitarra

  


 
Pno.

       
    

Melodía

    

 
Bajo
                
3

        
       
13


Perc. Set.

  
                 


       
  
    
Guitarra





   
Pno.

   
                   

     
Melodía

                
Bajo    
               
              
15


 
Perc. Set.


                 


        
    
Guitarra



    
Pno.

                  
               
   
      
Melodía

  
                

Bajo

               
        
17


Perc. Set.

              
    


        
    
Guitarra



   
Pno.

               
            
 

     
Melodía

                
Bajo    
 
               
4

       
       
19


Perc. Set.

  
                 


      
  
    
Guitarra



     
Pno.

                
    
              

Melodía

     
          
Bajo     

         
    


21

 
Perc. Set.

  
      


    

   
Guitarra





 
Pno.

               
            
   
Melodía

      
Bajo
 

         
    
22


  
Perc. Set.

    
    


    
   
Guitarra



  
Pno.

               
              

Melodía

        
Bajo    
                
5

       
        
23


Perc. Set.

   

                 


     
  
    
Guitarra



  
Pno.

      

     
     
Melodía

    
Bajo            

 
     
       


25

   
Perc. Set.

       


    

   
Guitarra


  
Pno.

                
             
  
Melodía

       
Bajo


         
    
26


  
Perc. Set.

    
    


    
   
Guitarra



 
Pno.

             
  
          
Melodía

       
Bajo     
        
6

    
   


27

 
Perc. Set.

  
      


  
  
  
Guitarra



  
Pno.

            
  
         

    
Melodía

     
Bajo
 

    
    


28

 
Perc. Set.

  


  
Guitarra





  
Pno.

       
             


   
Melodía


Bajo     

               
            
29


 
Perc. Set.

 
                 


        

Guitarra

        



 
Pno.

        
                        

Melodía

       
Bajo             
 
              
7

      
       
31



Perc. Set.

        
     

  
     


   
    
Guitarra



  
Pno.

          

    
3

     
      
Melodía

      
Bajo       

               
            
33


 
Perc. Set.

 

                 


       

     
Guitarra



 
Pno.

        
                        
  
Melodía

Bajo          
     
 

              
        


35

    
Perc. Set.

      
         


       

    
Guitarra



  
Pno.

                   
    
3

           
      
Melodía

   
Bajo       
                
8

        
       
37


Perc. Set.

  
                 


       
  
    
Guitarra



   
Pno.

   
                   

    
Melodía

              
Bajo     

                   
        
39


 
Perc. Set.


                 


       
    
Guitarra



    
Pno.

                  
               
   
      
Melodía

                 
Bajo  
               
            
41


Perc. Set.

              
    


        
    
Guitarra



   
Pno.

               
            
 

     
Melodía

                
Bajo   
              
9

      
       
43


 
Perc. Set.


                 


      
  
    
Guitarra



     
Pno.

               
      
        
      
Melodía

            
Bajo        

                 
        
45


Perc. Set.

  
                 


        
    
Guitarra



 
Pno.

                              
                   

Melodía

             
Bajo     
 

         
    


47

  
Perc. Set.

   
    


  
  
   
Guitarra



  
Pno.

            
  
         

    
Melodía

     
Bajo
 
        
10

    
   
48


 
Perc. Set.

   
      


  
 
   
Guitarra



  
Pno.

               
              

Melodía

        
Bajo    

         
    


49

  
Perc. Set.

   
    


    

   
Guitarra



 
Pno.

              
            
    
Melodía

       
Bajo


         
    
50


  
Perc. Set.

    
    


  
 
   
Guitarra



 
Pno.

               
            

Melodía

        
Bajo    
        
11

    
   


51

 
Perc. Set.

  
      


  
  
  
Guitarra





  
Pno.

               
              
  
Melodía

       
Bajo     

             
           


52

 
Perc. Set.

          


    
  
Guitarra

 



  
Pno.

        
                      
     
Melodía

Bajo            

               
            
54


    
Perc. Set.

                


       

Guitarra

     



  
Pno.

         

   
3

   
   
Melodía

    
Bajo       
 

   
 
        
12

  
   
56



 
Perc. Set.

  
               


     
  
     
Guitarra

 


 
Pno.

        



      

 
Melodía

     
     

Bajo

  


58

              
Perc. Set.

      


      
 
      
Guitarra

 


 
  
Pno.

                  
3

      

Melodía

    
Bajo 

  


60

          
Perc. Set.

          


     
    
 
      
Guitarra



    
Pno.

       
   
           
     
Melodía

   

 
Bajo
 13

  


62

       
Perc. Set.

           
   


  
    

     
Guitarra



     
Pno.

                      
             
Melodía

  
  
 
Bajo

          
    


64

  
Perc. Set.

       
         


      


     
Guitarra





   
Pno.

          

          
                 

Melodía

        
Bajo  
   

               
        
66


Perc. Set.

             
        


       

     
Guitarra



     
Pno.

                      
         
      
Melodía

    
Bajo                
 
               
14

       
       
68


 
Perc. Set.

    
          
     


   
   
    
Guitarra


 
Pno.

         
          

      
Melodía

Bajo                

                   
        
70


 
Perc. Set.

 
                 


       

     
Guitarra


  
Pno.

      
      

Melodía

     
          
   

Bajo


        
     
72


       
Perc. Set.

         
        


       
   
     
Guitarra

   


      
Pno.

          
3

      
      
Melodía

    

Bajo
 15

   
75


Perc. Set.

          
        
    


   
   
Guitarra

       
  
   


Pno.

        
   
   
3
Melodía

     
Bajo 