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  • Pout-Pourri Do Teixeira de Manaus: (Jorge Nobre)

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    Ricardo Mendes Sax
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    The document appears to be a musical composition containing musical notation. It consists of various musical passages and sections marked with numbers. The composition uses standard notation symbols and changes time signatures and keys throughout. It concludes with a coda section at the end.

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    Pout-Pourri_do_Teixeira_de_Manaus

    Original Title

    Pout-Pourri_do_Teixeira_de_Manaus

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    The document appears to be a musical composition containing musical notation. It consists of various musical passages and sections marked with numbers. The composition uses standard notation symbols and changes time signatures and keys throughout. It concludes with a coda section at the end.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    10 views1 page

    Pout-Pourri Do Teixeira de Manaus: (Jorge Nobre)

    Uploaded by

    Ricardo Mendes Sax
    The document appears to be a musical composition containing musical notation. It consists of various musical passages and sections marked with numbers. The composition uses standard notation symbols and changes time signatures and keys throughout. It concludes with a coda section at the end.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    Pout-Pourri

    do Teixeira de Manaus
    (Jorge Nobre) Teixeira de Manaus

                                                      

       

                                     

                   
    12

                                        
           
    23

             2.                           
        

          
    35 1. D.S. al Coda

                     
    3

      
     
                        

    43 1.2. 3. A

                   


                 

     
         
      
    53

        
                
       
    
              
    1. 2.


    62
    ͡

     1.                 
                          
             
    70 2.

                                                        
           
    80

                                             
          
      
    ao A
      
    91

                   


            
             
       
    101

                 
             

    110

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