a7 SONG. ~ Bunn. Edward German. Allegro. BUN. Buna, Piano. age inwhichwe're liv ingstrikes a man of any sense, AS~an age of make-be live and imi _ vulgar im i. ta.tion of true philanthropist" Who sendsa hundredthousandto. be - ta.tion and pretence: And its grad.u . al Ty grow.ing more im . pos.si ble to see. | The Published in a list— Which purchases a ti. tle (as he possibly intends)Withan it foenoe be-twoen what people, areandcem to, Del Our _ ln dies growmare youthful now, the ae arming la. dy with an im_i. tation coat_of armsand ta-tioftiendsThnhiswife— a 21266178 longer theyre a-live, And re . duce their ag .es an_nual-ly after thir. ty.five; But for imi. ta-tionbluch-Will hold a big re.ceptionWhereSo . ci. e. ty will rush To such mis calcu -la.tions they will _al.ways make amends, By Ub .er. ally adding to the ‘@ Duchess, in the styleOfher im- i. ta.tionwelcomeswithan 5, alt bh hb pitta ees a lib_er_ ally ad-ding to the ag. es of their friends. imi. ta. tionweleomeswith an im. i . tation smile! — S| nUNN. tempo if Ae- sopwrotehis fable’ in the pres ent year of grace, He per~ bo_na-fi - de Duchess Will en - deaxvour to for.get The 21266.179 sx a ~haps would turn the ta. ble on the tortoise in the race: For g - gra vat. ing clutch.es of e - ter. nal e. ti-quette By ae. Buy, which goes quick.er on a head and stays the fast . er there, The -eist- ing at an im . i. ta-tion cha. ri. ty ba. zaar As an won. = toise shell or bar-maid in a180 alarms, Where the 3 Now the —pas-eage to a Draw.ingRoon/s a mat_ter for UNy. elbows of the Dow-a.gers mean pas.sag.es of arms, For la . diestnot of push andfight andeoratch, To im-i.tate a ccrimmage in a Rug-by foot-ballmateh! But if do for. get they're no. ble, now and then, There are181 BUNK, ty of young Ia . dies who be - have as gen - tle - men_ Theres the Bons. fi. gureto her tai. lor too per-hape,) (And owesher prot-ty fi-gure to her perhaps) ue, a tempo. . ‘While sil. ly servant maidies dress in im. i. ta-tion silk,182 uns think they look like a. dies when they're tak . ing in though they take the mitk in, thats the on. ly thing they milk takes them in sometimes be ~ ing ta. tion too!183 NO23. CONCERTED PIECE and DANCE. Arthur Sullivan. Allegro con grazia. Piano. KATHLEEN. Sing a rhyme, “Once up-on— a time? tinge tegato184 kat. TERENCE. When gob -185186 no. thing went con | trai. - ry, cons trai. - ry, 2 dpi Sts 2 oi) oxo, ~ thing, - thing Hit . tle femi-nine fai. ry— Vm a gob. lin grim and gla - Ai. ry fai. ry! Fai, ry Queen and Gob lin King. Hob - lin’ Gob - blint187 leap and a creep and a - like spring, The fai. ries’ match is the SUSAN. ny a glimpse of Hob - blin’ Gob . tint - ry! Little con trai . ry, Wise 21266. .188 sus. E In. no.cent fai. ry- Fai - ry Queen and Gob - lin King. Lighter than ai - ry, cuo, To quite an-o - ther day. sempre legato, vr gry TR189 TERENCE. Ros. gob. Hine bring the gold they'vefound To tempt the fai. ries un . dor-ground- And that’s the rea. son, ther day,190 gob - fin and gob. tin d. =, quite an. o- ther quite an - maide aro mer . ce -™% 2 ds Sil maids, when191 a mon. ster Mil . lion. ai . ry, An. gle, Dan. gle, Fai - ry Queen and Gold. en King. Gold. fish, (O14 - fish) 1 amthe catch of the Lon - don Spring, The great est match is the Gold . en King.192 Fai. ry catches a glimpse of you, run one way, she runs too. Van. - ty Fai. ry, Fai. ry Queen and Gob - lin King. Mil. Hon ai. ry, 21266.+ 193 gob - lin and fai 2 21266.194 TERENCE. FEMALES. 125 gob. lin and — the ono,tin and ono, SUSAN @ KATHLEEN. TERENCE. BUNN. 195196 Ros. sex ren] Buy, cuo 21266.197 NOQ4 SCENA~ (Rosie, Terence and Murphy.) Edward German. Allegro moderato. 2ogre, Rosie. ayaa Piano. Hearken, my lover, hearken, to my voice, Sanimato os. ove thet MURPHY. she loves,198 Atl jtato, nosre,” SBHato- Ros, Nought shall di. vide, shall divide andtearour souls a. sunder! | Nor hail, mor rain nor thunder! Ros, Ros,_MURPHY. I have no choice, she loves Nor hail, nor rain, or—— thunder! mR, shall hold ‘Shall old thee for 21266 Za.200 "eve. es ~ eh foley . RENCE y= > >] —= My loveshall hold, shall hold thee,shall_hold— thee. for Lm URPHY, Her charms will hold me for ev + efHer charms will os, em my love shall hold thee,shall hold thee for es shall hold MUR. hold me, will hold, will I Ros. TER. awa.201 0.25, SONG (Murphy.) Edward German. Andante con moto. Murphy. Piano. Bconespress: > MUR. Good. bye, my na. tive town Wrapped inyour summer gown, —— MUR, = are rum.ning down Your pret. ty face, oR, can. not feel nor hear, Why shouldyou shed a202 How can you know how dear, how dear I Won't you heave one Yook §0 gay? Why208 —= Sagas SS SS ae tend tosay- “Pat, if ye go away Illbreak my aa =r 1 break my heart? my native place AL-most a a womans grace You have for204 aun, Spoken. mR, MURPHY Wont you bo saying Good bye MOLLY.- No, Pat. MURPHY.- It's only a Little word. * Fa. MOLLY, Yet its a mighty Wid stickin ther Yes.dear— jump it makes in my throat ‘not say Good-bye, Pat? Because 1 love big 21266Mor. NO26. Molly. Piano. DUET.- Molly and Murphy. Allegro moderato. Edward German. a love you! I tove you! What joy can com-pare With all the sweet madness That ~ A Jo. vers may share? For an 0. cean of sad.ness, A world of des . pair in “love you, 1 love you" my dar-tin, 1206 wor == = a - = world that we knew, The old world, the cold world, Be - Mou. fore 1 met you? We've done with the old world, Were off to the new mou. = = cause, dear, 1 love you, 1 love you, my dar.tin, 1 on Mob. = Our ove is our mew world, A207 world of our own, Where 1 may be queen,dear, Be . cause were a lone, MOL. = may be meandear, [il sit on a throne, Be —208 MOL. a tempo Jove you, I fove you! What joy can com-pare ey. what joy can com . pare With all the sweet mad.ness That lo . vers may share? For an 0 .cean of sad ness, A 2S 5 sh SSS SS SS = the mad.ness That To. vers may share, That ‘lovers may MUR.Mou, Mon. MUR. share, Jost in That to -vers, that “1 toveyou! Are Jo . vers may share?. lost in I210 NO. 27. SONG (Terence) with CHORUS. Arthur Sullivan. Allegretto moderato con espress. Terence. Piano. 1. There was once a lit. tle sol. dier Who was 2. Now that lit _ tle wood_en soldier (As we of wood: He always did his duty, And he proudly stood. Ve - ry most do) Grew grad. . al. ly old-er Then he was when new, Till at28 at _ tention, As a sol. die should— to tell you That broke in two— rex. rat-a- plant -plant! rat-a-plan! = plan! But it Fi rer | = - Fy rea. dy not mat . ter rer.| all his wood . en bro. thers box: Where their bro . kenwood .en sol . diers keep, Ho was.uz TER. mas. ter chose to put them They would stand thrown with o . ther rubbish On a. rub. rat-a-plant rat-a-plan! rat-a- plant rat-a- plant rat- a - plan! Rat-a - rat- a - plant ‘Thats the218 un poco rit. TER, kind . ly re-mem - ber, if you. can, He was but a no - bo. dy wants a bro - ken man} Said the brave lit - tle > @ tempo b, un poco rit. wood . en wood - en GIRLs. Rata -Iplan! rat-a-plant Rata - plan! rat-a- plaalza ‘Ten. -plan! rat-a--plan! rat-a-plan! rat-a-plan! rat-a -| plant food d2) 999 2) -plan! rat~a-plan! rat-a-plan! rat-a-plan! rat- a - plant cu25 TER, rat-a -| plan, plan, "plan! Ga. % Ga. * Meno mosto. plan, plan, plant > plan, plan!216 TER, -plan! —_rat-a-plan! a?) -plan! —rat-a-plan! TER. uo, DD ‘orese. motto217 FINALE Arthur Sullivan | 1 and Edward German. Allegro con brio. Torr, ; sea ee Chorus. With a big. ‘shil - le -lagh, tho’ @ + = = == Ss With a big ehil te tagh, tho! = =H Piano, . cHo, . 4 SSS = I = == 5 5 oS ar vo = somebody may ac-cl . dentally knock ye down With a fright . fulwhackon the somebody may ac. ci {SESS Ss dental. ly knock ye down SS5 fright — fulwhackon the cHo, dig.ni-fied back of your dignified back of your 2266 typ. {cal Sax. on crown! typ-i- cal Sax. on crown! your. self that ‘Il take, (For your218 dig. ni.tys sake) lit tle notice of that at all! If you not forget its the dig nity sake), little notice of that at all! not for-get its the strict et i.quete of a typ-i-eal I. strict etiquette of a typ-icu. ono. 219 =e For st SS Sa For st by J i Pat . rick was “a broth Pat - rick was “a broth “a broth220 ono. Zz t 21266 END OF OPERA.