ee caer yy feet S116, Uo liltrel Berliner Barock Solisten COC] oncertos Lol ary SEAL Berliner Barock S og ero rereGeorg Philipp Telemann 1681-1767 1-4 Concerlo for Flute, Strings and Continuo in G - Konzert fur Fléte, Streicher und Gb G-dur International Trade Mark Concerto pour Fldte, Cordes et Basse continue en sol majeur Coty ieee ren ane ti Eee ot eee a 5-8 Concerto for Flute, Violin, Cello, Strings and Continuo in A from “Musique de Table | Konzert fur Fldte, Violine, Violoncello, Streicher und Gb A-dur aus ,Musique de Table | SC RU ie eee eu Ra me Re tee aly Prew’ rer 9-12 Concerto for 2 Flutes, Violone, Strings and Continuo in A minor : Konzert fur 2 Fléten, Violone, Seen Re a ec tea eu Me ee ee Lee mrtg eer Cee Lae cca 13-16 Concerto for Flute, Oboe d'amore, Viola d'amore, Strings and Continuo in E Konzert fir fléte, Oboe d'amore, Viola d'amore, Streicher und Gb E-dur ee a aU kOe Ke mero ee Rou uray ig ar] 17-20 Concerto for Flute, Strings and Continuo in D - Konzert fir Fldte, Streicher und Gb D-dur Ce ec en ta a Ar) Emmanuel Pahud fiute/Fiéte/fiote Berliner Barock Solisten Rainer Kussmaul violin & director/Violine & Leitung/violon & direction Wolfram Christ Viola d'amore/viole d'amour Crh Remo Meare! Pr Rory Bree tev v iN Tey Albrecht Mayer Oboe d'amore/hautbois d'amour Pare Ee) Dero keer und ue eeu Caen ea ee een ae ETT tC : F | H a H F g z Hy CearaCee eas a wae jee | i a a ee abe made out. In the continuo part, however {the harmoric foundation ofthe work), whole performed here ae Telemann’s only concertos for a combinationof fite and two oter, diferent solo insruments. The composer Cohistoph Graupner made copies of both for performance at tre court of Darm The player wil enjoy himself and pleased.’) oncris for ute chosn fr is Largo in O minor om Part One of Teemann’s ‘Musique de Table and forms a perfest contrast te the vivacious ravements on elthe! side of i. «amere or volone enhanced the Mute’s [A Teast the orignal pitches an rhythms could‘The solo fut is joined by vilin end cello in or standen, in der Lage Sibermehmen. Der aubeim vorhergen Konzert de langsamen Satze hervorgehoben, finden sich hir schnelle Temp, in denen der ltst mit technischen Knnen “anspructsvolen Fotenstimme. Die beiden nachsten viersitzigen © Une Fe, 2002 Tolomann Concertos pourfate Georg Philipp Telenann fut un des+ Uulise chaque instrument au maximum de omoost uur pte de tus de vet 0s possibiltés, ‘ainsi iterpréte en sera stimula, et toimémey naturellement enjouse dans I'aigu de sa tessitur,Solan st iver Grndurg 2995, Ne pres de Monon en 1946, Eres ae: copa le ealoenecle de Staten ropres compositions. Il veuat au Concerto en