Marley Boye gf Fnac 9 BOB MARLEY. FOUNDATION ee The Bob Marley Foundation would like to thank its Executive Director, Neville Garrick, for his collaboration with Hal Leonard Publishing on the production of this songbook Karen Marley, ‘Damian Marley, Makeda Marley, Cede! Michael Hylton, Esq, for keeping Bob’s music Photographs bys Piano * Vocal * GuitarINTRODUCTION I didn't see my father asm havea normal “nine to five” job where you | wanted. He could look forward to him coming home every day and then put hin through total stress, No, we had to wait months ata time to see both Mummy and Daddy (actually we call Mummy "Maw kinda southern, don't you think?), And you ean magine how stressed they would get — remembe We all know how much a boy needs his father But what about the daughters? The love you fee him when he's there is so strong. He's you protector, your shield, your strongman, Ifa kid messes with you, you call your dad, He eame 10 iy school once when I told him a gist was teasing me about him being a rasta. I woulda ery infront of her, but lcried to him. I pointed and he ealled her over and told her ‘not to trouble his daughter, She then asked for ar sph and he gave it to her. Lusked him “why you do dat? Now she thinks you like her.” I wonder if he's stil The memories of the time a daughter spends with her father are cherished."There is a part of my hheart reserved just for those memories. And the times we shared were not only precious, the were essential to me, It has been said that if father is righteous, he helps to mold a young gin’s al into the spirit of a woman, My father was a righteous man ith us has The pain I fee! now that he's not here made my love for him even stronger. I would do have him back. I'm sure we all would, Just to see him smile, to hear his voice ‘one more time, But my father has le acy. I don't mean just me and my brothers and sisters, but all of us. In each and every one of us there is a little piece of his love that keeps us singing, Singing these Cedella Marley May, 1992CONTENTS s A246RBR 73 78 83 95 112 101 127 17 123 132 148 140 187 152 163 176 18) 169 187 193, 197 AFRICA UNITE WWE BELLY FULL a.k.a. THEM BeLLy Fuut. (But We HUNGRY) CominG IN From Tue CoLp ConcreTE JUNGLE Coutp You Br Loved x Easy SKANKING Exopus \ Gert Up, Stanp Up Guava JELLy 1 Snor Tue SHERIFF I'm Hurrine INSIDE a.k.a, HURTING INSIDE I'm STILL WAITING IRON Lion ZION Is THis LoVe X Javan’ x Lick SAMBA Livety Up YOURSELF: MELLOW Moop NaTuRAL Mystie Nice TIME No Woman No Cry One Love PLEASE Don’t Rock My Boat REDEMPTION SONG SMALL AXE So Mucu TRouBLE IN THe Wort Sout REBEL Smir Ir Up SuN Is Suinina THANK You Lob PHREE Lrrr.e BiRps WANTING IN Vain Wito Te Cap Frt Way Suoutp I10 AFRICA UNITE Words and Music by Bob Marley ay Strum Pattern 1 ii Moderate Reggae moy-ing right out of Bab-y-lon, and we're go- ing to our fath-er’s land. z —— ss =, Copan © 1979 ‘A Rights forte Unie Sues and Cas cota PolyGram Iter! Paling, Irarrasonl Copyright Seer" Al Rigs Reseed4" 6 s i 7 and how pleas-ant it ____ would be, How good and how pleas-ant it would be, z be-fore God and man, be-fore God and man, A 2 7 yeah. As it’s been said al-read-y, let it be done, yeah. yeah. As it’s been said al-read-y, let it be done, yeah. rsa ae2 We are We are Af-ri- ca, gy aH the chil-dren of the the chil-dren of the u-nite, Yeause the chil - dren wan-na come home, yeah, — yeah, — yeah. “cause we're mov-ing right out of Bab-y-lon, s =—s— 4a q D Em & =f —s— DS. al Coda groov-ing to our____fath-er’s land. ——=s - G D CODA ath im en 4 E a We are the chil-dren of the , * &§ 2 gh g& of & Af-ri-ca, u-nite. D Em G D Em tn it afth tn iit fe i He i |, Repeat ad lib. and Fade =I F U - nite forit’s lat-erthan you think. Z nite for the ben-e-fit of your peo - ple. ciBELLY FULL A.K.A. THEM BELLY FULL (But WE Words and Music by Bob Marley INA-NA-NA-NA-NA-NA-NA-NA-NA} INA-NA-NA-NA-NA-NA-NA-NA-NA, PWent BELLY FULL BUT WE HUNGR\ [A HUNGRY MOB IS A ANGRY MOB. BA RAIN A-FALL BUT THE DIRT IT TOUGH; 'A POT A-COOK BUT THE FOOD NO *NOUG "YOU'RE GONNA DANCE TO JAH MUSIC, DANCE, /e"RE GONNA DANCE TO JAH MUSIC, DANCE. FFORGET YOUR TROUBLES AND DANCE. {GET YOUR SORRQW AND DANCE. FORGET YOUR SIC [AND DANCE JORGE YOUR WEAKNESS AND DANCE. 1H AND POOR, THEY START A CRY. ‘THE WEAK MUST GET STRONG, y SAY, “OH, WHAT A TRIBULATS1s BELLY FULL A.K.A. THEM BELLY FULL (But We HUNGRY) Words and Music by Bob Marley Serum Pattern 1 ‘Moderate Reggae Am7 GIA Na-ma-na-na- na na-na- na-na; ia Ee ae sts Fit na-na-na-na - na-na-na - na-na; fla-na-na-na - na-na-na- na-na; Am7 F Em Am7 F ie if fi Copyign O14 |AM Rights foe Ui Ses and Canad Cottey alyGrm teat abl, IntmasonlCopyight Seca Al Rigs Reserved16 Am? rain a fall but the dirt 2 For-get your trou-bles_and dance. 2Am? Am] z th a g & F For-get your weak - ness Cost of __liv-ing get so Am? F Am7 ae i ee must. get strong. They say, “Oh, what a trib-u - la ” ay8 Am] F Am7 F ti ‘Them bel-ly full but we hun : = Be q fe n OE a A rain a fall but the dirt it tough. A pot a.cook but the food no’nough. . We're gon - Am7 Am7 G to Jahmu = sic, _ chuck-in’, chuck-in’.» S Am _ 6 e chuck-in’, ___ Am7 FE Am? F Em ee eR fi mB Repeat ad lib. and Fade Am? FE Am? F Em i i ae A rain a fall but the dirt it tough._CONCRETE JUNGLE Words and Music by Bob Mare (No SUN WILL. SHINE.) THE HIGH YELLOW MOON WON'T COME OUT TO PL (Won'T COME OUT TO PLAY.) DARKNESS HAS COVERED MY I AND HAS CHANGED MY DAY INTO NIGHT. NoW WHERE IS THIS LOVE TO BE FOUND, WON'T SOMEONE TELL ME? ‘CAUSE LIFE, SWEET LIFE, MUST BE SOMEWHERE TO BE FOUND, YEAH. INSTEAD OF A CONCRETE JUNGLE WHERE THE LIVIN’ IS HARDEST. IT (AND HAS CHANGED.) CONCRETE JUNGLE, OF MAN, YOU'VE GOT TO DO YOUR BEST, YEAH. No CHAINS AROUND MY FEET, BUT I’M NOT FREE I KNOW I AM BOUND HERE IN CAPTIVITY. AND I'VE NEVER KNOWN HAPPINESS, AND [’VE NEVER KNOWN SWEET CARESSES. STILL, I BE ALWAYS LAUGHING WON'T SOMEONE HELP ME? CAUSE, SWEET LIFE, I'VE, I'VE GOT TO PICK MYSELF FROM OFF THE GROUND, YEAH, IN THIS HERE CONCRETE JUNGLE I SAY, WHAT DO YOU GOT FOR ME NOW? CONCRETE JUNGLE, O8, WHY WON'T YOU LET ME BE NOW? 3 LIKE A CLOWN (Sova) 1 SAID LIFE MUST BE SOMEWHERE TO BE FOUND, YEAL. INSTEAD OF A CONCRETE JUNG CONCRETE JUNGLE, YEAH CONCRETE JUNGLE, YOU NAME IT, WE GOT TT, CONCRETE JUNGLE NOW. E, ILLUSION, CONFUSION CONCRETE JUNGLE, WHAT DO YOU GOT FOR ME NOW?)a CONCRETE JUNGLE Words and Music by Bob Marley Strum Pattern I Moderate Reggae Em DE Em DE Em DE DE No sun___ will No chains. a- Instrumental solo Am7 Em7 Gail i shine in my — day to-day. _ (No sun will shine.) — round my feet, but I'm not free. ‘AU Rights Conte y Poy res nraona Pasig ne ‘ernanal Copegh Scared Al igs ReserAm7 tf to ‘The high yel - low moon won't comeout to play. I know I am bound here in cap-tiv - i - ty. EE 2 a (And has changed.) And has changed _ ve nev - er known sweet23 Won't some-one__ tell me? _ ’Cause — (1., DS.) life ‘Won’t_ some-one__ help me? ’Cause — Tre, Solo ends Am7 Em7 CD Bm7 ht ae it ER v, found, In-stead of a con - erete some-where to be here con - crete topick my-self from off the ground, In this =I 7 jun + gle— where the liv-in? is hard jun - gle. say, what do you got for meCE Em7 a 8 you'vegot to do—your why won't you let “me beEm ra ltt con-crete jun-gle now. — Bm7 aS ty EES eat?CominG IN From THE COLD Words and Music by Bob Marley Strum Pattern 5 In this life, F t sweet life we're com-ing in -AtRipen fore Ui Stes and Cand eed oy Psy cman Pein, a incrasoan Cope Secure AN Raga in this life, —- from the cold. .in, we're com-ing in, we're com-ing in, we're» it's you, c EmB AmWould you let the ys -tem make you ill your bro-ther man? No, Would you let the sys-tem get on top of yourhead a - gain? F Dm i a Would you | ™ZK©| the sys-tem make you kill your bro-therman? No, let Would you make the get on top of yourhead a gain?au in this life, in this life,2 We're com-ing in,we’re com-ing in, we're com-ing in, we're com-ing in, life, it’s life, it's life,in, we're com-ing, woo, com-ing in,coDA DS. al Coda com-ing in,we’re com-ing in, we're com-ing in,we're com-ing in, we're com-ing _in,we're com-ing in,CouLp You BE LOVED Words and Music by Bob Marley Don't LEP-THEM FOOL, YOU (OR EVEN TRY TO SCHOOL YOU, OH, NO. WE'VE GOP A MIND OF OUR OWN $0, GOTO HELL IF WHAT YOU'RE THINKIN’ ISN'T RIGHT LOVE WOULD NEVER LEAVE US ALONE; T¥ THE DARKNESS THERE MUST COME OUT TO LIGHT, CoULD YOU BE LOVED AND BE LOVED? (REPEAT) THE ROAD OF LIFE IS ROCKY, AND YOU MAY STUMBLE, TOO, So WHILE YOU POINT YOUR FINGERS, SOMPONE FLSE IS JUDGIN’ YOU LOvE YOUR BROTHER MAN Coup you mi Coup you mi COULD YOU BE, COULD YOU BE LOVED? Dox’T LET THEM CHANGE YOU OR EVEN REARRANGE YOU. OH, NO. We'VE GOT A LIFE TO LIVE. OOH, OOH, OOK THEY SAY ONLY, ONLY ONLY THE FITTEST OF THE FITTEST SHALL SURVIVE STAY ALIV COULD YOU BE LOVED AND BE LOVED? (REPEAT) You AIN“T GONNA MISS YOUR WATER UNTIL YOUR WELL RUNS DRY. No MATTER HOW YOU TREAT HIM, THE MAN WILL NEVER BE SATISFIED. COULD YoU BE, COULD YOU BE, COULD YOU BE LOVED? CoULD You BE, COULD You BE LOVED? (Revear) Say SOMETHIN’, SAY SOMETHIN’. (REPEAT)CouLp You BE LOVED Words and Music hy Bob Marley Strum Pattern 1 Moderately bright Reggae Bm it Bm7 Don’t let them fool you Don’t let them change you Copyienc 190 ‘AI Righs fore Unie uae al Can oad y PolyGram erie PU Ieratonl Copyright Sue AN Rigs Reservedmind of ourown. life to live. Fim Em if what you're think - in ooh,Fim alt A fal tt dark - ness there must come out to light. fit - test of the —fit - test shall sur - vive.you may stum-ble too. while you point your fin - gers, —your bro - ther — man._ Could you be, could you be, could you be loved? Could you be, could you beCould you be, could you be, could you be loved? Stay a-live— Could you be loved loved?a Bm tHE) ain't gon-namiss your wa - ter Could you be, could you be, could you be loved? ‘Could you be, could you be loved? Say some - thin’,Exopus Words and Music by Bob Marley Strum Pattern 4 Moderate Reggae Am7 move- ment of + pen your A igh fre Unie Ses ad Caeser maton Feb ineraicad Goyee ceed RuRtpartcaned ne eyes andya down Spoken: Tell me why. when you see Jah light. __ and look with - in. you're not wrong, Spoken: Then why? fied <= ev = ’ry - thing is al - right. with the ife__you're liv - ing?4s We're the gen-er - a- tion Spoken: Tell me why! trod through great lav - ing Bab- y - lon, we're go-ing to our fath - er land. —.a ple) Send us an - oth- er Broth - erPlay 4 timese-qual- i = way trans - gres - sion,Easy SKANKING Words and Mase by Bob Marley ‘Strum Pattern 5 Moderately fast Besus Bb Bbsus2 Bb Gm TE ie Hi tte) HH fH tH ttt mf y skank - ing, (Skank-ing it (Skank-ing it - oy y skank - ing. (Skank-ing ‘AILRigh fre Unie Stes nd Cana aby Ply nteratonal Pushing ne nsmasoel Copy Secured Al Ripe ResetBb cuse me while I light my —— Vm stay -in’ with this { Lord, . now [Got — to take Oh God, ___ I've got to take al-i-ty I justean’t drift,We're tak = in? hon-ey for ~ Got to take it slow. So, take } fon > ey for my strong ink. Tae | Ht 628 IGm Hit CODAGet Up, STAND Up Words and Music by Bob Mare PREACHER MAN, DON'T TELL ME HEAVEN IS STAND UP FOR YOU RIGHT, LORD, LORD, UNDER THE EARTH. GET UR, STAND UP. KEEP ON STRUGGLING ON. 1 KNOW YOU DON’T KNOW WHAT LIFE 1S Don’r Give UP THE FIGHT REALLY WORTH, Is NOT ALL THAT GLITTERS IS GOLD AND, WE'RE SICK AND TIRED OF YOUR ISM AND HALE THE STORY HAS NEVER BEEN TOLD, SKISM GAME ‘So NOW YOU SEE THE LIGHT, AY DIE AND GO TO HEAVEN IN JESUS’ NAME, LORD. STAND UP FOR YOUR RIGHT. COME ON WE KNOW WHEN WE UNDERSTAND, ALMIGHTY GOD IS & LIVING MAN, GET UP, STAND UP, STAND UP FOR YOUR RIGHT You CAN FOOL SOME PEOPLE SOMETIMES, Grr UP, STAND UP, DON’T GIVE UP THE FIGHT BUT YOU CAN*T FOOL ALL THE PEOPLE ALL (Rees) THE TIME. So NOW WE SEE THE LIGHT Most ProPLE THINK GREAT GoD WILL COME WE GONNA STAND UP FOR OUR RIGHT. TAKE AWAY EV’RYTHING, AND MAK‘ So YOU'D BETTER GET UP, STAND UP, STAND UP EV'RYBODY FEEL HIG FOR YOUR RIGHT BUT IF YOU KNOW WHAT LIFE IS WORTH, GET UP, STAND UP, DON'T GIVE UP THE FIGHT YOU WOULD LOOK FOR YOURS ON EARTH. GET UP, STAND UP, STAND UP FOR YOUR RIGHT. AND NOW YOU SEE THE LIGHT. GET UP, STAND UP, DON’T GIVE UP THE FIGHT YOU STAND UP FOR YOUR RIGHT, YAHGET Up, STAND Up Words and Music by Bob Marley Strum Pattern 2 Moderately slow Reggae no chord for _ your right... for — your right. for — your right. stand up for your right. Get up, stand up, don't give up___‘the fight. Get up, stand up, don't give up___ the fight. stand up for your right. stand up for your right. stand up for your right. apyngm ©1904 Angi Coty ne aon Mikidon’t give up__ the don’t give up the don’t give up__ the => Preach-er_man,don’t tell___ me _ hea - ven is un - der the earth. _ Most peo ple think — great God will come_ fromthe sky, sick and tired of your is-m and skism game. Die and go to hea-venin Je - sus’ name,Lord. I know you don’t_ know what _ life is real-ly worth. Is not all _ take a - way ev-’ry-thing, and make ev -’ry-bod- y feel high. But y We know when we un- der- stand. —Al-might-y God isa liv-ing man.. You can fool -now you see the light, aay. Stand up now you see — the light. You _ stand up now “we see — the light. We gon-na that litters is gold? _ And half the sto-ry has nev - er been told. — if you knowwhat life is worth you would look for yourson earth... And some peo - ple some - times, but youcan’t fool allthe peo-ple all the time. So for _ your right._ Come on, for — your right. Yah, — Repeat and Fade stand up for your Fight. Get up, stand up, don’t give up_ the fight.oI Love You. ‘Wiry won't you stor ‘Dey Your weerino eye "You know THAT ILOV! Thove, I Love, I Love Here | AM. ME saip, “COME RUB. wrt You GUAVA SAID, “HERE I STAN! Come RUB Ir"PON |GuavA JELLY Words and Music by Bob Marley ‘Strum Pattern 2 Moderate Reggae ‘Cmaj7 Dm Why won't_ you stop your cry stop, stopa ie Hf it love, love, HIG G F ait v Dry your weep - img eyes. You know — that I i wipe your weep - ing eyes. You'll see how I’'mgon-na I love, I love, I love you 50, love youfrom the bot-tom of my heart, da-da - dam__ da-da-dam - sel. _ Me said,“Come rub it "pon me bel - ly with you Gua - va Jel = ly.” F ¢ F ¢ i ft i FY rocoag "pon me bel-ly with youG7 F GT & ey fi s I real-ly, real-ly, Ireal-ly love you. Z Fh i a - D.S. al Coda “ond Ef Come-a, come-a come-a, come-a dam - sel, oh dar-ling. Said,“Come rub it *ponme bel-ly with you Gua - va JelI SHot THE SHERIFF Words and Music by Bob Marley ALL AROUND IN MY HOME For wHAr, I DON’ Ev'ry TIME I He sawp, “KL ITB He saip, “Kit [AND SO, O, NOW, READ IT IN THE NEWS. I SHOT THE SHERIFF, 00H, 00H, OOH. Isai, I shor THE 5 So stor, I stor, Anp I say, IF LAM GUILTY [shor THe SHERI, Bug6s I SHor THE SHERIFF Words and Music by Bob Marley Strum Pattern 8,6 Gy Bright Reggae (JJ played as «)) Gm Cm7 i did-n’t shoot no a f Compan 19761978 ‘A igh Corte ra eo Pabishing, nc heron Grprap cued A Rip exthey're try for what, for the kill - ing he said, “Kill it for the life He said, “Kill them0 On, Read it in the news.Cm7 Gm7 and they say it is cap - i= tal offense. but swear it’ was in self’ - de-fense, Bb Dm7 ge came my way one had the bet - ter ofEb Dm7 Gm z =: .. @ sher- iff John Brown,0 Gm7 did - n't shoot non Gm7 did-n't shoot the dep - u = ty, —I’M HurtTING INSIDE / a.k.a. HURTING INSIDE Words and Music by Bob Marie Wesstwss nsx A LITTLE CHILD, HAPPINESS WAS THERE AWHILE ‘THEN FROM ME, YEAH, IT SLIPPED ONE DAY. HAPPINESS, COME BACK, I SAY. "CAUSE IF YOU DON’T COME, I'VE ¢ LOOKIN’ FOR HAPPINESS. WELL, IF YOU DON'T COME, I'VE GOT LOOKIN’, LORD, FOR HAPPINESS, I’M HURTING INSIDE, T'n HURTING INSIDE (OH HEAR MY CRY, HEAR MY CI’M Hur inc INSIDE a.k.a. HURTING INSIDE Words and Music by Bob Marey Strum Pattern 1,3 Reggoe Bock Fim Pe D a Ef a mf hap - pi - then you os ‘Av Ries Costes by Myr ner! Paige IerausoalCopyph Secared AM hs Reserved"4 it slipped one day.. I'm your wear-y *Cause if you don’t come, I’ve got to go look Well, if you15 F4m? aero don’t come, I’ve got to go look To Coda ()16 D tm i z Ten? yeah, my, my, my, my, my, my, my, my cry. TO ItI’M STILL WAITING Words and Music by Bob Marley Sirun Pater 9 Seatfaly # mf An/G G AnG S ah ah AmG AmG G ©1968 cop ‘AU Righs Comoe by Pee Inereaona Pabteig. ne oul Coppi Seco A Ripaci iS ih i i ee no -bod - y else but Am7 Bm? He Be eee a why girl? oh,Ev-'ry lit tle beat my heart You "know, you know at your door. 1 just wan-na — love why I. wait my whole life through. So, won't you comeout to me for being what81 Am7 Bm7 Oh, can't you see I'm — un-der your___ spell? But don't you know _ Am7 ‘Am7Is Tuts LOVE Words and Music by Bob Marley ER OF MY SINGLE BED. Is Tits LOVE, 1s THIS LOVE, Is THs Love, 1S THIS LOVE THAT P'M FEELIN"? (Reveary T WANNA KNOW, WAKNA KNOW, WANNA KNOW NOW GOT TO KNOW, GOT TO KNOW, GOT TO KNOW NOW I, PM WILLING AND ABLE, So TTHROW MY CARDS ON YOUR TABLE I WANNA LOVE You T WANNA LOVE YOU AND TREAT YOU RIG T WANNA LOVE YOU, EVERY DAY AND EVERY NIGHT We'LL BE TOGETHER, WITH A ROOF RIGHT OVER OUR HEADS WE'LL SHARE THE SHELTER OF MY SINGLE BED, WE'LL SHARE THE SAME ROOM, OH, JAH PROVIDE THE BREAD. Is THis LOVE, 18 THIS LOVE, Is THIS LOVE, IS THIS LOVE THAT I’M FEELIN’? (Rerear) On, ves I kNow, YES KNOW, YES I KNOW NOW, (REPEAT) 1, I'M WILLING AND ABLE So I THROW MY CARDS ON YOUR TABLE. Ske, I WANNA LOVE YOU T WANNA LOVE AND TRE LOVE AND TREAT YOU RIGHT, T WANNA LOVE YOU EVERY DAY AND EVERY NIGHT. WE'LL BE TOGETHER WITH A ROOF RIGHT OVER OUR HEADS, WE'LL SHARE THE SHELTER OF MY SINGLE RED. WE'LL SHARE THE SAME ROOM, JAH PROVIDE THE BREAD. WE'LL SHARE THE SHELTER OF MY SINGLE BED.cy Is Tuts LOVE Words and Music by Bob Marley Strum Pattern 5 ria Moderate Reggae (JJ played as d)) Fem7 D im if Ht BG A BG Fem7 aE = B ste a> 1 wan-na love you comin o 197 ‘AN Righ for be Ui Sas an Cae Sil PnCram raion! Peg, ‘mera Capi Secured ANROraRewivedFim7 D i] A E/GE A EGE Fam? te fig!Bm7D a Ht I wan-na know, ‘Oh, yes wan-na know, — wan-na know I know, yes I know, yes I know now. IT got to know, got to Oh, yes 1 know, yes 1Fém7 throw my cards —I— I wan-na loveTRON LIKE A LION IN ZION; IRON LIKE A LION IN ZION, |KON, LION, ZION. I'M ON THE ROCK, I CHECK A STOCK. THAD TO RUN LIKE A FUGITIVE, OHH Gop, JUST, JUST TO SAVE THE LIFE I LIVE, OHH NOW, AND STILL I'M GONNA BE TRON LIKE A LION IN ZION (WHAT DID I SAY I'M GONNA BE IKON, LIKE A LION IN ZION, WHat DID YOU SAY, IRON, LION, ZION, T'M ON THE RUN Bur LDon'r Gor No GUN, SEE, MY BROTHERS WANNA BE THE STARS, ‘SO THEY ARE FIGHTING TRIBAL WARS. AND THEY SAYING, TRON LIKE A LION IN Zi0N. TRON LIKE A LION IN ZION, IRON, LION, ZION. I'M ON RUN, GOT NO GUN, IRON, LION, ZION,TRON LION ZION Words and Music by Bab Marley Strum Pattern 6 Reasne played] J) | mf and but 1 ain't but 1 don’ had to run like a fug -1- tive See, they want to be the star See, my broth-ers want to be the stars, to save the life (2,3.) so they fight - ing trib - Copyigh © 1092 ‘AN Righs Combate by FolyGram Intctional Pushing. fo ittratonal Capp Secu Al opt ReserLi-on, i-ron, Zi-on, I-ron, li-on, Zi-onBm ET Bm run to, just to saveAnd still, I’m gonnabe i - ron like a - on os What did you say? fi DS. al Coda I-ron, li-on, Zi-on.933 Bm7 Bm Bm7 ETMe Words and Music by Bob pe et ee WE'RE JAMMIN", JAMMIN’, ‘AND I HOPE YOU LIKE JAMMIN’, AIN'T NO RULES, AIN"T NO VOW, WE CAN DO IT ANYHOW. AND I WILL SEE YoU ‘THROUGH. "CAUSE EVERY DAY WE PAY THE: WE ARE THE LIVING SACRIFICES) JAMMIN" TILL THE JAM IS We' RE JAMMIN’ ‘No BULLET We NEITHER NAME OF THE. Jai stPreni N MOUNT ZION AND RULES. YEAH, WE'RE JAMMIN’. BOP-CHU=WA-WA- We're JAMMIN! |LWANNA JAM IPWITH. YOU WE'RE JAMMIN’, JAMIN", JAMMIN’, JAMMIN" AND JAMDOWN HOPE YOU'RE JAMMIN’, TOO! JAH KNOWS HOW MUCH T"AVETRIED. ye ‘THE TRUTH CANNOT HIDE To KEEP You SATISHIED, ‘TRUE LOVE THAT NOW EXISTS Is THE LOVE I CAN'T RESIST, SO JAM BY MY SUDE. We're sARIMIN’, JAMMIN’, JAMMIN" wana sA8tiT wrri You. WE'RE JAMMIN’, WERE JAMMIN", We! REJAMMIN’, WE"RE JAMMIN’, WE'RE 1 lope You LIKE JAMMIN", TOO. (REPEA) pete Sia Ye — ll9 JAMMIN Strum Pattern 4 Moderate Reggae (JJ played as Jd) ED Bm? st I wan-na jam it with you. — jam-min’ was a thing of the past. T wan-na jam it with you. — “9107 well al - right. We're jam-min’, We're jam-min’, We're jam-min’ _ ied by PolyGram International Publishing, boc vera Coys ADR fer the Une Ses nd Cra oo ‘rncrnational Copyrighe Secured Al Rhus RetG Fem? a Ef hope you like jam-min’, too. hope this jam is gon-na last. jam down, hope you're jam-min’, too. — —ain’t no vow, we can do it am - y ~ how. bul- let can stop us now, we neith - er nor bow. knows how much I've tried, the truth can - 1 and Twill see you Neith- er can be bought nor to keep you sat - is 2 3 S Bm7 fre FS fs iE 8 I day we pay the _ price we are the liv - ing sac - ri all de - fend the right, Jah Jah chil - dren must u love that now ex - ists is the love 1 can't’ reG a jam - min’ jam - min’ till the jam is worth much more than jam by my Bm7 ia We're jam-min’, jam - min’. And we're T To Coda fone in jam - min’ the name of the ER jam-min’, jam-min’, jam-min’, We'rejam-min’ right straight from yard, _ Em7 Bm7 Em? Bm7 Bm? Jah sit - teth in Mount Zi - on 7 aa i DS. al CodaCODA Eo jam- min’, jam- min’, o o jam-min’,we're jam-min’ we're jam Hope you like Bm7 a We're jam- min’, Ftm7 wan-na jam it with you. 7 v "re jam-min’ we're jam-min’ we're jam-min’ywe'rejam-min’ we're jam-min’, Repeat and Fade We'reLIVELY Up YOURSELF Wonds and Music DON'T BE NO DRA YoU LIVELY UP YOURSELF, OH REGGAE IS ANOTHER BAG, ‘You LIVELY UP YOURSELF You'Re 6 “caus L DON’T SAY NO. You tiveLy uP your [BIG DappY ‘You vey urLivety Up YOURSELF 5 Strum Pattern 6 " Bright Reggae Shue (4 4 played as © «) no chord nf12103, and don’t Live - ly up your - self___ — You, what you gon-na do? You rock — so, you rock — so,104 DT GT D7 if ay if —I—, ge dip so, you dip dip through my door. os so, you come= ly up your - self, F gon-na do it for you.106 D7 G7 D7 Live - ly up your - self __ and don't be no, don't be mo, don’t be no, GS=6e that T don't know, won-der why you107 And don’t be Live - ly up —— your - self, __ DT G7 D7 Th F 4 Instrumental solo108 Tete. Solo ends You're gon - na live - ly up your-self anda? D7 GT ly my -self. = ly my-self, Live - ly up __ your - self.Lick SAMBA Words and Music by Bob Mare ME SAY, LICK SAMBA, LICK SAMBA (OH NOW, OFF LICK SAMBA. 1 COULD NOT RESIST, LICK SAMBA, LICK SAMBA, OW NOW, ANOTHER LIKE THIS, LICK SAMBA. (OW Now, OH LICK SAMBA. AND THOUGH T KNOW YOU'LL HURT ME AGAIN, OH LICK SAMBA, PLL GOON, I'LL FEEL THE PAIN, OW LICK SAMBA. AND IT’S NOT THAT I AM WEAK. OW LICK SAMBA. BUT IT's THAT I'M ON A PEAK, OH DARLING, OW LICK SAMBA. JUST A LICK SAMBA, LICK SAMBA, LICK SAMBA, 1 SAY, OF LICK SAMBA. (OH NOW, OH LICK SAMBA, OH LICK SAMBA. BRING IT UP A-LICK IT ONE TIME OW LICK SAMBA. Vu se ‘OH LICK SAMBA. TLE THE LITTLE A CLAIM, YOU CAN WRITE IT DOWN IN MY NAME MORNING TIME, NOON OR NIGHT, (OH LICK SAMBA. LICK SAMBA, LICK SAMBA, LICK SAMBA, (OW LICK SAMBA. LICK SAMBA, LICK SAMBA, LICK SAMBA, OW Lick SAMBA, OH DARLING, OH LICK SAMBA. Ir 11°S MORNING TIME, I'M READY, OH LICK SAMBA, AND IF IT'S LATE AT NIGHT, I’M STEADY,rtrd Lick SAMBA Words and Music by Bob Marley Strum Pattern 2 Moderate Reggae @ a a o 8 @ ¢ v v e Lick sam-ba, lick sam-ba, lick sam-ba; lick sam-ba___ Ah, mesay, s AM Rigi Consied Rip nero Paiting. ne crtonl Coppi Secu" Agha ResevedAnd though I know you'll hurt me 2 - gain, up a- lick - y one time. Z ao F TH feel the pain. a ilit o not that 1 am_—_weak, write it down in my name, that Tm on peak, oh dar - is = ing time, or night.us Dm F c if at To Coda % 0 chord F A just a lick sam-ba, lick sam-ba, lick sam-ba, i # & vsatcun Dm oF Cc lick sam_-ba,us go Lick sam - ba, F c + ing time, at night, ’mstead - y.u7 NATURAL MysrTIC Words and Music by Bob Marley Strum Pattern 5 rsa Moderate Reggae (J J played as) J) ) ‘AmT it eresc. poco a poco G Am? G Am] Dm you will hear, — al- i - ty now. ‘A Right Und Ses Ca ed \tacrealons Copyright Secured "A Rigs Reseed tym rerio Ping, lncus19 Am Dm ty ‘Things are mot the way. There’s a nat - "ral _mys - tie blow- ‘There’s a nat - ‘ral _mys - tie blow -blow-ing through the air.AmT ) Eb - ing through the” air. _ —s— Repeat and Fade ‘There's a nat -’ral__ blow - ing through the air. aac eat ——NICE Words and Music by Bab Marley Dinomagayonetrce re ‘D00-Y00-DEE-DUN-DOO-YEA. ‘TeINK ABOUT THAT, (REPEAT) ‘Tus is MY HEARE TO Rock YOU STEADY. UL GIVE YOU LOVE THE TIME YOU'RE READY, ‘Tis LITTLE HEART IN ME JUST WON'T LET ME BE. I'Msusr'T0 Rock YOU, NOW. Won'T You ROCK Win ME? LONG TIME: WE NO HAVE NO NICE TIME, Do0-¥00-DEB-DUN-DOO-YEA. ‘THINK ABOUT THAR.23 NICE TIME Words and Music by Bob Marley Strum Pattern 1 Moderately G Deg? co @ 12 we no have doo yoo - dee-dun- doo-yea. ‘Think _a-bout that. a 8 oe _f fe i doo yoo - dee-dun- doo, yea. Think _a-bout that. AU Rights Conroe by PolyGram Iisertadional Publishing Ine icasonal Copy Seewed ARMS Re~ give you. love HE the time you're read =I = =O Won't you rock with me?_ we no have nonice time,Am Dm? G7 c Am Hf gf To Coda @ tf doo yoo - dee-dun- doo, yea. Think . a-bout that. atm ww 8 228 # Am Dm7 G7 c aitou MELLOW Moop Words and Music by Bob Marley Strum Pattern 3 Moderate Reggae Cc ae F c G7 cs i a fi Pil play your fay'r - ite We can rock it all night tong, A Rigi Conacing by Rostra eran! Ping Ie ‘Praca Copjogh Seemed Al Ripon Romret# 2 Fa Z {Mel- low mood Qui-et as TU play your fay’r - iteStrike the ham - mer while El Ply ines © - penup —yourheart._ © ~ penup your heart._ love sweet love,c To Coda off DS, al Coda (with repeats) —— ——————BI No WoMAN No Cry Words and Music by Vincens Ford ‘CAUSE I REMEMBER WHEN WE USED To SIT IN THE GOVERNMENT YARD IN TRENCHTOWN. (OBA, OB-SERVING THE HYPOCRITES AS THEY WOULD MINGLE WITH THE GooD. PEOPLE WE MEET Goop FRIENDS WE HAVE HAD, OH GOOD FRIENDS WE'VE LOST. ALONG THE WAY. IN THIS BRIGHT FUTURE YOU CAN'T FORGET YOUR PAST ‘So DRY YOUR TEARS, I SAY. No WOMAN, NO CRY, No WOMAN, NO CRY iris DAREN’, DON'T sHeD No TEARS. No WOMAN, NO CRY Satb, SAID, SAID T REMEMBER WHEN WE USED tostr IN THE GOVERNMENT YARD IN TRENCHTOWN. AND TH FIRE LiGHT, Loc Wood BURNIN THROUGH THE NIGHT ‘THEN WE WOULD COOK CORN MEAL PORRIDGE (OF WHICH I'LL SHARE WITH YOU. MY FEET IS MY ONLY CARRIAGE So I'VE GOT To PUSH ON THROUGH, Bur WHILE I'M GONE, EV'RYTHING’S GONNA BE ALRI EV"RYTHING’S GONNA RE ALR So, NO WOMAN, NO CRY. No, No WOMAN, NO WOMAN, NO CRY OH, LITTLE DARLING, DON’T SHED NO TEARS, No WoMAN, NO CRY, 1. (7 TIMES) r No WOMAN, NO WOMAN, NO WOMAN, NO CRY. No WOMAN, NO CRY. (O11, MY LITTLE DARLIN’, PLEASE DON’T SHED NO TEARS No WOMAN, NO CRY, YEAH No WOMAN, NO WOMAN, NO CRY.No WoMaAN No Cry Words and Music by Vincent Fort Strum Pattern 3 Relaxed Reggae G c op Am7 F c ath a> Sho G c ah © F c 6 c oa No wom- an, Here title dar- tn’, Cony ‘tng re Un Sines ncaa Farman hing a ae nso cumin a ™in the gov-ern- ment 1. O-ba, O - besery - the hyp - 0 - crites 2.3. And then Geor- gie would make a_i = re = light as it was mmin- gle with the good peo le og wood burn = in’ through1m good friends we had___ ‘Then we —__ would cook __ In this bright fu - ture My feet is my tif i ‘oh good friends we've lost corn meal por - ridge ie ® say. on through, but while I'm gone To Coda QCc GIB Am F aan i i fie af it Ev-ry -thing’s gon-na be al - right. -things’s gon-na be al - right. ‘4 a ' 8 gee Fi it Ht ft Pre == Ev-ry - thing’s gon-na be wry -thing’s gon-na be right. 2 Am F Cc GB EB i a Ev-’ry -thing’s gon-na be al -te sis = noOh, my lit - tle dar - lin’,PLEASE Don’t Rock My Boat Words and Music by Bob Marley Strum Pattern 1 Moderately slow Reggae A chm7 Bm7 E7 tal iH Bi it i Bm? Ey” A fm? Bm7 ie if => "Seratonal Cone1 im? Bm? E7, Eh B if i _— don’t you rock - a my Ctm7 Bm7 E7 => I'm tell-in’ you that like ita like a like it a like a | this. Yes I do. ‘And you shouldry Tm areal-ly is, I've got it. Just Bm? E7 ~ is, sat - is, satis - fy my + is, satis - fy my time. - i soul Yes, 1 been a love you in If ev-er IBm7 make it up to 7 hap-py in- side hap-py in- side what you've done for yeah, tobe. we bend a new when are we hold ing hands to- cor geth 143 7 Oh, can’t you want you be - You make me feel like ‘One thing you got to ~ ner, We feel like s you've got to know that144 E7 Bm7 + stake winchers, we love, we love each oth-er, new cor = ner — walk a - way from me, 7 - stakes win - ners, © And I say need your sym-path-y, yeah. __ 3 Can you see it? Do you be-lieve_ me?4s Ob, dar = lin’, dar - lin’, nev-er give it up now. Bm? ET.loving each oth - er. Repeat ad lib. and Fade o v I'm hap - py,hap-py,hap-py,hap- py, hap-py,hap-py, and not ‘e-ven timeto be blue, yeah.Ler’s Ger 1c HEAR THE CHILDREN CRYING. (ONE LOVE.) HEAR THE CHILDREN CRYING, (ONE HEART.) SavIN’, “GIVE THANKS AND PRAISE TO THE LORD AND TWILL FEEL ALL RIGHT SAVIN’, “LET'S GET TOGETHER AND FEEL. ALL RIGHT WHOA, WHOA, WHOA, WHOA, LET THEM ALL PASS ALL THEIR DIRTY REMARKS, (ONE LOVE.) THERE IS ONE QUESTION I'D REALLY LOVE TO ASK (ONE HEART.) IS THERE A PLACE FOR THE HOPELESS SINNER WHO HAS HURT ALL MANKIND JUST TO SAVE HIS OWN? BeLieve Mt ONE LOVE, ONE HEART Ler's GET TOGETHER AND FE AS IT WAS IN THU So SHALL IT BE IN THE END. (ONE HEART.) ALRIGHT, AND I WILL FEEL ALL RIGHT.” “Le ONE More THING, ALL RIGHT BEGINNING, (ONE LOVE.) ‘GIVE THANKS AND PRAISE TO THE LORD GET TOGETHER AND FEEL ALL RIOHT.” E Lov. Musi by Bab Marley LEt’S GET TOGETHER TO FIGHT THIS HOLY ARMAGEDDON, (ONE LOVE.) So WHEN THE MAN COMES THERE WILL BE NO, No DOOM, (ONE SONG.) HAVE PITY ON THOSE WHOSE CHANCES OROW THINNER THERE AIN'T NO HIDING PLACE FROM THE FATHER OF CREATION, SAYIN’, “ONE LOVE, ONE HEART LET'S GET TOGETHER AND FEEL ALL RIGHT.” I'M PLEADING On, Lorn. (ONE HEART.) Wnioa. TO MANKIND, (ONE LOVE.) GIVE THANKS AND PRaISt AND I WILL FEEL ALL RIGHT LET'S GET TOGETHER AND FEEL ALL RIGHT (Reresr) ro THE LORD18 ONE LOVE Words and Music by Bob Marley Strum Pattern 1 Relaxed Reggae beat Bb F B i i { Hear the chil-dren As it was in the be- t plead-ing to cry = img. (One love.) _ heart.) gin-ning, (One love.) so shalll it heart.)_ man-kind. (One love.) — _ heart,)_ Copyaip © 1968 A Righs Corry Poy Into Pushing. nc Inerastonal Copa Secured All igs Res19 a it if i) 7 thanks and praise to the Lord all right.” » _ § Whoa, whoa, whoa, whoa. right ‘One more thing. » ES tit ug t 7 Let them all pass all __ their dir - ty re-marks. (One Let's et to-geth = er to fight this Ho - ly Ar - ma-ged-don, (One Gm B F Bb 3 it @ it ft Td real - ly love to ask. there will be mo, no doom.o heart.) Is there a place for the hope- less sin-ner who has somg,) Have pit - yon those — whose chane = es grow thin-ner. ‘There ain't 7 hurt all man - kind save his own? Believe me, no hid - ing place Fath-er of Cre-a - tion. Say-in’, il i i ii i H feel all right.”. SMALL AXE Words and Music by Bob Marley Strum Pattern 2 Bright Reggae (double-time feel) A. D r Fa im i =]> Why — boast - eth thy- work-ing in - iq-ui - ty and_not ___ be-ing en - dur - eth for Copia © 1974, A Rips Cone aon! Pb. Ie ieronalCoprighu Secare Alt RopeThese _are the words Instrumental solo) No __ they can’t. _ ‘Solo ends Who-so -ev-er dig-geth a pit15s 7 thi shall bur = y in it. If Youhave a,REDEMPTION SONG Words and Music hy Bob Marley Strum Pattern 10 Moderately, folk style no chord _—s——_" rates, yes, they rob your - selves frommen - tal baat Cc GIB ti cE } Js 2 4 So? = ¥ ¥ = o t $ 7 ¥ L Sold ___ I to the mer- chant ships __ slav ory, none but our selves can our minds. AM Right forthe United States wn Canada controled y Poly Gry atrtionl Pushing. ne. TncrasonlCopyngn Secure AU Rig Renred158 by the hand of the Al - might - — y. stand a - sideEz = eo @o@ lt @.. % E-man-ci -161 DIA163 So Mucu TROUBLE IN THE WoRLD Words and Music by Bob Marley Strum Pattern 1,5 Moa en] Dm? Am? Ee ig ES trou - eyes this morn - ing, to face the___ day. Copyright © 1977 Conse cose) by Poly Gr International Pak Sore seams An pies herent A Righ fore U164 AmT Dm7 is onthe rise once_ wee, Am7 Dm? Amn? F EmAm7 off on their space 1 know the time has miles from re-al - i - ty, goeson up is com-ing on down, 16s Em Am7 no carefor you, no carefor me. Goes a- round and comes a-round. Am7 Am7 a, Zs in the world.166, Dm7 Am7 All you got to do is give a little, Dm7 Ey, Am7 give a little — one__more time._ Give a lit-tle, take a lit-tle, So you think_ you found_ the so-lu-167 So be- fore you check out this tide, stand - ing there be- hind. _ Am7 Dm7 copa it if Repeat and FadeSuN Is SHINING Words and Music by Bob Marley MAKe YOU WANT TO MOVE YOUR DANCING F ‘To THE RESCUE, HERE I AM, /ANT YOU TO KNOW, Y"ALL, WHERE I STAND. (MonDaY MORNING), HERE T AM. WANT YOU TO KNOW JUST IF YOU CAN, (TUESDAY EVENING) WHERE T STAND, (WEDNESDAY MORNING), TELL. MYSELF A NEW DAY IS Rig (THURSDAY EVENING), GET ON ‘A NEW DAY IS DAWNING. (Feipay MORNING), HERE, (SATURDAY EVENIN Want You TO KRG16 SuN Is SHINING Words and Music by Bob Marley Strum Pattern 2 Moderately Slow Reggae Dm7 Gm? Dm7 Gm7 if a 8 Ei of Dm7 Dm6 BAD Dm? Dm6 BAD Make you want to move ‘Want you to A Rie Conrad 8 Rar leona Pash. ne. ‘ersonl Cappo Secwed Al Rips ke170 Gm7 Gm6 B/G Gm7 Gm6— ESIG. Dm Dm7 Dm6 —BkD Dm Dm? Dm6 Dm? Dm6 BEES Gm7 Gm6 EAIG Gm7 (Mon-day morn - ing,) Gm? Gm6 EWG Gm7 you to know just if you can, (Tues -day eve - ning;) Gm6 Eb/G Gm6 EWGm Dm7 Dm6 BRD Dm7 Dm6 BLD th i (Wed’n-s'day morn-ing,) tell my-self a mew day is ris - ing. 5 2 Dm7 Dm6 BLD Dm7 D6 B/D (Thurs-day eve - ning;) get on the rise, a new day is dawning. Gm7 Gm6 EL/G Gm7 Gm6 EbIG (Fri - day morn - ing.) (Sat-ur-day eve - ning,) want you toknow just, want you_ to know just where I stand. _m Dm7 Dm6 B/D Dm7 Dm6 Dm7 Dm6 BAD Dm7 D6 3 : za = a want you to know Gm7 Gm6 EG Gm7 Gm6 Gm7 Gm6 EWG Gm7 Gm6 a stand, know, know, know,13 Dm7 Dm6 BB/D Dm7 Dm6 By Dm7 Dm6 B/D =o ce iB eS We'll lift our heads and give Jah =— I> — Gm7 Gm6 EWG Gm? Gm6 EWG Gm7 Gm6 Eb/G a i i a ae itt i Is esa We'll lift our heads and give Jah prais-es, yeah. eer)m4 Dm7 Dm6 BD Dm7 Dm6 a ” & BLD ‘Make youwant to move toknow just if you can_ Dm7 Dm6 BD Dm7 nh 7 Sun is shin-ing. Sun is shin-ing.SouL REBEL Words and Music by Bob Marle SEE THE MORNING SUN, THE MORNING SUN, ON THE HILLSIDE It You'RE NOT LIVING GOOD, TRAVEL WIDE YOU GOTTA TRAVEL Wi SAID T'M A LIVING MAN, AND I'VE GOT WORK TO DO. Ie YOU'RE NOT HAPPY, CHILDREN, THEN YOU MUST BE BLUE MUST BE BLUE, PEOPLE SAY PMA REBEL, LIT THEM TALK, SOUL. REEL, TALK WON'T BOTHER ME, T'M A CAPTURER, THAT'S WHAT THEY SAY. SOUL ADVENTURER, NIGHT AND DAY T'S REBEL, SOUL REBEL Do you HEAR THEM 11 I'MA CAPTURER, GOSSIP AROUND THE CORNER SOUL ADVENTURER. HOW THEY ADVENTURE ON ME. BUT, SEE THE MORNING SUN, THE MORNING SUN, ON THE HILLSIDE IF YOU'RE NOT LIVING GOOD, TRAVEL WIDE YOU GOTTA TRAVEL WIDE SAID I'MA LIVING MAN, T'VE Gor WoRK TO DO, IP YOU'RE NOT HAPPY, THEN YOU MUST BE BLUE MUST BE BLUE, PEOPLE SAY. I'M A REBEL, SOUL REBEL I'M CAPTURE Do You HEAR ME? I'M A REBEL, REBEL IN THE MORNING, SOUL REBEL, REBEL AT MIDDAY TIME SOUL ADVENTURER.176 SOUL REBEL Words and Music by Bob Marley Strwm Pattern 3 Moderate Reggae ‘m7, =, Pm a cap - tur-er, yen - tur-er. copy 01971 AILRipt Conroy Payee rata Pubes frac Copyapht Secured All Rigs Rexredm7 See themorn - ing sun, — Bm7 If you're not liv - ing good,8 Said I'm a liv - ing man_ and I've. Bm7 T've got work to do. To Coda Q if DS. al Coda must be blue,179 Bm?180 STIR It Up Words and Music by Bob M STIR IT UP, I AND NOW YOU ARE HERE, I say, 11's 0 CLEAR ‘To SEE WHAT WE CAN DO, HONEY, JUST ME AND YOU, 'S BEEN A LONG, LONG TIME. SINCE I'VE GOT YOU ON MY MIND. COME ON AND STIR IT UP, LITTLE DARLING, STIR IT UP. (COME ON BABY, COME ON AND STIR IT UP, LITTLE DARLING, STIRIT LP, PLL pustt THE WooD, I'LL BLAZE YOUR FIRE, ‘THEN I'LL SATISFY YOUR HEART'S DESIRE SalD I'LL STIR IT, YEAH, EV'RY MINUTE, YEAH. ALL YOU GOF TO DO IS KEEP IT IN, BABY AND STIR IT UP, LITTLE DARLING, STIR IT UP. (COME ON AND STIR IT UR, OOH, LITTLE DARLING, STIR IT UP, YEAH. OH, WILL YOU QUENCH ME WHILE Px THIRSTY? CME AND COOL ME DOWN WHEN I'M HOT? YOUR RECIPE, DARLING, IS $0 TASTY, AND YOU SURE CAN STIR YOUR POT So STIR IT UP, LITTLE DARLING, STIR IT UP. (COME ON AND STIR IT UP, OOH, LITTLE DARLING, STIR IT UP. (COME ON AND STIR IT UP, OF, LITTLE DARLING, STIR IT UP STIR IT UP, LITTLE DARLING, STIR IT UP, (Gurrar Soto) LITLE DARLING, STIR IF UP, COME ON AND STIR IT UP, LITTLE DARLING, STIR IT UP,Stir It U Words and Music by Bob Marley Strum Pattern 2 Moderate Reggae A D el ee > HeTo ACE and stir Copynge ©1972 AIR Conse yf ram eereaonal Pub, ne ‘eran! Cpa Secured. Al igh ReteIts been a long, ___ Tong rl push the ‘Ob, will you quench I've got you on my___ mind. blaze. your fire, — then TH sat - is V'm_ thirst - y? Or would you cool i A Fa # i z 7 And now you are here, 1__ say your heart’s de - sire. Said Tl stir it, yeah, when I'm hot? rec-i = pe, dar -ling,just__me and you. Comeon and Act E sit> aato Sere lit-tle dar - ling, stir it up. ooh, lit-tledar - ling,To Coda @ P OS nc 5 R DAR fal mf iE 8 fi q 8 stir it up,— 7 Instrumental solo E D E 'a & om fe REet> =e Come onand stir it little dar - ling, stir it up.—Stir it up, lit-tle dar - ting, stir it up.THANK You LorD Words and Musi By Bob Marley Strum Pattern 7 Bright Reggae beat G a i) a Bm? a what you're do - ing Copyign © 1972 A Ries Conroe yale Inco Pubic. Tierntocl Copy Secuee Aig ReseaS = ‘Thank you, Lord, for Bm7 Am7 D7 ev - ‘ry lit - tle thing. S Bm7 aw ‘Thank — you, Lord, for ev - ‘ry song sing. — DT G Bm7 rm in no 1 can’t find_ Ee189 Am7 DT G Bm7 ah i+ ton, the ex - pla - na-tion, Lord,_ have mer-cy, Bm7 Am7 D7 G jon ¢ rm Just yes, Iam a - com-in’, — com-in’, Bm? Am? D7190 G Bm7 In my pray-ers 1 All 1 can Bm7 Am7 ‘Thank you, Lord,1 G Bm7 Am7 Am7 Sing a-tong, Bm7 Am7 D7 i Be if Repeat ad lib. and FadeTHREE } | LITTLE BirD Words and Music by Bob Mariey | fe “CAUSE EV’ RYYMITLE THING GONNA BE ALRIGHT, Swvain’, "Don't woRey ADOUT ATHNG, “CAUSE EV"RY LITTLE THING GONWA BE ALRIGHT.” RISE UP THIS MORNING, SMILED WITH THE RISING SUN, SAVIN", “THIS 18 MY MESSAGE SINGIN’... (REPEAT) DON'T WORRY ABOUT A THING, *CAUSE EVRY LATTLE THING (4 Times) Tie Sect etn Sorte eee cere193 THREE LITTLE Birps Words and Music by Bob Marley Strum Pattern 2 ‘Moderate slow Reggae A dnt tt 3g z mf ev'ry little thing ‘Al Rigs oe Unite Sts and Cansei y PolyGram kato! Pb. ne. Trace) Copyrghe Secured AU Rips Reserved198 ev'ry lit-tle thing pitchby my door - step,195 “This is my mes-sage to you - u -u.” Sing-in’, “Don’t D tm He D + i Repeat and Fade‘O, LDON'T WANNA, I DON"T WANNA, Tn0N"7 WANNA, [DON'T WANNA, LIDON'T WANNA WATT IN VAIN. INO, [DON'T WANNA, I. DON"TWANNA,, TON’ WANNA, T DON'T WANNNA, DON'T WANNA WAIT IN VAIN.7 WAITING IN VAIN Words and Music by Bab Marley Strum Pattern 1 Moderately slow Reggae maj? Cmaj7 Gmgj? Cmaj7 Gm? q _— for your love. Fromthe ver-y first. time 1 It’s been three’ years since I'm Copysign © 197 [AIDRighs forthe Ui Stes nd Can ied y PolyGram lta Pent, ‘imernatona! Copyng Secured Al Rights ReservedBut I know now that I'm irl, ooh ___ gin way down on your line,— but the wait-ing feel is fine. is it feas - i -ble, I wan-na know now, for 1 to knock some more?. don’t_treat me like a life 1 know_pup-pet on a_—string,_ there is lots of grief, — if you think I'm dumb. tearsin my eyes burn while I’m wait-ing, ’ cause I know how but your love is IS to do my T wan-na know when you're gon- na come. while I'm wait - ing for my turn, —for your love. z Bm7 Am? Ee Et af a Tm still wait - ing there._21 Bm7 Am7 Omai7 ‘Cmaj7 it Fe fi k Vm still wait-ing there. Guitar solo th 1 Ds. Like I said, cts 1 don’t wan- na wi in vain___ for your love. 3 Gmaj7 o- me if 7 I don’t wan- na wait for your love. ’ rsm2 Gmaj7 maj for__your love. oa tf Tdon’t wan-na, don’t wan-na, [don’t wan-na, I don’t wan-na, don’t wan-na wail in vain. Idon’t wan-na, I don’t wan-na, I don’t wan-na, I don’t wan-na, I don’t wan-nawait in vain, Repeat and Fade love that I'm_wait - ing on. im It’s yourYou DON'T KNOW WHO TO TRUST. ‘YouR WoRST ENEMY COULD BE YOUR] AND YOUR BEST FRIEND YOUR WORST # ‘SOME WILL BAT AND DRINK WITH YOU, THEN BEHIND THEM SU-SU "PON YOU. ONLY YOUR FRIEND KNOW YOUR SEH ‘So oNEY HE’ EVEAL 1 “ANDI Tue CAP Fr Let THEM Wuio THe Car rrr, ler THEM i Sat I THROW. te CORN, Cae NO FOWL. ECOK-COK, CLOK-CLUCK-CLI a ~% WiLL COME UP AND TAKE a BIT. AND IF YOUR ALOT OF PEOPLE WOULD RUN, AND WHO THE CaP FTF, LET Wao THE CAP FIT, LET AND THEN A GONNA §{COK-COK-COK, C1 Wao Tite CAP THROW ME CORN: ME No CALL NOGWuHo THE Cap Fir Words and Music by Aston Barrett and Carlton Barrett at ‘Strum Pattern 1 Moderate Regsne (Jd played as) Sy Bbmaj? Cm7 Bhmaj7 — Man to man is so un - just, Some will hate you, pre -tend_ they love you, now. z trust. to e- lim - i - nate Bomaj?_| ~____—~" your_ best friend, _ no one curse, copie 7, i afer te eo rp mgr ting sand cae aed rape rmsand your best Thank — God, | it drink with you. par - a - sites drink — with you. them_ su - su and__ take a them_ su su On - ly your friend And if your night And_if your night 7Gm7 m7 Gm7 cm Gm7 call no fowl. Tsay - ing, “Cok-cok -cok, call no fowl. a gon -na, “Cok-cok - cok,2 m7 Bomaj7 fs if i Cm7 tt luk, cluk, cluk,” luk, cluk, cluk.”” f DS. al Cod: “. i a1 Cada eS _ luk, cluk, cluk.”” I say-ing, « oi Gm7 m7 i ia Repeat ang Fade “Cok-cok- cok, cluk, cluk, luk.” 1 say-ing,Way SHOULD I fords and Music by Bob MarleyWhy SHOULD I Words and Music by Bob Marley Strum Pattern 3 Reggae A bend down my_ A fant it! vonpncgmpt RTEm1 Fim Bm7 to get what I want. Fém Bm7 Got to get__ satis - fac - tion,22 ‘The___ sheep has _ heard23 —— head and cry? (got to. move,)_26 Fim Bm7GSO MOLI E: NATURAL Mystic CominG IN From THE CoLp Nice Timp Cetera toc eel No Woman No Cry Coup You Be Lover One Love PLEASE Don’? Rock My Bow Tape ane ene TCS ET ata PET e Babe: ean So Much Trouste IN THE AS te em ne Soma ta) GUAVA JELLY See erm rem iiasiia: San SSN I'm HURTING INSIDE THANK You Lorp VEST MB Ltr Be Fut Is Tuts Love aaa fue nears I sted eT nd LICK SAMBA Cen AUN Oona Cro Colt cra Siew Tere Tr MELLow. Moop Ea eee Wise Publications Order No.AM91060