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9507900300 Samick ZB OPERATING AND SERVICE MANUAL HHHAHUaAdddanadaa = ~ di Z| =! =. =) E = = =| : = = STEREO MIXING CONSOLE i = SM820/SM1200/SM1600 = SM820P/SM1200P/SM1600P = DEAR CUSTOMERS THANK YOU VERY MUCH FOR PURCHASING OUR AUDIO MIXING CONSOLE ‘YOU WiLL FIND YOUR NEW SAWICK MIXER HAVE AGREAT FLEXIBILITY AND PERFORMANCE, FOR THAT WE SUGGEST YOU TO STUDY THIS OPERATION MANUAL TO BECOME FAVILIAR WITH IT'S LONGEVITY, DO NOT TOUGH THE INSIDE OF THE MIXER, AND FOR SERVICING CONTACT LOCAL DISTRIBUTOR NEARBY, FEATURES * THE SAWICK SV-220P, S\+i200P, SMlI6DDP IS 6:15, CHANNEL INPUT STEREO OUTPUT MixNG CONSOLE “THE SAMICK MIXER CAN EASILY BE CONNECTED TO MICROPHONE (BALANCED) TYPE, ALL TYPES OF KEYSCARDS, GUITARS, AND LINES *EAGH INBUT CHANNEL INCLUDES 3.6ANO EO, EFFECTS, MONITOR BUS ‘AND TRIM ADJUST WITH LED INDICATOR. “THE OUTPUT SECTION PROVIDES LEFT AND, AIGHT OUT, SUM OUT MONITOR OUT, PRIORITY HEADPHONE LISTENING ABILITY, USER TO LISTEN TO THE LEFT AND RIGHT OUTPUT OR MONITOR BUS, EFFECTS: RETURNS SViTTCHABLE L.ED LADDER OUTPUT INDICATORS, “ALSO, THE SV820? IS THE RACKMOUNT TYPE, MAKING IT COMPACT, EASILY TRANSFERABLE AND PERFECT FOR LIVE PERFORMANCE, CAUTION SSS CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK), NO USER-SEAVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. « S Ss 3 < ¢ S 2 ¢ S = = = < = = = = = = = = = = = = = = = = eS GVUVVRVEVVVEVHOVUTTTUUeendedadadnaa a ERE CONTROLS AND CONNECTORS FOR EACH CHANNEL. 1) MIC — ACCEPTS LOW IMPEDANCE MICROPHONE OF 600 ohme OR LESS. 2) LINE — 114" (6.35mm) ACCEPTS HIGH IMPEDANCE MICROPHONE ANY HIGH IMPEDANCE SOURCE INCLUDING * RADIO RECEIVER. + RHYTHM BOX + PHASER, FLANGER ECHO, ETC. * INSTRUMENT PICK UP (A SIGNAL BOOST MAY BE NEEDED TO MATCH SIGNAL STRENGTH) NOTE: IF OVERLOAD DISTORTION SHOULD OCCUR FROM OTHER THAN A MICROPHONE THE HIGH OUTPUT SIGNAL SOURCES ‘SHOULD BE TURNED DOWN, 23) INSERT — 1/4" (635mm) 3-CIRCUIT PHONE JACK TO INSERT EXTERNAL EFFECTORS SIGNAL EXCLUSIVELY (TIP: SENO. RING: RETURN, SLEEVE: COVMON) {4} MICPHONO (P° MODEL) — INPUT SELECT PUSH SWITCH, 5) TRIM — ADJUST INPUT SIGNAL. {fF INPUT SIGNAL IS EXTREMELY LOW OR HIGH USE THIS CONTROL KNOB FOR PROPER GAIN WITHOUT CVERLOAD 08 DISTORTION. 8) HF — HGH FREQUENCY RANGE GAIN CONTROL KNOB AT 10KHs SOOST AND CUTTING GAIN 1S 2008. 7) MF — MIDDLE FREQUENCY RANGE GAIN CONTROL KNOB AT 1KHz BOOST AND CUTTING GAIN IS 20 8, 8) LF — LOW FREQUENCY RANGE GAIN CONTROL KNOB AT 1coH2 BOOST AND CUTTING GAIN IS 20 a8. 9) MON — THE VOLUME CONTROL FOR MONITOR LINE USEFUL FOR STAGE MONTOR OF RECORDING THIS DESIGN is PRE-FADER 1's OUTPUT IS TAKEN OUT OF THE PRE-CHANNEL FADER OUTPUT CAN BE SENT TO EFFECT LINE WITHOUT CONNECTION TO CHANNEL. 10) EFF — THE VOLUME CONTROL FOR EFFECT LINE OUTPUT SIGNAL CONNECTED TO EXTERNAL EFFECT UNIT SUCH AS DELAYICOMPRESSOR LIMTTER CAN CONTROLLED IN EACH CHANNEL IF CHANNEL FADER IS TURNED DOWN, NO EFFECT OUTPUT IS PRODUCED, 11) PAN — THIS ALLOWS VOU TO CHANGE THE PLACEMENT OF SIGNAL FROM LEFT, CENTER TO RIGHT AND SEND TO MASTER LonR, 12) PEAK — L.ED INDICATES WHEN INPUT SIGNAL REACH PEAK LEVEL, SET THE TRIM SOL.ED V/LL ONLY AIGHT OCCASIONALLY AT PEAK LEVEL, 13) CHANNEL FADER — CONTROLS CHANNEL OUTPUT LEVEL, 14) MONITOR FADER — THE OUTBUT CONTROL FADER FOR MONITOR LINE CONTROLS SIGNAL FROM EACH MONITOR CON: TROL TO OUTPUT TO MONITOR OUT, 18) MASTER OUTPUT LEFT & RIGHT — THE VASTER OUTPUTS DELIVER SIGNAL FROM MASTER LINE AND ARE CONNECTED TOTHE LEFT AND RIGHT INPUTS OF THE POVIER AMPLIFIERS, BOTH MASTER OUTPUTS ARE EQUIPPED WITH XLR CONNEC. TOR AND 1/4" PHONE JACK ITS OUTPUT LEVEL IS +448 & 009 ON THE BAR GRAPHIC LED. 16) SUM OUTPUT — SUM OUTPUT PROVIDES MIX OF EOTH LEFT AND RIGHT MASTER SIGNAL FOR FEED TO VARIOUS EXTERNAL DEVICE. THIS SUM ALLOWS TAPE RECORDING WHILE THE NORMAL MsIN OUTPUTS ARE BEING USED FOR OTHER PURFOSES BOTH SUM OUTPUTS ARE EQUIPPED WITH XLR JACK CONNECTOR ANO 1/4" PHONE JACK. ITS QUTPUT LIVEL IS + £48, 2 0c8 ON THE BAR GRAPHIC_LED 7) REC OUTPUT LEFT & RIGHT — THES: OF A TAPE RECORDER FOR RECORDING 18) MON OUT — THE MONITOR OUTPUT PTOVIDES SIGNALS FROM MONITOR LINE OF EACH CHANNEL ANO 1S CONNECTED A SEPARATE MONITOR AMPLIFIERS. ITS OUTPUT LEVEL IS ~4d8 & 049 ON THE BAR GRAPHIC LED. 19) EFFECT SENO — THIS OUTPUT JACK FHOM THE EFFECTS BUS IS CONNECTED TO AN EXTERNAL DELAY REVERS. COMPRES. SOR LIMITER 29) EFFECT RETURN — THE OUTPUT FROM THE EXTERNAL EFFECT IS RETURNED TO THE MIXER VIA THIS EFFECT RETURN ‘SOCKET. 21) RIGHTIMON OUTPUT INDICATOR — 12 SEGMENT L.ED BARGRAPHIC METER TO INDICATE RIGHT MONITOR OUTPUT 22) LEFT/SUM OUTPUT INDICATOR — 12 SEGNENT LED GRAPHIC METER TO INDICATE LEFTISUM OUTPUT. 23) LEFT/SUM PUSH SWITCH — LEFTISUM OUTPUT STATES CAN BE SEEM ON BAR GRAPHIC LED WITH THIS SIITCH, 24) RIGHT/NON PUSH:SWITCH — AGHTiVON OUTPUT STATES CAN BE SEEM ON BAR GRAPHIC LED WITH THIS SWITCH. 25) POWER INDICATOR — GREEN COLORED LEO INDICATE POWER SIMTCH'S ON AND OFF TATE. 26) WIP SELECT SWITCH — SELECTS LA OR MONITOR SIGNAL TO THE HEADPHONE OUTPUT. 27) EFF SEND — CONTROLS EFFECT SEND OU PUT LEVEL TO THE EXTERNAL EFFECT DEVICE, 28) EFF RETURN — CONTROLS EFFECT RETURN LEVEL FEOM EXTERNAL EFFECT DIVICE. 28) HEAD PHONE — THIS OUTPUT JACK WORKS EVEN WHEN THE MASTER FADERS ARE OFF AND IS USEFUL FOR CHECKING THE SOUND AND STEREO POSITION OF EACH CHANNEL. 30) HEAD PHONE LEVEL — LEVEL CONTRGL FOR THE HEADPHONE 31) SUM CONTROL — CONTROLS SUM CUTPUT SIGNAL WHICH IS ADDED MASTER LEFT AND RIGHT. 32) EFF RTN PAN — THIS CONTROL CAN PLACE THE EXTERNAL EFFECT SIGNAL TO THE RIGHT AND LEFT. 92) MASTER RIGHT FADER — CONTROLS ASTER FIGHTS OUTPUT LEVE: 34) MASTER LEFT FADER — CONTROLS MASTER LEFT OUTPUT LEVEL 35) POWER SWITCH — AC POWER IS CONNECTED RCA PIN SOCKETS ARE CONNECTED ON THE LEFT AND RIGHT AUXILIARY INPUTS BACK PANNEL, 35)FUSE HOLDER — CO NOT OPEN IT WHEN AC POWER IS CONNECTED REPLACE IT WITH THE SAME VALUE AND TYPE. 37) POWER SUPPLY CORD — AC CORD, SUPPLIES AC POWER 138) PHONO INPUT ('P’ MODEL) — ACA PIN JACK, RECEIVES TUAN TABLES OUTPUT SIGNAL CH-CH¢ ONLY) GENERAL OPERATION —— 1. CONNECTING INOUTPUT JACKS AND CONNECTORS WITH EXTERNAL INSTRUMENTS, 2. INSERT POWER PLUG TO CONNECT 3. TURN ON THE POWER SiW. 4. CHECK A EXTERNAL SQURCE'S OPERATION. 5. CONTROL A VOLUME OF MAIN AMPLIFIER. 6. GAIN CONTROL 7. EQ CONTROL, 8. MASTER VOLUME CONTROL 9. CONTROL THE EACH CHANNELS VOLUME AND OTHER FUNCTION SW. VHA HHHAR HAA RA APARARAAARARAARAHARP FTTLLL EL TYPICAL SET-UP rroanerarnenengeeaeene nee Zaye S 4 8 8 8 a ae ng neg a ame | mA. otk aa eee Aer Peres oe eee 7 po ee i Sod EXPOSED VIEW. SCHEMATIC DIAGRAM item ee a sci csa sneptnan cdg a ceaadaanan mache malaga BLOCK DIAGRAM INPUT SECTION NominaL | SPECIFICATION (SM-820, 1200, 1600, SM-820P, 1200P, 1600P) ee = = = INPUT 7 E | wax meur Wweur: FONNECTOR IMPEDANCE LEVEL | LeveL | od I MAGA 600 ohm soa ~32d8 | otis | = Tia" (UNEAL) Okcnm | aca SC T 12 dB | = } Sens s EFFECT RETURN “368 = PHONG INEUT 0 kohn Tea = ourPuT secrion = 7 oureur NORMINAL | MAX, cUTFUT ] EY; Beer CONNECTOR PEDANGE uve. | LeveL Fra RIGHT OUT XUR(UNBAD) exo onm +4 8m 21 dim ~ 4 [LEFT @RickT OUT) va" WNBA 00 oh saasm | +21 am z MON OUTPUT +18" (UNBAL) eer $16 dBm “sunt GUTPUT Va" {UNBAL) vein | 21 dam = ‘SUM OUT XLA (UNBAL) +6 dim +21 dBm = | EFFECT SAND OUT a" (UNBAL) 10 dam +16 dBm RECour RCA JAG Troe vacan | = INSERT OUT | wa" (TRS) +16 dam = HEADPHONES [a ren Toms = 4 GENERAL SPECIFICATION = + FREQUENCY RESPONSE ic IN TO LR OUT asi ZoKiHe, £969 = UNE IN TO LA OUT 36He~25KHz, £308 =

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