Table of Contents Preface... weg ee < non +4 4 Goal Statement 4 Acknowledgements 4 About the Author 4 Using the Audio 5 Fine Tuning Your Time Feel 6 Part One Overview... oe. er ere 8 “ ed A Disclaimer . oreo we Sore ee eee 9 Introducing Rhythms ae = a EgRr ars cane som 9 Eighth Note Triplets ell Rests - : at Combining Rhythms and Rests sek Ba Bap Fase eon = meee ‘Adding Rhythmic Embellishment 14 More Practice with Skips . 14 Skips with Dead Notes . - 5 Lift-off Dead Notes = mn ai 4 16 Putting It Together eevee dT Using Triplets 04... 4..08eceee cess eee ceee tans cee seus esneeeeeeneetanenee coerce dB yen More Triplets... 0s e000 om coe wre nnd wed ‘Triplets with Dead Notes . 2 Expanding the “Two” Feel 24 Part Two Overview 26 ‘Targeting Non-chord Tones. . Using Seale Tones as Targets . Using Chromatic Passing Tones as Targets . Interpreting Chord Symbols with Tensions Playing Over Modal Tunes : Create Your Own Modal Map .. son? WET z be vee eee eee eee BT Pedal Points . A Listening Assignment BE ‘Walking Open: The Art of Tanplied Harmony sane aed 40 A Closing Word . - ae * ‘ ee nace 2