Professional Documents
Culture Documents
Bill Wurtz
Background information
Genres Jazz-pop
Singer-songwriter
Occupation(s)
multi-instrumentalist
animator
internet personality
Instrument(s) Vocals
keyboards
bass guitar
drums
Website billwurtz.com
YouTube information
Channel billwurtz
Years active 2002–present
surreal humour
comedy
Subscribers 5.22 million[1]
Contents
1Career
o 1.1Vine videos
o 1.2YouTube
1.2.1History of Japan
1.2.2History of the Entire World, I Guess
o 1.3Music
2Style
o 2.1Music
o 2.2Videos
3Website
o 3.1Questions page
4Awards
5Discography
o 5.1Albums
o 5.2EPs
o 5.3Music videos
o 5.4Other songs
6Notes
7References
o 7.1Bill Wurtz's questions page
o 7.2Other sources
8External links
Career[edit]
Vine videos[edit]
Wurtz was first known for his presence on the short-form video-sharing website Vine,[2]
[3]
where he first gained a following in 2014.[4] He began by taking short videos he had
previously published to his website and re-editing them to fit Vine's six-second
restriction.[4] Before transitioning fully to YouTube, Wurtz was uploading a video to Vine
nearly every day.[5] He received early attention in 2015 for the short video "Shaving My
Piano", which was covered briefly in The Verge.[6] On April 11, 2016, Wurtz won
the Shorty Award for "Tech & Innovation: Weird" at the 8th Shorty Awards; during the
awards ceremony, attention was given to one of his Vine uploads "I'm Still a Piece of
Garbage".[7]
YouTube[edit]
History of Japan[edit]
Alongside interest on Vine, Wurtz achieved wider popularity in 2016 with History of
Japan, a nine-minute YouTube video that outlines Japan's history.[8] The video covers
key events of its history: "Buddhism, internal conflict, alliances with Britain, World War
I, World War II, the dropping of atomic bombs and its post-war economic miracle".[9] It
showcases Wurtz's quirky visual and comedic style through a mixture of fast-paced
narration and animation, intercut with short musical jingles. The video was described as
"an entertaining new approach to education". [10] It went viral on social media after its
release on February 2, 2016, and under a week later, received over four million views
by February 8.[9] It particularly received considerable attention on Tumblr[2] and Reddit.
[8]
As of August 2021, the video has over 68 million views. Writer German Lopez for the
news website Vox called it a "strange", "pretty good – and surprisingly funny" video.
Nevertheless, Lopez noted the poor coverage of Japanese war crimes committed
against Korea and China in the 20th century, particularly the Nanjing Massacre and the
use of Korean sex slaves, and attributed this omission to the video's short runtime.
[11]
Wurtz has responded to these criticisms on his questions page, suggesting to viewers
to look for other YouTube channels that cover these topics. [q 1]
History of the Entire World, I Guess[edit]
External video
Style[edit]
Wurtz has developed an absurdist, surreal style on both his music and animation.[24]
[25]
Eddie Kim wrote for MEL Magazine that Wurtz "refuses to mimic anyone else's
animation or musical style, but it's not weird for weirdness' sake alone", comparing him
to Thundercat and Louis Cole and highlighting Wurtz's pretty pop melodies, unexpected
chords and multi-layered rhythms as commonalities. [4] Geoff Carter of Las Vegas
Weekly stated: "Merge Don Hertzfeldt, Jenny Holzer and Thundercat and you might get
someone a little bit like Bill Wurtz".[20] Nick Douglas of Lifehacker summarized him as
"somewhere between comedy and education and vaporwave."[26]
Music[edit]
Wurtz's music has been classified as jazz-pop, incorporating elements of lo-fi
music, smooth jazz, funk and easy listening.[4][27] Wurtz tends to reject genre
categorization,[q 2][q 3] and does not consider himself to be a jazz musician. [q 4] Overall, his
music evokes malaise, self-deprecation, and a "blurring of the lines between irony,
parody and honesty".[28] This is often paired comedically with dire circumstances or
sobering undertones.[29] In an interview with Genius, Wurtz stated that "it's a good...
songwriting technique to write about something bad with a good sounding melody,
because if you can get people to feel good about something bad, then you're bulletproof
in life."[30]: 0:00:46 Wurtz's voice has been described as "silky tenor with range and energy".
[4]
Artists who have expressed admiration for Wurtz's music include indie musicians Daði
Freyr[31] and Sidney Gish,[32] fellow YouTube musician Adam Neely,[33]: 1:25:50 DJ and
producer Porter Robinson,[34] as well as Australian singer Sia.[35]
'[Music] theory' may be fun, but it's made of liquid and has a tendency to melt. The music comes first and then you figure out
how to describe what happened, although fully describing it can never be done. One of the classical composers said 'We will
never understand music, but music understands us readily and instantly'.
Bill Wurtz, interview from Bass Guitar magazine[36]
Wurtz started playing music at a very early age.[q 5] He has claimed to be "wholly self-
taught" as a musician, and regularly downplays the importance of music theory in
songwriting and composition, insisting that the sound and feel of music should be
prioritized over attempts to conform to theory.[36] In fact, one of the defining
characteristics of Wurtz's style is a subversion to conventional approaches to
composition. One example is "I Wanna Be a Movie Star", highlighted in an article for the
student newspaper The Harbinger, where the author praised Wurtz's skill in
incorporating complex time signatures[note 1] without causing the music to feel "either
incomplete or too long", instead achieving a sound that "feel[s] completely natural" and
"pop-ish".[29]
Wurtz has used different programs to edit his music, including GarageBand from 2009
to 2010,[q 7] and long-discontinued Logic Express 9 until at least 2016.[38]
Videos[edit]
Wurtz's videos are typically in a lo-fi,[39] neon[2] aesthetic, and have been described
as surreal[25] and psychedelic.[5][10] They range from "nonsensical" shorts to animated
music videos,[39] and often involve deadpan humor, dancing stick figures, vaporwave-like
transitions[4] and neon, sans-serif text on-screen.[24] Wurtz often follows similar patterns in
his videos such as multi-layering,[5] and clip art images.[39] He has stated the low-budget
quality arose out of a necessity to publish videos regularly and evolved naturally. [5]: 0:35:27
At Vidcon 2018, Wurtz was asked why his style is so different from other YouTube
musicians. He stated that he chooses to "live under a rock" and produce his music in
isolation rather than take inspiration from other creators on the platform. [40] Wurtz publicly
struggles with perfectionism, making use of schedules and deadlines to overcome it. [5] In
response to a fan question he explained that in the process of doing this he has "been
forced to become an expert on carelessness".[q 8]
Wurtz is decidedly against running advertising on or accepting sponsorships for his
videos, despite admitting an "enormous" pressure to do so. [4][39] He has explained that
advertisements make him "uncomfortable"[5] and that he thinks they "suck".[39] As a result,
all of Wurtz's videos and music are available for free on his website. [citation needed] Wurtz does
receive direct fan support, which includes crowdfunding on Patreon,[3] streams on music
streaming services, and merchandise sales,[39][5]: 0:44:15 but does not heavily promote any of
these revenue streams.[5]
From his first video up until early 2019, Wurtz used Final Cut Express 4, a program that
was discontinued as far back as in 2011. [5][41] In 2019, he switched to Final Cut Pro X.[q 9][q
10]
Wurtz also taught himself the 3D animation software Blender, which enabled him to
create significantly more complex and realistic graphics for his videos. [q 11]
Website[edit]
While Wurtz has a larger audience on external platforms like YouTube, he is the most
active on his own website, billwurtz.com.[citation needed] Despite being launched in 2014, it has
been compared to a late 1990s website due to its simple design. [39] Apart from containing
all of his released songs and most of his videos dating back since 2002, [4] the website
also features many other types of content not available elsewhere. This includes a
questions page, as well as an anagram page, where Wurtz allows fans to request words
or phrases out of which he creates anagrams.[42] Additionally, Wurtz vlog-style 'reality'
videos depicting his creative process.[4]
Questions page[edit]
Bill Wurtz maintains a section on his website to answer anonymously submitted
questions. Wurtz used to have an Ask.fm page,[43] but he discontinued it and created his
own questions page to allow for complete anonymous questions and to avoid ads. [q 12] His
answers to questions are considered an aspect of Wurtz's creative output; the style of
his answers have been described as "verging on the poetic" [39] and "earnest, if somewhat
loopy-sounding".[4] One such answer, highlighted in by the website Ok Whatever,
addresses a question concerning Wurtz's personality: [39]
10.9.18 7:48 pm how the heck are you so gosh darn wacky?
i'm just trying to be reasonable[q 13][39]
Awards[edit]
Nomine
Year Award Category Result Ref.
e
2016 Shorty Awards Tech & Innovation: Best in Weird Bill Wurtz Won [7]
Discography[edit]
From 2009 to 2014, Wurtz self-released his music on Bandcamp. Since then, he has
eschewed the album format.[44][45]
Albums[edit]
What the Fuck (2010)
Church Sessions (2010)
The Summertime (2010)
Fun Music (2011)
EPs[edit]
Yikes (2009)
The Song Song (2009)
Guerilla Myspace Project (2009)
Bach Garageband (2010)
Burger King Spring (2010)
April Flowers (2010)
It's All About the Ladies (2010)
Fly July (2010)
Short Butt Suites (2010)
Fall Sprawl (2010)
Murder Your Demon (2011)
When is it Time to Come Home Again? (2011)
Soap Boat (2011)
Love (2011)
Pain (2011)
Hi-Bye (New Shorts) (2013)
New School (2014)
We Could Just Get Right (2014)
Eat Dirt Shorts (2014)
My Next Album (2014)
High Enough (2014)
Music videos[edit]
Since March 2014, Wurtz has published numerous full-length music videos, following
the same format as his shorter videos. He has made them available on his YouTube
channel:
Views
Year Name (millions)[note
2]
"Tuesday" 0.3
"School" 11.4
Views
Year Name (millions)[note
2]
"Hallelujah" 1.8
Other songs[edit]
Wurtz has published many other full-length songs not accompanied by music videos.
They are all available on his website, [46] and some are also available on streaming
services. Songs include:
2009