108 ACT I Scene IL The curtain rises on Serena's room. Robbins’ body lies on bed in center of roor and Serena sits at foot. Room is filled with mourners. oe a Larghetto J: 60 sein eRoustyand freely a Sopranos Where is brud-der Rob-bins?. He's a - Ist Alto, 2nd Alto Tenor Ist Boss 2nd Bass Larghetto d= Fi "p = Sop, Gone, gone,gone, gone, gone, gone, gone, Rob-bins is gone— SP SS Ad Gone, gone, gone, gone, gone, gone, gone, Rob-bins is gone— mp_crese. fo ——— = AQ gone, gone, gone, gone, gone, gone, gone. Oh,he’s gone Rob-bins is gone— mp _crese. >= Hy cresc. iS 3.2 gone, gone, gone, gone, . Oh, he’s Rob-bins is gone, gone, gone. gone—115 plaintively 163] pee decrese. tS ae = — FGA] (Sound of steps outside doorway) mm decrese. = f= a ae, hmm — gone, gone, gone, gone, decrese. — _ — oe gone, gone, gone, gone, f= a2 fen. gone, gone, gone; Ba decrese. B2 decresc. oe116 SERENA Who's dat a-com-in’ — climb-in’ up my steps? MARIA. (opens door) Tes Por - gy un poch. mare. Sop. Ad SS gone, gone, gone, —__un poch. marc. _ A2 zz RC gone, gone, un poch, mare. Ten gone, gone, un pock.mare. gone, gone, gone, ————— 34 gone, gone, gone, un poch. marc. 32 gone, gone, gone, RS I BP dolce ‘colla voce)47 (springs to her feet) S with hatred What's dat wo-man com- in’ here an’ Bess is a-help- in’ him.118 Sop, Ad A2 Ten. B2 165) Porgy and Bess enter, Bess advances toward bed, money in hand.119 Dis ain't Crown’s mon-ey.— SERENA s = Idon’t need yo’ mon-ey for to bur-y my man. pp gone, gone,120 sop. Ad A2 Ton. BA B2 Lal 20 op Por-gy give me my mon-ey now.— ‘All right then. You can put it gone, gone, in de166] Subito con spirito 4:88 Hands saucer to Bess who carries it to Porgy Porgy and Bess put mone in seer s. = sau-cer! Sole (fanatically) = Sop. Come on sis- ter, come on brud-der, fill up de sau-cer till it AL A2 Ten, 8. B2 Subito con spirito 4 = ss122, Sop. o-ver- flow, AL AL Ten, B2 167) ‘All prin ow o-ver - flow, fo > > o-ver - flow, o-ver- flow, fez > o-ver- flow, o-ver- flow, fz= = o-ver - flow, Bess returns it to Serena who sits counting the als sing here according to thelr voices i o-ver- flow, o-ver- flow, o-ver - flow, o-ver - flow, SSS > = o-ver - flow, o-ver- flow, >> fill ‘money im saucer, Fsiwe> — de sau-cer tillAl a2 fen. BL 42 ze - Yes, my Je - > flow,——__ = _decrese. ~ flow, se _ decrese. + flow, — decresc. ~ flow, = decresc. ~ flow, = decresc. ~ flow, 128 fies) Potor and, ily enter hep pp Money into saucer P sus, 70-ver - flow. (fanatically again) an Cause de ————— o-ver - flow, PP P= o-ver - flow. == o-ver - flow. 2 ———— o-ver ~ flow.24 sop. Al A2 Ten. aa 8.2 Lawd will meet you; = | 1 Yes, de Lawd will meet you at de courthouse do’169) Alf > court-house do’, De Lawd will meet_ you at de — At court-house do’, court-house do’ De Lawd will meet. you at de a2 court-house do’, court-house do. De Lawd will meet_ you at de fe = be Ten, court-house do’, court-house do’ De Lawd will meet you at de fe 21 court-house do’, court-house do’ De Lawd will meet_ you at de fe = eS 32 court-house do’, court-house dot De Lawd will meet. you at de126 PETER Meno How de sau- ot sus, court- house DP pp court-house court- house court- house court-house doj—___ court-house > court-house dof court-house do’! = hb, court- house court- house Pp court - houseSERENA Andante J - os = Four-teen dollars an’ fif-ty cent. —— Dat’s a-com-in’ on, sis - 2p Gone, gone, Pp Gone, gone, Gone, Oh, he’s gone, gone, Gone, gone, gone, gone, _ Gone, Dp. Gone, gone, gone, gone, Andante J «65 Bp dolorosoMa. Aa 42 a 32 128 What am I go-in’ you can bur-y him soon. mle o_o do if we ain’ got de mon-ey?_ r ot129 (shouted) Bless de Lord! PORGY (chanting? le Lor Gawd got plen- ty of mon-ey for de sau - a sempre colla parte — Armenjmy Je-stis! An’ he go-in’ to sof-fen dese people heart for to fill de sau-cer till he spill all o-ver. CD _All Ghowted) "FT A-menmy Je-sus! fe De Lawd will pro-vide a grave for his chil - len. CLARA Bless de Lawdl!130 ate ns be _ ro. ES SS An’ he got com- fort for de wid - der. is PX All shouted) . 7 i — oe = SS Oh, my Je - sust ON tee se 5 aA 0, PEE : oH ¥ $: Saeed ——= feed his fad-der-less chil - len. [ _ a (shouted) _ - an fo = if =: Yes Lawd, Truth Lawd! raise dis poor sin-ner up out of de grave. a ‘Al- le - Iu jahl131 (shouted) SERENA A-men, my Je~ sus! £ a An’ set him in de shin- in’ seat ob de right-eous. fay Ge fp [73] Allegro moderato 4-70 (ike a rhythmic spiritual) Oh, fill up de sau-cer till it (like a rhythmic spiritual) ee z Se > O-ver - flow, o = ver-flow, Oh, fill up de sau-cer till it Ow P poco marcato132 (74 iop.| ver - flow. (like a rhythmic spiritual) —— Al o-ver - flow— > ver - flow fill up Az Ten. ver - flow. (like a rhythmic spiritual) nf——= « bens Bt o-ver - flow— - ver- flow— fl up B2 de sau-cer till it de sau-cer till it133 send-in’ our brud-der to Send down yo’ an - gels, send-in’ our brud-der to Send down yo’ an - gels,134 175 Listesso tempo = Sop. Lawd, AL Lawd,oh Lawd, Lawd,oh Lawdl Rob - bins is ris-in’, oh, Rob: fo AQ Ton. fe 34 Lawd,oh Lawd, Lawd, oh Rob - bins is ris~in’ Sz. a2 Vistesso tempo nf crese.135 ris - in’, oh, Rob - Rob - bins tis - in’, oh, Rob is ris- in’ to Heav-136 1176) poRGY Gpoken) with great expression, Oh, suffer-in’ Je - sus! subito pp — Sop. O-ver - flow,— 0 - ver-flow,— oh, AA Al subito pp —= __ Ton. O-ver ~ flow, o - ver- flow oh, Bl 82137 177] Youknows right — from Youknows Robbinswas a good man fill up de sau-cer till it O-ver - flow, de sau-cer till it p< O-ver - flow,138 send-in’ our brud-der to fill up de sau-cer till send-in’ our brud-der to fill up de sau-cer till13 lov - in’ han’ take our bruddertoyo’ bos -om. Send down yo’ an ~ gels, Lawd, oh — Lawd, Lawd,oh Lewd, — Send down yo! an - gels, Lawd, oh Lawd, Lawd, oh — Lawd,40 178} —= ‘ThankyouLawd! Bless you, Lawd! subitof’ Lawd, oh, Lawd, send down yo’ ubitof Rob - bins is ris-in, oh,Rob - bins is ris-in, oh,Rob - bins is ris-in’ to Heav- isubito, take Rob-bins to your Lawd, subitof? Lawd, subito ft Rob - bins is ris-in, oh,Rob - bins is ris-in, oh,Rob ~- bins is ris-in’ to Heav- subitof” Lawd, take Rob-bins to a ENPo, Sop. Al A2 Ten, BA B2 ra LS Lawd will fill de saucer, f o-ver - flow, o-ver ~ flow, ————— Lawd will fill de san-cer, ——————— Lawd will fill de sau-cer,142, Heavy footsteps are heard outside. _ —= == SS AI! stop singing ——,. Se se” 2 boot) te bd obs ' 7 fas detective en: = 8 rpters room. Lawd will fillde saucer, o-ver, o-ver - flow, oh! SSS > 2 S = o-ver, o-ver - flow, a er x5. ae tf 25,12 be oe Lawd will fill de saucer, o-ver, o-ver - flow, === be rd 7 Lawd will fill de saucer, o-ver, o-ver - flow —______143 180] He walks over to body of Robbins, while two policemen Moderato stad in dooreay. Serena springs to her oct SERENA yf z + e 5 2 Se eo r DETECTIVE ‘white many Yes, sub, ‘spoken ~ ak = SSS SS = = Umt a sau-cer-buried nig-ger, I see. You're his wid-ow? ee colla parte No, boss, he did-n't leave nut. He did not leave an-y bur-i-al in-sur-ance? > He circles room and pauses before Peter : x mo FAS x . >. EEE - i — — — Se SS ee ‘Well, see to it he’s buried to-morrow, ‘You killd Robbins an’ I’m; going to hang you for it! — 2s > m = z == 1 a 2g one t = A Seahaabs p= ;144 184 Poco pit mosso LILY cangrily: op He ain't done uml He say, you kill Rob - bins. PETER nf What he say? D. = pil mosso Come a-long now! Poco a Gawd, boss, I ain't nev-er done um! Draws pistol) Who did it then? You heard me, who did it? > e j a fs, Moderato con anima J. 80 Lexcitedly) . = ma Crown done it, boss, Idonesee him do it. (shouting) > You're sure you saw him? Moderato con anima 4-80 ee SP =a mp145 182} Ss Se I swear to Gawd, boss, I_ was right there close be-side him. Caughs) F Ha, ha, ha, ha, a, e- Jp in tempo Continues circling of room, suddenly Porgy lowers eyes. points pistol at Porgy. e 7 > » Dees not speak, =F That's eas-y, I thought as much. You saw it too, come, out with it! Porgy sits silent, = =F = Tdon't want to have to put the law on you, Look at me, you damn nig-ger. a VS Sf deciso146 [BB] PORGY Gfeigning ignorance) js I don’t know nut-tin' bout it, boss. ‘That's your room in the cor-ner, is-n’t it? <2. fe calmato Be mp2 SI OA Po, ‘Yes, boss, dat's my room The door 0-pens on the court, don't it? > Yes, boss, my door o-péns dn the court. An’ yet you did-n’t see or hear an -y-thing? => A ee147 (with expression) an I don't know nut-tin’‘bout it, boss. I been a- sleep in- side, an my door been closed. Ss se Poco espress. 184] DETECTIVE Indicating Peter - Fh ' —-—# a -—H — — -—— You're a damn li- ar! He saw the kill-ing, take him a-long an’ lock him [ = - iss! to up as a ma-ter-i- al wit-ness. POLICEMAN (white man) Come a- long, un- cle.148 Risoluto PETER (shoutin JETER howtng) : a ee & Taint nev-er done it, boss, MARIA af SSS Se = How long you go-in' lock him &p for? ——. Sr aaa 4 eae = 4 D leggiero At eo = = POLICEMAN So a 185) Moderato J 5 Till we catch Crown. PORGY_ny — a I reck-on Crown done loose now Moderato = '_colla parte pal-met-to thick- ets, an’ dere ain’ no rope long e-noughto hang him. bd149 DETECTIVE Crosses to Serena ; = Es F = Se Se alin a aaa s— —— Then the old man’s out of luck. Re-mem-ber, you've got to _ _ a _ oy = _ a [=F or the board of health will take him an’ oN sl to Policeman ~ turn him o-ver to the med-i-cal stu-dents. Come on, get the old man in the wag-on. 186 PETER (shouted) Con spirito fouted) —___, = They drag Mimo. I ain’ done nut - tin’, boss,150 Pe. I swear to Gawd I ain’ done out - tin. | Fa uiag3 Detective and Policemen heard descending stairs with Peter. Soon the sound of the wagon's bell fades away in distance. eee tet else -ebabe oT >.> > ———- [BZ] Moderato 4.52 PORGY (thoughtfully) can't puz-zle this thing out. Po-ter was a good man, oe z mp espr i — z= Ss fog growed) Sg ny dat nig-ger Crownwasa kill - er an’ for-ev-er get-tin’ k tes _—~151 = = in- to trou-ble, But there Pe-ter to be lock site f-—— ere go ’e-ter to be lock up ‘That's the truth, Brother, “a> espr. like a thief. An here be Robbins with his wife an’ his fad - 2 Like a thief. - der - less chil-len, gamb-lin, swear-in’ to do the same thing o-ver an’ o- ver some-wheres else.152 189) 190 ‘Andante doloroso J. 09 Pia mossoed appassionato = ff Poco a poco cresc. 2. S— ff >» Gone, P, Gone, gone, gone, gone. 2 wf Gone, gone, gone, gone, gone. Poco a _poco crese. nf ff ——_ Gone, gone, gone, gone. Gone, gone, gone. P,—_—_] a ‘Gone, #, tf =f Gone, gone, gone, gone, gone, gone, gone, gone. Pitt mosso ed appassionato a o Andante doloroso 4.59 Pp poco @ poco erese) mf" ie 2 te S marcato15AU sway to rhythm. Allegretto ben ritmato d: 108 ‘> deciso 3 eT ¥ ew pee Cr +h Wi me FP =z? Pye 5 SERENA, 4 Me 6M xe Swaying stops, L(with utmost expression Fe My man’s gone now— — ain’ no use a - listenin’ poco sostenuto - Sp mp sempre ritmato| For his tired_ foot - steps climb-in’ up_de stairs, 4 RF ey ee a 192 (waiting) ~ ee aryME Vr SZ fue Sor - row's come to keep me com - pny, ZL TE. Whis-per-in’ be - side when I say_ my prayers. ig 1 7 on yy nN wey 193] ars Ah EF i TEP ie Ain’ dat I espr. ff Peepaaccel.156 oa Xx Work an’ me is tray - el-lers to de prom-ise land. sub, ral, Sor - row’s 7 bast poco brese. Tell-in’ me I'm = - 7 dd or Jour-ney-in’ to Ltt (increasing in voice)» But Ole Man espr. 7h mj Menof— since, I lose my > = |f pesante oF bj ia ¥ T_ #rs ee Tr sews, Since I lose_ my man, Since she lose. her man. Men ~~ ~ a. on ey, 6azes ee 7D y. > hoe RR BL BR HP IF a tempo 072 rir i’ eMan sit-tin’ by de fire - place, Sopranos 1, a 2000 1 Ly-in’ all night long by me in de poe rall. Sopr. poco rail. ; 7 f # —— poco rall. rf St "EeOmer to ‘omirtT Omsi iw ati Pi mosso ee Ma ae Tell-in’ me de same thing morn - in,noon an’ eb’ ~ nin} Meno That Pm all a - lone now. since my man is dead. (waiting) Oare ss B Since my man > > oe bee DP crese. All sway to rhythm. 200] Grandioso dead. = | ffespr.160 201) (Undertaker enters quietly.) wailing Liss, (approximate notes) wailing iss. (approximate notes) wailing gliss, (approximate notes) wailing BD \ gliss. (@pproximate notes) meno poco cresc. poco crese. Poco crese. poco crese. Poco oresc, ittot SERENA S (freely) Ah hab (approximate notes) ft (approximate notes) atheh (epproximate notes) Seb (approximate notes) (202) Andante Ina despairing voice There ain't_ but fif-teen dol - lar. UNDERTAKER (bindly) How de sau-cer stan! now my sis- ter? Andante aa my i DP _espressivd, =162 Hm! Can't bur-y him for fif-teen dol-lar. ue SA £2 3 He got to be bur-ied to-mor-row_ or the nef (with kindness) = Life is hard brud-der # board of health will take him and give him to the med-i-cal stu-dents. NT aoe but we all got to live. It cos’ —mon-cy for to bur-y a grown man.163 Con moto SERENA “(ohouting willy) Pena egies wildly) | _ rises to knees & f. > — a foal 5 5 . SSS ae e + oS # —— zp Don't let the stu-dents take him to cut up an’ seat- ter { go-de fa j x = ‘ > = - Fa So St iG —— a work on Mon-day an’ T swear to Gaw I go-in’ pay you ev -'ry cent, a e ~ - Wer "Po ee : - =e = They all look eagerly at the undertaker [204] Molto pit mosso iv ie pease Te get164, 205 Meno mosso pats her head. UNDERTAKER All right, sis - ter, with the box an’ one car-riage ‘It'll cost’ me more ’n twen-ty-fivo, but [ll see you through. 206} ete bee eal Boeryone is grateful to undertaker and joins with “Bless you" ete, (Undertaker sweeps contents of saucer in pocket) ‘Allegretto con vigore PORGY FT Je-sus bless you, my brud-de: m az SSeste f=165 [207] UNDERTAKER You can all___ be read-y to - mor-row morn-i tat sostenuto vs a long trip to de 208) ~ Andantino quasi Marcia Funebre 4-60 ont. —————— u |nf marcato b = BESS (uddenly jumping xp) emotionally Oh, the166 209] Moderato accel. (gradually increasing like a starting train) train is at the sta-tion an’ you bet-ter get on board, ‘Cause it's leav-in’ to ~ day, Moderato, j nop "ifs, besante 7 ‘P gradatamente accel. 210 Allegro leavin? f, : pe Leav - in’ Teay- in?167 Come sopra accel. train is at the sta-tion an’ you bet-ter get on board/Cause it’s leay - iw Come sopra . “p gradatamente, 1212 Poco animato con spirito Meno aA A for the Prom - ise’ Lan’ Oh, we're Oo’ fF) Prom - ise’ AN Prom - ise’ a head- in’ nf. Prom - ise’ 2 p> 2 head- in? Meno. f for Prom - ise’ Lan’ Poco animato con spirito J=05 a tempo JF = 7 LS AR A = p——1168 Keep that mf Keep that my Keep that ny Keep that of Keep that Prom - ise’ [213 eres. driv- in’ wheel = ores. = driv - in’ wheel me cresc. = driv - in’ wheel Cres. driv - in’ wheel me orese, driv - in’ wheel = = Lan, Leav-in’ for the Prom-i roll in’, roll in’, roll - in’, = roll - in, > roll= in} > roll in} = SS roll = in; > roll - in} > roll in, roll in’, roll- in, roll in’, roll- in’,rollin, let roll-in, let roll-in’, let roll-in’, let roll-in’, let it > roll. = roll DE ~ rol — ——_—_ _———_ IF nz, of le oe fo Foe crs. ft ft brud-der470 the Prom - ise Prom - ise’ Prom - ise’ Lan’, Prom-ise’ Lan’. Prom -ise’ Lan’Prom-ise’ Lan’. Prom - ise’ Moderato accel. got my tick-et read-y an’ de time is get-tin’ short,’Cause we're leav-in’ to - day, Moderato A lz. ‘p pesante gradatament®wa Allegro poco rit. as before leay = in’ leav = in’ leav ~ int Leavy - int Allegro ‘pocg_rit. | Come sopra oan B. —!. = got my tick-et read-y an’ de time is get-tin’ short,’Cause we're leav - in’ Come sopra pesante ip gradatamente JP accel.a2 216 Meno > cp Poco animato con Prom - ise’ Lan’, Dom for the for Prom ~ ise’ head-ed for the Meno, Poco animato con spirito ~~, a tempo ef pe pF —S a leav - in’ the Prom - ise’ Lan} Leav-in’ for the Promise’7 217, - - dee ae 3 ee SS Lan’ Keep that driv-in’ wheela - roll-in) roll-in’, — roll-in', roll - in’, mf’ om re5C. a = “Keep that driv-in’ wheela - rollin) roil=in' roll-in’, rollin’, ny = Oresc. = = Keep that driv-in’ wheel a my = cresc. ', roll-in’, roll-in’, roll - in’, Keep that mf, driv-in’ wheel a cresc, = roll-in’, roll - in’, > Keep that driv-in’ wheel a - roll-in’ roll-in’, roll-in, roll - in’, > = =e = _ Sy ————— z —— roll - in, roll-in, let it roll A> $$$ eo roll-in, let it roll ___. B= roll-in, let it roll. > Lo roll-in, roll = roll-in, let it roll ———_ Fn. Sf Foe orese.218 meet our brud-der in f— brud-der our in Prom-ise’ Lan. Prom-ise’ Lan’ Prom- ise’ Lan’, Prom- ise” Prom- ise’ Lan’, Prom- ise’ > the Prom the the Lan’ Law. tetBass (Ber) oy oN Oh, we're omModeratotd:d of previous rhythm) Sa well marked 2 leav - in’ for the Prom~ ise’ Lan’ an’ you bet - ter get on well marked 2, BA == leay = in’ for the Prom- ise’ Lan’ an you bet - ter get on Moderato(d-d of previous rhythm) board, all you sin-ners,oh,you bet - ter get on Oh, we're > = board, all you sin-ners, ohyou bet - ter get on board, ‘Cause we'reLan’an’ you bet-ter get on board, all you sin-ners, ob, you vell marked well marked = leav - in’ for the Prom se’ Lan’ an’ you bet-ter get on board,all you sin-ners, oh, you bet-ter get on board, ‘Cause we're leav - in’ forthe Prom-ise’ Lan’ an’ you bet-ter get on board, ‘Cause we're Jeay - in’ forthe Prom-ise’ Lan’ an’ youo— i SS bet-ter get on board all you sin-zers, oh, you bet-ter get Alto well marked — on board, 'Cause we're Z On, were 4 > bt 2 — 4 SSS eS — —— 7 bet-ter get on board,All you sin-nbrs, oh you betwee get on board, 'Cause we're— 2nd Bass f° well marked B2 : = On, we're178 Sf ‘Yes, we're ( 222) Prom- ise’ Lan’ an’ you bet - ter Prom~ ise’ Lan’ an’ you bet - ter179 £ sa Oh, we're board, all you sin-ners, oh, you bet - ter get on board, ‘Cause we're Ih, we're board, all you sin-ners, oh, you bet - ter board, 'Cause we're Lan’ Jeav-in’ for the Prom-ise’ Lan’ an’ you bet-ter get on board, all you sin-ners, oh, you leav - in for the Prom - ise’ leav-in’ for the Promise’ Lan’ an’ you bet-ter get on board, all you sin-ners, ob, you the Prom - ise’ Lan’ an’180 , > # 2 t= .— — a = — 7 ~—+ bet-ter get on board, ‘Cause we're leav- fv for the Prom-ise? Lan’ an’ y = = - 5 ——=s : —— = ae ——- —— bet - ter get on board, all you sin-ners, oh, you f 5 = Prom - - ise’ Lan’ \ , 2 2 - ——— S32 S oe =e r bet- ter get on board, Cause we're leavin’ — 0 : a — bet - ter get on board, all get_on beard, all you sin-ners, oh,you bet-ter get on board, % get board, "Cause get bot-ter get on board, all you sin-nérs, oh,you bet-ter get on board," get board, "Cause Cause we're we're Cause we're we're18. 2DA] Poray intones railroad sermon xz -—— ts = = = = sd f SS i SS 4 SSS leavin! for the Promise Lan’ an’ you bet-ter get on board, all you sinners, Gh, you ee , for the Prom - Len’ an you = = —— 7 . 4 - in’ for the = : _. > > ee = = ae ee Sey SS a for the Promise’ Lan’ an’ you Bet-ter get on board, all you sin-ners, ¢h, you o * * —* = — f = for the Prom - ise’ Lan’ ar you = ————— - int for the ~9. ~e. Z A = - : = 3M Ar <—— > = —— | =e + i bet ter_get_on board, ’Cause were leav~ in) forthe Prom-ise’ Lan’ an? jou : Bs = == > = 42 i zz = ° = Se oH =e bet - ter get on board, all you sin-ners, oh, you | ov - ——# cS . ; ise ant you 2 > o *. == é == = SSS = 7 Vet = ter got on board, Cause we're for the Prom-ise’ Lan’ an’ you o oO oe *- | Ss = — 5 bet - tor get on you sin-ners, oh, you PS ——— Prom ise’ an you (c= = 82SSS bet - ter get on board, all you sin-ners, oh, you bet-ter get on board,'Causo we're bet = board, ‘Cause we're get bet - ter get on board, all you sin-ners, oh, you bet-ter get on board, Cause we're bet - ter get leav-in’ for the Lan’ leev = fr Teav-in’ for the Lan, ty. | leav in. leav-in? for the Lan} of1226 Animato d=4 104 Animato d:4 104 227 stringendo Lf ee ‘molto 183184 228 leavin’ for the Prom leav-in’ for the Prom wah, bb leav- in’ for the Prom b. fw Jeav-in’ for the Prom £2 tin iptete £nf 229) driv - in’ wheel cresc, =» driv > driv = in’ wheel roll - in, roll - in’, let it roll - in, let(pe 7 = sempre f v) roll Un - sempre f A 2s : ool ta ox sempre f = 2- T. e roll Un Log, sonbref a 3 DE == 7 roll — Un = * . nif molto crese. 230, brud-der in the brud-der in the meet our brud-der in the meet our brud-der in the te te |e -—187 1231] Prom. Prom - ~ - Ente, Sobneint Mite Soins ’e® be baba’e = = < f. CURTAIN, oo = =e ee =188 ppt == = y~orry ~ a nN vost ~ $1 x iN ~ -_ rn voor] 11 ~ - —e yon ~ 7 —N ‘ttn ae aa oN