Brian Shaw (dancer)

Brian Shaw (28 June 1928 – 2 April 1992) was a British ballet dancer and teacher. As a leading dancer
with the Royal Ballet during the 1950s and 1960s, he was widely regarded as "one of the finest classical
male dancers of his generation".[1]

Contents
Early life and training
Professional career
Roles created
Later life
References

Early life and training

Brian Earnshaw was born in Huddersfield, England, a large market town in West Yorkshire, halfway
between Leeds and Manchester. Having begun his dance studies in his home town, he moved to London as
a teenager and continued his training at the Sadler's Wells Ballet School.[2] In the summer of 1943, in the
midst of World War II, Londoners were "keeping calm and carrying on," as they were advised to do by the
British Ministry of Information. In July, the Production Club of the Royal Academy of Dancing arranged a
matinee performance of Sadler's Wells students in Suite of Dances, set by resident choreographer Andrée
Howard to Handel's jauntily life-affirming Water Music. Among the talented students dancing that
afternoon were Philip Chatfield and Brian Earnshaw,[3] both of whom were destined to have distinguished
careers with the Sadler's Wells Ballet, later known as the Royal Ballet.

Professional career
With a truncated surname, Brian Shaw joined the Sadler's Wells Ballet upon graduation from its school in
June 1944, when he was still only fifteen years old, and was soon promoted to soloist. The shortage of
male dancers during the war years doubtless played a part in his quick advancement. Barely two years later,
at age seventeen, he was cast by Frederick Ashton in Symphonic Variations (1946), a pure ballet for just six
dancers. One observers wrote, "There was nothing virtuoso about the dancing; it was unceasingly lovely
and created an impression of effortless lyricism and almost godlike serenity which at moments quickened
under the urgent tempo of the music to blaze 'like splendor out of heaven.'"[4]

After being promoted to principal dancer, Shaw went on to create roles in other new ballets by Ashton,
John Cranko, and Kenneth MacMillan.[5] His virtuoso technique made him ideal for bravura roles in the
standard repertory, where he dazzled audiences at the Blue Bird in The Sleeping Beauty and as the Blue
Boy in Les Patineurs. He was known as a brilliant classicist, a dancer who combined purity of line, secure
control, spirit, and musicality.[6] His career as a classical dancer virtually ended, however, when he
collapsed on stage at the Metropolitan Opera House in New York City in 1967 after tearing an Achilles
tendon during a performance of the Blue Bird. Upon recovering from this injury, he continued to perform
in character and dramatic roles with the Royal Ballet on the opera house stage. A fine comic actor, he was
applauded as an Ugly Sister in Cinderella and as a particularly waspish Widow Simone in La Fille Mal
Gardée.[7]

Roles created
1946. Symphonic Variations, choreography by Frederik Ashton, music by César Franck.
Role: principal dancer. The six dancers in the cast were Margot Fonteyn, Pamela May, Moira
Shearer, Michael Somes, Henry Danton, and Shaw.
1951. Tiresias, choreography by Frederick Ashton, music by Constant Lambert. Role:
Snake, with Pauline Clayden as his partner.
1952. Sylvia, choreography by Frederick Ashton, music by Léo Delibes. Role: Slave.
1952. Bonne-Bouche: A Cautionary Tale, choreography by John Cranko, music by Arthur
Oldham. Role: The Lover, partnering Nadia Nerina.
1953. Homage to the Queen, choreography by Frederick Ashton, music by Malcolm Arnold.
Role: pas de trois with Julia Farron and Rowena Jackson.
1956. Birthday Offering, choreography by Frederick Ashton, music by Alexander Glazunov,
arranged by Robert Irving. Role: principal dancer.
1956. Noctambules, choreography by Kenneth MacMillan, music by Humphrey Searle.
Role: The Soldier.
1957. The Prince of the Pagodas, choreography by John Cranko, music by Benjamin
Britten. Role: The Prince.
1957. Les Patineurs (enlarged version), choreography by Frederick Ashton, music by
Giaomo Meyerbeer, arranged by Constant Lambert. Role: Blue Boy, also known as the Blue
Skater, a role famously created in 1937 by Harold Turner.
1958. Ondine, choreography by Frederick Ashton music by Hans Werner Henze. Role:
dancer in lead couple, with Maryon Lane, in a divertissement with Merle Park, Doreen Wells,
Peter Clegg, Pirmin Treu, and corps de ballet.
1966. Monotones (later known as Monotones I), choreography by Frederick Ashton, music
by Erik Satie, orchestrated by John Lanchbery. Role: a pas de trois with Antoinette Sibley
and Georgina Parkinson.
1968. Enigma Variations (My Friends Pictured Within), choreography by Frederick Ashton,
music by Edward Elgar. Role: Richard Baxter Townshend, Oxford don and author of a series
of books about the Wild West of America.

Later life
Appointed principal teacher at the Royal Ballet in 1972, Shaw continued to teach there for many years after
his accident and was a popular guest teacher with other companies in Europe and America. He was also in
demand to assist in revivals of Ashton ballets throughout the world, especially those in which he had
created roles, such as Symphonic Variations, or in which he had danced to particular acclaim, such as Les
Patineurs. With his longtime companion, Royal Ballet dancer Derek Rencher, he lived a quiet, domestic
life. When Ashton died in 1988, he left the "royalties and profits in his copyrights" to a small group of
friends, including Shaw, who became owner of the rights in Les Patineurs and Les Rendezvous.[8] in 1992,
Shaw himself died in hospital after a short illness. Rencher was his sole survivor.

References
 1. Debra Craine and Judith Mackrell, "Shaw, Brian," The Oxford Dictionary of Dance (Oxford
University Press, 2000).
2. Horst Koegler, "Shaw, Brian," in The Concise Oxford Dictionary of Ballet, 2nd ed. (Oxford
University Press, 1982).
3. Mary Clarke, The Sadler's Wells Ballet: A History and an Appreciation (New York:
Macmillan, 1055), p. 178.
4. Clarke, The Sadler's Wells Ballet (1955), p. 207.
5. Zoë Anderson, The Royal Ballet: 75 Years (London: Faber & Faber, 2006).
6. John Percival, "Accent on the Male: Brian Shaw," Dance and Dancers (London), December
1958, pp. 20-21.
7. Anonymous, "Brian Shaw Is Dead, British Dancer, 63, Known as Classicist," obituary,
International New York Times, 23 April 1992.
8. Brendan McCarthy, "Frederick Ashton Foundation and Christopher Nourse," Dance Tabs
website, 4 February 2012, http://dancetabs.com/2012/02. Retrieved 18 October 2015.

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