SERIE PARA FLAUTA DULCE JOHANN K. F. FISCHER PEQUENA SUITE (LITTLE SUITE) MARIO A. VIDELAPREFACIO DHANN KASPAR FERDINAND FISCHER (1665- 5) desarrollo su actividad en la region sudoeste de ania como maestro decaplla del Margrave Ludwig Taden. Su obra represenea un importante aporte = wisica barroca alemana. La proximidad de la corte Baden ‘con’ Francia expiictfucilmente la fuerte vencia francesa que aparece en la misicade Fischer. embargo, este compositor nunca permitié que tal tencia absorbiera st propia personalidad musical; ‘l-contrar, su obri Teles una feliz amalgama refinamiento francés y'la solider germans. Esto Je observarse claramente en sus “suites” compues- aeinipamente por fs danza 0 “balts™ mis en demas de obras orquestales, Fischer escrbié:name- Splnaspara tela, ents que a= desta 1 Be prc Fugen Io totals lade ‘due musical (1605), Laberinto musical” considera: ‘omo un importante antecedente de "El Clave bien Bored de a atone SS presented piceas han sido extraidas desu ccigh “Le Journal du Printems” consistent on © Balets 25 Perlies publicada en Augsburgo 695. nla adaptacién para tres flautas dulees, algunas 4s fueron transportadas para faclitar su gecucion. ‘obras podrin tocarse en tres Hautas dulees soprano ‘nor, 0 en dos fopranos y tna contralto (0 tenor). ai de poder empleae otros instrumentos, ha binacién’ de. tres guitaras, 0. autas ‘dulces y ara, resultard muy adecusda En cuanto a les ‘eristiess de las danzas en general, el lector podri tultar el Prefacio del libro “Aires » Danses del "Barroco” de esta misma Serc. PREFACE JOHANN KASPAR FERDINAND FISCHER (1605 116), who worked in the southwestern part of Germiny as court conductor to the Margrave Luding of Baden. His works represent 'n important contrib ton to German Baroque mas. The promimty of the Baden court to France easly accounts for the song French influence which apes in Fischer music. Howe ter, he never permited this nluense to tahe fll pos ren of ht mal, pray rther i ark represents happy amalgomation of French refinement (get German tft. Tals can be wen paricusrty i es “ruil” hich consist mainly of the more te oogue dances and “ballets” ofthe pero ‘Besides his ochestn! compositions, ruscner wrote sumerous heyboard works mong. which, the cycle ‘Arad musta (1699), “musica labyrinth containing ‘reluderand fugues in inctoon hays con be considered ram inpordent forerunner of Bach's "Wellsempered The pieces here included have been extracted from si collection “Ee "Youral ‘du Prnten™ constant en Aits & Balets 495 artes published in Augubu in 1695, . ene In the arangement for three recorders some pieces swore transport to faiitate thet performance, The pieces "can be played on three. Geseant oF, tenor Fecordera or two descant and one treble (or tenor) Other instruments con aio be employed being the combination of three guitars alone, or recorders ond [pultars interesting ond useful. Regarding the common Features i the ‘dances the reader may consult the Preface of the book “Airs and Dances of the High Baroque Fra” of this same series.‘ADVERTENCIA La copia parcial 0 total no JOHANN KASPAR FERDINAND FISCHER | (yee nie ey ‘lon eatt panda por later. (16652.3940) PEQUENA SUITE LITTLE SUITE Seleccién y adapuciba de ‘Select and arranged by MARIO A, VIDELA 1, MARCHA qo SSS Argentina, Unicos edivores para m8 Eeiguay stores exclusivos pars los demis paises, Todos los to que eoablece ta Ley 1 © 1976 by BARRY Editorial, Come Ind, SRL - Buenos Aires as olivie, chile, P Pe SA SAL2. RIGAUDON B&C-10203. PASSEPIED 1) Hemiols BeC-1020 ———SSsSseB&C-1020DaCepo 5. GAVOTTE s B&C-1020 —— —___——6. FUGUE Allegro B&C- 10205. GAVOTTE 5 B&C-10206. FUGUE Allegro B&C- 1020BeC-1020 Se7. CHACONNE B&C-102038. CANARIES BEC-1020