Dig

Dis
from the album "Soul Station"
Hank Mobley
Transcribed by Brad
Playback: A437.8Hz

= 72

         
           
Swing

      
        
B♭m G♭7

  

     
     
Piano: Wynton Kelly

     
Bass: Paul Chambers 

              
        
B♭m G♭7


6


  
  
3


3

     
3


     
    3
                          
F7 B♭m Bm

       
10 3 3

  
   
    

        
 
 
              
           
G♭

 
15 3

 
3


   
3 3 3

      
3



   
              

   
G♭7

   


           
19 Bm 3

     
3 3

  
3

    
     
2

     
22

Piano 

                     
  
F7


    
Bm

 

0:41

   

Tenor Sax: Hank Mobley

       
  

 
        
       

   
  
26

 
                        


  
3

    
 
           


    

  
        
               

31

 

             
 

    

  
3

     
      
 

    

         
            
  
36



            

       
    
1:00
3

   
      

  
 
       
3

              

41

 

          

            
  
3

        
        

   

       
 
         
  
B♭7


46

                    
       
3 1:21

  
       

  

            

      
C♭ B♭7 E♭7


50

                 
            
3

 
3

         

  



         
             
B♭7 G7♭9 Cm Cm


54

  3
                       
    
3 3

           
   


  
4

      
        
C♭ B♭ C♭ B♭7

 
58


        
              
 
 
      
 

1:41

           


 

          

      
 
 
C♭ B♭7

  
62


  
  
   

        

  

        
    
3 3 3 3

         

  



               
     
Cm Cm

   
66

    
       
           
     
3

           
     

 
   
    
C♭ B♭ B♭7


70

   
           
               
4:01

    
Piano

  
Sax solo 6x

        
(72 measures)



             
5

   
      
E♭7 B♭7


75

      
5

 
 
 
                 
3




 
                         
80 Cm F7 B7

        
3

 
      

       


   
B♭7

         
 
     
          
84

     
3


         
      
4:20

 

 
                          
   

E♭7 3 B♭7

 
88

 

                 
3

   

      
                           

Cm F7♯11♭13 B♭7 3
92 3 3

 
3 3

     
   

     
 

            
B♭7 
       
  
       
 
  
96 F7



    
3

       
3

   
  
4:40



    
                    
6

 

       
E♭7 B♭7 G7 2 3 4 3 4
101 2 3 1 2 4
1 2

              
   

            
           
F7


  
5

    
3 5
105 Cm 2 2 3 4 4 3 2 1 4
2 3 1 1 3 2 1 1 3 2
4 3 2 1

 
 

     

        
   
  
B♭7

  
   
F7 B♭7

        


         
5 3

 
107 4 3
2 3 1 2 5 3 1 2 4 3 2 1 2 1

 
        
   
5:00



 

               
                    
E♭7


111

 
3

      
        


                

  
 
            
115 B♭7 G7 Cm7

   
3

         
  


 
           
7

  
  
119 B♭m7


          3 3 
Piano

                     
5:20

  
3

   
3

  
Sax

   
  

   


          
        

G♭6 B♭m7


124

 
               
   


    
3

     
      
          

 
 
                  
    
       
G♭6 F7 B♭m7 G♭6 F7♯9 B♭m7


129

    

                   
5:40

       
    
     
        


       
    
   
   
135 G♭6 B♭m7

 
             
     

    
    
3 3

    
     

    
  
         
8

                  

G♭6 F7 B♭m6


140

  

       
 

     
    
 
    
     
 

     