Salomé

Score Joaquim Callado (1848 – 1880)

    
 = 70

           
 = 70 Choro de câmara adaptação Ruben Amoedo


 = 70

Violin I       
  
 = 70

     
       
 

          
    
Violin II

           
  
     
 

               
Viola

      
     
 

Cello

 

       
                              
Vln. I     
5

           
         
 

     

    
Vln. II

 
               
   
 

  
       
Vla.

   
            

 

Vc.
  
 


           
         
   
Vln. I       
10

      
        
 

             
  
Vln. II

  
 
 
                  
 

             
        
Vla.


           
 

Vc.

 

©
     
          Fine pizz.          
Vln. I                       

15

        
                 
       
         
pizz.

       
Vln. II


                     

 
Vla.

    

       
           
    


     
 
pizz.

Vc.



       arco       

Vln. I                
  
22

           
           
  
 

       

arco


Vln. II

                          
         
 

Vla.

            

      
  


        
arco

Vc.



                 
          
Vln. I   
28

       

 
            


 
  
Vln. II

         
                


Vla.

           
           
 
Vc.

2 ©
    
             
Vln. I    
33

                  
             
  


 
Vln. II

                   
      


Vla.

  
      
         
 


 
 
Vc.




  

                            
    

Vln. I        

39 D.S. al Coda

    
         


         

Vln. II


                    
  


  
    
Vla.

  
         
       


Vc.
  

           
                        
Vln. I  
45

                  
         

Vln. II

      

                   
  
  
Vla.

                 
     
Vc.
     

© 3
     
        
     
Vln. I    
51

   
          
 
Vln. II

 
       
   


Vla.

      
      
Vc.
 

     
     

 
          D.S. al Fine
Vln. I      
54
1 2

      
          

  
1 2

  
Vln. II

    
      
      
1 2


Vla.

      
         
 

1 2

Vc.

4 ©
 Violin I Salomé
Score Joaquim Callado (1848 – 1880)

                
 = 70 Choro de câmara adaptação Ruben Amoedo

           
 = 70

          
 = 70

 
 = 70


       
            
  

        
        

7

       Fine pizz.    

          
 

  
        
     
13

            arco           


                          
19

                  
       



    
     
27

     
                  D.S. al Coda
   
 

         
       
33

        

     
               
  

     

 
41

 
                                        


  

46

          

        D.S. al Fine
  
     

         
     
1 2

    
52

©
 Violin II Salomé
Score Joaquim Callado (1848 – 1880)
 = 70 Choro de câmara adaptação Ruben Amoedo

               
 = 70

     
 = 70

                          
 = 70

 
  

         
                 
           
 Fine
 
       
9

  

              
                                       
     
17 pizz. arco



           
    
     
       
            
26

 

                 

      
            
   
34 D.S. al Coda

 

        
                                        
 
43

         
        
    
    


53 1 2
D.S. al Fine

©
 Viola Salomé
Joaquim Callado (1848 – 1880)

    
Score

          
 = 70

  
Choro de câmara adaptação Ruben Amoedo

   
    
  
         
 = 70

           
 = 70


 = 70

  

       
    
  
     Fine
 

               
      
    
    
9

   

                       
              
17

                                        
  
         
24



 
       
                   
                  
   
32 D.S. al Coda



       
 

                 
                
   
41



       

       
             
    
  
  
52
1 2 D.S. al Fine

©
 violino Salomé


Joaquim Callado (1848 – 1880)

                               
Score
 = 70 Choro de câmara adaptação Ruben Amoedo


 = 70

           
 = 70


 = 70

  

   
                 
                     
   
7

 

          Fine pizz.


         
  
                   
               
14



                       
     
    
            
23 arco



       D.S. al Coda
  
      
     
                   
    
 
32



    
    

            

             
  
41

       
  
    
                         
1 2


D.S. al Fine

 
50