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  • Grade 6 2020

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    toni2de2villasante2t
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    gradr 6 2020 abrsm

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    GRADE 6 2020

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    gradr 6 2020 abrsm

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    © All Rights Reserved
    Download as PDF or read online from Scribd
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    28 views32 pages

    Grade 6 2020

    Uploaded by

    toni2de2villasante2t
    gradr 6 2020 abrsm

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    of 32
    Theory Paper Grade6 2020 A rm vrauthessed Duration 3 hours corer | Candidates should answer all FIVE questions. Write your answers on this paper ~ no others will be accepted. Answers must be written clearly and neatly ~ otherwise marks may be lost. 1 Answer one section only, (a) or (b), ef) EITHER (@) Indicate one chord at each of the places marked * to accompany the following melody. You may do so by writing roman numerals or any other recognised method of notation between the staves, or by writing notes on the staves which provide a proper harmonic structure; but use only one of these methods, to Haydn, Symphony No, 85 in B flat (adapted) {© 2020 by The Associated Board ofthe Royal Schools of Music This ection © 2021 by The Asseciated Bos ofthe Royal Schools of Muse 3 o OR (b) Complete the bass line and add a suitable figured bass as necessary, from the third beat of bar 2, at the places marked * in this passage. If you wish to use a § chord, leave the space under the asterisk blank, but § chords must be shown when used as part of a $§ progression or when chromatic alteration is required. G.B.Bononcin, Suite No.2 (adapted) Gavorta 2. Writing for four-part voices (SATB) or keyboard, realise this figured bass. ‘Assume that all chords are § unless otherwise shown. 3 EITHER (@) Continue this opening to form a complete melody for unaccompanied cello. It should end with a modulation to the relative minor and should be between eight and ten bars long. Add performance directions as appropriate and write the complete melody on the staves below. Dvorak Allegro OR (b) Continue this opening for unaccompanied clarinet (at concert pitch) to make a complete melody of not less than eight bars in length. You may make any modulation(s) that you wish, or none if you prefer. Add performance directions as appropriate and write the complete melody on the staves below. Allegro moderato ‘Tempo giusto J= 144 x 4 Look at the extract printed opposite, which is from a piano piece, and then answer the a) questions below. (a) Give the meaning of: Tempo giusto _........... es eoncaaecieen ante . @ (left-hand part, bar 20) an a

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