Professional Documents
Culture Documents
By Wang Wei
I. Context
(Background of the author and text)
During the Tang era, Wang Wei was a Chinese poet, musician, painter, and statesman. His
surname was Wang, and his given name was Wei. He was one of the most well-known
individuals of his day in the arts and letters. Many of his poems have survived, and twenty-nine
of them were published in the classic 18th-century anthology Three Hundred Tang Poems. He
was born in 699 and died in 759. He was between the ages of 59 and 60 when he died.
Wang Wei is most recognized for his work as a poet and naturalist painter. A total of 400 of his
poems have survived. By imperial command, his next-youngest brother, Wang Jin, gathered and
originally edited these into a corpus. There are no certified pieces of his paintings, but his effect
on succeeding paintings and descriptive reports of his paintings provides evidence of his work.
His musical abilities were highly acclaimed, despite the fact that no recordings of his
compositions exist. He had a good career as a court officer as well. Wang Wei studied with Chán
master Daoguang for ten years before becoming a committed Zen Buddhist and vegetarian.
Wang Wei was a "very great master" of the jueju, with many of his quatrains depicting calm
settings of water and mist, with few details and little human presence. At present, 420 poems
are credited to Wang Wei, of which 370 are regarded to be genuine. He affirms the world's
beauty while questioning its ultimate reality, according to the Indiana Companion. It also draws
a parallel between his paintings' deceptive simplicity and the Chan Road to enlightenment,
which is based on meticulous planning yet completed without conscious effort. Wang Wei is
widely credited as the creator of the Southern School of Chinese landscape painting, which was
distinguished by bold brushstrokes and light ink washes.
II. Themes
III. Symbolisms
Spring
Season of the year between winter and summer during which temperatures gradually rise. Red
beans are present during this time. It symbolizes as a time of rebirth, renewal and awakening.
IV. Analysis
Structuralist Criticism
V. References:
Wang Weiyin missed Li Guinian and wrote the ambiguous “Lovesickness”, which
has been misunderstood for thousands of years. (2022, February 02).
https://min.news/en/culture/74aaf955a6ff7dc6d05ef378f0478dca.html
Appreciation of Wang Wei’s “Lovesickness” and the legendary story behind “Red
Beans produced in the South”. (2022, February 02).
https://inf.news/en/culture/e216a978f25f3d4964294bec0216766b.html
相思 - dailycharacter (weebly.com)
lovesickness - ChinaWiki.net