Guitar 4/E.

Guitar
Harbinger
M. Keplinger

 
 = 165

 
distortion
palm mute to m. 29

       

A  cresc.

 
5

               

 
13   sim.

       

 
21 

       
           

 
27
normal or more lightly muted

                       





33

                       

 
38

                       

 
42

                       
 
 
46

                       


© Copyright 2022 Michael Keplinger

 
2
B

 
50
clean/reverb

          



 
58

         



       
64 3

    
5 1

      
4


    


             
   
70

    

                          
74

  
        
                          
    
82

 

   
              
87

     


C


90

   

distortion



94

                        




98

   


 3



102

                        
 
                                   
106


 
110
palm muted

            
           

 
116  

                        
                       

D

 
122

                       

                       

 
128

                       
                       

E

 
134

                       
   
                

 
140

        
          
      

  
146

        
                            

    clean
       


     
152

    
  

© Copyright 2022 Michael Keplinger

  
4

    
160

       
