Universo

Paralelo
   João Pedro F.



No.1

 Andante      
 
            


    
   


 

  
        


  
6

 
   
   

       
   
   



          
  
     

  
11

      
 
       
    
         

    
   


      


     

  
16

              
       
     
  



     
       

 
20


       
        

   
         

    
       
  
2


25

          

  
    
     
 


      
       

 

30

 
  
         
 

 

    
 


   

       


  
35

   
   

     
    
   



    
         

  

40

 
 

   

        
 
   



      

         

 
    

45


       
   
    
         

  
         
3

   
   
50

               
    
   


 
 
       

    
    

54

           
         
        
 
 


  
  
      
     

 

58

 
                
     
  



    
       

  

62

 
 

   

        
   
    


   
         

    

67

 
  
 

            
      
   

         
   


      

  
4


72

       

        
   




 

         

   

77


       
       

   
    
    


      


 
82

 
      

   

       
  
   

      


  
   
    

 
 
87

  

       

         

    
  


 
     
    


   

 
   
92

 
            

            

     


    




    

 
97

     

              
   
 
     


5

    
101 Moderato

                               
   



    
  
  
   


 

 

105

  
           
     
  
 





 

 
 

  
    

   



110

  
         
     
  
 


   

   
     

  
115 Andante Lento

 
       
   
 


 



  
       

 
         
 
119 3
3


    
3

     


     
3 Morrendo
3


 
   