TYPOPHOTO ints neha nappen inthe weld hae roy abet the ents ‘hpataon te mera espa the nant ae The oeatve wank of thea, the aientat'sexcrments, she cake tba the baies a ete presen Pa a that ‘hat shopes, ie bund up nthe cette antec evente The ‘nal’ tmimedat setom ofthe ome lass hast le of sa {et in te Lng term The techn ae he marine at hand se Fac of the neo te met thas mae sae: ete lnc ofthe new soc states, he pases te wa or th a “The printer’ work, for example to which me il pay to ite attention as Jos sich longer tt! Intertrade ‘The printer's wrk prt ofthe foandton on whkh the na ed wil Tet Concentrated ort a ogarnaton be he spl rst whe Stray, eenns, conan neentie One mam Sven pit Sit movable type; ancther potgraphy a the scr nag ad Eee th aad retin the cl pie aed live, why’ they lives poltans fai o Swerve th te earth Isa entity, ct teva [Tey has he ince. the Far See cc Sh beable to look nt he Beart of oa llow-man, bess ete ‘ct be alread books menses, magus spied mos: The soambiguesnes ofc eat rth in the everyday ‘tation tee forall ccs ‘The hygine of the optical, the Inatth of the visibly tering through | | | | | ° Tp mtn compen Bt resentation of what ‘Typopheto i the viauslly most exact rendering of communication. e oer: prod has te oun opi focus Our a that ofthe Bin the Treg typoeraph. whieh fs endzed alos tow owed. moves o> Sancta the fins sscn The fgeventon the gp errand ons yt ‘een ek hr sds pp nal rate fre se tingly poe 9 tinue hina ae cs tere Tenn of Oy gue cmb ee eae teork wh eacr the contate of {opgrapie mates le sins Ponti ges ste lei a shisha Repke hdc te fo a ener tienda tn hehe edit yee Sewn nan ms fi Electret The Rel amd lait ol thre ecco hing Ste no tte en ay ah seuenlphte eogophy sense tsa {Sema ms ham imp: wos ofc be gti ap ei wpa {eur the lint topography of ta : Linear tography communicating in ig mer a mitng eke tink erent ronten the comin she erm eng COMMA POCKET NN FASOInstead of using typography a0 hiterlo— merely a an objective meas, ‘ie subjetveeistetecentiely ine the content, ‘tes by means of which they ean render the content of the commacation Photography i highly elective when used as typographical waters I'm appear ae station. de tbe_worde oF nthe Tory a ‘photon in lace of word spe fr of representations ce sect et of ade ett, Te he een 2 Siam aneeten concep syntheae contin tothe tsp Baa amin ene my a em mone “The ypophoto goers the new tempo ofthe new vil erature e {nthe ftue every printing pres will pss its own cknking plant nd it canbe couhdeny stated that foe ities eed ithe pono mechan pees Tein te photograph cypesetuing machine, the gosh of panting whele sins th Kort} ratogephy, tener cheap tsk of Ha making tnd ate he tendo hie every typagapber ot tspopotgephes mas ‘Spt him as soon as pose . ‘This mode of modern ssoupic communication may be bosdly peed SIMULTANEOUS OR POLY-CINEMA A cinana shoal be built egipped for diferent experimental purges in ‘rear to appartan sn projetion see Ooe ey for examples vi ‘alk the poral poet pane xing cried by a Simple apes {Sarentsbqueltpstonct plans sd cambesy he's andcape mourns apd aleys: i wotla be based upon te simplest ase Prone isons that dstested eile the pon can Some foot usin tng he ot ses ht eon {beahapeats opment of pee tea ofthe ren tang coe ‘Thi yetjeton Seen bid have avery age rts a heron: very Ick dep and should bleed st an snge fsh ofabot 4 fon Oe ‘eer le than on si perhape wo th et tay) won be played| (Sth pjectonstven andthe wold not, be rete to ‘Tate St but would range contin fet te ng fn ght totshy ap and down, down and up et Fis poe ileal eto pe Seg re het hich at dpa om veer a ‘wi tery cletstoncaaie aol peer pall nd ody ee mile c ne The age projection stan asthe fester advantage of reprecnting & roeeol movnent it tay that ofa mores res began to {edith ret ition oxen nthe ceo Sno han the sent pect sen om wai one nage ast ava hre: