Theory of Music Grade 1 TRINITY November 2014 COLLEGE LONDON ‘Your fullname (as an appointment form). Please use BLOCK CAPITALS, Your signature Reaistration number Centre Se Instructions to Canaiates |. The time allowed fr answering this papers two (2) hours. 2. Flin your name and the registration number printed on your appointment form inthe appropriate spaces on ths paper and on any oer sheets that you use. 3. Do not open this paper until you are told todo so. 4 This pape contains six (6) sections and you should answer alot therm. 5, Read each question carefully before answering it: Your answers must be written legiy inthe spaces provided. 6, You are reminded that you are bound bythe regulations for writen exams dsplayee atthe exam contre and listed on page 4of the current eiton ofthe writen exams sylabus. In particular you are ‘reminded that you are not allowed to bring books, music or papers into the exam roc. Bags must be let atthe back of the room under the supervision ofthe ivigiator 7 Ifyou eave the exam room you wll not be allowed to return, raminers use ony 120, 220 305) [4051 5 (or 620) Total eonNovember 2014 (6) ‘Section 1 (20 marks) Dut atck (7) the box nxt tothe corect answer Example Name this note: 11 Name this note 3] 12. Name this note me 112 Name the notes to find the hidden word: 14 How many crotchet beats are therein a semibreve? Grade a 00 cH ‘This shows that you think Cis the correct answec. oo cO e&0 15> Add the total numberof eotchet beats n these note values: Chap] DsnarpC) Craturat reepO) race) rape 20 30 40 = ao sO e«O OoNovember 2014 (C) race uta tick (inthe box next othe correct answer. 1.6 Farhow many crotchet beats does thisrest last? é 40 30 20 2 17 Which the correct time signature? to to 70 1.8 Toraisethe pitch ofthis note by a semitone, which accidental would you put jst before it? 4O 40 80 19° Whien pair ofnotes as adstance of a semitone between them? Gadd AandBO] Banc) 110 Which note is the tonic inthe Key of F major? ro «O cO 1M Here isthe scale of G major Where are te semitones? one ee ee ‘Between the ist & 2nd and 3rd & 4th degrees C] ‘Between the 3rd & 4th and éth & 7th degrees L] ‘Between the 3rd & 4th and 7th & ath degrees []November 2014 (¢) rade! ta tick (inthe box next othe corectanswee 112 Which major key has the following Key signature? F major] major] major 13 Which chord symbol fits above this tonic trig? FO sO cO 114 Which nate needs to be adéed to make a tonctriadin the key af major? ae eeae cnet 115 Name this interval unison] 2nd) ara 116 Name this interval: anO aeO 300 UTA tonic triad is {wo notes played at tre same time C] a chord made up of the ist, 3rd and Sth degrees of the scale [] ‘another description for a scale U8 The folowing is ‘an arpeagia going down L] ‘scale going down C1 an arpeggio going up L] ONovember 2018 (C) race! 119 = means tng graduaty louder CI} ‘setting gradually softer C] ‘to play with an accent (J 120 pismo means: sot reium stt very soft CJ ‘Section 2 (20 marks) 21 Write one-octave 6 major scale In semibreves, going up. Use the correct key signature and mark the semitones with bracket ( or V Yand an fr semitone. es 22. Write a one-octave arpeggo of F major in semibreves going up then down, Use key signature [= O p= 7 ov Section 3 (15 marks) 131 Circe fe citferent mistakes in the following musi then write tout correctly,November 2014 (2) rade “41. Answer the folowing rhythm: ‘Section 5 (i0 marks) 531 Here isan ostinato, Write two more repeats ofthe pattern.November 2014) rade ‘Section 6 (20 marks) Look atthe flowing piece and answer the questions below. Andante Boo {61 tnwhleh malor key is this piece? 62. Writea Roman numeral below te last note ofthis piece to show thatthe tonic rad shoult accompany i. 163. How many crotchet beats ae therein each bar? 6A Put abracket (-) above the place where there sa one-octave scale in the ey ofthis piece, 165. What doos Andante mar? 66. Name te interval between the two notes marked with asterisks (*n bars 2 and 3. teon 67 Whieh bar has the same rhythm as bar 2? 68 Whatisthe name of the sign used on the third beat of bar 42, {69 Should this piece be played smoothly or detaches? {610 What s the loudest dynamic in this pce?