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Digital Keyboard Grade 8 2011

Chord knowledge
The following to be performed with the bass note in the left hand and three notes of the chord in the right hand
(doubling the tonic where possible), in piano voice with auto-accompaniment off:
Chords of F#7(b5), Eb7(b5), B7(b5), F#m7(b5), Ebm7(b5), Bm7(b5), F#sus4, Eb sus4, Bsus4, F#sus2, Ebsus2, Bsus2
Perfect cadence in Eb major, A major and D minor
Plagal cadence in Eb major, A major and D minor
Ic–V–I progression in Eb major, A major and D minor
IIb7–V–I progression in Eb major, A major and D minor
I–IV–Ic–V–I progression in Eb major, A major and D minor

F#7(b5) Eb7(b5) B7(b5)

 
 
   
 

     

F#m7(b5) Ebm7(b5) Bm7(b5)


 
    
  


     

F#sus4 Ebsus4 Bsus4

 
 
    
 
     

F#sus2 Ebsus2 Bsus2

 

   
  


     
Perfect cadence in Eb major Perfect cadence in A major Perfect cadence in D minor

      


         

         

Plagal cadence in Eb major Plagal cadence in A major Plagal cadence in D minor

     


   
     


         

Ic–V–I progression in Eb major Ic–V–I progression in A major Ic–V–I progression in D minor

         


           
  
          

IIb7–V–I progression in Eb major IIb7–V–I progression in A major IIb7–V–I progression in D minor

         


            
  
          

I–IV–Ic–V–I progression in Eb major I–IV–Ic–V–I progression in A major I–IV–Ic–V–I progression in D minor

               


                
   
               

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