UNIT 9 New Notes E F G pe - bd - The music in or e e e e e ° e e oO °° ° ° C Major Exercise 1Scales and arpeggios major, to be played from memory Finger technique 1 The first octave kay (key 8) is opened by smoothly rotating the ott thumb. 2. When rotating the thumb, it mst remain key. If you uso thumb plate modal, it must hold the thume plate down as well Allegretto ning the cctave key. In each cas, with the first fingor so tat the haltnoie only the 099 ofthe shuma touehes the closes ae the octave key opens. Exercive 3. When notes that use the fist octave Key 4. Rept exeres (a) using the notes showe, are procaded by notes that use the half im exercises (0) (0) fh anc lt, hole, the thumb action must be combined i} @ tel RIGAUDON BRANLE DE CHAMPAGNEUNIT 10 cent signs == {An accent sgn pled over or under a note ‘means thatthe nate must be given a strong stack with the tongue, Often this strong tack is combined with ite ‘punen trom ol bars 2 end 3 ia the Fist exer Exercise 2‘THE EMPEROR OF GERMANY’S MARCH Jeremiah Clarke @ Tone development 1. Sustain the pouse nate for as long as 4. Tune the interval (a perfect fifth by possible trying at all times to achievea_——_sightly contracting the embouchure full fr sounding tone muscles to raise the pte, o slightly 2. Keep the lis sll during the first est, ___ relaxing them to lower the pitch, 3. Start the second note with the fone 5. Fepeat exercise fa) using the notes ‘eveloped in bar 1 shown in exercises (0) (eb and). (a) wo te @ FANFARE Maestoso. Nicholas Chédeville > >> 2UNIT Il New Notes eee eco Exercise 1 A New Key-signature In sharp keys, the name of the major key can be found by counting ore letter neme up fom the last sharp. The example howe 2 kay signature with two sharp, and since the last sharp ls Cf, the name af the major key most be D Major Accidentals Seca of acta bo ene key signature iti aed an accidental. An sccidentat lasts until the next bar line anc because ofthis, affects eny subsequent note (of tha same piten in thet bar Exercise 2 Exercise 3Scales and arpeggios 1D Major, tobe played from memory Finger technique 1. ‘The forked fingerings shown in this unit 2. Most eboes refitted witha resonance Key 1 used when Fis fllowed or praceded which opens when the forked fingering bye note which requires the we ofthe is used. When thie mechanism isnot fitted third finger af the Fight hand. Examples, the tone of the forked F can often be identified withthe later (FI, are given ia improved by adding the Ebkey (key 5 ALITTLE PIECE Antonio Diabelli Moderato CRADLE SONG ‘Tranquillo J. BrahmsUNIT 12 Natural Signs Italian Terms = BP very SF vious pot fous mp roseroy sot af esertety tous a tratally soe SE oretuatly four ‘A natural san is used to cancel a fat or Sharp. Italian terms are also sid to describe the at the end of the book. talian te Since it is tyoe of accidental it will only mood of apiece, ehanges of snesd and targe describe now loud or sot the last for the bar in which its printed, However, repeats such ae da capo, As with speed sound are usually abbyeviste to the symbols itanoten naltted occurs again in indications, English translations can be found shown inthe example the noxt bar, an additional aecidenta soften Ie original pitch, Exercise 1 Exercise 3ANDANTE Andante W. A. Mozart Musicianship CCrescondos and diminuendos play an important the ar pressurel wil make ante go sharp: To stable the tuning, increase the Bortor port in erating expresion But aed careful use anda diminuendo (produced by raducing the lip support during diminuendo, and decrease ‘Shoe they alse have an effect on tuning. tle pressure) will make 2 note go tlt. itduring # crescendo, esialy,a crescendo (produced by increasing DUETTO Sostenuto (F1__Frangois GarnierUNIT 13 New Notes eS e e fist half, The thythmic difference between th: 7 ‘wo rhythms should be clearly understood ° ° before playing their related exercises ° ° ° ° Exercise 1 nf Exercise 2 Exercise 3 mpScales and arpeggios (6 Major t0.be played from memory pet Bes @ stevie » soos tone on the frst note Start 3 with an ambouchure identical mf —p Moderato p—~f—P @ curing the crescendo, genty relax the lembouchure rcls, allowing the tips 0 Snroll aightly.- During the diminue ‘ently contact the embouchure musces a o MINUETTO take the on the tone dveloped in bt 2 oe ee Antonio Diabelli,UNIT 14 Compound Time Compound Time-signatures beat beat When the natural pulse ofa piece divides ital! To show the new note vals anew set into thirds of beat the ruse isd tobe in tie-signatues is used. The example shows Compound time, The various notes retain the sbeeight, indicating two dotted crotehet ets some valve in relation to each other, for ina bar. Achar showing the complete range Instance there are stil two quavers ia a of compound time-signatures and how they beat is changod fo the values shown in the Exercise 2MARMOTTE Allegretto L. van Beethoven Aids to music reading \Wnen reading notes which are thirds of @ best, each group. When playing the pieces. apply ‘red them as if they were threesyilabie words. this reading principle tll rhythmic groups ‘Asan example of this, ey he fetexercse contained within one beet thinkieg the word TENTATIVE as ou play Leggiero Francois Garnier creseUNIT 15 New Notes Double Names for Notes E> Eb The interval between A and 8 icone whole A New Key-signature tone, Sinca a sharp raises 2 note by nal @ tone anda {lst lowers a note by half atone, ta flat keys, the name of the maloc key can bo Tlollows that Az and Bs aredilferent names found by counting four leter names dawn ‘or the same note, Double names ean be fom the lag at. The key signature of exercse sven teal the Hats ond shores learned so far. 1 as Bb and ES, therelore the name cf the major Key must be B> Majo. oe0ee e00 c@0ee e Exercise 1 Exercise 2Scales and arpeggios EE Minor thermonic orm) 10 be played fro Finger technique 1. Key 58 6 the lft han fingering fr lower 2. To identity patsages where this left hand 3, The forked fingering fox F is nawded when land midale octave Eb DA}. I: used when fingering ie needa, ti eustomary 10 F i followed or precedes ty Eb. When is foliowed oF preceded by anote mark thenotewith the letter {L}. An this Finger pattorn occurs. itis impertan Which requires the use ofthe righthand! tearmpie occurs in bar 10 of the Aria by to take the litle finger aff the E> key le finger ‘emane, when playing the F. An example occurs in bar 1 of the Little Piece by Schumann ALITTLE PIECE Robert Schumann (Pp doice a @ poco eresc mf ddim > poco tit, D.C al Pausa a‘Ist and 2nd time bars ae —EIN' FESTE BURG A chorale by M. Luther Andante moderato adapted by J. 8. Bach am —— Musicianship Sometimes the ganeal character of piace ito the instrumentals to interpret the music Suggests thet many of the notes should be ina staccato styl, The "Dua" by Chédev played staccato, When this accurs, the dots isan example of this fn top of the notee are often omisted, leaving DUOIN A MINOR Allegro Esprit Chedeville f © ™p DC al Fine 9CONCERT PIECES FOR UNITS 9-16 ‘As with sation concert pieces, piano accompani: LULLABY ROBERT SCHUMANN op. 124, No. 6 Moderato (810-1856) art, PETER WASTALL, © Copyright 1980 by Boosey & Hawkes Music Publishers Lid. SOLILOQUY DEREK HYDE, ©copyright 1979 by Boosey & Hawkes Musi Publishers Lt 40from * ” FRANZ SCHUBERT from “12 German Dances” op. 9 Neornen arr. PETER WASTALL, ==