Mood 24kGoldn,

Iann Dior; arr. Jared Haftel

                
   
   = 90
          
 
A

 
Flute

         
            


  
Clarinet 1

        
          
        


  
Clarinet 2

                           
     


 
Bass Clarinet

                  


Alto Sax

                
Tenor Sax   

      
  
 
Baritone Sax

    
Trumpet 1  
     
Trumpet 2  
                
Mellophone   

       



           
Trombone

       
Baritone 

      
  


 
Sousaphone

         
            
  

Mallets

        


Snare Drum

      




Tenor Drums

         

Bass Drums   

            
 


Cymbals


2
      
             
            
6

 
Fl.


                        
 
Cl. 1

         
          
         
 
Cl. 2

                       
    
 
B. Cl.

A. Sax.                                                


T. Sax.                                                

       
  
 
Bar. Sax.

   



Tpt. 1

    
Tpt. 2 

Mph.                                                

     


                   
     
Tbn.

           
Btn.

     
    
 
Sphn.

             
            


 

Mlts.

S.D.              

         

   
T.D.

                
       


B.D.

                           
Cym.

3
      
             
            
10
B

 
Fl.


                        
 
Cl. 1

         
          
         
 
Cl. 2

                       
    
 
B. Cl.

                                  

A. Sax.


T. Sax.                                       

         
      
 
Bar. Sax.

              
Tpt. 1  

                 


Tpt. 2

  
  
                      



 
Mph.

       
    

  
                                
Tbn.

Btn.


     
        
 
 
Sphn.


                        
 

Mlts.

S.D.                                    

                
        
  
T.D.

             

B.D.      

                        
Cym.

4
      
               
             
14
C

 
Fl.


                            
 
Cl. 1

         
          
           
 
Cl. 2

                        
      
 
B. Cl.

A. Sax.     

    
T. Sax. 

     
 
 
Bar. Sax.

 
Tpt. 1             


Tpt. 2             

           
  

       
Mph.

       
       
Tbn.

Btn.
       

     
 
 
Sphn.

             
                
 

Mlts.

S.D.                 

         

T.D.

       

B.D.  

                               
Cym.

5
      
          

          
18
D

 
Fl.


                      

Cl. 1

        
          
      

Cl. 2

                     
   
 
B. Cl.

    
A. Sax.
  
   
   



T. Sax.

       
  


 
Bar. Sax.

   



Tpt. 1

    
Tpt. 2 

                             
                            
Mph.

 

                            

Tbn.

Btn.
 

     
 
 
Sphn.

              
         


Mlts.

S.D.             

             

 
  
T.D.

                
B.D.        

                        
Cym.

6
          
   
22
E

Fl.

   
       

Cl. 1

      

    

Cl. 2

       
    
 
B. Cl.

           
      

 
A. Sax.

  
              



    
T. Sax.

         
    


 
Bar. Sax.

           



Tpt. 1

          

Tpt. 2  


                             

                    
Mph.

       

       
                     
Tbn.

Btn.  

     
Sphn.
    
   
       


Mlts.

S.D.                 

          


T.D.

B.D.                 

          
Cym.

7
    
            
         
26

 
Fl.

    
                 

Cl. 1

       
        
        

Cl. 2

      
                 
 
B. Cl.

A. Sax.           
          






T. Sax.           
          





        
      
 
Bar. Sax.

    

Tpt. 1            

Tpt. 2           
          






          
          





 
Mph.

        
  

             
Tbn.

Btn.
       

    
        
 
 
Sphn.

  
                   


Mlts.

S.D.                      

                       
  
T.D.

            

B.D.      

                       
Cym.

8
  
              
         
29


Fl.

  
                   
 
Cl. 1

     
       
           
 
Cl. 2

  
             
   
  
  
B. Cl.

                      

A. Sax.    
                 
T. Sax.           
         
     
  
Bar. Sax.

           
Tpt. 1               
                 
Tpt. 2           
                 
          

Mph.

      
   
 
                
           
Tbn.

Btn.
   

    
         


Sphn.

  
                   
 

Mlts.

S.D.                        

                           
  
T.D.

            

B.D.      

                      
Cym.

9
      
               
             
32
F

 
Fl.


                            
 
Cl. 1

        
          
           
 
Cl. 2

                        
      
 
B. Cl.

A. Sax.     


T. Sax.     

      
   
                   
Bar. Sax.

Tpt. 1

       


    
                     

Tpt. 2


    


Mph.

        


Tbn.

Btn.
       

     
   

 
Sphn.

             
                
 

Mlts.

S.D.               

      


T.D.

                

B.D.        

           
Cym.

10
    
          
                
36

  
Fl.


                   
 
Cl. 1

        
         
     
 
Cl. 2

                               
  
 
B. Cl.

A. Sax.      

     
T. Sax. 

      
 
                                         
Bar. Sax.

Tpt. 1    

   

                                  
 
Tpt. 2

    
    


Mph.

         

Tbn.

Btn.
         

      
 
  
Sphn.

            
        
 

Mlts.

S.D.                     

T.D.      

                    
B.D.          

     
Cym.

11
                  
               
41
G H

 
Fl.

                     

 

  
Cl. 1

         
         
        
 

  
Cl. 2

                      
        
 

 
B. Cl.

          
 
 

      
 
A. Sax.

                
 

 
 
T. Sax.

           
      
 

 
Bar. Sax.

          

 
 

Tpt. 1

           

Tpt. 2  


                                     

          
Mph.

      


     
                                
Tbn.

Btn. 

      
    
 
Sphn.

         
                
  

Mlts.

                    
 

S.D.

          

T.D.

                    
B.D.          

           
Cym.

12
    
            
         
46

 
Fl.

    
                 

Cl. 1

       
        
        

Cl. 2

      
                 
 
B. Cl.

A. Sax.           
          






T. Sax.           
          





        
      
 
Bar. Sax.

    

Tpt. 1            

Tpt. 2           
          






          
          





 
Mph.

        
  

             
Tbn.

Btn.
       

    
        
 
 
Sphn.

  
                   


Mlts.

S.D.                      

                       
  
T.D.

            

B.D.      

                       
Cym.

13
  
              
         
49


Fl.

  
                   
 
Cl. 1

     
       
           
 
Cl. 2

  
             
   
  
  
B. Cl.

                      

A. Sax.    
                 
T. Sax.           
         
     
  
Bar. Sax.

           
Tpt. 1               
                 
Tpt. 2           
                 
          

Mph.

      
   
 
                
           
Tbn.

Btn.
   

    
         


Sphn.

  
                   
 

Mlts.

S.D.                        

                           
  
T.D.

            

B.D.      

                      
Cym.

14
  
    

   
52


Fl.

   
Cl. 1      

  
     
 
Cl. 2

       
  
 
B. Cl.

A. Sax.           


T. Sax.           

    
   
 
Bar. Sax.

      
Tpt. 1    

Tpt. 2           


          


Mph.

      

     
Tbn.

Btn.
     

   
   


Sphn.

   
     


Mlts.

                  
S.D.

                  


T.D.

       

B.D.   

           
Cym.

15
 Flute Mood
            A    
 
         
24kGoldn, Iann Dior; arr. Jared Haftel

      

 = 90

                       



      

7

                    C         

      
13
B

                

    
19
D E

                         F    
       

28

                    


      
34

     G                    H    

      
40

                    


 

      

46

    
    

52
 B♭ Clarinet 1 Mood
24kGoldn, Iann Dior; arr. Jared Haftel

   
                                     
A

  
 = 90



                  

   
     
7

  
                                       
B C

  
13


        
             
D E

    
19

  
                                       
F

  
29

  
                                    
  
35

                       

         
G H

     
41

 

  
                                        
  
47
 B♭ Clarinet 2 Mood
24kGoldn, Iann Dior; arr. Jared Haftel

     
      
   
 = 90 A

               


       
         
6

     
                              
12
B C


                         
   
18
D E

             
         
           
27

  
                                          
33
F

  
                                          
39
G

  


                                          
45
H

 


              
51
 Bass Clarinet Mood

     
24kGoldn, Iann Dior; arr. Jared Haftel

                   
                

 = 90 A



     

         
          
         

7

     

         
          
         

13
B C

      

        
 
        
         

19
D E

     
          
           
           

29
F

     
          
           
           

35

     

         
          
         

41
G H

 

      

         
          
         

47
 Alto Saxophone Mood

       A            
24kGoldn, Iann Dior; arr. Jared Haftel

     
 
 = 90

                           


7

                                  
 
10
B C

                           
       
D E

 
21

                           

 


27

   

                     
F G


30

                           


    
H


42

                           




47

                               

50
 Tenor Saxophone Mood

24kGoldn, Iann Dior; arr. Jared Haftel


                                         
 = 90 A

               

            
8

   
                        
B C D E

   
12

 

                  
                   
26


                           
        
F G

  
30



                         

  
H


44



               

            
48

      
   
52
Baritone Saxophone Mood
   
            
24kGoldn, Iann Dior; arr. Jared Haftel

              
   
A B C D

   
 = 90

 



   
                        
            
E F G


25

 

                              
       
H

    
43


 B♭ Trumpet 1 Mood
 
24kGoldn, Iann Dior; arr. Jared Haftel


                                         
 = 90 A B

 



                                   
16
C D E

   
                                  
27

                         

        
31
F

                                       
   
35

                 
              
39
G H

               

            
46

            

     
50
 B♭ Trumpet 2 Mood
 
24kGoldn, Iann Dior; arr. Jared Haftel


                                         
 = 90 A B

 



                                   
16
C D E

   
                                  
27


                             
31
F

                                          
35

 


                            
39
G H

               

            
46

            

     
50
 Mellophone Mood
                                
24kGoldn, Iann Dior; arr. Jared Haftel

    
  
 = 90 A

         
          

8

                C         
      
11
B

                                      
 
18
D

                      

 
23
E

                          


27

              

       
30
F

     
                            
   
41
G H

             

      
46

                                    


49
 Trombone Mood
     C         
24kGoldn, Iann Dior; arr. Jared Haftel

      
           
 = 90 A B

 


                           D       
 

18

     E  

         
      
 
22

    
                     

F G

 
29

            
              
H

  
43

      
   

51
 Baritone Mood
      A            
24kGoldn, Iann Dior; arr. Jared Haftel

        

 = 90

             

       

7

    
                              
10
B

                           

 
17
C

     
                          
 
21
D

                
           

25
E

             

       
28

            
               
31
F G

                            
   
42
H

             

       
46
                
        
49

  
53

2
Sousaphone Mood
    
24kGoldn, Iann Dior; arr. Jared Haftel

        
           
A B C D E

 
 = 90


  

 
         
        
F G H

             
27

        

                 
47
 Mallets Mood

  
24kGoldn, Iann Dior; arr. Jared Haftel

       
                   
A

  
 = 90



                                  
   
  
7

      

         
          
          

B C

  
13

   
            
   
        
         

D E

  
19

      
  
                  
F

  
29

  
       
                 
  
35

      

         
          
          

G H

  
41

 

       

         
          
          

  
47
Snare Drum Mood

24kGoldn, Iann Dior; arr. Jared Haftel

                                
 = 90 A

                             

11
B

          

C
17

                                   
20
D E

        

26

          

29

                              
32
F

                                          
40
G H

          

47

                                     

50
 Tenor Drums Mood
 
24kGoldn, Iann Dior; arr. Jared Haftel

                  
            
 = 90 A




             

 
  
B C
12


                           
D E
19

                                          
26

 
                                    
F G
30

                                          
H
45

                                          
49

   

53
 Bass Drums Mood
         B  C  
24kGoldn, Iann Dior; arr. Jared Haftel

                                         
                             
 = 90 A



  D     
  
                                            
                   
19
E

   F
  
                                            
                   
30

      
    

 

 

 

 

 

 

   
  
   
  
   
  
   
  
   
  
   
  
   
  
G
41
H


       
   
52
Cymbals Mood

24kGoldn, Iann Dior; arr. Jared Haftel

                               

 = 90 A



                                     
11
B C


                              
18
D E

 
       
28
F G

         

H
45

                  
51