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Introduction To Literary Criticism
Introduction To Literary Criticism
A Critic
Etymology
• 1580s: Critic is "one who passes judgment," from
M.Fr. critique (14c.), from L. criticus "a judge,
literary critic," from Gk. kritikos "able to make
judgments," from krinein "to separate, decide."
Meaning "one who judges merits of books, plays,
etc.“
• 17th and 18th centuries: the critic was considered
a judge who finds the faults and merits of a
literary work.
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A Literary Critic
• A literary critic is not someone who merely
evaluates the worth or quality of a piece of
literature but, rather, is someone who argues on
behalf of an interpretation or understanding of the
particular meaning(s) of literary texts.
• The task of a literary critic is to explain and
attempt to reach a critical understanding of what
literary texts mean in terms of their aesthetic, as
well as social, political, and cultural statements and
suggestions.
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A Literary Critic
• A literary critic does more than simply discuss or
evaluate the importance of a literary text; rather,
Literary Theory
• A very basic way of thinking about literary
theory is that these ideas act as different
lenses critics use to view and talk about
art, literature, and even culture.
Author/Artist Audience
Works of
Expressive Theory Pragmatic Theory
Literature
Text
Objective Theory
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3. Expressive Theory
• Expressive theories center on the artist.
Wordsworth’s definition of the poetry as the
spontaneous overflow of powerful feelings is typical
and nearly all Romantic and 19th Century criticism
generally regards art as primarily concerned with
expressing the poet’s feelings or psyche.
• It examines text as an expression of the writer’s
feelings, imagination and personality. It tends to
judge the work by its sincerity or the extent to which
it has successfully revealed the author’s state of
mind.
• Romantic Critics such as Coleridge and
Wordsworth were expressive critics in this sense.
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4. Objective Theory
• focus more on the text without the influences of
the writer or the reader.
• The text here is supreme and once this text is
produced the writers fizzles out and the only
interpretation to be gotten is what can be
inferred from the text, the direct message which
the text itself has which has to be inferred within
the text.
• to them there is no correspondence between the
universe and the work and we cannot know the
true nature of either the audience or the author.
Assessment
Answer Discussion 10:
Introduction to Literary
Criticism