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  • Cirkera (Los Korucos) - Sax Alto

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    Brayan
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    The document appears to be musical sheet music containing notes, markings, and directions for various instruments including saxophone and cuerda. It includes measures of music containing staffs with notes, as well as text directions in Spanish regarding tempo, performers' names, and other musical annotations. The sheet music contains multiple pages of musical measures and passages for a musical performance or composition.

    Original Description:

    Los korucos- sax alto en eb

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    The document appears to be musical sheet music containing notes, markings, and directions for various instruments including saxophone and cuerda. It includes measures of music containing staffs with notes, as well as text directions in Spanish regarding tempo, performers' names, and other musical annotations. The sheet music contains multiple pages of musical measures and passages for a musical performance or composition.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    11 views1 page

    Cirkera (Los Korucos) - Sax Alto

    Uploaded by

    Brayan
    The document appears to be musical sheet music containing notes, markings, and directions for various instruments including saxophone and cuerda. It includes measures of music containing staffs with notes, as well as text directions in Spanish regarding tempo, performers' names, and other musical annotations. The sheet music contains multiple pages of musical measures and passages for a musical performance or composition.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    Saxofón

    contralto Cirkera

                     
          
    Luis Hernández Hernández Los Korucos


             

                                     
         
    7

                                     
         
    9

                                    
        
    11

         
                       
      
       
     
    13

          D.S. al Coda 
         
                      
    28
    To Coda

                                     
         
    57

                                     
         
    59

                           
            
    61

                                               
            
    63 1. 2.

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