THE RISE OF POPULISM: COMICS, CARTOONS, COPEHILL HEADLINES, OBTUOUS PLOTS They communicate through practices as a photorealist that simulates reality, communicating an imperialist project with lighting, special effects with colors in a dramatic way. We also have the digital post, which is already expressed through analogous techniques enhanced by nostalgic characters, totally distancing it from imperialism, expressing emotions through fiction. The classic, communicates the fundamentals of an architectural project away from simulations, clean plans, topographies and very basic images. The characteristics of the design to build the visual language such as the fira sans font, gray color range, color photographs to express my intentional language from the inside of each project, diagrams and diagrams of how the project would be in the context and it explains us from A plan of the heights of the Lego Powers proposal, this project shows us a layout to understand the idea more, with more realistic settings. My focus was on the rise of populism: comics, cartoons, headlines, and obtuse diagrams. It is an architecture that has to be fundamentally legible and even operative, playing with recognizable figurations like those of Ready Mades, an architecture with distorted forms, but with intentions.