I. IDENTIFICATION I.

IDENTIFICATION
1. A decoration, interpretation, or a visual explanation of a text, concept, or process, 1. A decoration, interpretation, or a visual explanation of a text, concept, or process,
designed for integration in a published media. designed for integration in a published media.
2. The basic tool used in understanding the relationship between colors 2. The basic tool used in understanding the relationship between colors
3. This element of design is created when a line is enclosed. 3. This element of design is created when a line is enclosed.
4. It refers to an object that has 3-dimensions, has length, width, and depth. 4. It refers to an object that has 3-dimensions, has length, width, and depth.
5. This came from a Greek word meaning beautiful writing. 5. This came from a Greek word meaning beautiful writing.
6. Considered as the mother colors because they can create all other colors. 6. Considered as the mother colors because they can create all other colors.
7. This pertains to the lightness or darkness of an object. 7. This pertains to the lightness or darkness of an object.
8. The surface quality of an object in with the way things look or feel. 8. The surface quality of an object in with the way things look or feel.
9. This refers to the element of design that is produced when light, striking an object, is 9. This refers to the element of design that is produced when light, striking an object, is
reflected in the eyes. reflected in the eyes.
10. This is a path that connects two or more points. 10. This is a path that connects two or more points.
11. This is another term for color. 11. This is another term for color.
12. An imaginary line that can be traced through the center of an object. 12. An imaginary line that can be traced through the center of an object.
13. It is the process of creating the final drawing in a finished work of art. 13. It is the process of creating the final drawing in a finished work of art.
14. Lines laying close to each other which create appearance of shading. 14. Lines laying close to each other which create appearance of shading.
15. These lines create the appearance of shading by placing lines over the other lines thus 15. These lines create the appearance of shading by placing lines over the other lines thus
add effect on the artwork. add effect on the artwork.
16. This refers to the lightness or darkness of a color. 16. This refers to the lightness or darkness of a color.
17. This is the easiest color scheme because it only uses one color or hue. 17. This is the easiest color scheme because it only uses one color or hue.
18. It is deceptive appearance or impression on a drawing. 18. It is deceptive appearance or impression on a drawing.
19. A gradation technique of gradually transitioning of one color to another. 19. A gradation technique of gradually transitioning of one color to another.
20. These are produced by combining two primary colors. 20. These are produced by combining two primary colors.
21. Physical Texture is also known as __________________. 21. Physical Texture is also known as __________________.
22. Visual Texture is also called ____________________. 22. Visual Texture is also called ____________________.
23. A mixture of color with white. 23. A mixture of color with white.
24. A mixture of color with black. 24. A mixture of color with black.
25. Inventor of Color Wheel. 25. Inventor of Color Wheel.
II.ENUMERATION II.ENUMERATION
1-6 Color Schemes in Color Wheel 1-6 Color Schemes in Color Wheel
7-10 Types of pencil 7-10 Types of pencil
11-15 Types of line 11-15 Types of line
16-17 Types of shape 16-17 Types of shape
18-19 Types of form 18-19 Types of form
20-23 Color Wheel major groups 20-23 Color Wheel major groups
24-26 Primary colors 24-26 Primary colors
27-29 Secondary Colors 27-29 Secondary Colors
30-35 Tertiary Colors 30-35 Tertiary Colors
36-42 Elements of Design 36-42 Elements of Design

I. IDENTIFICATION I. IDENTIFICATION
1. A decoration, interpretation, or a visual explanation of a text, concept, or process, 1. A decoration, interpretation, or a visual explanation of a text, concept, or process,
designed for integration in a published media. designed for integration in a published media.
2. The basic tool used in understanding the relationship between colors 2. The basic tool used in understanding the relationship between colors
3. This element of design is created when a line is enclosed. 3. This element of design is created when a line is enclosed.
4. It refers to an object that has 3-dimensions, has length, width, and depth. 4. It refers to an object that has 3-dimensions, has length, width, and depth.
5. This came from a Greek word meaning beautiful writing. 5. This came from a Greek word meaning beautiful writing.
6. Considered as the mother colors because they can create all other colors. 6. Considered as the mother colors because they can create all other colors.
7. This pertains to the lightness or darkness of an object. 7. This pertains to the lightness or darkness of an object.
8. The surface quality of an object in with the way things look or feel. 8. The surface quality of an object in with the way things look or feel.
9. This refers to the element of design that is produced when light, striking an object, is 9. This refers to the element of design that is produced when light, striking an object, is
reflected in the eyes. reflected in the eyes.
10. This is a path that connects two or more points. 10. This is a path that connects two or more points.
11. This is another term for color. 11. This is another term for color.
12. An imaginary line that can be traced through the center of an object. 12. An imaginary line that can be traced through the center of an object.
13. It is the process of creating the final drawing in a finished work of art. 13. It is the process of creating the final drawing in a finished work of art.
14. Lines laying close to each other which create appearance of shading. 14. Lines laying close to each other which create appearance of shading.
15. These lines create the appearance of shading by placing lines over the other lines thus 15. These lines create the appearance of shading by placing lines over the other lines thus
add effect on the artwork. add effect on the artwork.
16. This refers to the lightness or darkness of a color. 16. This refers to the lightness or darkness of a color.
17. This is the easiest color scheme because it only uses one color or hue. 17. This is the easiest color scheme because it only uses one color or hue.
18. It is deceptive appearance or impression on a drawing. 18. It is deceptive appearance or impression on a drawing.
19. A gradation technique of gradually transitioning of one color to another. 19. A gradation technique of gradually transitioning of one color to another.
20. These are produced by combining two primary colors. 20. These are produced by combining two primary colors.
21. Physical Texture is also known as __________________. 21. Physical Texture is also known as __________________.
22. Visual Texture is also called ____________________. 22. Visual Texture is also called ____________________.
23. A mixture of color with white. 23. A mixture of color with white.
24. A mixture of color with black. 24. A mixture of color with black.
25. Inventor of Color Wheel. 25. Inventor of Color Wheel.
II.ENUMERATION II.ENUMERATION
1-6 Color Schemes in Color Wheel 1-6 Color Schemes in Color Wheel
7-10 Types of pencil 7-10 Types of pencil
11-15 Types of line 11-15 Types of line
16-17 Types of shape 16-17 Types of shape
18-19 Types of form 18-19 Types of form
20-23 Color Wheel major groups 20-23 Color Wheel major groups
24-26 Primary colors 24-26 Primary colors
27-29 Secondary Colors 27-29 Secondary Colors
30-35 Tertiary Colors 30-35 Tertiary Colors
36-42 Elements of Design 36-42 Elements of Design
III. TRUE or FALSE
1. Natural texture is the texture we find, and it is not made by humans.
2. Illustration is a deceptive appearance or impression on a drawing.
3. We formed green if we combine the colors yellow and blue.
4. Soft Pencils create darker marks.
5. Hard pencils create lighter marks.
6. Grayscale is a sequence of tones made between black and white.
7. A value scale is a guide in creating a range of values.
8. Shades are light values in an object.
9. Tints are dark values in an object.
10. Analogous Scheme is a color scheme which uses colors that are next to each other on the
wheel.
11. Physical Texture is also called Implied Texture.
12. Value and form make the drawing look 3D.
13. Light values make look elements further away.
14. Dark values make look elements closer.
15. A physical texture is a texture that you can feel with your hand.
16. Visual texture is the illusion of physical texture, created with materials.
17. Geometric shapes are also known as Regular Shapes.
18. Shapes defined by objects are positive shapes.
19. Shapes defined around objects are negative shapes.
20. Artificial texture is a texture of things made by humans.
22. Paint can be manipulated to give the impression of texture.
23. Visual texture is also called Tactile texture.
24. Texture has a big factor to show that a work of art is realistic.
25. Hue is another term for saturation.
IV.Arrange the following to reveal the answer
1.NITT 2.EHU 3.RATDEITC 4.ETXTUER
6.UNSILILO 7.AWGDIRN 8.SACGAYLER 9.ICTARDI 10.COROL
III. TRUE or FALSE
1. Natural texture is the texture we find, and it is not made by humans.
2. Illustration is a deceptive appearance or impression on a drawing.
3. We formed green if we combine the colors yellow and blue.
4. Soft Pencils create darker marks.
5. Hard pencils create lighter marks.
6. Grayscale is a sequence of tones made between black and white.
7. A value scale is a guide in creating a range of values.
8. Shades are light values in an object.
9. Tints are dark values in an object.
10. Analogous Scheme is a color scheme which uses colors that are next to each other on the
wheel.
11. Physical Texture is also called Implied Texture.
12. Value and form make the drawing look 3D.
13. Light values make look elements further away.
14. Dark values make look elements closer.
15. A physical texture is a texture that you can feel with your hand.
16. Visual texture is the illusion of physical texture, created with materials.
17. Geometric shapes are also known as Regular Shapes.
18. Shapes defined by objects are positive shapes.
19. Shapes defined around objects are negative shapes.
20. Artificial texture is a texture of things made by humans.
22. Paint can be manipulated to give the impression of texture.
23. Visual texture is also called Tactile texture.
24. Texture has a big factor to show that a work of art is realistic.
25. Hue is another term for saturation.
IV.Arrange the following to reveal the answer
1.NITT 2.EHU 3.RATDEITC 4.ETXTUER
6.UNSILILO 7.AWGDIRN 8.SACGAYLER 9.ICTARDI 10.COROL
III. TRUE or FALSE
1. Natural texture is the texture we find, and it is not made by humans.
2. Illustration is a deceptive appearance or impression on a drawing.
3. We formed green if we combine the colors yellow and blue.
4. Soft Pencils create darker marks.
5. Hard pencils create lighter marks.
6. Grayscale is a sequence of tones made between black and white.
7. A value scale is a guide in creating a range of values.
8. Shades are light values in an object.
9. Tints are dark values in an object.
10. Analogous Scheme is a color scheme which uses colors that are next to each other on the
wheel.
11. Physical Texture is also called Implied Texture.
12. Value and form make the drawing look 3D.
13. Light values make look elements further away.
14. Dark values make look elements closer.
15. A physical texture is a texture that you can feel with your hand.
16. Visual texture is the illusion of physical texture, created with materials.
17. Geometric shapes are also known as Regular Shapes.
18. Shapes defined by objects are positive shapes.
19. Shapes defined around objects are negative shapes.
20. Artificial texture is a texture of things made by humans.
22. Paint can be manipulated to give the impression of texture.
23. Visual texture is also called Tactile texture.
24. Texture has a big factor to show that a work of art is realistic.
25. Hue is another term for saturation.
IV.Arrange the following to reveal the answer
5. PESHA 1.NITT 2.EHU 3.RATDEITC 4.ETXTUER 5. PESHA
6.UNSILILO 7.AWGDIRN 8.SACGAYLER 9.ICTARDI 10.COROL
III. TRUE or FALSE
1. Natural texture is the texture we find, and it is not made by humans.
2. Illustration is a deceptive appearance or impression on a drawing.
3. We formed green if we combine the colors yellow and blue.
4. Soft Pencils create darker marks.
5. Hard pencils create lighter marks.
6. Grayscale is a sequence of tones made between black and white.
7. A value scale is a guide in creating a range of values.
8. Shades are light values in an object.
9. Tints are dark values in an object.
10. Analogous Scheme is a color scheme which uses colors that are next to each other on the
wheel.
11. Physical Texture is also called Implied Texture.
12. Value and form make the drawing look 3D.
13. Light values make look elements further away.
14. Dark values make look elements closer.
15. A physical texture is a texture that you can feel with your hand.
16. Visual texture is the illusion of physical texture, created with materials.
17. Geometric shapes are also known as Regular Shapes.
18. Shapes defined by objects are positive shapes.
19. Shapes defined around objects are negative shapes.
20. Artificial texture is a texture of things made by humans.
22. Paint can be manipulated to give the impression of texture.
23. Visual texture is also called Tactile texture.
24. Texture has a big factor to show that a work of art is realistic.
25. Hue is another term for saturation.
IV.Arrange the following to reveal the answer
5. PESHA 1.NITT 2.EHU 3.RATDEITC 4.ETXTUER 5. PESHA
6.UNSILILO 7.AWGDIRN 8.SACGAYLER 9.ICTARDI 10.COROL
TEST I
1. ILLUSTRATION 16-17 TEST III
2. COLOR WHEEL GEOMETRIC SHAPE 1. T
3. SHAPE ORGANIC SHAPE 2. F
4. FORM 18-19 3. T
5. CALLIGRAPHY GEOMETRIC FORM 4. T
6. PRIMARY COLORS ORGANIC FORM 5. T
7. VALUE 20-23 6. T
8. TEXTURE PRIMARY COLORS 7. T
9. COLOR SECONDARY COLORS 8. F
10. LINE TERTIARY COLORS 9. F
11. HUE BONUS 10. T
12. AXIS LINE 24-26 11. F
13. CLEAN UP RED,YELLOW, BLUE 12. F
14. HATCHING 27-29 13. T
15. CROSS HATCHING GREEN, ORANGE, PURPLE 14. T
16. VALUE 30-35 15. T
17. MONOCHROMATIC SCHEMES RED ORANGE 16. T
18. ILLUSION RED PURPLE 17. T
19. GRADIENT YELLOW ORANGE 18. T
20. SECONDARY COLORS YELLOW GREEN 19. T
21. TACTILE TEXTURE BLUE GREEN 20. T
22. IMPLIED TEXTURE BLUE PURPLE 21. BONUS
23. TINT 36-42 22. T
24. SHADE LINE 23. F
25. SIR ISAAC NEWTON SHAPE 24. T
FORM 25. F
TEST II TEXTURE
1-6 VALUE
TEST IV
MONOCHROMATIC SCHEMES COLOR
1. TINT
ANALOGOUS SCHEMES SPACE
2. HUE
COMPLEMENTARY SCHEMES
3. TETRADIC
SPLIT COMPLEMENTARY SCHEMES
4. TEXTURE
TRIADIC SCHEMES
5. SHAPE
TETRADIC SCHEMES
6. ILLUSION
7-10
7. DRAWING
B - BLACKNESS
8. GRAYSCALE
HB - HARD BLACK
9. TRIADIC
F - FINE POINT
10. COLOR
H - HARDNESS
11-15
OUTLINE
CONTOUR LINE
GESTURE /SKETCH
AXIS LINE
CALLIGRAPHIC LINES