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  • Saxo baritone document analysis

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    felipe.ovallelopez
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    This document appears to be musical notation for a baritone saxophone part. It contains multiple sections labeled with letters from A to L. The musical notation includes rhythmic notation with symbols like quarter notes, eighth notes, and rests. It also includes dynamics, tempo markings, and instructions like "Coro" and "Guias". The sections progressively introduce more complex rhythms and interweaving melodic lines for the baritone saxophone.

    Original Description:

    Original Title

    Tú Con Él Saxo Trio-Saxo Baritono

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    This document appears to be musical notation for a baritone saxophone part. It contains multiple sections labeled with letters from A to L. The musical notation includes rhythmic notation with symbols like quarter notes, eighth notes, and rests. It also includes dynamics, tempo markings, and instructions like "Coro" and "Guias". The sections progressively introduce more complex rhythms and interweaving melodic lines for the baritone saxophone.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    25 views2 pages

    Saxo baritone document analysis

    Uploaded by

    felipe.ovallelopez
    This document appears to be musical notation for a baritone saxophone part. It contains multiple sections labeled with letters from A to L. The musical notation includes rhythmic notation with symbols like quarter notes, eighth notes, and rests. It also includes dynamics, tempo markings, and instructions like "Coro" and "Guias". The sections progressively introduce more complex rhythms and interweaving melodic lines for the baritone saxophone.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Saxo

    baritono Tú con él

      = 180                     
                     
          

     1.      2.                     
           
    A

     
    Coro


    9

                           
       
                
    24

       
                      
         
         
    35
    B

                
                           
    49

          
           
     
               
    C


    60

                                 
     
     
    75
    D

                
            
                
           


    86
    E

                         
     
           
     
     
      
    94

       a la B    F  
                  

      
    y   
     
    G Coro


    Guias 3 veces


    101
                       
       
              
              
    H I
    123

                                1.     
          
    J
    130

     2.                                   

    K

           
    135

          
                     
             
    141
    L CORO GUIA

              
      
      
    155

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