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“For years I had wanted to use the images of this awe-ins- and the most delicate gas clouds. It appears as if the in
piring stellar spectacle in my textile work,” says Kath. “But visible has been rendered visible. Besides excellent techni-
only now, with 15 years’ experience and a huge pool of ex- cal skills, the use of the finest raw materials also plays a
pertise, are we technically in a position to produce these central role in achieving such a perfect result. A high
images in the highest resolution. The result is photo percentage of Chinese silk and hand-carded and hand-
realistic and quality of this kind has never before been spun Tibetan highland wool is used in SPACECRAFTED.
achieved on the market.” Only a small, select group of The material mix significantly contributes to the fact that
highly qualified weavers in our workshops in Kathmandu the designs possess unique power and depth. In contrast
have the skills to take on this challenge. Just like a pixel in to a photo, these carpets have a third dimension. Spa-
a digital photo, each individual knot has to be added and cecrafted takes the beholder on a long journey. The collec-
inspected. There are 150 to 200 knots in every square inch tion conveys a sense of wanderlust, desire, and adventu-
(23 – 31 knots per square centimeter) and up to 60 colors rous spirit and – from a technical perspective – it represents
are used, vividly reproducing even subtle asteroid nebulae a departure into a new carpet dimension …
MOON 1
SPACE 5
SPACE 6
SPACE 7
SPACE 1
SPACE 2
SPACE 3
SPACE 10
SPACE 11
SPACE 8
SPACE 12
SPACE 4
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