€&} BILLY JOEL wee, KEYBOARD BOOK TRANSCRIPTIONS ‘Transcribed by BOB LESO XS 3. ALLENTOWN: 10 AND SO IT GOES 16 CAPTAIN JACK 32 HONESTY 44. JUST THE WAY YOU ARE 37 MOVIN’ QUT (ANTHONY'S SONG) 36 MY LIFE 80 NEW YORK STATE OF MIND. 67 PIANO MAN 94 PRESSURE 105. SCENES FROM AN ITALIAN RESTAURANT 124 SHE'S ALWAYS A WOMAN 130 SHE'S GOT A WAY 136 THE STRANGER 144. STREETLIFE SERENADER HAL*LEONARD* ORPORATION ‘conrars 0:09 by HAL LEORANO PUBLISHING CORFORATION Traratona Copa Socwed ALi Recaved Fora wot contained here:ABOUT THIS BOOK WHEN PLAYING THROUGH THE TRANSCRIPTIONS IN THIS BOOK, IT 15 IMPORTANT ‘TO CONSIDER THE FOLLOWING: 1. THE PRIMARY KEYBOARD PART ALWAYS APPEARS DIRECTLY BELOW THE VOCAL LINE 2. ANY SECONDARY KEYBOARD PARTS APPEAR BELOW THE PRIMARY KEYBOARD PART. THE INSTRUMENT SOUND IS ALWAYS INDICATED IN THE MEASURE IN WHICH THE PART [5 FIRST PLAYED. (SQUND CHANGES ARE ALSO INDICATED WHERE APPROPRIATE, 3. INSTRUMENTAL PARTS, SUCH AS STRING AND HORN LINES, ARE ALSO INCLUDED THROUGHOUT. IT [$ IMPORTANT TO NOTE THAT THESE PARTS ARE ARRANGED SO THAT THEY MAY BE PLAYED AS SECONDARY KEYBOARD PARTS. THE PITCHES ARE ACCURATE, HOWEVER, THE VOICINGS OF THE CHORDS MAY 8E MODIFIED SO THAT THEY ARE MORE INDICATIVE OF A KEYBOARD APPROACH, 4. IF THERE IS NO KEYBOARD PART ON THE RECORDING (FOR AN EXTENDED TIME). OTHER INSTRUMENTAL PARTS ARE OFTEN ARRANGED TO BE PLAYED BY THE. PRIMARY KEYBOARD. AND ARE INDICATED AS CUE NOTES. THESE ARE OPTIONAL AND ARE INTENDED TO BE PLAYED ONLY IF THE ACTUAL INSTRUMENTS (SUCH AS GUITAR) ARE NOT AVAILABLE. 5. FILL BOXES ARE SOMETIMES INCLUDED WHEN A PARTICULAR FILL, OR FIGURE, IS PLAYED ON THE REPEAT OR D.S. ONLY. A TYPICAL INDICATION WOULD BE 2ND. TIME-PLAY FILL 2. THE TRANSCRIPTIONS IN THIS BOOK ARE USABLE IN A VARIETY OF SITUATIONS: WITH A BAND: WITH A SEQUENCER: WITH A TAPE RECORDER; OR SOLO PLAYING. WHATEVER YOUR PURPOSE 1S, YOU CAN NOW PLAY YOUR FAVORITE SONGS JUST AS THE ARTISTS RECORDED THEM.Allentown Words and Music by Billy Joel Intro Moderately (not too fast) d = 112 Cladd9) Em? D Gtadd9y"B Cladd9) Em? D GiaddyB of Verse A Em wa D Am? Do sus liveing here in Allen = WT and they're clos-ing ell the factor ies down. waiting bere iq Allen - town for the Penn-syl-va-nis we nev-er found, Brdime sim, i G Em? A Bm PR Bethlehem they're kill-ing time filing out forms. pro-mit-e5 our teach-ets gave Jf we worked hard, (© 1981, 1982 JOEL. SONGS. AllPights Console arg Administared by EMI BLACKWOOD MUSIC INC. ALAghE Resoved interatonal Copyrgnt Seoured User by PermissioyEmG Dit Asus A Verse A fa - thers fought the Sec = ond) World War, grad U = a= tions hang onthe wall, Em7 A Bm Fina, EG DEF mothers in the U.S. Oy ney - er aught us what was real,Verse B Asus A Em? Adsus, Dus =D ‘And we're liv-ing here in Al-len but the And we're wait-ing here in Al len = town, but they've FA, ome c Am? Deus Des rest-less-ness was hand-ed down —_ getting very hard to stay.— taken all. the coal from the ground — ‘union peo- ple crawled a -way,— Em cB c Dsus__D Ctadd9) Em? D G(add9yB, rey, Play Fi nd sie} will? Em GB ee)craves)! Em? D— Gtadd9yB Chade9) im DG ca G F & Well,we've bey. foe Ev-ery child hada fo get at Tenst as far as their old man got, bbut some-thing hisp-pened on the way to that piace,a © Cadd%) Em? DD Giadd9B Cqaskioy Em? D — GiaddoyB. rade) Em? D GoG G ©, whoa, ho. Well, Pra Verve B Em? GIA D A, cas IS living here in Allen = town — and i's bard to Keep a good man down, c Am? Dosus. Em cB but 1 won't be get-ting up© D e(ada9) En? DD G(ald9yB ead; hey, ey. Hey. Em D 5 Bridge Gr F tar soto Gr BOF F orEnding Ceaaus) Em? D — Gfadd9yB. radu) Em7 D Geaddoye Hey, hey. 0, whoa. ho. Caddo) Em D Em, ow = = And its get = ting ver-y hard to stay, c D Am Dasus oG G hey, ey. And we're liv ing here in AT- Jen = town,And So It Goes Words and Music by Billy Joel Intro Slow ballad, with much rubato (d ~ 66) Cc Rradd9) Asus Am c Fmajo G c Vocal sie = ma eo Verse F Am Am fy Fingio ee © 1983 JOEL SONGS A Pgh Contried ane Acs ristared zy EMI BLECKWOOD MUSIC INC. AIIRighis Fesorved Inismtanal Copyrght Secored Usod by Permission. G c Fladd9) Asus Am c Fmaj9 RG ee cea gn ri song (0 heal the wounds. ffomlov-ers oe roa ss c Fed) ~ Asus Am c Finaio G c Feadao) Asus Am c Fim BG and stil, 1 feel My silence is myself de~ _— Bridge : c Em CBD Am? FRm6/Ab CG Am DFE Gaus my IQ Tye held a rose, it seems T_____ on-ly felt the thors. co ; "Syeteszr doses Pano port. Any iference lt be mtd "6 c cb Am? Fmeab og Verse Am? DIFH Gaus G Feadd9) Cmaj77E FG sup pose, but if my Syah- Play FULT GA am c Fingjo 6 c that would be my worst mis «take, 2Fiadd9) this Asus tom with you Interlude ‘And this is Bridge Bb why Am Am? © Faia FIG this. heart to break. can have’ FinG/ab oc es just as well. Fiz 4 BAm7 DIBA Gus G c ciBb An? for all tse ah and 39 it gome FmAb oc AmT Dire Gus G c Feaddo) Asus Am c Fado) 6 c Feaad9) Géadd9) Amiadd9) Am 14you can Asus FinéAb Am Fengio have FIG (his. bear to break Spat Play FL oG Fa? G And so FG Ending Ftadd9) cb Am? Fa 18Captain Jack Words and Music by Billy Joel Intro Slow, steadily (¢ = 72) Pipe Organ Others 1 PBb F Sat -ur-day night. and you're stil ‘© 1971, 1974 IMPULSIVE MUSIC All ghts Corals art Adminaterd by EMH APPL MUSIC ING, AI/Righs Reserved Intemational Copyright Seculed | Used oy Permission 16Bhai F hang-in’ a - round. You're tired of liv in’ Bbingj7 F hhotse town, — You'd bie to find Bm7b5 Bb Am7 So, you got the village in your 7‘bmi? F tie = dye jeans and you stare at the junk - ies Bhmaj? F and the eos - et queens. — Is like some por = noegraph = ie B(add9) Ant snd you smile, — 8Chorus Deeds) D Ba D oe But Cap - tain Jack. 2a i (ases stand 2nd tes} Electric Organ) c D G D owe to-night fan take you to. your 19c FIC c oG D ap Cap = tin Jack will Play Fa fad ie) con T2CoMa i 20= (Electrle Organ) Play Fil 2 eine) ad ime i} Bangi? ‘Your sis-ter's gone out, So, you de-cide. 10 take_ 8 2 Bbmaj7 21and you just. sit_at home You got your tape deck and your brand Bhenaj? F and mas - tur bate ‘Your phove'sgon-na ring s000,__but you just. new Chev-r0- let, ‘aw, there ain't ng place "go. Bbmaj? Am? for that call, and what for,Verse C(ati9y F Fades) = = So, you stand on the eom - er in your = So, you gat ev- ery = thing, aw, Play Fi} 2ndtine) 7 F . Atatineonigy On Bbmaj? F 3 new, Eng-tish clothes andyou Took so polished ‘but noth-in's cool. “They've just found your fath-er m3 > =Bbmaj? F down to your toes, - aw, butsaill your fin = ger's on-na pick inthe swim-min’ pool ‘ae you guess you won't be g-in" Bomai? Am? your nose back t© school 24copa Bbmaj? DS. al Coda 25Verse So, you play your al — bums Bhmaj? F land you smoke. your pot and you meet your girlfriend im the park 26Bhima? F coh, but still your aching _ for the things . you have - Bbruai? Am? c aVerse F Bbmaj7 ‘And if you can’t un = der-stand, why your world is Bhingj7 so dead, and why you've got to keep in style well, you're qwen-ty one and still your moth-er makes,Bbmaj7 Am? Chorus (Begin Fade 3rd time) Doss 6 DL on woh, wob, yesh, yeah,. yeah. But Cap - tain Jack will TaceSerand 2nd tines ste "LI notes ae ployed one civ ler on organto-night — = Play Fil (Sede) Well. now, Cap = tain Jack your spe = cial is. = vwill got rnd you byc D G D GB 10 night, — Jest a ieee and you'll, be | 2 ‘Repeat and Fade c (Use Let ending) (Play on repeat ont) aHonesty Words and Music by Billy Joe! Intro Stomly J = 66 Verse Bom — BbavAb— Gbmaj7 FT % bb e Vocal 1. If you _ search for ten-der-oess — 2,3, See aditional irics rd aS esi, Piano Be. ave aed 2a ines Others F Dm? eb Gm? Amt cmt cd i issn't hard to find, You can have. the Jove. you nbed. 10 live,— Bb sus c BC ATICA Dm bat if you look for wth-fulness you might just as well. be blind; © 197s NPULSIVE MUSIC All Rights Contlled and Administered ty EMI APR MUSIC INC. AL Rights Heserved Inersahonal Copyrgn Secured Used y Permision 92Chorus : sl-ways seems to be $0 hard. 10 give. DFE Gm Faces) eb F *Siring pars abd one octave higher Sr ie— To Coda prt Gm Fada) Bes F EbIF Bbsos hard - ly ev Bb bE Pes F Eb/Bb 96Bridge Tecan find a tov = er 1 can find a fiend... Tean nave secur til the bit-ter_ end, DS. al Coda Cos, c Fe. D Bb EWEcopa eo & P EBB Bb Boovab (Playas writen Additional lyrics sn always find someone to say they sympathize if | wear my heast out on my sleeve, but I don’t want some pretty face to tell me prem lis, ‘AILL want is someone to beliove 2 3. When I'm deep inside of me don’t be too concemed, won't ask for nothin’ while I'm gone. But when I want sincerity, tell me, where else eun Turn “Cause you'te the one that I depend upon.Intro “Moderately (not too slow) d = 132 Daa Vocal Plano Movin’ Out (Anthony's Song) Words and Music by Billy Joel Gat © 1977, 198" IMPULSIVE MUSIC. AI Rights Convled ane Acriresored by EME APAIL MUSICINC. AN Fights Reserved inlorational Copyright See.rod Ucod by Parmission 37Verse : Dre Gm? An = tho = ny works — Ser- geant O' - Lear Cou B79 F sav + in’ his pen — nies for some - day, hight, he be - comes a bar = tem = der Ploy Fi ed tine) Ma-ma Le -o + ne eft a mote on the door, Mis - ter Cac - cia - tor = es down on Sul - li - van Street Frnaj?e96us B79 e "Son - ny move out___ ross from the =o med = 1 - $ pm a work - ing too hard can give you a shear at ~ tack ~ ack - ack - ack ~ ack ~ ack, ua in’ in his, Chev -y for 8 Cad - il - tae ae ge ae ea You should nev = er ar = gue with =a cra - zy mi = mi = smi smi ~ ami - mind.osu F that all you get’ for your mon - ey? 12 And it least he Gan pol ish the fend - ets 3. And if Gat all you get for your mon ~ ey? Bb c GrvBb such a waste what you have what its all what you're all Ploy Ful2 (3nd sine) il Dmic Bb 40then cause Pm —__. eee out. out at‘ Ex TaCode Fog Frag? DS. ai Cota cova Ending Pm — mov-in' out.Begin Fade AmvG G A EmD DJust The Way You Are Words and Music by Billy Joel Intro Moderately bright J ~ 69 (Hlalt-sime feet) NC GmeD GD _GleedyD Gre GiD_GladeoyD Vocal Electric Piano Verse D Bm6 Gmaj7 Don't go chang = ing to ky and please, Don't gory ing some new: fash - races I tine a Dt Bm? D7 Gmaj7 Gmt You ney-er ler me down be fore, — Don't change the color “er —— your hate, — BO 12 1977, 1878 IMPULSIVE MUSIC ‘Al Rights Contled ana Admnstered by EMI APR. MUSIC NC. ABFights Reserved Intemational opyight Secured Used by PermiasonAu? Br? Gm? ae im-ag = ine have my Pray Fil 2 mes Boxus and 1 don’t ‘al-though 1 Ful Gm see mightsh _ cou se — ‘would — not leave you in times of ou - = don't — want clev = er con ver- sa ~ = sid love you and that's for = ev 7 Play FU? Grd me) eo FillDre be Gmaj? couldhave come— this far want to work — that hard promise from— the heart Am? by Tl wake the bad times. that =T can wk any better aTEm? Ga NC. Gmoid GID GiadaayD the way you are the way you are, the way you are Bridge edn Spek sop bere 48B Em Ga, the same old Deadd9) c Bo c Am? Do tl youn, be = 49Gm? GA D&S. ab Coda the way that T_be-fieve in you? copa Interlude Bm? An? D9 maj 50stVerse D ms Gmaj? Bm? D Gmaj7 Gm? Dirt Am D7 Gena? 1 just wantGm? Dirt Bmit Tog Em? GIA Bb. c Bho Am? D G7 53.My Life ‘Words and Music by Bily Jos! sniro Moderately J = 126 NC. Vocat Plano oD DOD Band opp Gp _Eampp Interlude De oD D GD End © 187s iweuLsive music Al Fights Cotroed sn cministred by EM APPL MUSIC INC. A Rights Resewec Inleratnal Copyright Sacurad Used by Permission 56c EbmaiiF Bb be oo Ebmajt/® FT %G Verse D Bb DeadddyFf Got a call roman old fiend, we used to be real ‘They will tell you you can't. sleep! a= lone— in a strange, 2a ie ie of — close. Said he could - n't goon = place, ‘hen they'll tell you you ean’ lay Ft ad me orthe A-mer > ican way, = sieep with some = bod-y" else. — Play F2 2nd ime) B & Dre Closed the shop, — rouse, bought a dick - et to he west ‘Ah, but soon tae er you sleepin. your awn — z FmtNow, be gives. them a stand ~ Gidh-er Way, it's 0 - kay, Ploy Fi 2a me) up rou-tine in LA — you wake up — with your- self, 3ebinajtF a Bb ToCota $9 D Dre G T don't need. you to wor = ry for me. ‘cause I'm al 1 don't want yout tell me it time to come home.1 don't care what you say DFA G DFE Em? DA Goa = head with your own Kf. 3 said you hed to of fer meD7 F9 — 1 onev-er said 1 was a vie-tim of cir - —cum- stances FET Bm Etsus ToCode)-OoD DeodaoyPe ty forme “case 'm Deadasyrt G 1 don't care. what you say an y= more his isDRE Emp A DSS.al Coda oa head. with your own. Fie. Leave me a = lone. COPA Chorus oo D op DGD Em?D Dcore what you say G DFR Bm7D A a= head with your own, Ending (Begin Fode 2nd time) D9 oo Leaveme a - Tone, ‘ead vocal sme cal)Bbmajvie m Bb pa oo (Koop it to yourself, it's. my___ life) Ebmajte FT Bb Repeat and Fade Poy Fil 3 2nd tine) (Keep it to your- self, t 66Piano Man Words and Music by Billy Joe! Piano Fast three, in one J, = 58 c GB PA og raj? CE D7 6 c 6B FIA og F Gsus © RC Comair? Be Dm © 1973, 1974 JOEL sons, [A Rights Conroles ana Adrinisterod by EN BLACKWOOD MUSLC ING. A/Righis Reserved teatonal CopyngntSenured Used by Porson orB verse © BIC mai? PCC Dae C on Ws nine = clock on Paul isa real es tate 2nd te i PA OG F cE D the reg-0 - larcrowd —— shuf-fles in, who newer bad time for a wife lay Fit #2 ne) a c oa Fraddya fred ‘There’san old man siteting next 10 me and he’s talk - in’ with Davy who's still im the Nay-yFraddo) G9sus c GB tooie and will be for FA og F BG Ploy FIU2 (2nd rime) He says, “Son, can you play Andthe wait =" ress is uz Fraddovia c we a on “esas an ployed nL 2mrot really sue how it goes, butit's sad and it's ‘Yes they're shar ing_a drink = Taess-inen—slow-ly get stoned. — Play Fil (2nd vine) Ba os F po Herta knew it com - plete when T wore a young - er man’s clothes.” Jone ~ i= ness, uc 'S bet = ter than drinkin? a - ¥iN3 sweet and 1 they call oeInterlude La ay DF D G GE oe om BS Chorus c as FA OG F cE nm_ Well, we're all in Play Fit 4 (2nd time) Fradd9) BG c you'vegot us. feelin’ al = right. G8 Feaddoya ag as Feeddoya og F Filla 72Comair FCC Dmic FC Cmaj? Play Fiat me Now, John atthe esa” preety good | gels me my drinks ‘And he’s quick with a joke man - a - ger gives me “cause he knows that it's , F FA, oG Faadd9) G9sus on =—— or to fight up your smoke, batthere’s. some-place ey'vebeen com - ing to see to for = geta = bout____ FIIs cmaj7 FC) ¢ Dw 73c BC c on He says, "Bill, Tbe=lieve this is Tecardion Ploy tine BA co F om D ray a= way from bis face S c GB Foaddgva oa 74Taterlude Fe FIG © Am 1 could get out of this, DS. al Coda 75DSS.ai Coda D 6 om cE om cos Verse OOc Fe c on 76PA eG F cE D G i = cro-phone sel cy, on PA oG F FG sit So and put bread in my jar. and. say, "Man, whatare you do-it bere?” Interludeam AmiG DIEE D G oF ce om c OB BA oG you're the pia-noFIA cre. Fladdoya, G9sus c and you've got us Final Interlude = E ——— z FC C Dmc BC Cay? wo Den bo >New York State Of Mind Words and Music by Billy Joel Intro Piano Verse Slow, blues feel (half-time feel) d = 60 c a Dag FIG of ETH Am Gut a —¥ 0 ©1975, 1978 JOEL SONGS [At Pights Contted ara Administered by EMI BLACKWOOD MUSIG INC. AL Figh's Reserved. Inlemalional Conjght Secured Used by PermissionF oy ATES Dm Bho c B79 Am? Cmaj2G = =, BG Am? be = = =o atYe ets Am? Somme folks like to get a- way, take a hol - i - day Tve seen all the movie star im their fancy cars Ded ime sm ace etme ” Got c F ~ ahs bop a fight 10 Tim - ou-sines, een high in the Rock - ies Dm Bis. cy Rage AS 3 7 to Hol ly ~ wood, bu Tm tak = in’ a ev. er - greens, fut Tknow what I'm need =FrngjT ‘onthe Hud-son River line, 1 sion't want to waste more Frais AmtiG Am? be T re Am? BG Play Pt anne)cD he 2rd tine =cm ‘day, Play Fil 2nd ie) Fit Ful imCus Finaj7 with the rhythm and bus, Ploy Fi 2rdbines give and F OF FmajT FeiGmaj7 Ant? op Times, Play Fit (2nd me} FG Fuld Dm Dm FIG G cVerse c Ego Am? andit’s fine with me ‘cause ve let it Gut c F arts 2 Fdon't care if i's Chi ~ na-town Bm Bbo c ERB a Anu a, 1 don't have an-yAm? 2 CmajG— Fmaj7 cB be Vve iit them_ all be — hind. To Coda. Fmajo AmIG ‘Am Ds Ploy Fis nd ime) FIsAm? o FG. Verse Sar solo c E79 Am? Gm7 cr F nr) Dm Bbc Am emaitiG F ce EM9 DS. atCoda a —=——_copa ant po Am? G FO c Bro, = amd oG Fmaj7 cE 17 ‘cause Um in a, a Tempo 1 92ET. Ant Bb Freely EbS. Ab oD bsg DcPressure ‘Wards and Music by Billy Joe! Ihave Moderately bright J = 144 — ‘Gladd9) Dsus ob D Plano: me ~ Synthesizer} 2 Chorus cD D Dm Edinv> = C#dim7/D. Dm Bain Gm AD Dm EdinvD © 1981, 1982 JOEL SONGS, All Blghis Cortralles and Admietsered by EMI BLACKWOOD MUSIC INC, Al Rights Reserved. Inoroatoral Copyralt Secured Used by Permiss.cn 96c¥ain7D Dm Baim Gmd cedim> Dm D % vere 1. You have. to learn your= sel. 2.3. See additional lyrics cp oD c DAnche Dm AD Dm AmG Bb Dut you will cs f Play Ry Fig. 1.2 ard re ies FIA or Em7b5 ACH Rhy. Fig. 1 “esunn ChorusDm Amv Bb Fla, Bm? ACE and you'll have to deal with Dm Edim/D Chaim Dm Baie Gm To Coda) ATID Dm Edim/D CHdim7/D Dm BdinwvD GovD Ma, Yoeal tate onlya | | z Ceimd D Cain G AG 6 AG ES (Syathealaar [ooh susianed soundComa CmimmajTyE> Channel Thir - teen, Intertude oD Dp cD D Giadd9) ‘(Spoken:) 1' tell you whar it means,copa > cb dD DSat Cada AND b Bridge G AG G AG Dmnaj7FA ‘Synthesiaer (oright sound) fi td of o NG a AG Denaj FH 100F or F Gr Cai Time Mag - a = zine, “Bath sts pay some por. Cotmaj7vEb oD D op D Interlude Giada9) Geddy Bh(add9yD 101GeataoyD Bb(add9yD Geous9) GeaddoyD NC. : Verse (2nd section Goa eton) c NCE Dm cam) 102Dm Amc Bb Fa, with your or Em? Ach Dm Dmtic Bb FIA Em? AONE 103Chorus Dm EdimiD Chdim7D Dm Baim Gmp pres = sure, 2rd St ames, ‘ad and rd esi. f a | AND Dm AWD Dm Additional Lyrics 2. You used to call me paranoid. Pressure. But even you cannot avoid pressure. ‘You tumed the tap dance into your crusade. Now, here you are with your faith and your Peter Pan advice ‘You have no scars on your face and you cannot handle pressure 3. Don'task forhelp. You're all alone. Pressure. ‘You'll have to answer to your own. Pressure, I'm sure you have some cosmic rationale, but here you are in the ninth, two men out and three men on, [Nowhere to look but inside, where we all respond to pressure. 106Scenes From An Italian Restaurant ‘Words and Music by Billy Joe! . Intro ‘Moderately (not too fast) d = 66 . F Gm? o A bottle of white, 1 bottle of red, cur Bh Fades) 18 1977, 1978 MPULSIVE MUSIC AL Righta Conrad ard Sminstorod by EM APFIL MUSIC NO, Al Fights Resored Intemational Cepyght Secured. Used by Permission 105106 We'llget a omic A bot-tle of red, — bie near cr Gm FIA the street Bbc in our old — a bottle of white, Bos familiar place, Bbcit all de-pends up - on your G PA Em’ c BbD c * Tilmectyou an y- time yeu want Interlude T F Bor Gar cmaj7 Fimaj7 107Bbrnaj? Cay Fmai7 Bbmaj? Soto ends Abmaj? op D Verse Faster steady tempo J = 94 o DO) o 7 Thingsare o - kay with me chose days. Tota good job. [got a good of - fice, of 108© Finaj7 Am op D got a new wife, gor a now life and the fam ly is we Tost touch c Fumaj? AmT on D you could ev-er look so nice af = 8 eb Bb member those days hang-ing out at the Village Green, 109Eb Bb = feneginveer boots, eater jackets and tight blue jeans? Oh, yeudrop a dime i the box, play a song a- bout Now Or = leans. — Eb Bb c Diss teen-age nights. — 110Interlude 2 G DG oo a c F Am? D6. "1© F AmT oD pI GD bt5 vege Dead) boc Brenda and Ed - diewere the pop-u-lar stead - ies and che king andthe queen. of the prom_— 2.3. See additional iyries 2nd and 3rd times - sim. G ome c sid-ing around. withthe car__ top down and the 1a 113No-bod-y looked.an-y fin = er bit. at thepark = way din Tota & eas) Feces) E Pints EVGH = E a, Wenev-er knew. we could want . morethan that out of life. — Play il (dine) = daand Ed - die wouldal ~ ways know tow. «0 sur-vive.— Ft us BsusF# B/G E 14or D Fic © Re c Well, they got an a-part - ment withdeep pile car - petsand a ccou-ple of paint - ings trom Sears, 8 big wa-ter-bod_ tho they bought_vith the bread. they had saved 115116 D ca G — for « cou = ple of years, — Justdld.o't counton the tears. Interlude 3 G GG FIC but they started Ag ‘Woh, — ho, cc RC © to fight whenthe mon-ey gor sight and they op = yeah, rock and rollG F B DFE ENCE E7 Am cB c oD G F Bridge cE D FAC) c — ob. ‘Well, they lived for a while in a ver - y nice style, but it's Soto ends 417am bp G BKC), c _ sl-waysthe same — in the end.— ‘They got a di-vores— as a mat - ter of couse and they part Grp) G PO ¢ ed theclos - est of fends then the king andthe quoon_ went back — to the Green but you cua Ge) D Em? ay oD DS. al Coda copa Am on c D Am op c D A ‘That’sall Thearda-bout Bren-da and Ed - die, Caa'tell you more ‘cause [told you el-read ~ y and here. 118(— weare way - ing Bren - da and 119Interludes ‘Moderately (not too fast) d = 74 ‘Return to original tempo F mr oF BF e c Bb 14 = TT ‘Sine partis doabed one csoe tower. ™” 120BA Bb c Gm c Gm Verse Bomajtic c Bbc F a bette of red,— GmF Cr gy ~ ? 7 a bottle of white, Whatever kind — of mood — you're — in 124BoE F c FIA, ane. 7 to = night. FU meet you an-y = time you — want c BbiD ce F in our Weal = Interinde § GmF mai Fong? Bb 122© Fmgj? Bb Dm? ce F FG FC c Addltional Lyries 2, Brenda and Edie were sill going steady in the summer of seventy-five ‘When they decided the manage would be at the end of July Everyone said they were crazy "Brenda, you know tht you're much wo lazy and Eudie could never afford wo live that kind of ie. (Oh, but there we were waving Brenda and Fiddle goodbye, 3. Brenda and Edie had had i already by the summer of seventy-five From the high (othe low to the er ofthe show forthe es of their ives. ‘They couldn't go back to the greasers est they could do was pik up their picees end We always knew they would both find a way to get by, oh and. (To Coda) 123She’s Always a Woman Words and Music by Billy Joel Intro Flowing, bt accented d= 8 Eb Ebsus. Eb Bb Eb Ab/ED Eb Bb Vocal Sie ca il witha smile. Pion Verse Eb Bb eb Ab 6 — She can wound with her eyes —— andshe can rusin your. fsithwith her cas - ual Ties — AbG Abmaj7 Bb Eb Bb what shewants you to see. — (© 1977, 1978 MPULSIVE MUSIC. Al Fights Cortoiod and Amiristrod by EMI APPEL MUSIC INC. [AI Fights esesvec Iersabona’ Copyrght Securse Used by Permyssion 124G ow HB Abmaj? Bb CChiKK,— but she's always won Verse Bb Ebsus Eb Bb Bb Bb Bb She-cantead you to love.— She can take you or leave you. Ab 6 Abs Ab ask for the mush, but she'llnev = or be- lieve 125cm Cb Ab Bb Bb Ebsus Bb GmD 2 > — steals tke a thief but she's al-ways awom-an to me. cm cmBb FIA F Bb BoA, Gent biades) sho takes care of her sel. Sythosizr ute sound) a Ab AbmaiiG Em7 BbT & Ebsus Bb She's achead of ber. \ 126Bbm? Ebb ABC AbT Db DbmaiC GbE a eo a and she never gives ——_ and she newer gives — fb Comajrinh Adin? FT Bb Bho Bb7 Bhs the ustchangos_ i And tel promise you esnschang ‘She is fre-quent-ly Verse Ebsus Bb Ab Bb ‘more than die Gar - den of | E - den, then sbe"l careless ly cut you and laugh while you're kind thenshe's sud-den = ly cruel,- but she can “do as she pleases. She's no - bod -y's 127Abs Ab Bb BB bce) butshe'll bring our tbebest andthe worst__ you andsheca’t be con- vie - ted, She'seamed_ her 9 ToCoda Sco cnvBb Ab Bb(add9) Blame it all_on your-self “cause she’s al- ways. ‘And the Bb Ebsus Bb Bb Eb -Bb(add9) G DS.at Coda cm CmBb Abmaj? Bb tb Ebsus > Eb(addyD 1280. cm cove Ab cmG F Be? most she will do is throwshatows at you, but she's al ways Bb Ebsus Bb Bb Bb Bb G cm cob Abmaj? Bb Eb Bbsus eb Sr = fhm, hmm, — bm, dna. 129She’s Got a Way Words and Music by Billy Joe! Intra Slow and stendy J =72 Verse Em ° eet Vocal She's gota way. achout_ her Plano c 3 D CE DFE on know — what it is, know that T_. can’t five with-out__ G Dre Em ow 7 She's got a way: 2197) MPULSIVE MUSIC. Angus Conbotd arg AdruniseedPy EMI APRIL MUSIC INC. Al Rights ReseevodIrterasonal Gopyrghe Secured. Used by Pocrission 130don't know — why itis, Verse Esra , Fis) ¢ 5b Em om that heals. me. c D cE prt D have to laugh when sho re - veals_ me. And she's got away 131c D OB DFE D don’t know why it is, sien. we are walk-in’ bmg Feadd9) G Bridge D. An G Gm a comes to me when t'm feelin’ — down,— DFE BRAS Bm DIA 192G Dee Em arp D rer DFE D how 1 make her fee] ‘ind dhe strength. to keep on G DFE Em om = where she goes, — 3 million dreams— of love. sur round er 193Ebmajp Feadd9) 6 a comes to me. whenT'm feel-in’ down, — FHAE Bm DIA touches me. Verse Freely o G Dre Em? pire 134‘Tempo Em up c 2 Mm, don’t know why it is, D CE Dire D G Dire have to laugh when shee - veals— me. ‘And she's Em cu c 3 Mm,——— don’t know what it is, cE 8 G(add D Dra DD Ebmap Fada) add) now that T___ can’t live without her 135The Stranger Words and Music by Billy Joe! Prelude Slowly d = 72 Em EmD Goal B Piano mai? ee Em DFE ce Bu Bie Em? on Cai? a mai? s = ov (© 1977, 1972 IMPULSIVE MUS:C Al. Fighis Cortralea and emits by EM APPL MUSIC INC. ABRights Reservec nleroaona: Copstigh! Securod. Used by Bormission 136BT Fim7ss BVGE Am AmiG DIFF OE BD ACH B BA, Eo? Intro Moderately (not ton fast) J = 99 Em? o tnt o 137Verse Em? Am Bm? _ pave a face tht we ide 2,3. Seeadditional lyrics way, foreev = or and we nd and Sr ame sm, of Sercime ony Am c D B745(H9) take them out when ey - ery-one_ has gone. Play Fl! (2nd ie} FUL D B7#5(49) 138sit-in, someare steel amt D png 100 7 wee + es of the stang-er, but we love to ry — them ley FU Cn sm) Fill? 199co Em? oo Well, we all Am? c D BIHSCA9) Why were you 140Em? Am Em? saw the sirang = er? Am? D. Bm? Em? ever let yourlower see the strang = er in your elt? Play Fi 2 2nd times Bridge may? Gavmai7) bert > _ Gmay?———Gninsj7) Don't be a-fisid_ to bry a- gain ev = ery now. and Ful2 Am? D 141Dre am? D9 Gamal Gmcmaj7) Dir pre 00, hoo, You've done it, Why can’t some-one else? — . , | ne ° 2 arts) Dat Code m + ar " 8 — By ae » ‘You've been there. your Positude « Fade tn CODA Slowly J = 72, 8. Em? o Repeat and Fade cE risa BrvD Bot Em? op Cmaj? 37 "Thi section aes at while Poa fate, 142inal? e7 Pings ETGL Am AmvIG (2: peti DIF OE BIDE ACE B BA Em End Whi ads cao cai? B . Cai? E DIE Gtim? Am EG Dirt zo ~, Aditional Lyrics 2. {Once J) used to believe Iwas such a good romancer, “Then Ieare bore to a wornan that | could not recognize, ‘When [pressed her fora reason she refused to even answer. ‘twas then [fel the stranger kick me tight between the eyes. 3. (Yeu may) never understand how the stranger is inspired, But he sn’ always evil and he isnot always wrong, “Though you drown in good intentions, you will never quench the fire. You'll give into your desire wien the stranger comes alan. 143Streetlife Serenader Words and Music by Billy Joel Intro Flowing 4 ~ 69 r r © 1974, 1975 JOEL, vpn Contos ana hap ies ALRights Reserved ntarlional Copyreit Seooted Used by PermissionVerse A Ewa Fara? G Gaus G D c never sang on have no ob- lb ~ mel-o- dy comes eas = y. need no stin-u- a = tions, Ploy Fil 2am) 145Mic-night Mid-nighe s Gsus o D c shop-pin’ con-ter be = oes, how such un-der - stand = ing, work in’ hard for sag e A Ew Fmaj7 Child of Fi + sens how = ex, ow the words re spok = ee need no vas ar - range emis 1466 Gaus G ToCode ye new world col-e = brat - or how to-make the ma ~ tions. todo their. har-mo Play Fat aie) 147A mmc We Interlude 1 Slightly slower a NE Ftm7 chm E AE OE BD o oD Em on D DS. at Coda 148,copa Antertude 2 iz = Ing. — F Bb Dava A AGG Verse Guitar solo Frngj7 G Amo. ny bm? 6 AmG 149Interiude 1 Soto ends Slightly slower ap Db c A NE Fim? cm