TRUMPET**TROMBONE CORNET BARITONE TWENTY DUETS ~ RICHARD SHLEBRLKPREFACE —— Playing Ducts is the first step in Ensemble practice. ‘As much confidence and attention is required to play with one other performer as with a hundred athers. Therefore duet practice is the best substitute for playing in the band. Observe the ft ~ Get your instru: . Notice the Key, whether Bb, F, Eb ete. . Notice the rhythm sign whether $ or ¥ . Notice the tempo siga- Andante or Presto ing rales earefully: 3 in tune oo ome o . Notice the power sign whether plano or forte It is never necessary to play noisily. Anybody can play loud. Artists only can play soft and well. If you have the melody you must be prominent if somebody else has the melody you must be subordinate. Duets are like Conversation: You must listen as well as talk. Strive to play the music as it is printed. Catalogue 1. The Cornet Players First Book . . 1.25 For beginners and Teachers 2. The Cornet Players Daily TecTaics . . 1.50 For advanced players and S10 Cornet men 8. The Cornet Players Guide. . . 8 When-What and How to practice 4. Twenty DuetsforCornets. . . . - 1.28 or Saxaphoues in the same pitch 5. Twenty Duets for Trumpet and Trombone. or Cornet and BaritoneTable of Contents 1- Processional . 2- Minuet . 3- March- The Cadets . 4- Waltz- “Emilie” . 5- Barcarolle 6- Hunting Scene 7- Polonaise Militaire . 8- Redowa . 9- Schottische . 10- Waltz 11- Two Step 12- Minuet . : 13- The Band Passes . 14 - “The Sentry”. 15- "At the Smithy” - 16- Sonatina. 17- Bolero . 18- “At Home” 19- Ceremonial . 20- “The Rivals". ot 12 15 - 19 24 26 . 30 . 38 « 42 » 47N°1. Processional Copyright 1929 by Richard Stuetrak, 922 Bast S70h St. NewYorkN02. MinuetN08. The Cadets March tempo Trumpet -$-— =NO4. Emelie Waltz Waltz tempo he ical = — 2 eSSolo No2.gH N°5. Barcarolle Espress. tranquillo Allegretto dim, —=$ a ——franquidio tranguéido Sf allarg. ns ss allarg + _ din. ral «| BP valkN°6. Hunting Scene Allegro agitato ve ai a in Bb atRr Ire se Milita aul N97, elon“ te DS. Trio al e=7NO8. Redowa 216 nF eg ly eae! Trio = 5 aeN09. Schottische 1 Trompet in By 5 f Trombo:orese, ‘ores. Is,N° 10. Waltz °WD. Cal Fine’NO 11. Two Step ‘SSSN° 12. Minuet26 Trampet ind Trombone! N° 13. The Band Passes March tempo = = ‘OFESC.dim. dim.* N° 14. The Sentrya >>" NO15. “At the Smithy” Allegretto 1 ae =~ —_ = Trombone fSererrsissssA = po oS co — a t = e+ plete 5 | =f a 3 $ ral. Foco rail. 108230= N16. Sonatina Allegro Trumpet imBe ‘TromboneSonatina ‘Theme and Variations “Sonatina (continuea> 36 Tempo di Rondoa7N° 17. Bolero Soto Moderato vivaceSass Piu lento Sojo dole Piu lento‘Pie mosso Pit mossoNO 18. “At Home” con expressione 42 Andante Agitato re —= ——4a dolce Sf aten: dim, rail, ‘dole a tempo rail, dim. Terest.“ Ne 19. Ceremonial March maestoso Trampet in Be \ Trombone |46 allarg. rail, allarg.N° 20.“The Rivals” " Intro. Theme and Rondo Military Band 61.00 Allegro maestoso “ £e ~ be ‘Solo f Pit lento broad49 Solo agitate ores accel ‘crese. agitato erese. nese. ‘aneal. SS crese. ento Cadenza ad lib, aespress, SoloSoto = = lee = f = - 7 = PomposoPP Pi vice —=33 = =The Rivals Duet for Trumpet and Trombone by R. SHUEBRUK Introduction Allegro maestosoTrampet Trombone aL Allegro maestoso Piano. Accpt. # Tho RivalsThe RivalsBile tonto Teo RivalsThe Rivals:The Rivals‘Tre RivalsFria accel oes Pract prof pore a =a = - Pits acce?. | 7) pv ¥ ler es ES S| of ‘The Rivals‘The RivalsFB a The Rivals”Play TOTTI again RONDO Allegretto RONDO Allegretto The Rivals. Sato | Pompaso ‘Tue RivalsPris tonto Pits lento Pris Ye a S209 = —>—~ FP Pin Vive Pix Pivoer Pans The Rivals‘The Rivals